'Soliloquy Of The Spanish Cloister' by Robert Browning
AI and Tech Aggregator
Download Mp3s Free
Tears of the Kingdom Roleplay
Best Free University Courses Online
Gr-r-r---there go, my heart's abhorrence!
Water your damned flower-pots, do!
If hate killed men, Brother Lawrence,
God's blood, would not mine kill you!
What? your myrtle-bush wants trimming?
Oh, that rose has prior claims---
Needs its leaden vase filled brimming?
Hell dry you up with its flames!
At the meal we sit together:
_Salve tibi!_ I must hear
Wise talk of the kind of weather,
Sort of season, time of year:
_Not a plenteous cork-crop: scarcely
Dare we hope oak-galls, I doubt:
What's the Latin name for ``parsley''?_
What's the Greek name for Swine's Snout?
Whew! We'll have our platter burnished,
Laid with care on our own shelf!
With a fire-new spoon we're furnished,
And a goblet for ourself,
Rinsed like something sacrificial
Ere 'tis fit to touch our chaps---
Marked with L. for our initial!
(He-he! There his lily snaps!)
_Saint_, forsooth! While brown Dolores
Squats outside the Convent bank
With Sanchicha, telling stories,
Steeping tresses in the tank,
Blue-black, lustrous, thick like horsehairs,
---Can't I see his dead eye glow,
Bright as 'twere a Barbary corsair's?
(That is, if he'd let it show!)
When he finishes refection,
Knife and fork he never lays
Cross-wise, to my recollection,
As do I, in Jesu's praise.
I the Trinity illustrate,
Drinking watered orange-pulp---
In three sips the Arian frustrate;
While he drains his at one gulp.
Oh, those melons? If he's able
We're to have a feast! so nice!
One goes to the Abbot's table,
All of us get each a slice.
How go on your flowers? None double
Not one fruit-sort can you spy?
Strange!---And I, too, at such trouble,
Keep them close-nipped on the sly!
There's a great text in Galatians,
Once you trip on it, entails
Twenty-nine distinct damnations,
One sure, if another fails:
If I trip him just a-dying,
Sure of heaven as sure can be,
Spin him round and send him flying
Off to hell, a Manichee?
Or, my scrofulous French novel
On grey paper with blunt type!
Simply glance at it, you grovel
Hand and foot in Belial's gripe:
If I double down its pages
At the woeful sixteenth print,
When he gathers his greengages,
Ope a sieve and slip it in't?
Or, there's Satan!---one might venture
Pledge one's soul to him, yet leave
Such a flaw in the indenture
As he'd miss till, past retrieve,
Blasted lay that rose-acacia
We're so proud of! _Hy, Zy, Hine ..._
'St, there's Vespers! _Plena grati
Ave, Virgo!_ Gr-r-r---you swine!
Editor 1 Interpretation
Soliloquy Of The Spanish Cloister: A Masterpiece By Robert Browning
Are you a fan of poetry? Do you enjoy reading works that delve deep into the human psyche and explore the darker aspects of humanity? If the answer is yes, then you must read Robert Browning's Soliloquy Of The Spanish Cloister. This poem is a masterpiece of Victorian poetry that showcases Browning's mastery of language, symbolism, and irony.
In this essay, I will analyze and interpret Soliloquy Of The Spanish Cloister, exploring its themes, style, and literary devices. I will argue that Browning uses the character of Brother Lawrence to reveal the hypocrisy and corruption of the Catholic Church and to comment on the nature of human desire and envy.
Before we dive into the poem itself, it's important to understand the context in which it was written. Browning was a Victorian poet who lived in England in the 19th century. He was known for his dramatic monologues, which were characterized by their psychological depth and exploration of the human mind. Soliloquy Of The Spanish Cloister was published in 1842 as part of Browning's first collection of poems, titled "Dramatic Lyrics."
The poem is set in a Spanish monastery, and its speaker is Brother Lawrence, a monk who is filled with envy and resentment towards Brother John, another monk whom he perceives as being holier and more virtuous than himself. The poem is structured as a soliloquy, which means that Brother Lawrence is speaking to himself and revealing his innermost thoughts and feelings.
One of the main themes of Soliloquy Of The Spanish Cloister is the hypocrisy and corruption of the Catholic Church. Browning portrays the monks as being consumed by jealousy and envy, despite their supposed dedication to God and their vows of poverty and humility. Brother Lawrence is particularly guilty of this, as he is obsessed with Brother John's supposed holiness and constantly seeks ways to undermine him.
Another theme that runs throughout the poem is the nature of human desire and envy. Brother Lawrence is driven by his own jealousy and envy, and his thoughts are consumed by thoughts of Brother John. This desire is portrayed as being destructive and ultimately leads to Brother Lawrence's downfall.
Browning's style in Soliloquy Of The Spanish Cloister is characterized by its use of irony and sarcasm. The poem is structured as a soliloquy, which means that Brother Lawrence is speaking to himself and revealing his innermost thoughts and feelings. However, the reader is aware of the irony and hypocrisy of Brother Lawrence's thoughts, as he often makes contradictory statements and reveals his own shortcomings and weaknesses.
Browning also uses symbolism throughout the poem to highlight the themes of hypocrisy and corruption. For example, Brother Lawrence's obsession with Brother John is symbolized by his fixation on a grape that Brother John has eaten. The grape becomes a symbol of Brother John's supposed superiority and holiness, and Brother Lawrence becomes consumed by his own desire for it.
The Literary Devices
Browning employs a variety of literary devices in Soliloquy Of The Spanish Cloister to create a vivid and powerful image of Brother Lawrence's inner turmoil. One of the most striking devices is the use of repetition, particularly in the final stanza of the poem. The repetition of the phrase "Gr-r-r--there go, my heart's abhorrence!" emphasizes Brother Lawrence's desperation and frustration, and creates a sense of climax and finality.
Another literary device that Browning uses is allusion, particularly to the Bible and the Catholic Church. For example, Brother Lawrence's thoughts about Brother John and his supposed holiness are reminiscent of the biblical story of Cain and Abel, in which Cain becomes jealous of his brother's favor with God and murders him. Browning also alludes to the Catholic Church's use of relics and other material objects to symbolize holiness and sanctity, such as Brother Lawrence's fixation on Brother John's grape.
In my interpretation, Soliloquy Of The Spanish Cloister is a commentary on the hypocrisy and corruption of organized religion, particularly the Catholic Church. Browning uses the character of Brother Lawrence to reveal the dark side of the monk's supposed devotion to God, showing how envy and jealousy can corrupt even the most dedicated followers of religion.
At the same time, Browning also comments on the nature of human desire and envy, showing how these emotions can lead to destructive and ultimately self-destructive behavior. Brother Lawrence's fixation on Brother John's supposed holiness is portrayed as being irrational and harmful, leading him to become consumed by his own desires and ultimately leading to his downfall.
Overall, Soliloquy Of The Spanish Cloister is a powerful and thought-provoking poem that reveals Browning's mastery of language, symbolism, and irony. It is a timeless work that continues to resonate with readers today, inviting us to reflect on the nature of human desire, envy, and the dangers of religious hypocrisy.
Editor 2 Analysis and Explanation
The Soliloquy of the Spanish Cloister by Robert Browning is a classic poem that has stood the test of time. It is a masterpiece of Victorian literature that is still relevant today. The poem is a dramatic monologue that is spoken by a monk who is filled with envy and hatred towards his fellow monk, Brother Lawrence. The poem is a perfect example of Browning's style of writing, which is characterized by his use of dramatic monologues to explore the inner workings of the human mind.
The poem is set in a Spanish monastery, and the speaker is a monk who is filled with envy and hatred towards his fellow monk, Brother Lawrence. The speaker is jealous of Brother Lawrence's good looks, his popularity among the other monks, and his ability to attract the attention of the women who come to the monastery. The speaker is also angry at Brother Lawrence for his perceived lack of piety and devotion to God.
The poem is divided into six stanzas, each of which is composed of four lines. The rhyme scheme of the poem is ABAB, which gives it a musical quality. The language of the poem is rich and vivid, with Browning using a variety of literary devices to create a sense of drama and tension.
The first stanza of the poem sets the tone for the rest of the poem. The speaker begins by describing the Spanish cloister, with its orange trees and fountains. He then introduces Brother Lawrence, whom he describes as a "great, strong man" with a "fair round belly." The speaker is immediately jealous of Brother Lawrence's physical appearance, and he begins to criticize him for his lack of piety.
In the second stanza, the speaker continues to criticize Brother Lawrence. He accuses him of being lazy and of spending too much time with the women who come to the monastery. The speaker is clearly envious of Brother Lawrence's popularity with the women, and he accuses him of using his good looks to attract them.
The third stanza is where the speaker's envy and hatred really begin to show. He describes how he has been plotting against Brother Lawrence, and he reveals that he has been putting poison in his wine. The speaker is clearly consumed by his hatred for Brother Lawrence, and he is willing to go to extreme lengths to get rid of him.
In the fourth stanza, the speaker continues to describe his hatred for Brother Lawrence. He accuses him of being a hypocrite and of pretending to be pious in front of the other monks. The speaker is convinced that Brother Lawrence is not as devoted to God as he appears to be, and he is determined to expose him.
The fifth stanza is where the tension in the poem really begins to build. The speaker describes how he has been watching Brother Lawrence, waiting for him to drink the poisoned wine. He is filled with anticipation, and he can hardly contain his excitement. The reader can sense that something terrible is about to happen.
In the final stanza, the speaker reveals that his plan has backfired. Instead of killing Brother Lawrence, he has only made him sick. The speaker is disappointed that his plan did not work, but he is still filled with hatred for Brother Lawrence. The poem ends with the speaker vowing to continue his plot against Brother Lawrence.
The Soliloquy of the Spanish Cloister is a powerful poem that explores the darker side of human nature. It is a vivid portrayal of envy, hatred, and jealousy, and it shows how these emotions can consume a person's soul. The poem is also a testament to Browning's skill as a writer. His use of language and literary devices creates a sense of drama and tension that keeps the reader engaged from beginning to end.
In conclusion, The Soliloquy of the Spanish Cloister is a classic poem that is still relevant today. It is a powerful exploration of the human psyche, and it shows how envy and hatred can lead to destructive behavior. Browning's use of language and literary devices creates a sense of drama and tension that makes the poem a compelling read. It is a testament to Browning's skill as a writer, and it is a masterpiece of Victorian literature.
Editor Recommended SitesNew Programming Language: New programming languages, ratings and reviews, adoptions and package ecosystems
Multi Cloud Tips: Tips on multicloud deployment from the experts
Cloud Templates - AWS / GCP terraform and CDK templates, stacks: Learn about Cloud Templates for best practice deployment using terraform cloud and cdk providers
Learn Cloud SQL: Learn to use cloud SQL tools by AWS and GCP
Recommended Similar AnalysisEldorado by Edgar Allan Poe analysis
Hannibal by Robert Frost analysis
A Hand-Mirror by Walt Whitman analysis
Earth 's Answer by William Blake analysis
To A Mouse by Robert Burns analysis
Ode by John Keats analysis
Juke Box Love Song by Langston Hughes analysis
Growing Old by Matthew Arnold analysis
London by William Blake analysis
To Thomas Moore by George Gordon, Lord Byron analysis