'My World Is Pyramid' by Dylan Thomas
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I
Half of the fellow father as he doubles
His sea-sucked Adam in the hollow hulk,
Half of the fellow mother as she dabbles
To-morrow's diver in her horny milk,
Bisected shadows on the thunder's bone
Bolt for the salt unborn.
The fellow half was frozen as it bubbled
Corrosive spring out of the iceberg's crop,
The fellow seed and shadow as it babbled
The swing of milk was tufted in the pap,
For half of love was planted in the lost,
And the unplanted ghost.
The broken halves are fellowed in a cripple,
The crutch that marrow taps upon their sleep,
Limp in the street of sea, among the rabble
Of tide-tongued heads and bladders in the deep,
And stake the sleepers in the savage grave
That the vampire laugh.
The patchwork halves were cloven as they scudded
The wild pigs' wood, and slime upon the trees,
Sucking the dark, kissed on the cyanide,
And loosed the braiding adders from their hairs,
Rotating halves are horning as they drill
The arterial angel.
What colour is glory? death's feather? tremble
The halves that pierce the pin's point in the air,
And prick the thumb-stained heaven through the thimble.
The ghost is dumb that stammered in the straw,
The ghost that hatched his havoc as he flew
Blinds their cloud-tracking eye.
II
My world is pyramid. The padded mummer
Weeps on the desert ochre and the salt
Incising summer.
My Egypt's armour buckling in its sheet,
I scrape through resin to a starry bone
And a blood parhelion.
My world is cypress, and an English valley.
I piece my flesh that rattled on the yards
Red in an Austrian volley.
I hear, through dead men's drums, the riddled lads,
Screwing their bowels from a hill of bones,
Cry Eloi to the guns.
My grave is watered by the crossing Jordan.
The Arctic scut, and basin of the South,
Drip on my dead house garden.
Who seek me landward, marking in my mouth
The straws of Asia, lose me as I turn
Through the Atlantic corn.
The fellow halves that, cloven as they swivel
On casting tides, are tangled in the shells,
Bearding the unborn devil,
Bleed from my burning fork and smell my heels.
The tongue's of heaven gossip as I glide
Binding my angel's hood.
Who blows death's feather? What glory is colour?
I blow the stammel feather in the vein.
The loin is glory in a working pallor.
My clay unsuckled and my salt unborn,
The secret child, I sift about the sea
Dry in the half-tracked thigh.
Editor 1 Interpretation
My World Is Pyramid by Dylan Thomas
A literary criticism and interpretation by a passionate reader
In the world of literature, few poets have ever wielded words with the mastery and poetic genius of Dylan Thomas. Every single piece of his work drips with the richness of imagery, the complexity of theme, and the beauty of language. It is almost as if his poems were created to be analyzed, dissected, and interpreted by literary critics like myself. Today, we will be looking at one of his best-known poems, "My World Is Pyramid."
The Poem
My world is pyramid. The padded stone and the black dog are chasing me round the nowhere road.
They have chained me to the shadow that looks at the world from a hill. They have tied me to the moonlight that watches the world from a sky.
My world is not the fever chart of a bloodless hospital, nor the sidewalk's hurdle to a wooden home, a chair, a bed.
My world is pyramid. The yellow lizard and the green are playing on the sunny stone.
They have barked me at the door of a hillside house of light where the tongueless meetings go. They have laughed at the sweet inside the secret rooms of the star.
My world is not the world of stocks and stubs and wire fences. It is the home of the people who were, who are, who will be.
My world is pyramid.
The Interpretation
At first glance, "My World Is Pyramid" seems to be a simple poem about a man being chased around by a dog and padded stones. But if you take a closer look, you will see that the poem is a complex and multi-layered work of art that deals with themes of identity, confinement, and hope.
The poem opens with the line "My world is pyramid," which immediately sets the tone for the rest of the piece. The word "pyramid" suggests a structure that is both solid and unchanging - a place where one can find refuge and stability. The fact that the narrator's world is a pyramid suggests that he is seeking refuge from the chaos and uncertainty of the outside world.
The next few lines introduce two key symbols in the poem - the padded stone and the black dog. The padded stone represents the idea of confinement and being trapped, while the black dog represents the idea of fear and anxiety. Together, they create a sense of unease and discomfort in the reader that persists throughout the poem.
The narrator then goes on to describe how he has been "chained to the shadow" and "tied to the moonlight." These lines suggest that the narrator is being forced to live in a world that is not his own, a world that is dominated by darkness and uncertainty. He is a prisoner of his own thoughts and fears.
The lines "My world is not the fever chart of a bloodless hospital, nor the sidewalk's hurdle to a wooden home, a chair, a bed" suggest that the narrator is rejecting the conventional ideas of what a home and a world should be. He is seeking something more substantial, more permanent, and more meaningful than the fleeting pleasures of modern life.
The yellow lizard and the green represent the idea of hope and renewal. They are playing on the sunny stone, suggesting that even in the darkest, most uncertain of times, there is always a glimmer of light and hope. The narrator is being encouraged to look beyond his fears and anxieties and to find hope in the world around him.
The final lines of the poem suggest that the narrator's world is not one of material possessions and wealth, but rather one of people and relationships. The home of the people "who were, who are, who will be" suggests that the narrator is seeking a sense of connection and belonging in the world.
The Conclusion
In conclusion, "My World Is Pyramid" is a stunning work of art that deals with complex themes of identity, confinement, and hope. Through the use of powerful symbols and vivid imagery, Dylan Thomas creates a world that is both familiar and strange, a world that challenges our preconceived notions of what a home and a world should be. The poem is a testament to the power of language and the human imagination, and it stands as a timeless work of literature that will continue to inspire and captivate readers for generations to come.
Editor 2 Analysis and Explanation
My World Is Pyramid: A Masterpiece by Dylan Thomas
Dylan Thomas, the Welsh poet, is known for his unique style of writing that blends surrealism, romanticism, and modernism. His poems are often complex, layered, and full of symbolism. One of his most famous works is the poem "My World Is Pyramid," which was first published in 1946. This poem is a masterpiece that showcases Thomas's mastery of language and his ability to create vivid imagery. In this article, we will analyze and explain this classic poem in detail.
The poem "My World Is Pyramid" is a short but powerful piece of writing that consists of only six lines. Despite its brevity, the poem is rich in meaning and symbolism. The first line of the poem, "My world is pyramid," sets the tone for the rest of the poem. The word "pyramid" is a powerful symbol that represents many things, such as strength, stability, and eternity. The pyramid is also a symbol of ancient civilizations, such as the Egyptians, who built massive pyramids as tombs for their pharaohs.
The second line of the poem, "The padded stone / seats are hot," adds to the imagery of the pyramid. The "padded stone seats" are a reference to the steps of the pyramid, which are often used as seating areas. The fact that they are "hot" suggests that the pyramid is located in a warm climate, perhaps in the desert. The use of the word "padded" is interesting because it suggests that the pyramid is a comfortable place to be, despite its rugged exterior.
The third line of the poem, "No sunbeam laughs / On my land," is a stark contrast to the warmth suggested by the previous line. The absence of the sunbeam suggests that the pyramid is located in a place where the sun does not shine, or perhaps it is a reference to the fact that the pyramid is so massive that it casts a shadow over the land. The word "laughs" is an interesting choice because it suggests that the sunbeam is a living thing that can experience emotions.
The fourth line of the poem, "Nothing grows," adds to the sense of desolation and emptiness that is present in the poem. The fact that nothing grows suggests that the pyramid is located in a barren wasteland where life cannot thrive. The use of the word "nothing" is particularly powerful because it suggests that there is absolutely no life in this place.
The fifth line of the poem, "I am the king," is a reference to the pharaohs who were buried in the pyramids. The pharaohs were considered to be divine beings who ruled over their people with absolute power. The fact that the speaker of the poem declares himself to be the king suggests that he sees himself as a powerful and important figure, much like the pharaohs of ancient Egypt.
The final line of the poem, "I am the king of kings," is a reference to the biblical phrase "king of kings," which is used to describe Jesus Christ. The fact that the speaker of the poem uses this phrase to describe himself suggests that he sees himself as a divine being who is above all others. It also suggests that the pyramid is a place of great spiritual significance.
Overall, the poem "My World Is Pyramid" is a powerful piece of writing that is full of symbolism and meaning. The use of the pyramid as a symbol is particularly effective because it represents so many different things, such as strength, stability, and eternity. The poem also creates a vivid image of a desolate wasteland where nothing grows, and the only thing that exists is the pyramid. The fact that the speaker of the poem declares himself to be the king of kings adds to the sense of grandeur and importance that is present in the poem. In conclusion, "My World Is Pyramid" is a masterpiece that showcases Dylan Thomas's mastery of language and his ability to create powerful imagery.
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