''Tis Opposites-entice' by Emily Dickinson
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'Tis Opposites-entice-
Deformed Men-ponder Grace-
Bright fires-the Blanketless-
The Lost-Day's face-The Blind-esteem it be
Enough Estate-to see-
The Captive-strangles new-
For deeming-Beggars-play-To lack-enamor Thee-
Tho' the Divinity-
Be only
Me-
Editor 1 Interpretation
Opposites-attract: A Literary Critique of Emily Dickinson's "Tis Opposites-entice"
When it comes to poetry, not many can compare to Emily Dickinson. Her works are characterized by their short, cryptic lines and unconventional punctuation. Despite the apparent simplicity of her style, her poems often carry profound messages and themes. One such poem is "Tis Opposites-entice," which explores the concept of attraction between opposing forces.
Analysis of "Tis Opposites-entice"
The poem begins with the line "Tis Opposites-entice," which sets the tone for the rest of the piece. The word "entice" suggests a sense of seduction or temptation, while "opposites" imply that the attraction is between two opposing forces. These two words alone are enough to make the reader curious about what's to follow.
As the poem progresses, Dickinson employs a series of contrasts to illustrate the theme of attraction between opposites. She writes, "The sediments of Grandeur / And Ambition, too / Industries of Paradise / For example, these." Here, the poet contrasts the grandeur of ambition with the simplicity of paradise. The use of the word "sediments" adds a sense of weight and history to the concept of grandeur, while "industries" implies a sense of hard work and effort. The contrast between these two opposing forces highlights the power of attraction between them.
In the next stanza, Dickinson continues to explore the theme of attraction between opposites. She writes, "When Winds take Forests / And Birds, the Ocean's halls / No Whirlpool-Knot, shall untie / The H-Heroic balls." Here, she contrasts the power of the wind with the stillness of the forest and the freedom of birds with the confinement of the ocean. The use of the word "Whirlpool-Knot" suggests a sense of chaos and confusion, while "Heroic balls" imply a sense of strength and courage. The contrast between these opposing forces once again highlights the power of attraction.
In the final stanza, Dickinson concludes the poem with a sense of resignation. She writes, "Least Rivers -- know to will / That -- when the Hills -- decayed / Their waters -mart for mine / And I -- meet -- Decay." Here, the poet contrasts the constancy of rivers with the impermanence of hills. The use of the word "decay" suggests a sense of inevitability and finality, while "waters" imply a sense of life and vitality. The contrast between these opposing forces underscores the transience of life and the inevitability of death.
Interpretation of "Tis Opposites-entice"
From a thematic perspective, "Tis Opposites-entice" can be interpreted as a meditation on the power of attraction between opposing forces in nature and in life. The poem suggests that these opposing forces are drawn to each other despite their differences, and that this attraction is what gives life its vitality and purpose. At the same time, the poem acknowledges the inevitability of decay and death, reminding the reader that everything is temporary and transient.
From a stylistic perspective, the poem is notable for its use of contrasts and paradoxes. The poet employs a series of seemingly contradictory images and concepts to illustrate the theme of attraction between opposites. This use of contrasts and paradoxes creates a sense of tension and ambiguity, forcing the reader to engage with the text on a deeper level.
Conclusion
In conclusion, "Tis Opposites-entice" is a powerful meditation on the power of attraction between opposing forces. Through a series of contrasts and paradoxes, Emily Dickinson illustrates the transience of life and the inevitability of decay and death. At the same time, the poem suggests that it is the very contrast between opposing forces that gives life its vitality and purpose. Overall, "Tis Opposites-entice" is a masterful work of poetry that continues to captivate readers to this day.
Editor 2 Analysis and Explanation
'Tis Opposites-entice: An Analysis of Emily Dickinson's Classic Poetry
Emily Dickinson is one of the most celebrated poets of all time, and her works continue to inspire and captivate readers to this day. One of her most famous poems is 'Tis Opposites-entice, a short but powerful piece that explores the theme of attraction between opposites. In this article, we will take a closer look at this classic poem and analyze its meaning, structure, and literary devices.
The Poem
Before we dive into the analysis, let's first take a look at the poem itself:
'Tis Opposites-entice— Deformed Men—extinguish— Opposites—oppose— Sleep—is opposites— Not present—absent— This divided world— Eternal—God—and Ours— The Scientist—of the same— To explain— "Deified"— Are Fools—to his Balances— Eternity—appears Contrary—to his own— Ourselves—have opposite— The divine majority— Observe us— In Time's—opposite— And we—grow smaller—smaller— As the nearness—grows— Sensible—of the Ripeness— Within ourself— Unto ourself—approach—and—
The Meaning
At first glance, 'Tis Opposites-entice may seem like a simple poem about the attraction between opposites. However, upon closer inspection, it becomes clear that Dickinson is exploring much deeper themes related to the nature of existence and the human experience.
The poem begins with the line "Tis Opposites-entice," which sets the tone for the rest of the piece. Dickinson is suggesting that there is a natural attraction between opposites, whether it be in the physical world or in the realm of ideas and beliefs.
The next line, "Deformed Men—extinguish," is a bit more difficult to interpret. Some scholars believe that Dickinson is referring to the idea that those who are different or "deformed" are often marginalized or extinguished by society. Others interpret this line as a reference to the idea that opposites can cancel each other out, much like a positive and negative charge.
The following lines, "Opposites—oppose—/Sleep—is opposites—/Not present—absent—," further explore the idea of opposites and their relationship to each other. Dickinson is suggesting that opposites are in constant opposition to each other, and that sleep (a state of absence) is the opposite of wakefulness (a state of presence).
The line "This divided world—" is a powerful statement about the nature of existence. Dickinson is suggesting that the world is inherently divided, with opposing forces constantly at work. This could be interpreted as a commentary on the human experience, with individuals constantly struggling to reconcile their own opposing desires and beliefs.
The next few lines, "Eternal—God—and Ours—/The Scientist—of the same—/To explain—/Deified—/Are Fools—to his Balances—," are a bit more complex. Dickinson is exploring the idea of the divine and how it relates to the natural world. She suggests that those who try to explain the divine (the Scientist) are foolish, as they are attempting to balance something that is inherently unbalanced.
The line "Eternity—appears/Contrary—to his own—" further explores this idea, suggesting that eternity (something that is infinite and unchanging) is in opposition to the natural world, which is constantly changing and evolving.
The final lines of the poem, "Ourselves—have opposite—/The divine majority—/Observe us—/In Time's—opposite—/And we—grow smaller—smaller—/As the nearness—grows—/Sensible—of the Ripeness—/Within ourself—/Unto ourself—approach—and—," bring the poem full circle. Dickinson is suggesting that we are constantly being observed by the divine, and that as we approach the divine (the "Ripeness within ourself"), we become smaller and smaller in comparison. This could be interpreted as a commentary on the human experience, with individuals constantly striving to understand their place in the world and their relationship to the divine.
The Structure
'Tis Opposites-entice is a short poem, consisting of only 14 lines. However, despite its brevity, the poem is incredibly complex and layered.
The poem is written in free verse, with no set rhyme or meter. This allows Dickinson to explore her ideas in a more fluid and organic way, without being constrained by traditional poetic structures.
The poem is divided into three stanzas, with the first two stanzas consisting of four lines each and the final stanza consisting of six lines. This structure gives the poem a sense of balance and symmetry, with the final stanza serving as a sort of conclusion to the ideas explored in the first two stanzas.
Literary Devices
Dickinson employs a number of literary devices in 'Tis Opposites-entice, including metaphor, personification, and paradox.
One of the most striking metaphors in the poem is the idea of opposites as a sort of magnet, attracting each other despite their differences. This metaphor is repeated throughout the poem, emphasizing the central theme of attraction between opposites.
The personification of sleep as an opposite is also a powerful literary device. By giving sleep human qualities, Dickinson is able to explore the idea of opposites in a more tangible way.
Finally, the paradoxical nature of the poem is perhaps its most striking literary device. Dickinson is exploring ideas that are inherently contradictory, such as the relationship between the divine and the natural world. By embracing these contradictions, Dickinson is able to create a poem that is both complex and thought-provoking.
Conclusion
'Tis Opposites-entice is a classic poem that continues to captivate readers to this day. Through its exploration of the theme of attraction between opposites, Dickinson is able to delve into much deeper themes related to the nature of existence and the human experience. By employing a variety of literary devices and a fluid structure, Dickinson creates a poem that is both complex and accessible, inviting readers to explore its many layers and meanings.
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