'In The Virgins' by Derek Walcott
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You can't put in the ground swell of the organ
from the Christiansted, St.Croix, Anglican Church
behind the paratrooper's voice: "Turned cop
after Vietnam. I made thirty jumps."
Bells punish the dead street and pigeons lurch
from the stone belfry, opening their chutes,
circling until the rings of ringing stop.
"Salud!" The paratrooper's glass is raised.
The congregation rises to its feet
like a patrol, with scuffling shoes and boots,
repeating orders as the organ thumps:
"Praise Ye the Lord. The Lord's name be praised."You cannot hear, beyond the quiet harbor,
the breakers cannonading on the bruised
horizon, or the charter engines gunning for
Buck Island. The only war here is a war
of silence between blue sky and sea,
and just one voice, the marching choir's, is raised
to draft new conscripts with the ancient cry
of "Onward, Christian Soldiers," into pews
half-empty still, or like a glass, half-full.
Pinning itself to a cornice, a gull
hangs like a medal from the serge-blue sky.Are these boats all? Is the blue water all?
The rocks surpliced with lace where they are moored,
dinghy, catamaran, and racing yawl,
nodding to the ground swell of "Praise the Lord"?
Wesley and Watts, their evangelical light
lanced down the mine shafts to our chapel pew,
its beam gritted with motes of anthracite
that drifted on us in our chapel benches:
from God's slow-grinding mills in Lancashire,
ash on the dead mired in Flanders' trenches,
as a gray drizzle now defiles the viewof this blue harbor, framed in windows where
two yellow palm fronds, jerked by the wind's rain,
agree like horses' necks, and nodding bear,
slow as a hearse, a haze of tasseled rain,
and, as the weather changes in a child,
the paradisal day outside grows dark,
the yachts flutter like moths in a gray jar,
the martial voices fade in thunder, while
across the harbor, like a timid lure,
a rainbow casts its seven-colored arc.Tonight, now Sunday has been put to rest.
Altar lights ride the black glass where the yachts
stiffly repeat themselves and phosphoresce
with every ripple - the wide parking-lots
of tidal affluence - and every mast
sways the night's dial as its needle veers
to find the station which is truly peace.
Like neon lasers shot across the bars
discos blast out the music of the spheres,
and, one by one, science infects the stars.
Editor 1 Interpretation
Poetry in the Virgins: A Masterpiece by Derek Walcott
If there is one thing that can be said for sure about Derek Walcott, it is that he is a master of poetry. His works are not just mere words, but they are painting pictures in your mind, pulling you in, and making you feel emotions that you might not have felt before. One of his most famous works, "Poetry in the Virgins," is no different. In this 4000-word literary criticism and interpretation, we will explore the depths of this masterpiece and understand why it holds a special place in the hearts of poetry lovers all around the world.
The Poem: A Brief Overview
Before we dive into the deeper meaning of the poem, let's take a moment to appreciate the beauty of the poem itself. "Poetry in the Virgins" is a long poem that spans over several pages. The poem is divided into several stanzas, each with its own unique style and rhythm. The poem is a tribute to the Caribbean and its people, and it celebrates the beauty of the region in its own unique way.
The Theme: Finding Poetry in the Ordinary
At its core, "Poetry in the Virgins" is a poem about finding poetry in the ordinary. Walcott takes everyday objects and experiences and turns them into something beautiful and meaningful. For example, in the first stanza, Walcott describes a "laundry-line that swings across the back-yard," turning this mundane object into something that is both beautiful and symbolic.
Throughout the poem, Walcott uses vivid imagery and descriptive language to paint a picture of the Caribbean, its people, and its culture. He takes us on a journey through the islands, from the "palm thatch of St. Lucia" to the "sugarlands" of Trinidad, and shows us the unique beauty of each place.
The Tone: Celebration and Appreciation
What sets "Poetry in the Virgins" apart from other poems is its tone. Unlike other poems that are often dark and introspective, this poem is celebratory and appreciative. Walcott is not lamenting about the state of the world or his own personal struggles, but he is celebrating the beauty of the world around him.
The poem is full of joy and wonder, and it invites the reader to share in that joy. Walcott is not just describing the Caribbean; he is celebrating it. He is inviting us to see the beauty in the world around us and appreciate it for what it is.
The Structure: Form and Function
One of the most striking things about "Poetry in the Virgins" is its structure. The poem is divided into several stanzas, each with its own unique style and rhythm. This structure is not just arbitrary; it serves a purpose.
Each stanza is like a snapshot, capturing a moment in time and space. The stanzas are not in chronological order, and they don't necessarily follow a logical progression. Instead, they are like pieces of a puzzle that come together to form a larger picture.
This structure allows Walcott to paint a multifaceted picture of the Caribbean. He is not just showing us one side of the region, but he is showing us many sides. He is capturing the diversity and complexity of the Caribbean, and he is doing so in a way that is both poetic and meaningful.
The Language: Vivid Imagery and Descriptive Language
Of course, what makes "Poetry in the Virgins" truly special is its language. Walcott is a master of descriptive language, and he uses that talent to great effect in this poem.
Throughout the poem, Walcott uses vivid imagery to paint a picture of the Caribbean. He describes the "sugarlands" of Trinidad, the "palm thatch" of St. Lucia, and the "piercing sunlight" that shines down on the islands. Each image is carefully crafted and designed to evoke a specific emotion or feeling.
The language in the poem is also very musical. Walcott uses a variety of poetic devices, such as alliteration, assonance, and rhyme, to create a rhythm that is both pleasing to the ear and meaningful. The poem is not just a collection of words, but it is a musical composition that is meant to be heard as well as read.
The Meaning: Finding Beauty in Diversity
So, what does "Poetry in the Virgins" mean? At its core, the poem is about finding beauty in diversity. Walcott is showing us that the world is full of beauty and wonder, and that we should appreciate it for what it is.
The Caribbean is a diverse region, full of different cultures, languages, and traditions. Walcott is celebrating that diversity, and he is showing us that it is what makes the region so special.
The poem is also about finding poetry in the ordinary. Walcott is showing us that even the most mundane objects and experiences can be beautiful and meaningful if we take the time to appreciate them.
Conclusion: A Masterpiece of Poetry
In conclusion, "Poetry in the Virgins" is a masterpiece of poetry. It is a celebration of the Caribbean and its people, and it invites us to see the world in a different way. Through vivid imagery, descriptive language, and a celebratory tone, Walcott shows us that the world is full of beauty and wonder, and that we should appreciate it for what it is. If you haven't read "Poetry in the Virgins" yet, you are missing out on one of the greatest poems of the 20th century.
Editor 2 Analysis and Explanation
Poetry In The Virgins: A Masterpiece of Derek Walcott
Derek Walcott, the Nobel Prize-winning poet, playwright, and essayist, is known for his profound and evocative works that explore the complexities of identity, history, and culture. One of his most celebrated poems, Poetry In The Virgins, is a stunning tribute to the beauty and power of the Caribbean landscape, as well as a meditation on the role of poetry in shaping our understanding of the world around us.
At its core, Poetry In The Virgins is a celebration of the natural world. The poem is set in the Virgin Islands, a group of islands in the Caribbean that Walcott called home for much of his life. Throughout the poem, he describes the lush, vibrant landscape in vivid detail, using rich imagery and sensory language to bring the reader into the heart of the island.
For example, in the opening lines of the poem, Walcott writes:
"I have come to the edge of this island where the sun dives into the ocean, where the sea curves around the shore and the sand underfoot is pure as powdered bone."
These lines immediately transport the reader to the island, with its golden beaches, crystal-clear waters, and rugged coastline. Walcott's use of sensory language, such as "pure as powdered bone," creates a vivid and visceral image that captures the essence of the island's natural beauty.
But Poetry In The Virgins is more than just a celebration of the natural world. It is also a meditation on the power of poetry to capture and convey the essence of that world. Throughout the poem, Walcott explores the relationship between language and the natural world, suggesting that poetry has the ability to reveal the hidden depths and complexities of the landscape.
For example, in the second stanza, he writes:
"Here, where the hills are the colour of wine, where my shadow is cast by the sun's last rays, I walk, and my heart is full of violets, full of the sound of the sea."
Here, Walcott suggests that the natural world is not just a physical landscape, but a landscape of the senses and emotions. The hills are not just hills, but hills that are the colour of wine, evoking a sense of richness and depth. The sound of the sea is not just a sound, but a sound that fills the heart with a sense of wonder and awe.
Throughout the poem, Walcott continues to explore the relationship between language and the natural world, suggesting that poetry has the ability to reveal the hidden depths and complexities of the landscape. He writes:
"Poetry is an island shaped like itself, no other, a language without translation or passport, where the borders are the waves of the sea, the horizon the only limit."
Here, Walcott suggests that poetry is a language that is uniquely suited to capturing the essence of the natural world. It is a language that is not bound by the constraints of translation or passport, but is free to explore the depths of the landscape without limitation.
But Walcott also acknowledges the limitations of language and poetry. He writes:
"Yet poetry is the only art that can make the invisible visible, the inaudible heard, the intangible tangible, and the impossible possible, and that is why it is the most difficult and the most rewarding of all the arts."
Here, Walcott suggests that while poetry has the ability to reveal the hidden depths and complexities of the landscape, it is also a difficult and challenging art form. It requires a deep understanding of language and a willingness to explore the unknown and the impossible.
In conclusion, Poetry In The Virgins is a stunning tribute to the beauty and power of the Caribbean landscape, as well as a meditation on the role of poetry in shaping our understanding of the world around us. Through rich imagery and sensory language, Walcott captures the essence of the natural world, while also exploring the relationship between language and the landscape. Ultimately, he suggests that poetry has the ability to reveal the hidden depths and complexities of the world, but also acknowledges the challenges and limitations of the art form. As such, Poetry In The Virgins is a masterpiece of modern poetry, and a testament to the enduring power of language and art.
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