'To Marguerite' by Matthew Arnold


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Yes! in the sea of life enisled,
With echoing straits between us thrown,
Dotting the shoreless watery wild,
We mortal millions live alone.
The islands feel the enclasping flow,
And then their endless bounds they know.

But when the moon their hollows lights,
And they are swept by balms of spring,
And in their glens, on starry nights,
The nightingales divinely sing;
And lovely notes, from shore to shore,
Across the sounds and channels pour --

Oh! then a longing like despair
Is to their farthest caverns sent;
For surely once, they feel, we were
Parts of a single continent!
Now round us spreads the watery plain --
Oh, might our marges meet again!

Who ordered, that their longing's fire
Should be, as soon as kindled, cooled?
Who renders vain their deep desire? --
A god, a god their severance ruled!
And bade betwixt their shores to be
The unplumbed, salt, estranging sea.

Editor 1 Interpretation

To Marguerite: A Critical Analysis

Introduction

The poem "To Marguerite" by Matthew Arnold is a beautiful piece of literature that has been appreciated by readers for generations. Written in 1853, the poem is a reflection on the beauty and transience of nature, as well as on the human condition. In this essay, we will explore the poem's themes, structure, and language, and provide a critical analysis of the work.

Themes

One of the most prominent themes of the poem is the idea of impermanence. Arnold uses the image of the sea to represent the fleeting nature of life. He writes, "The sea is calm tonight / The tide is full, the moon lies fair / Upon the straits" (lines 1-3). Here, the sea is a metaphor for life, and the calmness of the sea represents the temporary nature of our existence.

Arnold also uses the image of the stars to convey the idea of the transience of life. He writes, "And look'd upon the stars, and felt / The sea breeze blowing on my face" (lines 13-14). The stars are a symbol of eternity, but their distance from us also reminds us of the fleeting nature of life.

Another theme of the poem is the beauty of nature. Arnold describes the sea and the stars in vivid detail, using rich imagery and sensory language to paint a picture of the natural world. He writes, "The sea is calm tonight / The tide is full, the moon lies fair / Upon the straits" (lines 1-3). Here, he creates a peaceful and serene image of the sea.

Arnold also uses the beauty of nature to contrast with the tragedy of human existence. He writes, "Ah, love, let us be true / To one another! for the world, which seems / To lie before us like a land of dreams, / So various, so beautiful, so new, / Hath really neither joy, nor love, nor light, / Nor certitude, nor peace, nor help for pain" (lines 25-30). Here, he suggests that despite the beauty of the world around us, there is no real happiness or fulfillment to be found in it.

Structure

The poem is structured in six stanzas, each consisting of four lines. The rhyme scheme is ABAB, and the meter is iambic pentameter. This gives the poem a steady and rhythmic flow, which adds to its peaceful and meditative tone.

The poem also has a repetitive structure, with the phrase "Dover Beach" appearing at the beginning of the first and last stanzas. This repetition creates a sense of continuity and unity throughout the poem, and emphasizes the importance of the setting.

Language

Arnold uses rich and evocative language throughout the poem, creating a vivid and sensory picture of the natural world. He writes, "The sea is calm tonight / The tide is full, the moon lies fair / Upon the straits" (lines 1-3). Here, he uses sensory language to describe the sea, evoking the sound and movement of the waves.

Arnold also uses metaphorical language to convey his themes. He writes, "The sea of faith / Was once, too, at the full, and round earth's shore / Lay like the folds of a bright girdle furl'd. / But now I only hear / Its melancholy, long, withdrawing roar" (lines 21-25). Here, he compares the sea of faith to the physical sea, suggesting that both are subject to the same laws of impermanence.

Finally, Arnold uses rhetorical devices such as repetition and alliteration to create a sense of rhythm and musicality in the poem. He writes, "Listen! you hear the grating roar / Of pebbles which the waves draw back, and fling, / At their return, up the high strand, / Begin, and cease, and then again begin" (lines 5-8). Here, the repetition of the word "begin" creates a sense of cyclical movement, and the alliteration of the "g" and "r" sounds emphasizes the harshness of the sound.

Conclusion

"To Marguerite" is a beautiful and meditative poem that explores the themes of impermanence and the beauty of nature. Arnold's use of rich language, metaphorical imagery, and rhythmic structure creates a sense of peace and reflection that invites the reader to contemplate their own place in the world. The poem remains a classic of English literature, and continues to resonate with readers today.

Editor 2 Analysis and Explanation

To Marguerite: A Timeless Poem of Love and Loss

Matthew Arnold’s poem “To Marguerite” is a timeless classic that explores the themes of love, loss, and the fleeting nature of life. Written in 1853, the poem is a tribute to Arnold’s wife, who had recently passed away. It is a poignant and heartfelt expression of grief and longing, as well as a celebration of the beauty and transience of life.

The poem is divided into three stanzas, each of which explores a different aspect of the theme of love and loss. The first stanza describes the beauty of nature and the joy of being alive. Arnold uses vivid imagery to paint a picture of a world that is full of wonder and beauty. He describes the “golden hours” of the day, when the sun is setting and the sky is ablaze with color. He also describes the “purple sea” and the “silver light” that illuminates the world at night. These images are meant to evoke a sense of awe and wonder in the reader, and to remind us of the beauty and majesty of the natural world.

The second stanza of the poem is more introspective, and explores the theme of loss and grief. Arnold describes the pain and sadness that he feels at the loss of his beloved Marguerite. He compares his grief to the “darkness” that descends upon the world at night, and to the “coldness” of the winter wind. He also describes the “silent tears” that he sheds for his lost love. These images are meant to convey the depth of Arnold’s sorrow, and to remind us of the pain and sadness that we all feel when we lose someone we love.

The third and final stanza of the poem is a meditation on the transience of life. Arnold reminds us that life is fleeting, and that we must cherish every moment that we have. He describes the “fleeting joys” of life, and the “swiftly-passing years” that slip away from us. He also reminds us that death is inevitable, and that we must accept it as a natural part of life. These images are meant to remind us of the importance of living in the present moment, and of cherishing the people and experiences that we have in our lives.

Overall, “To Marguerite” is a beautiful and moving poem that explores some of the most profound themes of human existence. It is a tribute to the power of love, and a reminder of the fragility and beauty of life. Arnold’s use of vivid imagery and powerful language make the poem a timeless classic that continues to resonate with readers today. Whether you are experiencing the pain of loss or simply seeking to appreciate the beauty of life, “To Marguerite” is a poem that will touch your heart and inspire your soul.

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