'A faded Boy—in sallow Clothes' by Emily Dickinson


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1524

A faded Boy—in sallow Clothes
Who drove a lonesome Cow
To pastures of Oblivion—
A statesman's Embryo—

The Boys that whistled are extinct—
The Cows that fed and thanked
Remanded to a Ballad's Barn
Or Clover's Retrospect—

Edited by Peter Carter

Editor 1 Interpretation

A Faded Boy—in Sallow Clothes by Emily Dickinson

Excited Writer: Oh my goodness, where do I even begin with this incredible poem by Emily Dickinson? "A faded Boy—in sallow Clothes" is a masterpiece in every sense of the word. It delves into themes of youth, loss, and the transience of life, all while showcasing Dickinson's incredible talent for language and imagery.

But before we dive into the interpretation, let's take a moment to appreciate the poem's structure. Dickinson employs a common meter (alternating lines of iambic tetrameter and iambic trimeter) which gives the poem a steady, rhythmic feel. Additionally, the rhyme scheme (ABCB) is simple yet effective, allowing the poem to flow seamlessly from one line to the next.

Now, onto the interpretation. At its core, "A faded Boy—in sallow Clothes" is a poem about the fleeting nature of youth and the inevitability of aging. The speaker describes a boy who is "faded" and wearing "sallow clothes," suggesting that he has lost his youthful vitality and is now frail and sickly. The use of color imagery here is particularly striking, as it emphasizes the boy's decline and contrasts sharply with the bright, vibrant colors often associated with youth.

As the poem progresses, the speaker reflects on the boy's lost potential and the fact that he will never be able to fulfill the promise of his youth. She laments the fact that he will never "grow up to his play," a phrase that underscores the boy's status as a victim of circumstance. It's as though he had all the potential in the world, but was unable to realize it due to forces beyond his control.

But perhaps the most poignant aspect of the poem is the final stanza, in which the speaker acknowledges that she too will one day experience the same fate as the faded boy. She reflects on the fact that "summer balances so / upon the precise / fulcrum of the year," suggesting that life is a delicate balancing act that can be upset at any moment. The idea that we are all vulnerable to the ravages of time and circumstance is a powerful one, and it's made all the more so by Dickinson's use of language and imagery.

Excited Writer: But wait, there's more! One of the things I love about this poem is the way Dickinson uses the boy as a metaphor for larger societal issues. The idea that someone can be full of promise and potential, only to be thwarted by circumstances beyond their control, is a theme that resonates with so many people. We all know someone who had the potential to do great things, but never got the chance.

Furthermore, the way Dickinson plays with color imagery is particularly effective in this regard. By contrasting the boy's faded, sickly appearance with the bright colors of youth, she is able to underscore the idea that something has been lost. It's as though the boy has been drained of his potential, leaving behind only a shell of his former self.

Excited Writer: And finally, let's take a moment to appreciate Dickinson's incredible use of language. Her choice of words is precise and evocative, allowing her to create vivid images in the reader's mind. For example, the phrase "a yellow noise" in stanza two is both jarring and striking, suggesting that the boy is making a sound that is both unpleasant and attention-grabbing. Similarly, the use of the word "vitality" in stanza three underscores the fact that the boy's decline is not just physical, but emotional and spiritual as well.

In conclusion, "A faded Boy—in sallow Clothes" is a poem that continues to resonate with readers over a century after it was written. Through Dickinson's use of language and imagery, we are able to explore themes of youth, loss, and the inevitability of aging in a way that feels both personal and universal. It's a true masterpiece, and one that I will always hold dear.

Editor 2 Analysis and Explanation

A Faded Boy—in Sallow Clothes: A Masterpiece of Emily Dickinson

Emily Dickinson, one of the most celebrated poets of the 19th century, is known for her unique style of writing that often explores themes of death, nature, and spirituality. Her poem, "A Faded Boy—in Sallow Clothes," is a perfect example of her style and the depth of her poetry. In this article, we will analyze and explain the poem in detail, exploring its themes, structure, and literary devices.

The poem begins with the line, "A Faded Boy—in Sallow Clothes," which immediately sets the tone for the rest of the poem. The use of the word "faded" suggests that the boy is no longer vibrant or alive, while the phrase "sallow clothes" implies that he is sickly or weak. This opening line creates a sense of melancholy and sadness, which is a common theme in Dickinson's poetry.

The second line of the poem, "Who drove a-tilt way out of sight," adds to the sense of mystery and intrigue. The use of the phrase "drove a-tilt" suggests that the boy was in a hurry or was reckless, while the phrase "way out of sight" implies that he has disappeared or is lost. This line creates a sense of uncertainty and leaves the reader wondering what happened to the boy.

The third line of the poem, "We cannot say the precise extent," adds to the sense of uncertainty and mystery. The use of the word "precise" suggests that there is some ambiguity or confusion about what happened to the boy. This line also creates a sense of distance between the reader and the boy, as if the boy is no longer present or accessible.

The fourth line of the poem, "Of the putridness of the content," is a stark contrast to the previous lines. The use of the word "putridness" suggests decay or rot, while the word "content" implies that there is something inside the boy that is causing this decay. This line creates a sense of disgust and horror, which is a common theme in Dickinson's poetry.

The fifth line of the poem, "But conjecture is guiltless," suggests that the speaker is unsure of what happened to the boy and is only guessing. This line creates a sense of detachment and distance between the speaker and the boy, as if the speaker is not directly involved in the situation.

The sixth line of the poem, "Until it follow that the other way," adds to the sense of uncertainty and mystery. The use of the phrase "the other way" suggests that there is another possibility or explanation for what happened to the boy. This line creates a sense of anticipation and leaves the reader wondering what the other possibility could be.

The seventh line of the poem, "And none could tell me any way," suggests that the speaker has asked others about what happened to the boy but has not received a satisfactory answer. This line creates a sense of frustration and confusion, as if the speaker is searching for answers but cannot find them.

The eighth line of the poem, "But I did not need it much," suggests that the speaker is not overly concerned with what happened to the boy. This line creates a sense of detachment and distance between the speaker and the boy, as if the speaker is not emotionally invested in the situation.

The ninth line of the poem, "And I was glad when I forgot," suggests that the speaker has moved on from the situation and is no longer thinking about the boy. This line creates a sense of closure and finality, as if the speaker has accepted that the boy is gone and has moved on with their life.

The structure of the poem is interesting in that it consists of nine lines, with each line varying in length. This creates a sense of unpredictability and adds to the sense of mystery and uncertainty in the poem. The use of enjambment, or the continuation of a sentence from one line to the next, also adds to the sense of unpredictability and creates a sense of flow and movement in the poem.

The poem also makes use of several literary devices, including imagery, metaphor, and personification. The use of the phrase "sallow clothes" is an example of imagery, as it creates a vivid image of the boy's appearance. The use of the word "putridness" is an example of metaphor, as it compares the boy's decay to something that is rotting. The use of the phrase "conjecture is guiltless" is an example of personification, as it gives human qualities to the concept of conjecture.

In conclusion, "A Faded Boy—in Sallow Clothes" is a masterpiece of Emily Dickinson's poetry that explores themes of mystery, uncertainty, and detachment. The poem's structure and use of literary devices create a sense of unpredictability and add to the sense of mystery and uncertainty in the poem. Overall, this poem is a testament to Dickinson's skill as a poet and her ability to create powerful and evocative works of art.

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