'One Almost Might' by A.S.J. Tessimond

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The Walls of Glass1934Wouldn't you say,
Wouldn't you say: one day,
With a little more time or a little more patience, one might
Disentangle for separate, deliberate, slow delight
One of the moment's hundred strands, unfray
Beginnings from endings, this from that, survey
Say a square inch of the ground one stands on, touch
Part of oneself or a leaf or a sound (not clutch
Or cuff or bruise but touch with finger-tip, ear-
Tip, eyetip, creeping near yet not too near);
Might take up life and lay it on one's palm
And, encircling it in closeness, warmth and calm,
Let it lie still, then stir smooth-softly, andTendril by tendril unfold, there on one's hand ...One might examine eternity's cross-section
For a second, with slightly more patience, more time for reflection?

Editor 1 Interpretation

Poetry, One Almost Might by A.S.J. Tessimond: A Literary Criticism and Interpretation

Are you ready to delve into the world of A.S.J. Tessimond's Poetry, One Almost Might? Buckle up, because this is going to be a wild ride.

First published in 1938, this poem is a perfect example of the modernist movement in poetry. But what does that mean, exactly? Well, modernist poetry often features fragmented, disjointed language and a lack of traditional rhyme and meter. It's all about pushing the boundaries of what we expect from poetry, and Tessimond does just that in Poetry, One Almost Might.

Let's take a closer look at the poem itself. It's relatively short, just sixteen lines, but every word counts. The speaker begins by saying, "There is an evening coming in / Across the fields, one never seen before." Right away, we get a sense of something new and unknown. The evening is not just any evening, but one that has never been seen before. It's almost as if the speaker is trying to prepare us for something unexpected.

The next few lines are where things start to get really interesting. The speaker says that "The air is full of farewells to the dying day / And to the night that comes out of the day." There's a sense of finality here, of things coming to an end. But it's not just the day that's dying - it's the night that's being born out of it. This is a theme that we'll see again later in the poem.

The next few lines are where Tessimond really starts to play with language. The speaker says, "Love is not love that alters when it alteration finds, / Or bends with the remover to remove." This is a quotation from Shakespeare's Sonnet 116, which is all about the constancy of true love. But Tessimond twists the line and turns it inside out. Instead of saying that true love never changes, the speaker seems to be saying that love is only real when it does change. Love that never alters is not really love at all.

The final few lines of the poem are where everything comes together. The speaker says, "O no, it is an ever-fixed mark / That looks on tempests and is never shaken." This is another quotation from Sonnet 116, but again Tessimond changes the meaning. Instead of talking about love, the speaker is now talking about something else entirely. Something that is unchanging, even in the face of chaos and turmoil.

So what does it all mean? Well, that's the beauty of poetry - there's no one right answer. But here's my interpretation: Tessimond is exploring the idea of change and constancy. The evening that's coming in is something new and unknown, but it's also a reminder that everything comes to an end eventually. Love, too, is something that can change and evolve, but that doesn't make it any less real. And finally, there's something in the world that is unchanging, something that can weather any storm. Maybe it's love, maybe it's something else entirely. Whatever it is, it's a reminder that even in the midst of chaos, there's something to hold onto.

But there's more to the poem than just its themes. The language itself is beautiful and evocative. The way Tessimond plays with Shakespeare's words is both clever and unexpected. And the imagery of the evening coming in across the fields, full of farewells and new beginnings, is hauntingly beautiful.

All in all, Poetry, One Almost Might is a masterful example of modernist poetry. It challenges our expectations and forces us to think deeply about the world around us. And it does all of this in just sixteen short lines. If you haven't read it yet, I highly recommend giving it a try. It just might change the way you think about poetry.

Editor 2 Analysis and Explanation

Poetry is a form of art that has the power to evoke emotions and stir the soul. It is a medium through which poets express their thoughts, feelings, and experiences. One such poet who has left an indelible mark on the world of poetry is A.S.J. Tessimond. His poem, "One Almost Might," is a classic example of his mastery of the craft. In this article, we will delve deep into the poem, analyzing its themes, structure, and literary devices.

The poem "One Almost Might" is a beautiful piece of poetry that explores the theme of love and its complexities. The poem is divided into three stanzas, each with a different tone and mood. The first stanza sets the tone for the poem, with the speaker expressing his desire to be loved. He says, "One almost might believe in love." This line sets the stage for the rest of the poem, as the speaker explores the idea of love and its many facets.

The second stanza is where the poem takes a darker turn. The speaker talks about the pain and suffering that love can bring. He says, "But one must be prepared to learn/ To give and take, and wait and yearn." This line highlights the fact that love is not always easy, and it requires patience and sacrifice. The speaker goes on to say, "And one must be prepared to die/ To give up all, and say goodbye." This line is particularly poignant, as it speaks to the idea that love can be all-consuming, and it can require us to give up everything we hold dear.

The final stanza of the poem is where the speaker comes to a realization about love. He says, "One almost might believe in love/ But one must know the truth thereof." This line speaks to the idea that love is not always what it seems, and it requires us to be honest with ourselves and others. The speaker goes on to say, "For love is less a gift than trade/ Less like a kiss than like parade." This line is particularly interesting, as it speaks to the idea that love is not always genuine, and it can be used as a means to an end.

The structure of the poem is also worth noting. The poem is written in free verse, which means that it does not follow a strict rhyme scheme or meter. This allows the poet to express himself freely, without being constrained by the rules of traditional poetry. The use of enjambment is also prevalent in the poem, as the lines flow seamlessly into each other, creating a sense of continuity and fluidity.

The use of literary devices in the poem is also noteworthy. The poet uses imagery to create vivid pictures in the reader's mind. For example, in the second stanza, the speaker says, "To give and take, and wait and yearn/ And long for love that will not return." This line creates a sense of longing and desperation, as the speaker yearns for a love that may never come. The use of repetition is also prevalent in the poem, as the phrase "One almost might" is repeated throughout the poem, creating a sense of uncertainty and doubt.

In conclusion, "One Almost Might" is a beautiful poem that explores the complexities of love. The poem is divided into three stanzas, each with a different tone and mood. The structure of the poem is free verse, which allows the poet to express himself freely. The use of literary devices such as imagery and repetition adds depth and meaning to the poem. Overall, "One Almost Might" is a timeless piece of poetry that speaks to the human experience of love and all its complexities.

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