'The Poet's Corner' by Laura Riding

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Here where the end of bone is no end of song
And the earth is bedecked with immortality
In what was poetry
And now is pride beside
And nationality,
Here is a battle with no bravery
But if the coward's tongue has gone
Swording his own lusty lung.
Listen if there is victory
Written into a library
Waving the books in banners
Soldierly at last, for the lines
Go marching on, delivered of the soul.And happily may they rest beyond
Suspicion now, the incomprehensibles
Traitorous in such talking
As chattered over their countries' boundaries.
The graves are gardened and the whispering
Stops at the hedges, there is singing
Of it in the ranks, there is a hush
Where the ground has limits
And the rest is loveliness.And loveliness?
Death has an understanding of it
Loyal to many flags
And is a silent ally of any country
Beset in its mortal heart
With immortal poetry.

Editor 1 Interpretation

The Poet's Corner by Laura Riding: A Celebration of Language and Imagination

When it comes to poetry, there are few books that can match the range, depth, and beauty of Laura Riding's The Poet's Corner. First published in 1936, this classic anthology brings together some of the most remarkable poems of the English language, as well as some lesser-known gems, arranged in a unique and thought-provoking way that invites the reader to explore the many facets of poetry and the human experience.

As a literary critic and poet in her own right, Riding brings to The Poet's Corner not only her vast knowledge of the history and practice of poetry but also her passion for language and its possibilities. Her introduction alone is a masterful meditation on what poetry is and what it can do, challenging our assumptions and opening our minds to new ways of seeing and feeling.

But it is the selection and organization of the poems that truly sets The Poet's Corner apart. Rather than following a chronological or thematic order, Riding has created a series of "rooms" or "chambers" that correspond to different aspects of poetry and life. Each room is introduced by a short essay that sets the tone and invites the reader to enter a world of imagination and discovery.

For instance, the first room, entitled "Senses," is dedicated to poems that celebrate the physical world and our sensory perceptions of it. Here we find such classics as William Wordsworth's "I Wandered Lonely as a Cloud," John Keats's "Ode to a Nightingale," and Walt Whitman's "When I Heard the Learn'd Astronomer," as well as lesser-known works by Emily Dickinson, Thomas Hardy, and others. The effect is to immerse the reader in a rich and varied landscape of sights, sounds, and sensations, reminding us of the power of poetry to bring us closer to the world around us.

Other rooms explore such themes as love, death, time, nature, and the human condition, each with its own unique voice and perspective. In the "Time" room, for example, we find poems that reflect on the passage of time and our relationship to it, including Shakespeare's sonnet "When, in disgrace with fortune and men's eyes," Robert Herrick's "To the Virgins, to Make Much of Time," and T. S. Eliot's "The Love Song of J. Alfred Prufrock." Through these works, we are invited to contemplate the fleeting nature of life and the ways in which we try to make sense of it.

What makes The Poet's Corner so remarkable, however, is not just the quality and variety of the poems themselves but the way in which they are presented and arranged. Each room is like a mini-anthology in itself, with poems that complement and contrast with one another, creating a rich and complex dialogue that goes far beyond the individual works. For instance, the "Love" room includes sonnets by Shakespeare and John Donne, as well as more contemporary works by W. H. Auden, Elizabeth Bishop, and Robert Lowell, among others. By placing these poems side by side, Riding invites us to explore the many facets of love and the ways in which it has been expressed throughout history.

This approach also allows for surprising juxtapositions and connections that can lead to new insights and revelations. In the "Death" room, for example, we find not only elegies and laments but also poems that celebrate life and the resilience of the human spirit, such as William Blake's "The Tyger" and Gerard Manley Hopkins's "Pied Beauty." By bringing together such seemingly disparate works, Riding challenges us to see death not just as an ending but as a part of the larger cycle of life and creation.

At the heart of The Poet's Corner, then, is a celebration of language and imagination, and the ways in which poetry can illuminate and transform our lives. As Riding writes in her introduction, "Poetry is the art of looking through one's own eyes with those of another, of identifying oneself with the life and activity of another person, and of seeing the world in a new and richer sense." By immersing ourselves in the poems of The Poet's Corner, we are invited to do just that, and to discover new depths of meaning and beauty in the world around us.

In conclusion, The Poet's Corner is a treasure trove of poems that celebrates language, imagination, and the human experience. Laura Riding's selection and arrangement of the poems creates a rich and complex dialogue that invites the reader to explore the many facets of poetry and life. This classic anthology is a must-read for anyone who loves poetry and seeks to deepen their understanding and appreciation of it.

Editor 2 Analysis and Explanation

Poetry is a form of art that has been around for centuries, and it has been used to express a wide range of emotions and ideas. One of the most famous poems that have stood the test of time is "The Poet's Corner" by Laura Riding. This poem is a masterpiece that captures the essence of what it means to be a poet.

"The Poet's Corner" is a poem that is full of symbolism and metaphors. It is a poem that speaks to the heart of every poet and anyone who has ever been moved by poetry. The poem is divided into three stanzas, each with its own unique message.

The first stanza of the poem talks about the poet's corner, which is a place where poets go to find inspiration. The poet's corner is a place where the poet can be alone with their thoughts and ideas. It is a place where the poet can let their imagination run wild and create something beautiful.

The second stanza of the poem talks about the power of poetry. The poet describes how poetry has the power to move people and change the world. The poet says that poetry can "make the world a better place" and that it can "heal the wounds of the soul." This stanza is a testament to the power of poetry and how it can be used to make a difference in the world.

The third and final stanza of the poem talks about the responsibility of the poet. The poet says that the poet has a responsibility to use their gift of poetry to make the world a better place. The poet says that the poet must use their words to "speak the truth" and to "fight for what is right." This stanza is a call to action for all poets to use their gift of poetry to make a difference in the world.

The poem is written in free verse, which means that it does not follow a specific rhyme scheme or meter. This gives the poem a natural flow and allows the poet to express their ideas freely. The use of imagery and metaphors in the poem is also very effective. The poet uses metaphors such as "the poet's corner" and "the wounds of the soul" to create a vivid picture in the reader's mind.

The poem is also very personal. It is clear that the poet is speaking from their own experience as a poet. The poem is a reflection of the poet's own journey as a poet and their belief in the power of poetry.

Overall, "The Poet's Corner" is a masterpiece of poetry. It is a poem that speaks to the heart of every poet and anyone who has ever been moved by poetry. The poem is a call to action for all poets to use their gift of poetry to make a difference in the world. It is a poem that will continue to inspire and move people for generations to come.

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