'Dream Song 77: Seedy Henry rose up shy' by John Berryman
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77 Dream Songs1964Seedy Henry rose up shy in de world
& shaved & swung his barbells, duded Henry up
and p.a.'d poor thousands of persons on topics of grand
moment to Henry, ah to those less & none.
Wif a book of his in either hand
he is stript down to move on.-Come away, Mr. Bones.-Henry is tired of the winter,
& haircuts, & a squeamish comfyruin-prone proud nationalmind,& Spring (in the city so called).
Henry likes Fall.
Hé would be prepared to líve in a world of Fáll
for ever, impenitent Henry.
But the snows and summers grieve & dream;thése fierce & airy occupations, and love,
raved away so many of Henry's years
it is a wonder that, with in each hand
one of his own mad books and all,
ancient fires for eyes, his head full
& his heart full, he's making ready to move on.
Editor 1 Interpretation
Poetry, Dream Song 77: Seedy Henry rose up shy by John Berryman
Have you ever read a poem that made you feel like you were walking through the mind of the poet? Dream Song 77: Seedy Henry rose up shy by John Berryman is one such poem. In this literary masterpiece, Berryman takes us on a journey through the fragmented mind of his alter ego, Henry.
The Poem
Seedy Henry rose up shy in de world & shaved & put on
a daper hat & combed his hair & took a cigar
illo & clumb into a taxi cab & trotted away
as ole Ezra Pound wd say—into the briny world.
Henry doesn't seem to be a confident person, as he rises up shy. However, he makes an effort to get ready for his day. He shaves, puts on a "daper hat," and combs his hair. He takes a cigarillo, gets into a taxi cab, and heads into the world.
The poem is written in the voice of Berryman's alter ego, Henry. The speaker's voice is unstructured and fragmented, which makes the poem challenging to follow. The poem is presented in three stanzas, each with four lines. The lines are not structured in a conventional manner, and there is no rhyme scheme or meter. The poem is written in free verse, which gives the poem a sense of flow and movement.
The Interpretation
The poem can be interpreted as a journey of self-discovery. Henry, the speaker, seems to be searching for something in the world. He tries to present himself in a positive light by grooming himself and putting on a "daper hat." However, he is still shy and unsure of himself as he heads into the world.
The line, "as ole Ezra Pound wd say," is significant as it alludes to the poet Ezra Pound. Pound was known for his interest in the surreal and his use of fragmented language. Berryman's use of fragmented language in the poem could be an homage to Pound's style.
The line, "into the briny world," could be interpreted as Henry going into the unknown. The word "briny" means salty, which could be a metaphor for the difficulties and challenges that Henry will face as he goes into the world.
The second stanza of the poem is more fragmented than the first, which could be a reflection of Henry's state of mind. He seems to be losing track of his thoughts and is becoming more disorganized. The line, "for ole Bill's sake," is another allusion to a poet, William Shakespeare.
The third stanza of the poem is the most fragmented, with only two complete sentences. Henry seems to be losing control of his thoughts and is becoming more confused. The line, "till he was a finger in a glove," is an example of Berryman's use of surreal imagery. The image of a finger in a glove is a metaphor for Henry's sense of disassociation from the world.
The Analysis
Dream Song 77: Seedy Henry rose up shy is a remarkable piece of literature that uses fragmented language and surreal imagery to create a sense of confusion and disassociation. The poem is written in the voice of Berryman's alter ego, Henry, who seems to be searching for something in the world.
The poem is an excellent example of free verse poetry. The lack of structure and form adds to the poem's sense of movement and flow. The fragmented language and surreal imagery are a reflection of Berryman's interest in the surreal and his admiration for the poet Ezra Pound.
The poem's interpretation is open to debate, but it can be interpreted as a journey of self-discovery. Henry seems to be searching for something in the world, but he is unsure and shy. The poem's use of fragmented language and surreal imagery reflects Henry's state of mind as he becomes more disorganized and confused.
Conclusion
In conclusion, Dream Song 77: Seedy Henry rose up shy is a remarkable piece of literature that uses fragmented language and surreal imagery to create a sense of confusion and disassociation. The poem is an excellent example of free verse poetry and is a reflection of Berryman's interest in the surreal and his admiration for the poet Ezra Pound. The poem's interpretation is open to debate, but it can be interpreted as a journey of self-discovery. Henry seems to be searching for something in the world, but he is unsure and shy.
Berryman's Dream Song 77: Seedy Henry rose up shy is a beautiful piece of literature that will continue to intrigue and captivate readers for generations to come.
Editor 2 Analysis and Explanation
John Berryman's "Dream Song 77: Seedy Henry rose up shy" is a complex and enigmatic poem that explores the themes of identity, self-discovery, and the human condition. The poem is part of Berryman's larger work, "The Dream Songs," which is a collection of 385 poems that were written over a period of 14 years.
The poem begins with the line, "Seedy Henry rose up shy in de world & shaved & swung his baritone." This line sets the tone for the rest of the poem, as it introduces the character of Seedy Henry, who is the protagonist of the poem. The use of the word "seedy" suggests that Seedy Henry is not in the best of health or spirits, and the fact that he is "shy" suggests that he is not comfortable in his own skin.
The next line, "and his praise to Music-God was mighty thin," suggests that Seedy Henry is a musician, and that he is not very good at it. The use of the word "mighty" suggests that Seedy Henry is trying to compensate for his lack of talent by being overly enthusiastic about his music.
The third line, "his praise to Music-God was mighty thin," suggests that Seedy Henry is not only a musician, but also a religious person. The use of the word "God" suggests that Seedy Henry is a Christian, and that he believes in a higher power.
The fourth line, "his praise to Music-God was mighty thin," suggests that Seedy Henry is not only a musician and a religious person, but also a poet. The use of the word "praise" suggests that Seedy Henry is trying to express his feelings through his art, and that he is not very good at it.
The fifth line, "O deaf-and-dumb & generous Old Friend," suggests that Seedy Henry is addressing someone who is deaf and dumb, but who is also a generous old friend. The use of the word "generous" suggests that this person has been kind to Seedy Henry in the past, and that he is grateful for their friendship.
The sixth line, "why hunt him back & forth across the states," suggests that Seedy Henry is on the move, and that he is trying to find something or someone. The use of the word "hunt" suggests that Seedy Henry is searching for something that is elusive or difficult to find.
The seventh line, "why goad him to come out of hiding," suggests that Seedy Henry is hiding from something or someone, and that he is being pressured to reveal himself. The use of the word "goad" suggests that Seedy Henry is being pushed or prodded to do something that he does not want to do.
The eighth line, "why force him to receive the laurel," suggests that Seedy Henry is being forced to accept praise or recognition that he does not feel he deserves. The use of the word "force" suggests that Seedy Henry is being coerced or compelled to do something that he does not want to do.
The ninth line, "why teach him to breathe & eat & walk & talk again," suggests that Seedy Henry has lost his sense of self, and that he needs to be taught how to live again. The use of the word "teach" suggests that Seedy Henry is being guided or instructed by someone who knows more than he does.
The tenth line, "why, when he has used his mouth for a year," suggests that Seedy Henry has been silent for a long time, and that he is now using his voice again. The use of the word "used" suggests that Seedy Henry has not been speaking for a long time, and that he is now trying to find his voice again.
The eleventh line, "why make him a singer," suggests that Seedy Henry is being forced to become something that he does not want to be. The use of the word "make" suggests that Seedy Henry is being coerced or compelled to do something that he does not want to do.
The twelfth line, "why not let him be a man," suggests that Seedy Henry wants to be accepted for who he is, and that he does not want to be forced into a role that he does not want to play. The use of the word "man" suggests that Seedy Henry wants to be seen as a human being, with all of his flaws and imperfections.
The thirteenth line, "the terrible twos sung out in him," suggests that Seedy Henry is experiencing a crisis of identity, and that he is struggling to find his place in the world. The use of the phrase "terrible twos" suggests that Seedy Henry is going through a period of emotional turmoil, much like a young child.
The fourteenth line, "he trod water with his human legs," suggests that Seedy Henry is trying to keep his head above water, and that he is struggling to stay afloat. The use of the phrase "human legs" suggests that Seedy Henry is trying to find his humanity, and that he is struggling to connect with his own emotions and feelings.
The fifteenth line, "and his belly was a kerosene tank," suggests that Seedy Henry is carrying a lot of emotional baggage, and that he is struggling to contain his feelings. The use of the word "kerosene" suggests that Seedy Henry's emotions are volatile and explosive, and that he is in danger of losing control.
The sixteenth line, "his head a bowl of smoke," suggests that Seedy Henry is confused and disoriented, and that he is struggling to make sense of his own thoughts and feelings. The use of the phrase "bowl of smoke" suggests that Seedy Henry's mind is clouded and unclear, and that he is having trouble focusing.
The seventeenth line, "wherein the blasted cereal slept," suggests that Seedy Henry is trying to find nourishment, both physical and emotional. The use of the word "blasted" suggests that Seedy Henry's attempts to find nourishment have been unsuccessful, and that he is feeling frustrated and defeated.
The eighteenth line, "and he was a man," suggests that Seedy Henry has finally found his place in the world, and that he is comfortable with who he is. The use of the word "man" suggests that Seedy Henry has finally found his humanity, and that he is no longer struggling to connect with his own emotions and feelings.
In conclusion, John Berryman's "Dream Song 77: Seedy Henry rose up shy" is a powerful and evocative poem that explores the themes of identity, self-discovery, and the human condition. Through the character of Seedy Henry, Berryman explores the struggles that we all face as we try to find our place in the world, and he reminds us that it is only through accepting ourselves for who we are that we can truly find happiness and fulfillment.
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