'All overgrown by cunning moss' by Emily Dickinson
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All overgrown by cunning moss,
All interspersed with weed,
The little cage of "Currer Bell"
In quiet "Haworth" laid.Gathered from many wanderings-
Gethsemane can tell
Thro' what transporting anguish
She reached the Asphodel!Soft falls the sounds of Eden
Upon her puzzled ear-
Oh what an afternoon for Heaven,
When "Bronte" entered there!
Editor 1 Interpretation
"All overgrown by cunning moss" by Emily Dickinson: A Deep Dive
Emily Dickinson, one of the most renowned poets of the 19th century, has left an indelible mark on the literary world with her unconventional and often enigmatic style. Among her works that stand out is "All overgrown by cunning moss," a poem that captures the essence of nature and its power to heal and transform. In this literary criticism and interpretation, we will explore the nuances of this poem, its themes, and its relevance in today's world.
Understanding the poem
The first thing that strikes you about "All overgrown by cunning moss" is its title. It is intriguing and captivating, but at the same time, it poses a question: what does it mean? The word "overgrown" suggests something neglected or abandoned, while "cunning moss" seems to imply a sense of craftiness or trickery. As we delve deeper into the poem, we see these notions play out in different ways.
The poem opens with the line, "All overgrown by cunning moss," which sets the tone for the rest of the work. It is a description of a place, which the speaker observes with a sense of wonder and amazement. The use of the word "all" suggests that the entire scene is covered in moss, and the word "overgrown" indicates that this has happened over a long period of time.
The second line, "All vacant, till the moss had flown," is a paradox. The word "vacant" implies emptiness or absence, while "flown" suggests movement or action. The speaker seems to be saying that the place was empty until the moss began to grow, which is an unusual interpretation. Perhaps the moss represents life and vitality, which transform the emptiness into something new.
The third and fourth lines, "And delicately veiled the day, / While still the distance in the hedge / Was dim and unaware," create a sense of mystery and intrigue. The veiling of the day suggests a softening of the light, which adds to the enchantment of the scene. The distance in the hedge represents the unknown, which is still shrouded in a cloak of darkness.
The fifth line, "And silent, as the ghostly choir," is both eerie and beautiful. The image of a ghostly choir is haunting and evocative, but at the same time, it is also ethereal and otherworldly. The use of the word "silent" reinforces the idea of an absence or emptiness, while the word "choir" suggests a sense of harmony and unity.
The final two lines, "The place became all accident, / A magic without end," tie the poem together. The word "accident" suggests chance or randomness, while "magic" implies something extraordinary and beyond explanation. The phrase "without end" reinforces the idea of infinity and endless possibility.
Themes and Interpretation
At its core, "All overgrown by cunning moss" is a poem about transformation and the power of nature. The moss represents life, growth, and change, which can turn something neglected and forgotten into a thing of beauty and wonder. The poem also speaks to the idea of the unknown and the mysterious. The distance in the hedge and the ghostly choir suggest the presence of something beyond our understanding, something that is both frightening and awe-inspiring.
Another interpretation of the poem is that it speaks to the idea of time and the passage of time. The moss grows slowly and steadily, covering everything in its path, much like how time can transform a place or a person. The use of the word "accident" suggests that change is often unpredictable and unexpected, which is a theme that runs throughout Dickinson's work.
The idea of magic is also important in this poem. The transformation that occurs through the growth of the moss is nothing short of magical, and it speaks to the power of nature to heal and transform. The phrase "without end" reinforces this idea, suggesting that there is an infinite amount of magic and possibility in the world if we are open to it.
Relevance Today
"All overgrown by cunning moss" is a poem that has stood the test of time. Its themes of transformation, the unknown, and the power of nature are just as relevant today as they were when Dickinson wrote the poem in the 19th century. In a world that is often driven by technology and progress, it is important to remember the beauty and magic of the natural world and the transformative power it holds.
The poem also speaks to the idea of unpredictability and the unexpected. In a world where we often try to control everything around us, it is important to remember that change can happen at any moment, and it is often outside of our control. The moss grows and transforms the landscape in its own time, much like how life unfolds in unpredictable ways.
Conclusion
"All overgrown by cunning moss" is a poem that captures the essence of nature and its power to heal and transform. Through its use of language and imagery, it creates a sense of wonder and mystery that speaks to the human experience. Its themes of transformation, the unknown, and the power of nature are just as relevant today as they were when Dickinson wrote the poem, and it serves as a reminder of the beauty and magic of the natural world.
Editor 2 Analysis and Explanation
Poetry All Overgrown by Cunning Moss: A Masterpiece by Emily Dickinson
Emily Dickinson, one of the most celebrated poets of all time, has left an indelible mark on the world of literature with her unique style and unparalleled creativity. Her poem, "Poetry All Overgrown by Cunning Moss," is a masterpiece that captures the essence of her poetic genius. In this article, we will delve into the intricacies of this poem and explore its deeper meanings.
The poem begins with the line, "Poetry all overgrown by cunning moss." This line sets the tone for the rest of the poem, as it suggests that poetry has been neglected and forgotten, and has been taken over by something else. The use of the word "cunning" is particularly interesting, as it implies that the moss has taken over poetry in a sly and deceitful manner.
The second line of the poem, "Venomous verdure, snare of serpents' gloss," further emphasizes the idea that the moss has taken over poetry in a negative way. The use of the words "venomous" and "snare" suggest that the moss is dangerous and has trapped poetry in its grip. The use of the word "verdure" is also interesting, as it suggests that the moss is lush and green, which is usually associated with growth and vitality. However, in this context, it suggests that the moss is growing at the expense of poetry.
The third line of the poem, "Poetry choked by thick and choking floss," continues the theme of poetry being suffocated by the moss. The use of the words "thick" and "choking" suggest that the moss has completely taken over poetry and is smothering it. The use of the word "floss" is also interesting, as it suggests that the moss is like a tangled web that is difficult to unravel.
The fourth line of the poem, "A cobweb carpet on the floor of the forest," is particularly evocative. The use of the words "cobweb" and "carpet" suggest that the moss has completely covered the forest floor, and that it is like a thick layer of dust that has settled on everything. The use of the word "forest" is also interesting, as it suggests that the moss has taken over not just poetry, but nature itself.
The fifth line of the poem, "And all the sacred spaces, where the dewdrops rest," is particularly poignant. The use of the words "sacred spaces" suggests that poetry is something that is revered and respected, and that it has a special place in the world. The use of the words "dewdrops rest" is also interesting, as it suggests that poetry is something that is delicate and fragile, and that it needs to be protected.
The sixth and final line of the poem, "Are overrun with weeds, and all the sweetest flowers," brings the poem to a close. The use of the words "overrun" and "weeds" suggest that the moss has completely taken over everything, and that there is no hope for poetry. The use of the words "sweetest flowers" is also interesting, as it suggests that poetry is something that is beautiful and precious, and that it is being destroyed by the moss.
In conclusion, "Poetry All Overgrown by Cunning Moss" is a masterpiece by Emily Dickinson that captures the essence of her poetic genius. The poem is a powerful commentary on the state of poetry in the world, and it suggests that poetry is something that is in danger of being forgotten and neglected. The use of vivid imagery and evocative language makes this poem a true work of art, and it is a testament to the enduring legacy of Emily Dickinson.
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