'Flower God, God Of The Spring' by Robert Louis Stevenson


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FLOWER god, god of the spring, beautiful, bountiful,
Cold-dyed shield in the sky, lover of versicles,
Here I wander in April
Cold, grey-headed; and still to my
Heart, Spring comes with a bound, Spring the deliverer,
Spring, song-leader in woods, chorally resonant;
Spring, flower-planter in meadows,
Child-conductor in willowy
Fields deep dotted with bloom, daisies and crocuses:
Here that child from his heart drinks of eternity:
O child, happy are children!
She still smiles on their innocence,
She, dear mother in God, fostering violets,
Fills earth full of her scents, voices and violins:
Thus one cunning in music
Wakes old chords in the memory:
Thus fair earth in the Spring leads her performances.
One more touch of the bow, smell of the virginal
Green - one more, and my bosom
Feels new life with an ecstasy.


Editor 1 Interpretation

#Flower God, God of the Spring by Robert Louis Stevenson: A Literary Analysis

What is poetry? Is it simply the arrangement of words in a pleasing manner? Or is it something more profound, something that can move us to tears or to laughter, to joy or to sorrow? Robert Louis Stevenson's "Flower God, God of the Spring" is a poem that asks these questions, and more. In this essay, we will explore the many layers of meaning in this classic work of literature.

##Background

First, a little background on the poem. "Flower God, God of the Spring" was written by Robert Louis Stevenson in 1885. Stevenson was a Scottish novelist, poet, and travel writer, best known for his novels "Treasure Island" and "Dr. Jekyll and Mr. Hyde." He was also a prolific poet, and "Flower God, God of the Spring" is one of his most famous works.

The poem is written in ballad form, with four-line stanzas and a rhyme scheme of ABCB. The language is simple and direct, but the imagery is rich and evocative. The poem tells the story of the Flower God, who brings spring to the earth each year, and of his encounter with a mortal woman.

##Analysis

At its most basic level, "Flower God, God of the Spring" is a love story. The mortal woman is entranced by the Flower God's beauty and power, and she begs him to stay with her. But the Flower God knows that he must leave, for his duty is to bring spring to the earth. This is a common theme in mythology and folklore, the idea that the natural cycles of the world must be respected and honored.

But there is more to the poem than just a simple love story. The Flower God is a symbol of life and renewal, of the power of nature to bring forth new growth after the long sleep of winter. His arrival heralds the coming of spring, and with it, the promise of new life and new beginnings.

The mortal woman, on the other hand, represents the human desire for permanence and stability. She wants the Flower God to stay with her, to never leave her side. But this is impossible, for the Flower God must fulfill his duty to the earth. This tension between the desire for stability and the reality of change is a common theme in literature, and it is explored here with great sensitivity and depth.

Another important aspect of the poem is the way it celebrates the beauty of the natural world. The Flower God is described in vivid, sensuous language, with his "glowing limbs" and "hair of flame." The imagery is almost erotic in its intensity, and it conveys the joy and wonder that can be found in the natural world.

But there is also a sense of danger and unpredictability in the poem. The mortal woman is afraid of the Flower God's power, and she begs him not to harm her. This fear is a reminder that nature can be both beautiful and terrifying, that it can give life and take it away just as easily.

##Interpretation

So, what can we make of all of this? What is the deeper meaning of "Flower God, God of the Spring"? One interpretation is that the poem is a celebration of the cyclical nature of life. The Flower God represents the natural world, which goes through cycles of birth, growth, decay, and renewal. The mortal woman represents the human desire for permanence and stability, but she learns that this is impossible in a world that is always changing.

Another interpretation is that the poem is an allegory for the creative process. The Flower God represents the muse, who brings inspiration and new ideas to the artist. The mortal woman represents the artist's desire for security and stability, but she must learn to embrace the creative process, which is always changing and unpredictable.

Yet another interpretation is that the poem is a commentary on the human relationship with nature. The mortal woman represents humanity, which has a tendency to exploit and dominate nature for its own purposes. The Flower God represents nature itself, which is powerful and beautiful, but also unpredictable and dangerous. The poem suggests that we must learn to live in harmony with nature, respecting its power and beauty while also recognizing our own limitations.

##Conclusion

In conclusion, "Flower God, God of the Spring" is a beautiful and complex poem that explores many themes and ideas. It celebrates the beauty and power of the natural world, while also acknowledging its unpredictability and danger. It tells a love story that is both simple and profound, and it offers insights into the human desire for stability and permanence in a world that is always changing. Overall, it is a work of literature that deserves to be studied and appreciated for generations to come.

Editor 2 Analysis and Explanation

Poetry Flower God, God of the Spring: A Masterpiece of Robert Louis Stevenson

Robert Louis Stevenson, the Scottish novelist, poet, and essayist, is known for his literary works that explore the human condition, the complexities of life, and the beauty of nature. Among his many poems, one that stands out is "Poetry Flower God, God of the Spring," a masterpiece that captures the essence of spring and the power of poetry.

The poem begins with an invocation to the "Poetry Flower God," who is the embodiment of the beauty and creativity of poetry. The speaker addresses the god, asking him to "come forth and show thy face" and to "bring thy harp and sing." The use of the word "harp" is significant, as it symbolizes the musicality of poetry and the power of language to create beauty.

The second stanza of the poem describes the arrival of spring, with its "blossoms and the bees" and the "green grass and the trees." The speaker marvels at the beauty of nature, which is a source of inspiration for poets. The use of imagery in this stanza is vivid and evocative, painting a picture of the natural world in all its glory.

In the third stanza, the speaker addresses the "God of the Spring," who is the personification of the season of renewal and rebirth. The speaker asks the god to "come forth and be our king" and to "bring the sunshine and the rain." The use of the word "king" is significant, as it suggests that the God of the Spring has the power to rule over nature and to bring about the changes that are necessary for growth and renewal.

The fourth stanza of the poem is a celebration of the power of poetry to capture the beauty of nature and to inspire the human spirit. The speaker describes how poetry can "make the heart to sing" and how it can "bring the tears into the eyes." The use of the word "heart" is significant, as it suggests that poetry has the power to touch the deepest emotions of the human soul.

The fifth and final stanza of the poem is a call to action for poets to use their talents to capture the beauty of nature and to inspire others. The speaker urges poets to "take thy harp and sing" and to "make the world more fair." The use of the word "fair" is significant, as it suggests that poetry has the power to create a more just and equitable world.

Overall, "Poetry Flower God, God of the Spring" is a masterpiece of Robert Louis Stevenson that captures the essence of spring and the power of poetry. The poem celebrates the beauty of nature and the human spirit, and it urges poets to use their talents to inspire others and to create a more just and equitable world. The use of vivid imagery, powerful symbolism, and evocative language makes this poem a timeless classic that continues to inspire readers today.

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