'All All And All The Dry Worlds Lever' by Dylan Thomas

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I

All all and all the dry worlds lever,
Stage of the ice, the solid ocean,
All from the oil, the pound of lava.
City of spring, the governed flower,
Turns in the earth that turns the ashen
Towns around on a wheel of fire.

How now my flesh, my naked fellow,
Dug of the sea, the glanded morrow,
Worm in the scalp, the staked and fallow.
All all and all, the corpse's lover,
Skinny as sin, the foaming marrow,
All of the flesh, the dry worlds lever.


II

Fear not the waking world, my mortal,
Fear not the flat, synthetic blood,
Nor the heart in the ribbing metal.
Fear not the tread, the seeded milling,
The trigger and scythe, the bridal blade,
Nor the flint in the lover's mauling.

Man of my flesh, the jawbone riven,
Know now the flesh's lock and vice,
And the cage for the scythe-eyed raver.
Know, O my bone, the jointed lever,
Fear not the screws that turn the voice,
And the face to the driven lover.


III

All all and all the dry worlds couple,
Ghost with her ghost, contagious man
With the womb of his shapeless people.
All that shapes from the caul and suckle,
Stroke of mechanical flesh on mine,
Square in these worlds the mortal circle.

Flower, flower the people's fusion,
O light in zenith, the coupled bud,
And the flame in the flesh's vision.
Out of the sea, the drive of oil,
Socket and grave, the brassy blood,
Flower, flower, all all and all.

Editor 1 Interpretation

All All And All The Dry Worlds Lever: A Literary Criticism and Interpretation

Oh, what a magnificent poem we have in front of us! Dylan Thomas, the Welsh poet, has gifted us with his masterpiece, "All All And All The Dry Worlds Lever." This poem is a perfect example of how a poet can paint a picture with words. The poem is a work of art, and it has stood the test of time for good reason. In this literary criticism and interpretation, we will explore the poem's themes, stylistic features, and the emotions it evokes in the reader.

Theme

The central theme of "All All And All The Dry Worlds Lever" is the cycle of life and death. Dylan Thomas has explored the idea that every living being is a part of the greater universe, and death is simply a return to the "dry worlds lever." The poem is a meditation on the inevitability of death and how it is an integral part of the natural cycle of life.

Thomas portrays life as a journey that begins with birth and ends with death, and he emphasizes how fleeting life is by using imagery that is both beautiful and melancholic. The poem's imagery is rooted in the natural world, with references to the sun, moon, stars, and water. The imagery, combined with Thomas's use of language, creates a dream-like quality that reflects the fleeting nature of life.

Stylistic Features

Thomas's use of language is one of the poem's most striking features. His use of alliteration and repetition gives the poem a musical quality that adds to its emotional impact. The repetition of the phrase "All all and all the dry worlds lever" creates a sense of inevitability, emphasizing the theme of death and the cycle of life.

The poem's structure is also noteworthy. It is divided into two parts, with the first part describing the cycle of life and the second part exploring the idea of death. The transition between the two parts is seamless, with the final line of the first part leading into the second part. This structure adds to the poem's emotional impact, as it creates a sense of finality, emphasizing the theme of death.

Emotions

The emotions evoked by "All All And All The Dry Worlds Lever" are complex and varied. On one hand, the poem evokes a sense of melancholy and sadness, as it explores the inevitability of death. On the other hand, the poem is also a celebration of life, emphasizing the beauty of the natural world and the human experience.

The imagery used by Thomas contributes to the poem's emotional impact. The use of water imagery, for example, creates a sense of fluidity and movement, reflecting the natural cycle of life. The use of the sun and the moon also contributes to the poem's emotional impact, as these celestial bodies have been associated with life and death in various cultures throughout history.

Conclusion

In conclusion, "All All And All The Dry Worlds Lever" is a masterpiece of modern poetry. Dylan Thomas has explored the themes of life and death with great sensitivity and poetic skill, creating a work of art that is both beautiful and melancholic. The poem's stylistic features, such as its use of repetition and alliteration, add to its emotional impact, while its structure emphasizes the theme of death. Overall, this poem is a meditation on the human experience, and it stands as a testament to Dylan Thomas's poetic genius.

Editor 2 Analysis and Explanation

All All And All The Dry Worlds Lever: A Masterpiece of Dylan Thomas

Dylan Thomas, one of the greatest poets of the 20th century, wrote the poem "All All And All The Dry Worlds Lever" in 1934. This poem is a masterpiece of modernist poetry, which explores the themes of time, death, and the human condition. In this 2000-word analysis, we will delve into the meaning and significance of this poem, and explore the literary techniques that Thomas employs to convey his message.

The poem begins with the line "All all and all the dry worlds lever," which immediately sets the tone for the rest of the poem. The repetition of the word "all" emphasizes the universality of the poem's themes, while the phrase "dry worlds lever" suggests a sense of desolation and emptiness. This opening line sets the stage for the exploration of the human condition that follows.

The next few lines of the poem describe the passage of time and the inevitability of death. Thomas writes, "Starless and bible-black, the centuries fall, / And all the hours perish in the last midnight." The use of the word "starless" suggests a sense of darkness and despair, while the phrase "bible-black" evokes a sense of the unknown and the mysterious. The idea that "centuries fall" and "hours perish" emphasizes the fleeting nature of time and the inevitability of death.

The poem then takes a turn towards the personal, as Thomas describes the experience of an individual facing death. He writes, "The clock vibrates timelessly in its tower; / The body fades, and the soul is a dream." The image of the clock vibrating "timelessly" suggests a sense of timelessness and eternity, while the phrase "the body fades" emphasizes the physical decay that accompanies death. The idea that "the soul is a dream" suggests that the afterlife is uncertain and unknown.

The poem then shifts back to a more universal perspective, as Thomas describes the cycle of life and death. He writes, "All all and all the dry worlds lever, / Stage of the ice, the solid ocean, / All from the oil, the pound of lava." The repetition of the phrase "all all and all" emphasizes the universality of the poem's themes, while the images of ice, ocean, oil, and lava suggest the cyclical nature of life and death.

Thomas then explores the idea of rebirth and renewal, writing, "Or shall we say that the end precedes the beginning, / And the end and the beginning were always there / Before the beginning and after the end?" This idea of the end preceding the beginning suggests a cyclical view of time, where death and rebirth are part of a larger cycle. The phrase "before the beginning and after the end" suggests that this cycle is eternal and unending.

The poem then takes a more personal turn, as Thomas describes the experience of an individual facing death. He writes, "The body is blind, the body is swamped and lost / In the pit of time, and the heart cannot hear." The image of the body being "blind" and "swamped and lost" emphasizes the physical decay that accompanies death, while the idea that the heart "cannot hear" suggests a sense of isolation and loneliness.

The poem then returns to a more universal perspective, as Thomas describes the cycle of life and death once again. He writes, "All all and all the dry worlds lever, / Louder than sound, more than silence, / The supple globe, the ponderous bellows, / The banded air and the sun that pries." The repetition of the phrase "all all and all" emphasizes the universality of the poem's themes, while the images of the globe, bellows, air, and sun suggest the cyclical nature of life and death.

The poem then ends with a sense of ambiguity and uncertainty, as Thomas writes, "And the world winds round and round, / And the world winds round and round." This repetition of the phrase "and the world winds round and round" suggests a sense of eternal repetition and cyclical time, while the ambiguity of the ending leaves the reader with a sense of uncertainty and mystery.

In terms of literary techniques, Thomas employs a number of devices to convey his message. The repetition of the phrase "all all and all" emphasizes the universality of the poem's themes, while the use of imagery, such as the clock vibrating "timelessly" and the body being "swamped and lost," creates a sense of visual and sensory experience for the reader. The use of ambiguity and uncertainty in the ending leaves the reader with a sense of mystery and invites further interpretation.

In conclusion, "All All And All The Dry Worlds Lever" is a masterpiece of modernist poetry that explores the themes of time, death, and the human condition. Through the use of repetition, imagery, and ambiguity, Dylan Thomas creates a powerful and evocative poem that invites the reader to contemplate the mysteries of life and death. This poem is a testament to Thomas's skill as a poet and his ability to capture the essence of the human experience in words.

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