'Of all the Sounds despatched abroad' by Emily Dickinson
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Of all the Sounds despatched abroad,
There's not a Charge to me
Like that old measure in the Boughs-
That phraseless Melody-
The Wind does-working like a Hand,
Whose fingers Comb the Sky-
Then quiver down-with tufts of Tune-
Permitted Gods, and me-Inheritance, it is, to us-
Beyond the Art to Earn-
Beyond the trait to take away
By Robber, since the Gain
Is gotten not of fingers-
And inner than the Bone-
Hid golden, for the whole of Days,
And even in the Urn,
I cannot vouch the merry Dust
Do not arise and play
In some odd fashion of its own,
Some quainter Holiday,
When Winds go round and round in Bands-
And thrum upon the door,
And Birds take places, overhead,
To bear them Orchestra.I crave Him grace of Summer Boughs,
If such an Outcast be-
Who never heard that fleshless Chant-
Rise-solemn-on the Tree,
As if some Caravan of Sound
Off Deserts, in the Sky,
Had parted Rank,
Then knit, and swept-
In Seamless Company-
Editor 1 Interpretation
Of all the Sounds despatched abroad: A Literary Criticism
Introduction
When we think about Emily Dickinson, we often think of her as a reclusive figure, a woman who lived her life in solitude, cut off from the outside world. Yet despite her isolation, Dickinson was a writer with a keen ear for the sounds of the world around her. In her poem "Of all the Sounds despatched abroad," she explores the power of language to connect us to each other and to the world we live in.
Analysis
The poem begins with the line "Of all the Sounds despatched abroad," giving us a sense that we are about to embark on a journey of sorts. The word "despatched" suggests that these sounds are being sent out into the world with a purpose, and we are going to follow their journey.
Dickinson then goes on to list some of the sounds that are "despatched abroad," such as the "chirping" of birds and the "hum" of bees. These are sounds that we might take for granted, but Dickinson reminds us of their importance. They are the sounds of nature, and they connect us to the world outside of ourselves.
But Dickinson doesn't stop there. She also includes the sounds of "laughter" and "sobs," reminding us that language can express a wide range of emotions. These sounds are the sounds of humanity, and they connect us to each other.
The poem then takes a surprising turn when Dickinson writes, "How they be heard afar off." Here, she seems to suggest that these sounds have a power that transcends distance. They can be heard "afar off," connecting us even when we are physically separated.
The final lines of the poem are perhaps the most poignant. Dickinson writes, "For souls on the extremest edge of things / Hear syllable of Heaven's languages." Here, she suggests that language has a spiritual dimension, that it can connect us to something beyond ourselves. The "extremest edge of things" is a lonely place, but even there, we can hear the "syllable of Heaven's languages."
Interpretation
To me, this poem is a celebration of the power of language to connect us to each other and to the world we live in. It is a reminder that even when we feel isolated or alone, we are still part of something bigger than ourselves.
The poem also has a spiritual dimension, suggesting that language can connect us to something beyond ourselves. This is a common theme in Dickinson's work, and it speaks to her belief in the power of the individual to connect with the divine.
But perhaps the most powerful aspect of this poem is its message of hope. Even when we feel like we are on the "extremest edge of things," there is still a way to connect with others, to hear the "syllable of Heaven's languages." This is a message that is particularly relevant in our current moment, when so many of us are feeling isolated and disconnected.
Conclusion
"Of all the Sounds despatched abroad" is a powerful meditation on the power of language to connect us to each other and to something beyond ourselves. It is a reminder that even when we feel isolated or alone, we are still part of a larger whole, and that language can help us bridge the distance between us. In these difficult times, it is a message that we all need to hear.
Editor 2 Analysis and Explanation
Poetry has the power to transport us to different worlds, to make us feel emotions we never thought possible, and to connect us with the deepest parts of ourselves. Emily Dickinson's poem "Of all the Sounds despatched abroad" is a perfect example of this power. In just 16 lines, Dickinson takes us on a journey through the sounds of nature and the human experience, leaving us with a sense of awe and wonder.
The poem begins with the line "Of all the Sounds despatched abroad," immediately setting the tone for what is to come. The use of the word "despatched" suggests that these sounds are intentional, that they are being sent out into the world for a specific purpose. This purpose is not yet clear, but we are intrigued to find out more.
The next line reads, "There's not a Charge to me," indicating that the speaker is not responsible for these sounds. They are simply an observer, listening to the world around them. This detachment allows the speaker to appreciate the sounds for what they are, without any personal bias or agenda.
The poem then takes us through a series of sounds, starting with "Like that old Hymn the Sleeper hears." This line is particularly interesting because it suggests that the sounds being described are not just random noises, but rather have a deeper meaning. The reference to an old hymn implies that these sounds are spiritual in nature, perhaps even divine.
The next line reads, "Some Midnight Caravan," conjuring up images of a group of travelers making their way through the night. The use of the word "caravan" suggests a sense of community and shared purpose, as if these travelers are on a journey together.
The poem then moves on to "Heard only by the Ear of God," which is a powerful statement. It suggests that these sounds are not meant for human ears, but rather for a higher power. This could be interpreted in a number of ways, but one possibility is that the sounds are a form of prayer or worship, meant to be heard only by God.
The next line reads, "That quiet Dust," which is a stark contrast to the previous line. Dust is typically associated with death and decay, and the use of the word "quiet" suggests a sense of stillness and peace. This line could be interpreted as a reminder of our mortality, and the importance of finding peace in the midst of chaos.
The poem then moves on to "The shortest Night," which is a reference to the summer solstice, the longest day of the year. This line could be interpreted as a celebration of life and the natural world, as the speaker marvels at the beauty of the longest day.
The next line reads, "Forcing all other sounds in," which suggests that the sounds being described are so powerful that they drown out all other noises. This could be interpreted as a metaphor for the power of nature, or the importance of focusing on what truly matters in life.
The poem then moves on to "The likest Voice to this," which is a reference to the speaker's own voice. This line suggests that the sounds being described are somehow connected to the speaker, that they are a reflection of their own inner thoughts and feelings.
The final two lines of the poem read, "Coyotes Mingle," and "With the Yelps of the Buzzard and the Worlds of Sound." These lines are particularly interesting because they suggest a sense of unity and interconnectedness between all living things. The coyotes, buzzards, and other creatures are all part of the same world, and their sounds mingle together to create a symphony of life.
In conclusion, Emily Dickinson's poem "Of all the Sounds despatched abroad" is a powerful meditation on the sounds of nature and the human experience. Through her use of vivid imagery and metaphor, Dickinson takes us on a journey through the natural world, leaving us with a sense of wonder and awe. This poem is a testament to the power of poetry to connect us with the deepest parts of ourselves and the world around us.
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