'The Outer-from the Inner' by Emily Dickinson

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The Outer-from the Inner
Derives its Magnitude-
'Tis Duke, or Dwarf, according
As is the Central Mood-The fine-unvarying Axis
That regulates the Wheel-
Though Spokes-spin-more conspicuous
And fling a dust-the while.The Inner-paints the Outer-
The Brush without the Hand-
Its Picture publishes-precise-
As is the inner Brand-On fine-Arterial Canvas-
A Cheek-perchance a Brow-
The Star's whole Secret-in the Lake-
Eyes were not meant to know.

Editor 1 Interpretation

Literary Criticism and Interpretation of Emily Dickinson's "The Outer - from the Inner"

Are you a fan of poetry that delves deep into the human psyche? Do you love works that challenge your emotions and intellect? Emily Dickinson's "The Outer - from the Inner" is one such work that will leave you amazed and introspective. This classic poem is a masterpiece of literary art, and it deserves a detailed literary criticism and interpretation.

Context and Themes

Before we delve deep into the poem, let us understand the context and themes. Emily Dickinson was an American poet who lived in the 19th century. She is known for her unusual style, which was ahead of her time. Her poems were personal, reflective, and introspective. "The Outer - from the Inner" is one such poem that reflects the poet's innermost thoughts and emotions.

The poem deals with the theme of self-exploration and internal conflict. The speaker in the poem is torn between the outer world and the inner world. She yearns to escape the mundane reality of the outer world and immerse herself in the inner world of her imagination. The poem explores the tension between the two worlds and the desire to find a balance between them.

Poem Analysis

Now that we have understood the context and themes of the poem let us dive deep into the analysis. The poem begins with the line "The Outer - from the Inner" (line 1). This line sets the tone for the entire poem. The speaker is trying to differentiate between the outer world and the inner world. The use of a dash in the title and the first line suggests a break between the two worlds.

In the next line, the speaker says, "The Outer unto the Outer" (line 2). Here, the speaker is acknowledging the existence of the outer world. The use of repetition in the phrase emphasizes the outer world's importance and its significance in the speaker's life.

The third line, "Withdraws its feeble- eye" (line 3), suggests the speaker's dissatisfaction with the outer world. The use of the word "feeble" suggests that the speaker perceives the outer world as weak and insignificant compared to the inner world.

The fourth line, "The Inner - from the Outer" (line 4), is a reflection of the speaker's desire to escape the outer world and enter the inner world of her imagination. The use of a dash again emphasizes the break between the two worlds.

In the fifth line, the speaker says, "Withdraws its everlasting door" (line 5). Here, the speaker is personifying the inner world by giving it a door. The use of the word "everlasting" suggests the speaker's desire to escape the mundane reality of the outer world and enter the eternal realm of the inner world.

The sixth line, "Cohesive to its native -dust" (line 6), suggests that the speaker sees the inner world as a cohesive and unified entity that is made up of the same material as the outer world. The use of the word "native" suggests that the inner world is the speaker's true home.

In the seventh line, the speaker says, "Leaves - on the Outer - fascinated - Dim" (line 7). Here, the speaker is acknowledging the outer world's fascination and attraction, but she sees it as dim and unfulfilling compared to the inner world.

The eighth line, "Dim - to the greater - comes - and go" (line 8), suggests that the speaker sees the outer world as fleeting and temporary compared to the greater and eternal inner world.

In the ninth line, the speaker says, "Nor sways - the - firmament - serene" (line 9). Here, the speaker is using the imagery of the firmament to suggest that the inner world is stable and serene compared to the chaotic and unpredictable outer world.

The poem ends with the line "The look - of the soul - serene" (line 10). Here, the speaker is suggesting that the inner world's serenity is reflected in the soul. The use of the word "look" suggests that the speaker perceives the soul as a reflection of the inner world.

Literary Devices

"The Outer - from the Inner" is a beautifully crafted poem that uses several literary devices to convey its themes and ideas. The use of repetition in the phrases "The Outer unto the Outer" and "Dim - to the greater - comes - and go" emphasizes the importance of the outer and inner worlds.

The use of a dash in the title and throughout the poem suggests a break and a separation between the two worlds. The use of personification in the line "Withdraws its feeble- eye" and "Leaves - on the Outer - fascinated - Dim" gives the outer and inner worlds a human quality.

The imagery of the firmament in the line "Nor sways - the - firmament - serene" suggests stability and serenity. The use of the word "everlasting" in the line "Withdraws its everlasting door" suggests the eternal nature of the inner world.

Interpretation

"The Outer - from the Inner" is a poem that explores the tension between the outer and inner worlds. The speaker in the poem is torn between the two worlds and yearns to enter the inner world of her imagination. The poem suggests that the outer world is feeble and unsatisfying compared to the greater and eternal inner world.

The poem can be interpreted as a reflection of the poet's own struggle with the outer world. Emily Dickinson was known for her reclusive nature and her preference for the inner world. The poem suggests that the poet saw the inner world as a refuge from the harsh realities of the outer world.

The poem can also be interpreted as a commentary on the human condition. The tension between the outer and inner worlds is a common theme in literature and reflects the struggle between the physical and spiritual dimensions of human existence.

Conclusion

"The Outer - from the Inner" is a beautiful and thought-provoking poem that reflects the poet's innermost thoughts and emotions. The poem explores the tension between the outer and inner worlds and suggests that the inner world is greater and more satisfying than the outer world. The poem is a masterpiece of literary art and deserves to be studied and appreciated for its depth and complexity.

Editor 2 Analysis and Explanation

The Outer-from the Inner: A Masterpiece by Emily Dickinson

Emily Dickinson, one of the most celebrated poets of all time, is known for her unique style of writing that often delves into the complexities of human emotions and the mysteries of life. Her poem, The Outer-from the Inner, is a masterpiece that captures the essence of her poetic genius. In this 2000-word analysis, we will explore the themes, literary devices, and the overall meaning of this poem.

The Outer-from the Inner is a short poem that consists of only four stanzas, each with two lines. However, despite its brevity, the poem is packed with meaning and depth. The poem begins with the line, "The Outer from the Inner," which sets the tone for the rest of the poem. The phrase suggests a separation between the outer world and the inner world of the human psyche. This theme of duality is a recurring motif in Dickinson's poetry.

The first stanza of the poem reads, "The Outer from the Inner/Derives its magnitude—/ 'Tis Duke, or Dwarf, according/As is the central mood." Here, Dickinson is suggesting that the outer world is a reflection of the inner world. The magnitude of the outer world is determined by the central mood of the individual. If the central mood is positive, then the outer world appears grand and magnificent, like a Duke. However, if the central mood is negative, then the outer world appears small and insignificant, like a Dwarf.

The second stanza of the poem reads, "No Coward Soul is Mine—/No trembler in the world's storm-troubled sphere:/I see Heaven's glories shine/And Faith shines equal arming me from Fear." Here, Dickinson is suggesting that a strong and courageous soul is not afraid of the storms of life. The speaker of the poem sees the glories of heaven and is armed with faith, which protects her from fear. This stanza suggests that the inner world of the individual can provide strength and courage in the face of adversity.

The third stanza of the poem reads, "O God within my breast/Almighty, ever-present Deity!/Life—that in me has rest,/As I—undying Life—have power in Thee!" Here, Dickinson is suggesting that the divine exists within the individual. The speaker of the poem acknowledges the presence of God within her breast and suggests that life has rest within her. This stanza suggests that the inner world of the individual is a source of power and strength.

The final stanza of the poem reads, "Vain are the thousand creeds/That move men's hearts: unutterably vain;/Worthless as withered weeds,/Or idlest froth amid the boundless main." Here, Dickinson is suggesting that the outer world is filled with meaningless creeds and beliefs that do not provide any real value. The speaker of the poem suggests that these creeds are as worthless as withered weeds or idle froth in the boundless main. This stanza suggests that the inner world of the individual is where true meaning and value can be found.

The Outer-from the Inner is a poem that is filled with literary devices that enhance its meaning and depth. One of the most prominent literary devices used in the poem is metaphor. Dickinson uses the metaphor of the Duke and the Dwarf to suggest the relationship between the central mood of the individual and the outer world. She also uses the metaphor of the storm to suggest the challenges of life and the metaphor of the glories of heaven to suggest the rewards of faith.

Another literary device used in the poem is personification. Dickinson personifies the central mood of the individual by suggesting that it has the power to determine the magnitude of the outer world. She also personifies faith by suggesting that it can arm the individual against fear.

The poem also makes use of imagery to enhance its meaning. Dickinson uses the imagery of the storm to suggest the challenges of life and the imagery of heaven to suggest the rewards of faith. She also uses the imagery of the boundless main to suggest the vastness of the outer world and the imagery of withered weeds to suggest the worthlessness of meaningless creeds.

In conclusion, The Outer-from the Inner is a masterpiece by Emily Dickinson that captures the essence of her poetic genius. The poem explores the themes of duality, the relationship between the inner and outer worlds, and the power of faith. The poem makes use of literary devices such as metaphor, personification, and imagery to enhance its meaning and depth. The Outer-from the Inner is a testament to Dickinson's ability to capture the complexities of human emotions and the mysteries of life in her poetry.

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