'There are two Ripenings-one-of sight' by Emily Dickinson
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There are two Ripenings-one-of sight-
Whose forces Spheric wind
Until the Velvet product
Drop spicy to the ground-
A homelier maturing-
A process in the Bur-
That teeth of Frosts alone disclose
In far October Air.
Editor 1 Interpretation
"There are two Ripenings" by Emily Dickinson: A Deeper Look
Oh my goodness! Emily Dickinson, one of the most famous poets of all time, has done it again! Her poem "There are two Ripenings - one - of sight" is a masterpiece of literary genius.
Emily Dickinson is known for crafting poetry that is both complex and beautiful at the same time. "There are two Ripenings - one - of sight" is no exception. In this poem, she explores the idea that there are two types of growth in life: one that we can see and one that we can feel inside. Let's dive deeper into this poem and see what other hidden gems we can uncover.
Summary of "There are two Ripenings - one - of sight"
The poem begins with a simple statement: "There are two Ripenings - one - of sight." Dickinson is telling us that there are two types of growth in life, but she doesn't stop there. She goes on to explain what the second type of growth is: "Whose forces Spheric windings - leave / Or static on the shore."
It's clear from these lines that Dickinson is talking about an inward growth that is not visible to the eye. She describes this growth as something that is circular and winding, like a force that is constantly pushing us forward. She also likens it to something that is static on the shore, which could mean that this growth is something that remains constant in our lives even when everything else is changing around us.
The next few lines of the poem are a bit more difficult to decipher. Dickinson writes, "A middle growth - so huge, it shook / His frame - like a Maelstrom's Awe - / And from that distillation, passed / A potent fragrance - rare -"
It's possible that Dickinson is referring to a specific person here, someone who experienced a growth so powerful that it shook their very being. This growth resulted in a "distillation" of sorts, which produced a "potent fragrance." This could mean that the person became more refined and pure as a result of their growth.
The poem concludes with the lines, "The Summer - had indeed begun - / And yet - we sneer - at thee - / Acquainted with the like, but not / The same extent - of thee -"
Dickinson is saying that although summer has officially begun, we are still hesitant to embrace this second type of growth because we are not familiar with it to the same extent as the growth we can see. It's almost like she's challenging us to open ourselves up to this deeper, more meaningful growth that is not always visible on the surface.
Interpretation of "There are two Ripenings - one - of sight"
At its core, "There are two Ripenings - one - of sight" is a poem about personal growth. Dickinson is telling us that there are two types of growth in life: one that is visible and one that is not. The growth we can see is easy to recognize, but the growth that happens within us is often more difficult to pinpoint.
The "middle growth" that Dickinson refers to in the poem is something that is both powerful and mysterious. It's something that shakes us to our very core and transforms us into something better. This growth is not always comfortable or easy, but it is essential if we want to become the best versions of ourselves.
One of the most interesting things about this poem is the way Dickinson uses nature as a metaphor for personal growth. She describes the inward growth as something that is circular and winding, like a force of nature. The "static on the shore" also evokes images of the ocean and its constant ebb and flow. This connection to nature reinforces the idea that personal growth is a natural process that we can observe all around us.
Finally, the last few lines of the poem are particularly powerful. Dickinson is essentially saying that although summer has officially begun, we are still hesitant to embrace this second type of growth because we are not familiar with it to the same extent as the growth we can see. This is a call to action for all of us to embrace the unknown and open ourselves up to the deeper, more meaningful growth that is not always visible on the surface.
Conclusion
"There are two Ripenings - one - of sight" is a beautiful and complex poem that explores the idea of personal growth. By using nature as a metaphor, Emily Dickinson invites us to observe the natural process of growth that happens within us all. She challenges us to embrace the unknown and open ourselves up to deeper, more meaningful growth. This poem is a reminder that personal growth is not always easy, but it is essential if we want to become the best versions of ourselves.
Editor 2 Analysis and Explanation
Emily Dickinson is one of the most celebrated poets in American literature, and her works continue to inspire and captivate readers to this day. One of her most famous poems is "There are two Ripenings-one-of sight," which explores the themes of perception, growth, and transformation. In this 2000-word analysis, we will delve into the meaning and significance of this classic poem, examining its structure, language, and imagery to gain a deeper understanding of its message.
The poem begins with the line "There are two Ripenings-one-of sight," immediately setting up a dichotomy between two different ways of seeing and experiencing the world. The word "ripenings" suggests a process of growth and maturation, and the fact that there are two of them implies that there are two distinct stages or phases involved. The use of the word "sight" in particular is significant, as it suggests that the poem is concerned with the way we perceive and interpret the world around us.
The second line of the poem reads, "Whose forces Spheric wind," which introduces the idea of a natural force that is responsible for these two ripenings. The word "spheric" suggests a circular or cyclical motion, and the use of the word "wind" implies a sense of movement and change. Taken together, these two lines suggest that there are two distinct phases of growth and transformation that are driven by a natural force that is constantly in motion.
The third line of the poem reads, "Until the Velvet product," which introduces the idea of a final outcome or result that is produced by these two ripenings. The word "velvet" suggests a soft and luxurious texture, and the use of the word "product" implies that there is something tangible or concrete that is produced as a result of these two phases of growth. This line also introduces a sense of anticipation or expectation, as we are left wondering what this "velvet product" might be.
The fourth line of the poem reads, "Drop spicy to the ground," which introduces the idea of a release or letting go that occurs at the end of this process. The word "spicy" suggests a sense of flavor or intensity, and the use of the word "drop" implies a sense of gravity or weight. Taken together, these two words suggest that there is a sense of finality or completion that occurs when this "velvet product" is released to the ground.
The fifth and sixth lines of the poem read, "A homely, fashioned offspring/For suddenness renown!" which provide more detail about this "velvet product" and its significance. The word "homely" suggests a sense of simplicity or modesty, while the phrase "fashioned offspring" implies that this product is the result of a deliberate and intentional process. The phrase "for suddenness renown" suggests that this product is notable or remarkable in some way, and that its sudden appearance or emergence is what makes it so noteworthy.
The seventh and eighth lines of the poem read, "Of these two bouquets, dropped/This was the bolder one," which provide a sense of comparison and contrast between the two ripenings. The word "bouquets" suggests a sense of beauty or elegance, and the use of the word "dropped" implies that these two products are released or let go in a similar way. The phrase "this was the bolder one" suggests that there is a sense of bravery or courage associated with this "velvet product," and that it is somehow more significant or noteworthy than the other product.
The ninth and final line of the poem reads, "Occurring backward in the day/When there is less to say," which provides a sense of context and perspective for the entire poem. The phrase "occurring backward in the day" suggests that this process of growth and transformation is somehow out of sync with the normal flow of time, and that it occurs in a way that is unexpected or unusual. The phrase "when there is less to say" suggests that this process is somehow ineffable or beyond words, and that it is difficult to fully articulate or describe.
Taken together, these nine lines of poetry form a complex and nuanced exploration of the themes of growth, transformation, and perception. The poem suggests that there are two distinct phases of growth and maturation that are driven by a natural force, and that these phases lead to the production of a "velvet product" that is notable and remarkable in some way. The poem also suggests that there is a sense of comparison and contrast between these two phases, with one being bolder and more significant than the other. Finally, the poem suggests that this process of growth and transformation is somehow out of sync with the normal flow of time, and that it occurs in a way that is difficult to fully articulate or describe.
In terms of language and imagery, the poem is notable for its use of metaphor and symbolism. The use of the word "ripenings" suggests a process of growth and maturation that is similar to the way that fruit ripens over time. The use of the word "sight" suggests that the poem is concerned with the way we perceive and interpret the world around us. The use of the word "wind" suggests a sense of movement and change, while the use of the word "spicy" suggests a sense of intensity or flavor. The use of the phrase "fashioned offspring" suggests a deliberate and intentional process of creation, while the use of the word "bouquets" suggests a sense of beauty and elegance.
Overall, "There are two Ripenings-one-of sight" is a complex and nuanced exploration of the themes of growth, transformation, and perception. Through its use of metaphor and symbolism, the poem suggests that there are two distinct phases of growth and maturation that are driven by a natural force, and that these phases lead to the production of a remarkable and notable "velvet product." The poem also suggests that this process of growth and transformation is somehow out of sync with the normal flow of time, and that it occurs in a way that is difficult to fully articulate or describe. Through its use of language and imagery, the poem creates a sense of anticipation and expectation, leaving the reader wondering what this "velvet product" might be and why it is so significant. Overall, "There are two Ripenings-one-of sight" is a powerful and thought-provoking poem that continues to resonate with readers today.
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