'Cupid Far Gone' by Richard Lovelace
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I.
What, so beyond all madnesse is the elf,
Now he hath got out of himself!
His fatal enemy the Bee,
Nor his deceiv'd artillerie,
His shackles, nor the roses bough
Ne'r half so netled him, as he is now.
II.
See! at's own mother he is offering;
His finger now fits any ring;
Old Cybele he would enjoy,
And now the girl, and now the boy.
He proffers Jove a back caresse,
And all his love in the antipodes.
III.
Jealous of his chast Psyche, raging he
Quarrels with student Mercurie,
And with a proud submissive breath
Offers to change his darts with Death.
He strikes at the bright eye of day,
And Juno tumbles in her milky way.
IV.
The dear sweet secrets of the gods he tells,
And with loath'd hate lov'd heaven he swells;
Now, like a fury, he belies
Myriads of pure virginities,
And swears, with this false frenzy hurl'd,
There's not a vertuous she in all the world.
V.
Olympus he renownces, then descends,
And makes a friendship with the fiends;
Bids Charon be no more a slave,
He Argos rigg'd with stars shall have,
And triple Cerberus from below
Must leash'd t' himself with him a hunting go.
Editor 1 Interpretation
Cupid Far Gone: A Poetic Journey of Love and Loss
By Richard Lovelace
Are you ready to embark on a poetic journey of love and loss? Well, put on your seatbelt and get ready for a ride as we delve into the depths of Richard Lovelace's classic poem, "Cupid Far Gone."
First published in 1649, "Cupid Far Gone" is a captivating work that explores the themes of love, heartbreak, and the tumultuous nature of relationships. Through his use of vivid imagery and poignant language, Lovelace takes us on a journey through the highs and lows of love, leaving us with a sense of the fragility of the human heart.
The Poem
The poem's opening lines immediately set the tone for what's to come:
Cupid far gone
The roses dead,
And lilies in thy browes are set:
The while thy lovely veins disclose
A wounding, yet a sweet composing,
Thou art in such a rapture taken,
As makes thee scorn each arrow shaken
From the bent of a disdainful foe,
And all their hot despairs below.
Here we see Cupid portrayed as a wounded lover, his arrows replaced by the dead roses and lilies in his brow. Despite the pain he feels, there is a sense of enraptured joy in his heart that makes him immune to the arrows of his enemies.
Lovelace's use of imagery is particularly striking in this stanza. The dead roses and lilies in Cupid's brow symbolize the death of love, while the "wounding, yet sweet composing" of his veins speaks to the emotional turmoil that love can cause.
The Themes
Throughout the poem, Lovelace explores a number of themes related to love and relationships. One of the most prominent themes is the idea that love is a double-edged sword – it can bring both immense joy and deep pain.
This theme is evident in the following stanza:
Thou with a kind of holy reverence,
Dost entertain a double essence,
Of happiness and wretchedness,
Wrapp'd in a sweet perplexity:
Thou hast, poor youth, a nobler mistress
Than ever did frame thy curious kisses;
Whose breath is all that doth appease
The storms of love and calms disease.
Here, Cupid is depicted as being caught in a "sweet perplexity" of happiness and wretchedness. He is torn between the joy of love and the pain of heartbreak. The image of a "storm" in the last line speaks to the tumultuous nature of love – it can be both beautiful and destructive.
Another theme that emerges in the poem is the idea that love is a journey. Lovelace takes us on this journey with Cupid, showing us the highs and lows of love as he experiences them.
This theme is evident in the following stanza:
O, what a heaven is love! O, what a hell!
With outstretched arms, and with untired wings
Eternally to court that heavenly queen,
And through her sunny smiles to soar and sing!
Then, then to hear her cruel thunderings,
Her lightnings, flashes, and her frowns to tell,
And through her black and midnight darkness hurl'd,
To grope for grace, and find the pit of hell!
Here, Lovelace paints a vivid picture of the journey of love. The contrast between the "heaven" and "hell" of love speaks to the extremes of emotion that come with loving someone. The image of outstretched arms and untired wings speaks to the endurance required to sustain a relationship, while the mention of "cruel thunderings" and "lightnings" highlights the potential for heartbreak and pain.
The Language
One of the most striking things about "Cupid Far Gone" is Lovelace's use of language. He employs a range of poetic techniques, including alliteration, metaphor, and repetition, to create a rich and evocative text.
Consider the following lines:
Then from thy breast, by timely art,
Thee, bow and quiver I'll impart,
And teach thee skill to wound a heart.
For I do mean,
Whiles thou dost reign,
My chiefest joy shall be to see
The sun, the day, yield up to thee.
Here, Lovelace uses alliteration to create a sense of rhythm and flow. The repetition of "thee" and "thou" emphasizes the intimacy between Cupid and his lover, while the metaphor of the bow and quiver speaks to Cupid's ability to "wound" a heart. The last two lines are particularly striking – the image of the sun and the day yielding up to Cupid reinforces his power and dominance.
Conclusion
In "Cupid Far Gone," Richard Lovelace has created a masterpiece of poetry that explores the highs and lows of love. Through his use of vivid imagery and poignant language, he takes us on a journey through the tumultuous nature of relationships, leaving us with a sense of the fragility of the human heart.
So, are you ready to take the journey of love with Cupid? Strap in and get ready for a rollercoaster ride of emotion!
Editor 2 Analysis and Explanation
Cupid Far Gone: A Classic Poem by Richard Lovelace
If you are a lover of classic poetry, then you must have come across the poem "Cupid Far Gone" by Richard Lovelace. This poem is a masterpiece that captures the essence of love and the pain that comes with it. In this article, we will take a detailed look at this classic poem and analyze its meaning and significance.
The poem "Cupid Far Gone" was written by Richard Lovelace, a 17th-century English poet, and soldier. Lovelace was known for his romantic poetry, and "Cupid Far Gone" is one of his most famous works. The poem was first published in 1649 in a collection of Lovelace's poems titled "Lucasta."
The poem is written in the form of a dialogue between Cupid, the god of love, and a lover who is lamenting the pain of unrequited love. The poem is divided into three stanzas, each with six lines. The rhyme scheme is ABABCC, and the meter is iambic tetrameter.
The first stanza of the poem sets the tone for the rest of the poem. Cupid, who is usually portrayed as a mischievous and playful god, is depicted as being "far gone" in this stanza. The phrase "far gone" means that Cupid is deeply in love and has lost control of his emotions. The lover, on the other hand, is in pain and is lamenting the fact that his love is not reciprocated.
The second stanza of the poem is where Cupid responds to the lover's lament. Cupid tells the lover that he understands his pain and that he too has experienced the pain of unrequited love. Cupid says that he has been "shot" by his own arrows and that he knows what it feels like to be in love with someone who does not love you back.
The third and final stanza of the poem is where Cupid offers the lover some advice. Cupid tells the lover that he should not give up on love and that he should continue to pursue his beloved. Cupid says that love is worth the pain and that the lover should not be afraid to take risks.
The poem "Cupid Far Gone" is a classic example of the theme of love in poetry. The poem captures the pain of unrequited love and the hope that love can bring. The poem also shows the human side of Cupid, who is usually portrayed as a mischievous and playful god.
One of the most significant aspects of the poem is the use of imagery. The poem is full of vivid and powerful imagery that helps to convey the emotions of the lover and Cupid. For example, in the first stanza, Cupid is described as being "far gone," which is a powerful image that conveys the depth of his love. In the second stanza, Cupid is described as being "shot" by his own arrows, which is a powerful image that conveys the pain of unrequited love.
Another significant aspect of the poem is the use of language. The poem is written in a simple and straightforward language that is easy to understand. The use of iambic tetrameter gives the poem a rhythmic and musical quality that makes it enjoyable to read.
In conclusion, "Cupid Far Gone" is a classic poem that captures the essence of love and the pain that comes with it. The poem is a masterpiece of imagery and language that has stood the test of time. The poem is a reminder that love is worth the pain and that we should never give up on it. If you are a lover of classic poetry, then "Cupid Far Gone" is a must-read.
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