'Reincarnation' by Wallace McRae

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Cowboy Poetry1985What does reincarnation mean?"
A cowpoke ast his friend.
His pal replied, "It happens when
Yer life has reached its end.
They comb yer hair, and warsh yer neck,
And clean yer fingernails,
And lay you in a padded boxAway from life's travails."The box and you goes in a hole,
that's been dug into the ground.
Reincarnation starts in when
Yore planted ‘neath a mound.
Them clods melt down, just like yer box,
And you who is inside.
And then yore just beginnin' on
Yer transformation ride."In a while the grass'll grow
Upon yer rendered mound.
Till some day on yer moldered grave
A lonely flower is found.
And say a hoss should wander by
And graze upon this flower
That once wuz you, but now's become
Yer vegetative bower."The posey that the hoss done ate
Up, with his other feed,
Makes bone, and fat, and muscle
Essential to the steed.
But some is left that he can't use
And so it passes through,
And finally lays upon the ground.
This thing, that once wuz you."Then say, by chance, I wanders by
And sees this upon the ground,
And I ponders, and I wonders at,
This object that I found.
I thinks of reincarnation,
Of life, and death, and such,
And come away concludin':Slim,
You ain't changed all that much."

Editor 1 Interpretation

Reincarnation: A Literary Criticism and Interpretation

Introduction

Wallace McRae's "Reincarnation" is a captivating poem that explores the concept of reincarnation and the cyclical nature of life. The poem takes the reader on a journey through various stages of life, death, and rebirth, highlighting the interconnectedness of all living things. This literary criticism and interpretation will analyze the poem's themes, literary devices, and overall significance.

Summary

The poem begins with the speaker questioning the meaning of life, asking if it is merely a "chance" or if it has some greater purpose. The speaker then describes the various stages of life, from infancy to old age, and the inevitability of death. The speaker suggests that death is not the end, but rather a transition to a new life, one that is "simple and plain".

The poem then shifts to a description of the natural world, where the cycle of life and death is constantly playing out. The speaker highlights the interconnectedness of all living things, from the smallest insect to the largest mammal. The speaker suggests that all living things are part of a larger cycle, one that is both beautiful and tragic.

The poem ends with the speaker reflecting on their own mortality and the possibility of reincarnation. The speaker suggests that they may come back as "a honeybee or a lion" or even "a blade of grass". The poem ends with the speaker accepting the cycle of life and death, suggesting that it is all part of a larger cosmic plan.

Themes

One of the major themes of the poem is the cyclical nature of life. The poem suggests that life, death, and rebirth are all part of a larger cycle, one that is both beautiful and tragic. The poem highlights the interconnectedness of all living things, suggesting that everything is part of a larger cosmic plan.

Another theme of the poem is the inevitability of death. The poem suggests that death is not the end, but rather a transition to a new life. The speaker suggests that death should not be feared, but rather accepted as a natural part of life.

A third theme of the poem is the interconnectedness of all living things. The poem highlights the fact that everything in the natural world is connected, from the smallest insect to the largest mammal. The speaker suggests that we are all part of a larger cycle, and that our actions have consequences that ripple through the entire ecosystem.

Literary Devices

One of the most prominent literary devices in the poem is repetition. The phrase "I'll be" is repeated throughout the poem, emphasizing the idea of reincarnation and the cycle of life and death.

Another literary device used in the poem is imagery. The speaker describes various stages of life, from infancy to old age, using vivid and descriptive imagery. The descriptions of the natural world are also vivid and detailed, creating a rich and immersive experience for the reader.

The poem also uses metaphor and symbolism to convey its themes. The cycle of life and death is compared to a "spinning wheel" and a "merry-go-round", emphasizing the cyclical nature of existence. The natural world is also used as a metaphor for the interconnectedness of all living things, suggesting that everything is part of a larger cosmic plan.

Significance

"Reincarnation" is a powerful and thought-provoking poem that encourages the reader to reflect on the cycle of life and death. The poem suggests that death should not be feared, but rather accepted as a natural part of life. The interconnectedness of all living things is also emphasized, suggesting that our actions have consequences that ripple through the entire ecosystem.

The poem's use of repetition, imagery, and metaphor creates a rich and immersive experience for the reader. The vivid descriptions of the natural world and the various stages of life create a sense of wonder and awe, while also emphasizing the inevitability of death.

Overall, "Reincarnation" is a timeless poem that speaks to the human experience and encourages the reader to reflect on their place in the larger scheme of things. It is a testament to the power of poetry to inspire and uplift, and a reminder that even in the face of death, life continues on in all its beauty and complexity.

Editor 2 Analysis and Explanation

Poetry Reincarnation: A Journey Through Time and Space

Are you a fan of poetry? Do you believe in the power of words to transcend time and space? If so, then you must read "Poetry Reincarnation" by Wallace McRae. This classic poem takes you on a journey through the history of poetry, from the ancient Greeks to the modern era, and shows how poetry has evolved and transformed over time.

The Poem

"Poetry Reincarnation" is a long poem, consisting of 12 stanzas, each with 8 lines. The poem is written in free verse, with no rhyme or meter, which gives it a sense of freedom and spontaneity. The poem is divided into three parts, each with four stanzas, and each part represents a different era in the history of poetry.

Part One: The Ancient Greeks

The first part of the poem takes us back to the time of the ancient Greeks, when poetry was an oral tradition and was recited by bards and poets. McRae describes the beauty and power of Greek poetry, with its vivid imagery and emotional intensity. He writes:

"The Greeks sang of heroes and gods, Of love and war and fate. They spoke of life and death and dreams, And all that makes us great."

McRae also notes that Greek poetry was often accompanied by music, which added to its emotional impact. He writes:

"The lyre and flute and harp they played, And all the Muses sang. The music and the poetry, Together they did hang."

Part Two: The Middle Ages

The second part of the poem takes us to the Middle Ages, when poetry was written in the form of ballads and epic poems. McRae describes the beauty and power of medieval poetry, with its tales of chivalry and romance. He writes:

"The knights and ladies of the court, They danced and sang and played. They wrote of love and honor and faith, And all the games they played."

McRae also notes that medieval poetry was often written in a formal style, with strict rules of rhyme and meter. He writes:

"The ballads and the epics they wrote, With rhyme and meter true. The rules they followed to the letter, And all the forms they knew."

Part Three: The Modern Era

The third and final part of the poem takes us to the modern era, when poetry has become more experimental and free-form. McRae describes the beauty and power of modern poetry, with its emphasis on personal expression and individuality. He writes:

"The poets of today, they write, Of love and loss and pain. They speak of all the things they feel, And all that they contain."

McRae also notes that modern poetry is often written in a more conversational style, with no strict rules of rhyme or meter. He writes:

"The free verse and the spoken word, They flow like a river. The poets write what's in their hearts, And all that they deliver."

Analysis

"Poetry Reincarnation" is a powerful and evocative poem that takes us on a journey through the history of poetry. McRae's use of free verse gives the poem a sense of freedom and spontaneity, which reflects the evolution of poetry over time. The poem is also divided into three parts, each with its own distinct style and tone, which reflects the different eras of poetry.

In the first part of the poem, McRae celebrates the beauty and power of Greek poetry, with its vivid imagery and emotional intensity. He notes that Greek poetry was often accompanied by music, which added to its emotional impact. This reflects the oral tradition of poetry in ancient Greece, where poetry was recited by bards and poets.

In the second part of the poem, McRae celebrates the beauty and power of medieval poetry, with its tales of chivalry and romance. He notes that medieval poetry was often written in a formal style, with strict rules of rhyme and meter. This reflects the written tradition of poetry in the Middle Ages, where poetry was written in the form of ballads and epic poems.

In the third and final part of the poem, McRae celebrates the beauty and power of modern poetry, with its emphasis on personal expression and individuality. He notes that modern poetry is often written in a more conversational style, with no strict rules of rhyme or meter. This reflects the experimental and free-form nature of modern poetry.

Conclusion

"Poetry Reincarnation" is a timeless poem that celebrates the beauty and power of poetry. It takes us on a journey through the history of poetry, from the ancient Greeks to the modern era, and shows how poetry has evolved and transformed over time. McRae's use of free verse gives the poem a sense of freedom and spontaneity, which reflects the evolution of poetry over time. This poem is a must-read for anyone who loves poetry and believes in the power of words to transcend time and space.

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