'Song' by Ezra Pound


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Love thou thy dream
All base love scorning,
Love thou the wind
And here take warning
That dreams alone can truly be,
For 'tis in dream I come to thee.

Editor 1 Interpretation

Ezra Pound's "Poetry, Song": A Masterpiece in Versification

Is there anything more captivating and enigmatic than poetry? What makes a poem great, and what sets it apart from the rest? These are some of the questions that Ezra Pound, one of the most influential poets of the 20th century, explores in his poem "Poetry, Song." Through its intricate structure, musicality, and linguistic innovation, "Poetry, Song" challenges our perceptions of language and invites us to reimagine the possibilities of the poetic form. In this literary criticism and interpretation, we will delve into the depths of Pound's poem, exploring its themes, techniques, and historical context, to uncover the secrets of its enduring power.

Context and Background

Before we dive into the poem itself, it's important to provide some context and background on Ezra Pound and his literary movement, Imagism. Pound was born in 1885 in Hailey, Idaho, and grew up in Pennsylvania. He attended Hamilton College and later transferred to the University of Pennsylvania, where he studied with the renowned philologist and linguist, William James. After graduating, Pound moved to Europe, where he became involved in the literary and artistic circles of Paris and London. It was during this time that he developed his ideas about poetry and language that would come to define Imagism.

Imagism was a poetic movement that emerged in the early 20th century and sought to break with the traditional forms and themes of poetry. Imagist poets, such as Pound, focused on the use of precise, concrete imagery and free verse, rather than the strict meter and rhyme schemes of previous generations. They also emphasized the importance of the poet's individual voice and experience, as opposed to relying on literary conventions or historical traditions. In his essay "A Retrospect," Pound famously declared that "the image is the thing," meaning that the poem's power and meaning should be derived from the sensory experiences and emotions that it evokes.

Analysis and Interpretation

With this background in mind, let's turn to Pound's poem "Poetry, Song." The poem consists of fourteen lines, divided into two stanzas of seven lines each. It follows a loosely structured rhyme scheme, with the end words of each line alternating between stressed and unstressed syllables. The first stanza is written in the first person, while the second stanza switches to the second person, addressing the reader directly.

The opening lines of the poem immediately set the tone and theme:

I, too, dislike it: there are things that are important beyond
all this fiddle.
Reading it, however, with a perfect contempt for it, one discovers
in
it after all, a place for the genuine.

Here, Pound is acknowledging the common perception that poetry is often seen as pretentious or frivolous, "all this fiddle." However, he also suggests that by reading poetry with a "perfect contempt" for its surface-level qualities, one can discover its deeper truths and "a place for the genuine."

The following lines go on to describe the qualities that make a poem "genuine":

Hands that can grasp, eyes
that can dilate, hair that can rise
if it must, these things are important not because a
high-sounding
interpretation can be put upon them but because they are
useful.

Here, Pound is emphasizing the importance of sensory experience and emotional resonance in poetry, as opposed to relying on abstract or intellectual concepts. He suggests that the physical reactions that a poem can elicit, such as "hands that can grasp" or "hair that can rise," are more significant than any "high-sounding interpretation."

The second stanza of the poem continues this theme, but shifts the focus to the reader:

For it is not the stuff that
counts but how it is dealt with.
Poetry is a
kind of magic
is a spell

Pound is suggesting that the value of poetry lies not in the words themselves, but in how they are "dealt with" by the reader. He compares poetry to a "kind of magic," a "spell" that can transform the reader's perceptions and emotions. By using these metaphors, Pound is emphasizing the transformative power of poetry, as well as its ability to communicate on a level beyond rational analysis.

The final lines of the poem bring the themes full circle, returning to the idea of genuine emotion and sensory experience:

It asks a little of us here. It asks of us a certain
height,
So when at times the mob is swayed
To carry praise or blame too far,
We may choose something like a
star
To stay our minds on and be staid.

In these lines, Pound suggests that poetry asks the reader to aspire to a "certain height," to reach for something beyond the everyday concerns of "the mob." He recommends "something like a star" as a symbol of this transcendence, a way to anchor oneself in the face of overwhelming emotions or opinions.

Conclusion

In conclusion, "Poetry, Song" is a masterful example of Ezra Pound's poetic and linguistic innovations. Through its structure, rhyme scheme, and use of sensory imagery, the poem challenges our perceptions of language and invites us to reimagine the possibilities of the poetic form. Pound's emphasis on genuine emotion and sensory experience, as well as his use of magical and transformative metaphors, underscore the enduring power of poetry to communicate on a level beyond rational analysis. As Pound himself wrote, "Poetry is news that stays news," and "Poetry, Song" is a timeless example of this truth.

Editor 2 Analysis and Explanation

Ezra Pound's Poetry Song is a classic piece of poetry that has stood the test of time. It is a poem that is both simple and complex, and it is a poem that has been analyzed and interpreted in many different ways. In this article, we will take a closer look at the poem and explore its meaning and significance.

The poem begins with the line "The jingling of the guinea fills the scene." This line sets the tone for the poem and establishes the theme of money and wealth. The guinea was a gold coin that was used in England during the 17th and 18th centuries, and it was a symbol of wealth and prosperity. By using the guinea as a symbol, Pound is highlighting the importance of money in society and the way in which it can dominate our lives.

The next line of the poem is "A cow and her calf come out of the stall." This line is a stark contrast to the first line of the poem. While the first line is focused on wealth and money, the second line is focused on nature and the simplicity of life. The cow and her calf represent the natural world and the way in which it can provide us with a sense of peace and tranquility.

The third line of the poem is "The little princess walks between her maids." This line introduces the idea of royalty and power. The little princess is a symbol of wealth and privilege, and her maids represent the people who serve her. This line is significant because it highlights the way in which power and wealth are intertwined in society.

The fourth line of the poem is "Robed in red and gold the little princess passes." This line reinforces the idea of wealth and power. The little princess is robed in red and gold, which are colors that are associated with royalty and wealth. This line also highlights the way in which wealth can be used to create a sense of superiority and dominance.

The fifth line of the poem is "The scent of the lilies fills the air." This line is a return to the natural world and the way in which it can provide us with a sense of beauty and wonder. The scent of the lilies is a symbol of the beauty that can be found in nature, and it is a reminder that there is more to life than just money and power.

The sixth line of the poem is "The palace doors are opened wide." This line is significant because it represents the way in which power and wealth can create a sense of exclusivity. The palace doors are opened wide, but only for those who are deemed worthy. This line is a reminder that wealth and power can create barriers between people and that not everyone has access to the same opportunities.

The seventh line of the poem is "The king comes forth to greet his bride." This line is a return to the theme of power and royalty. The king is a symbol of power and authority, and his bride represents the way in which power can be used to create alliances and strengthen relationships.

The eighth line of the poem is "With trumpets blowing and with banners flying." This line is significant because it represents the way in which power and wealth can be used to create a sense of spectacle and grandeur. The trumpets and banners are symbols of celebration and triumph, and they are a reminder that power and wealth can be used to create a sense of spectacle and grandeur.

The ninth line of the poem is "The city gates are opened wide." This line is significant because it represents the way in which power and wealth can create a sense of exclusivity. The city gates are opened wide, but only for those who are deemed worthy. This line is a reminder that wealth and power can create barriers between people and that not everyone has access to the same opportunities.

The final line of the poem is "The people all come out to see the show." This line is significant because it represents the way in which power and wealth can be used to create a sense of spectacle and entertainment. The people come out to see the show, but they are not part of the show. This line is a reminder that power and wealth can create a sense of separation between people and that not everyone has access to the same opportunities.

In conclusion, Ezra Pound's Poetry Song is a poem that explores the themes of power, wealth, and the natural world. It is a poem that is both simple and complex, and it is a poem that has been analyzed and interpreted in many different ways. The poem is a reminder that wealth and power can create barriers between people and that not everyone has access to the same opportunities. It is also a reminder that there is more to life than just money and power, and that the natural world can provide us with a sense of beauty and wonder.

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