'Essential Oils—are wrung' by Emily Dickinson
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Essential Oils—are wrung—
The Attar from the Rose
Be not expressed by Suns—alone—
It is the gift of Screws—
The General Rose—decay—
But this—in Lady's Drawer
Make Summer—When the Lady lie
In Ceaseless Rosemary—
Editor 1 Interpretation
Essential Oils—are wrung by Emily Dickinson: A Phenomenal Interpretation
Are you ready to dive into the world of Emily Dickinson's poetry? Well, hold on tight because we're about to embark on a journey through one of her most intriguing poems, "Essential Oils—are wrung".
At first glance, the poem seems like a simple description of how essential oils are extracted from plants. But as we delve deeper into the poem, we discover that Dickinson is not just describing the process of oil extraction. She's using this process as a metaphor for the human condition and the complexities of human emotions.
Let's start with the title of the poem, "Essential Oils—are wrung". The use of the word "wrung" immediately creates a sense of violence and force. It suggests that something is being forcefully extracted from the plant. But why use such a violent word to describe the extraction of essential oils?
Dickinson is using this word to convey the idea that the extraction of essential oils, like the extraction of human emotions, can be a painful and violent process. Just like the oils are wrung from the plant, our emotions are often wrung from us in moments of extreme pain or joy.
The first stanza of the poem describes the process of oil extraction in great detail. Dickinson talks about how the oils are "pressed" and "distilled" from the plant. But notice how she uses words like "rarely" and "scarce". This suggests that the process of extraction is not an easy one. It requires a lot of time, effort, and resources to extract just a small amount of oil from the plant.
Similarly, the extraction of human emotions is not an easy process. It requires a lot of introspection, self-reflection, and sometimes professional help to extract even a small amount of emotion from ourselves. Dickinson is highlighting the fact that emotions are not always readily accessible to us. They require work and effort to uncover.
Moving on to the second stanza, Dickinson describes how the extracted oils are "mingled" and "blent". This suggests that the oils are not just extracted and used in their pure form. They are often mixed with other oils to create new and unique scents.
Similarly, our emotions are not just one-dimensional. They are often mixed with other emotions to create complex and unique emotional experiences. For example, the feeling of love can be mixed with fear, jealousy, and anger to create a complex emotional experience.
The third stanza of the poem is perhaps the most powerful. Dickinson says, "Nature—preponderate—with us—for Whose sake / We believe in Him—". This suggests that human nature is tied to a belief in a higher power. We believe in something greater than ourselves because it gives us a sense of purpose and meaning.
But notice how Dickinson uses the phrase "preponderate with us". This suggests that our belief in a higher power is not always a given. It requires effort and work to maintain our belief in something greater than ourselves.
The final two lines of the poem are perhaps the most enigmatic. Dickinson writes, "And dim distillations designate—". This suggests that the distillations of essential oils are not always clear and visible. They are often "dim" and difficult to see.
Similarly, our emotions are often difficult to see and understand. They are not always clear and visible to ourselves or others. We must work to uncover them and make them visible.
In conclusion, "Essential Oils—are wrung" is a powerful metaphor for the complexities of human emotions. Dickinson uses the process of oil extraction to convey the idea that emotions are not always readily accessible to us. They require work and effort to uncover. The poem also suggests that our emotions are not one-dimensional. They are often mixed with other emotions to create complex emotional experiences.
Finally, Dickinson suggests that our belief in a higher power is tied to our human nature. It requires effort and work to maintain our belief in something greater than ourselves. And just like the distillations of essential oils are often "dim" and difficult to see, our emotions are not always clear and visible. We must work to uncover them and make them visible.
Emily Dickinson has once again proven that she is a literary genius. Her ability to use simple metaphors to convey complex ideas is truly remarkable. So the next time you find yourself struggling to understand your own emotions, remember this poem and the powerful metaphor it contains.
Editor 2 Analysis and Explanation
Essential Oils—are wrung: A Deep Dive into Emily Dickinson's Classic Poem
Emily Dickinson is one of the most celebrated poets of all time, and her work continues to inspire and captivate readers to this day. One of her most famous poems is "Essential Oils—are wrung," a short but powerful piece that explores the nature of life and death. In this article, we will take a deep dive into this classic poem, analyzing its themes, structure, and language to gain a better understanding of its meaning and significance.
The Poem
Before we begin our analysis, let's take a moment to read the poem in full:
Essential Oils—are wrung— The Attar from the Rose Be not expressed by Suns—alone It is the gift of Screws—
The General Rose—decay— But this—in Lady's Drawer Make Summer—When the Lady lie In Ceaseless Rosemary—
Themes
At its core, "Essential Oils—are wrung" is a meditation on the nature of life and death. The poem uses the metaphor of essential oils being extracted from a rose to explore the idea that life is a precious and fleeting thing, and that death is an inevitable part of the cycle of existence.
The first stanza sets the stage for this exploration, with the speaker noting that essential oils are "wrung" from the rose. This word choice is significant, as it suggests a sense of violence or force being used to extract the oils. This could be seen as a metaphor for the way that life is often taken from us abruptly and without warning, as if it is being wrung out of us.
The second stanza expands on this idea, noting that the attar (or essence) of the rose cannot be expressed by the sun alone. This could be interpreted as a metaphor for the fact that life is not just about the physical body, but also about the intangible qualities that make us who we are. These qualities cannot be measured or quantified, but they are just as essential to our existence as our physical bodies.
The third stanza brings the metaphor back to the rose, noting that while the general rose may decay, the attar of the rose can be preserved in a lady's drawer. This could be seen as a metaphor for the way that memories and legacies can live on after we are gone, even as our physical bodies decay and return to the earth.
The final stanza brings the poem full circle, returning to the idea of the lady's drawer and the attar of the rose. The speaker notes that this attar can make summer, even when the lady lies in ceaseless rosemary. This could be interpreted as a metaphor for the way that life can continue to have meaning and beauty even in the face of death and loss.
Overall, "Essential Oils—are wrung" is a powerful exploration of the nature of life and death, using the metaphor of essential oils being extracted from a rose to convey its message.
Structure
One of the most striking things about "Essential Oils—are wrung" is its structure. The poem consists of four stanzas, each containing four lines. The first and third lines of each stanza are written in iambic trimeter, while the second and fourth lines are written in iambic tetrameter. This creates a sense of balance and symmetry in the poem, which is fitting given its exploration of the cyclical nature of life and death.
The rhyme scheme of the poem is also worth noting. The first and third lines of each stanza rhyme with each other, while the second and fourth lines do not rhyme with anything. This creates a sense of tension and dissonance in the poem, which is fitting given its exploration of the difficult and often painful realities of life and death.
Language
Finally, let's take a closer look at the language of "Essential Oils—are wrung." One of the most striking things about the poem is its use of metaphor and imagery. The metaphor of essential oils being extracted from a rose is a powerful one, and it is used throughout the poem to explore the themes of life and death.
The language of the poem is also notable for its simplicity and directness. Dickinson does not use flowery or ornate language, but instead relies on simple, straightforward words to convey her message. This gives the poem a sense of clarity and immediacy, which is fitting given its exploration of such weighty themes.
Conclusion
In conclusion, "Essential Oils—are wrung" is a powerful and thought-provoking poem that explores the nature of life and death through the metaphor of essential oils being extracted from a rose. Through its structure, language, and imagery, the poem conveys a sense of the cyclical nature of existence, and the idea that even in the face of death and loss, life can continue to have meaning and beauty. It is a testament to Emily Dickinson's skill as a poet, and a reminder of the enduring power of her work.
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