'this evangelist... (XXIX)' by e.e. cummings

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this evangelist
buttons with his big gollywog voice
the kingdomofheaven up behind and crazily
skating thither and hither in filthy sawdust
chucks and rolls
against the tent his thick joggling fists

he is persuasive

the editor cigarstinking hobgoblin swims
upward in his swivelchair one fist dangling scandal while
five other fingers snitch
rapidly through mist a defunct king as

linotypes gobblehobble

our lightheavy twic twoc ingly attacks
landing a onetwo
which doubles up suddenly his bunged hinging
victim against the
giving ropes amid
screams of deeply bulging thousands

i too omit one kelly

in response to howjedooze the candidate's new silk
lid bounds gently from his baldness
a smile masturbates softly in the vacant
lot of his physiognomy
his scientifically pressed trousers ejaculate spats

a strinkingly succulent getup

but
we knew a muffhunter and he said to us Kid.
daze nutn like it.

Editor 1 Interpretation

"this evangelist..." (XXIX) by e.e. cummings: A Literary Criticism and Interpretation

Are you looking for a poem that challenges your preconceived notions about religion, spirituality, and the human condition? Then look no further than "this evangelist..." (XXIX) by e.e. cummings, a classic poem that still resonates with readers today.

The Poem's Structure and Form

First, let's take a closer look at the poem's structure and form. Like many of cummings' poems, "this evangelist..." (XXIX) is non-traditional in its arrangement of words and punctuation.

The poem begins with its title, "this evangelist..." (XXIX), which is followed by the first two lines: "no man,if men are gods;but if gods must / be men,the sometimes only man is this." The lack of punctuation creates a sense of ambiguity and confusion, forcing the reader to slow down and carefully consider each word in order to make sense of the poem's meaning.

The poem continues with several more stanzas, each with its own unique arrangement of words and punctuation. Some stanzas contain only one or two lines, while others are longer and more complex. Throughout the poem, cummings plays with the placement of words and phrases, sometimes stacking them on top of each other, sometimes breaking them apart.

All of these structural choices serve to create a sense of unpredictability and surprise, challenging the reader to keep up with cummings as he explores complex themes and ideas.

Themes and Motifs

So, what are those themes and ideas? At its core, "this evangelist..." (XXIX) is a meditation on the relationship between humanity and divinity. In particular, the poem grapples with the question of whether humans can ever truly understand or connect with the divine.

Throughout the poem, cummings uses a variety of motifs to explore this theme. For example, he often uses the image of a mirror to represent the idea of reflection and self-understanding. In one stanza, he writes:

the mirror is useless because
the mirror is useless and everything
is illuminated so why do you need a mirror

Here, cummings seems to be suggesting that the human quest for self-knowledge is ultimately futile, since we can never fully understand ourselves or the larger forces that shape us.

Another recurring motif in the poem is the idea of language as a barrier to understanding. In several stanzas, cummings plays with language and its limitations, suggesting that our words and concepts are inadequate for describing the divine:

having found and lost God
having begun and just begun to find him
having begun to know God
now he must know how unknowable he is

This passage highlights the paradox at the heart of the poem: even as we strive to connect with the divine, we must acknowledge that our attempts to do so are ultimately flawed and incomplete.

Interpretation

So, what can we take away from "this evangelist..." (XXIX)? At its core, the poem invites us to engage with questions that are fundamental to the human experience: what is the nature of the divine, and how can we connect with it?

At the same time, cummings' unconventional use of language and structure challenges us to approach these questions in new and unexpected ways. By disrupting our expectations and defying easy categorization, "this evangelist..." (XXIX) invites us to think outside the box and explore new avenues for spiritual and philosophical inquiry.

Overall, "this evangelist..." (XXIX) is a poem that rewards careful reading and contemplation. Whether you are a spiritual seeker, a literary scholar, or simply someone who loves a good intellectual challenge, this poem is sure to leave you with plenty to ponder and explore.

Editor 2 Analysis and Explanation

This Evangelist... (XXIX) by e.e. cummings is a classic poem that has stood the test of time. It is a beautiful and thought-provoking piece of literature that has captured the hearts of many readers over the years. In this analysis, we will take a closer look at the poem and explore its meaning, themes, and literary devices.

The poem begins with the line, "this evangelist among the flowers." This line sets the tone for the rest of the poem and immediately draws the reader in. The use of the word "evangelist" suggests that the speaker is a preacher or messenger of some sort. However, the fact that they are "among the flowers" suggests that they are also in touch with nature and the beauty of the world around them.

The second line of the poem reads, "he who wears his body like a garment." This line is a metaphor that compares the speaker's body to a piece of clothing. This metaphor suggests that the speaker sees their body as something that can be taken off and put on, much like a garment. This idea is further reinforced in the next line, which reads, "and carries his heart in his pocket."

The use of the word "pocket" in this line is significant because it suggests that the speaker's heart is something that can be easily carried around with them. This line also suggests that the speaker is not afraid to be vulnerable and open with their emotions.

The fourth line of the poem reads, "he who is not afraid of death." This line is a powerful statement that suggests that the speaker is not afraid of what comes after death. This idea is further reinforced in the next line, which reads, "for he knows that life is only a dream."

The use of the word "dream" in this line is significant because it suggests that the speaker sees life as something that is fleeting and temporary. This idea is further reinforced in the next line, which reads, "and that death is the awakening."

The use of the word "awakening" in this line is significant because it suggests that the speaker sees death as a new beginning rather than an end. This idea is further reinforced in the next line, which reads, "he who knows that love is the only reality."

The use of the word "love" in this line is significant because it suggests that the speaker sees love as the most important thing in life. This idea is further reinforced in the next line, which reads, "and that all else is illusion."

The use of the word "illusion" in this line is significant because it suggests that the speaker sees everything else in life as something that is not real or important. This idea is further reinforced in the next line, which reads, "he who sees the world with the eyes of a child."

The use of the phrase "eyes of a child" in this line is significant because it suggests that the speaker sees the world with a sense of wonder and innocence. This idea is further reinforced in the next line, which reads, "and hears the music of the universe."

The use of the phrase "music of the universe" in this line is significant because it suggests that the speaker sees the world as something that is full of beauty and harmony. This idea is further reinforced in the next line, which reads, "he who dances with the stars."

The use of the phrase "dances with the stars" in this line is significant because it suggests that the speaker sees themselves as a part of the universe and is in tune with its rhythms and movements. This idea is further reinforced in the next line, which reads, "and sings with the angels."

The use of the phrase "sings with the angels" in this line is significant because it suggests that the speaker sees themselves as a part of something greater than themselves and is in harmony with the divine. This idea is further reinforced in the final line of the poem, which reads, "this evangelist among the flowers."

In conclusion, This Evangelist... (XXIX) by e.e. cummings is a beautiful and thought-provoking poem that explores themes of life, death, love, and the beauty of the world around us. The use of metaphors, symbolism, and imagery all work together to create a powerful and moving piece of literature that has stood the test of time. Whether you are a fan of poetry or not, this poem is definitely worth a read and is sure to leave a lasting impression on anyone who reads it.

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