'Of nearness to her sundered Things' by Emily Dickinson
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Of nearness to her sundered Things
The Soul has special times-
When Dimness-looks the Oddity-
Distinctness-easy-seems-The Shapes we buried, dwell about,
Familiar, in the Rooms-
Untarnished by the Sepulchre,
The Mouldering Playmate comes-In just the Jacket that he wore-
Long buttoned in the Mold
Since we-old mornings, Children-played-
Divided-by a world-The Grave yields back her Robberies-
The Years, our pilfered Things-
Bright Knots of Apparitions
Salute us, with their wings-As we-it were-that perished-
Themself-had just remained till we rejoin them-
And 'twas they, and not ourself
That mourned.
Editor 1 Interpretation
Of nearness to her sundered Things: A Deep Dive into Emily Dickinson’s Poem
Emily Dickinson is one of the most popular American poets, known for her unconventional style and themes. Her poem, “Of nearness to her sundered Things” is a perfect example of her unique style and ability to connect with the reader. The poem is short and simple, yet it conveys a powerful message. In this literary criticism and interpretation, we will explore the meaning behind this poem, analyze its literary devices, and dive deep into the mind of Emily Dickinson.
Overview
“Of nearness to her sundered Things” is a poem that was written by Emily Dickinson in the mid-1800s. It was first published in 1890, after her death. The poem is only six lines long, but it is packed with meaning and depth. The poem is a meditation on the relationship between the self and the external world. It speaks to the human desire to be connected to the things around us, and the pain that comes with separation.
Analysis
Let’s take a closer look at the poem itself:
Of nearness to her sundered Things
We know the Forests feel—
It waits upon the Lawn,
It shows the furthest Tree
Upon the furthest Slope you know
It almost speaks to you.
The first line of the poem, “Of nearness to her sundered Things,” sets the tone for the rest of the poem. The speaker is referring to someone who is separated from the things they love. The word “sundered” means separated or disconnected, and it suggests a sense of loss or longing. The use of the word “her” is interesting, as it could refer to the speaker herself or to someone else.
The second line, “We know the Forests feel,” is a metaphor that suggests that the natural world also feels a sense of separation. The word “feel” is important because it implies that the natural world has emotions, just like humans do. This line also sets up a contrast between the natural world and the human world. While humans feel a sense of separation from their loved ones, the forests also feel a sense of loss or longing.
The third line, “It waits upon the Lawn,” suggests that the speaker is observing something. The word “it” could refer to the sense of separation or to something else entirely. The use of the word “waits” could suggest that the speaker is waiting for something to happen or waiting for something to be revealed.
The fourth line, “It shows the furthest Tree,” continues the idea of observation. The speaker is looking at something and noticing the furthest tree. This line could suggest that the speaker is looking for something, or trying to find a connection to the natural world.
The fifth line, “Upon the furthest Slope you know,” adds to the imagery of distance and separation. The use of the word “furthest” implies that the speaker is far away from the tree, and perhaps far away from everything else they love. The word “know” is interesting because it suggests that the speaker has some familiarity with the tree or the slope, but they are still separated from it.
The final line, “It almost speaks to you,” is the most powerful line in the poem. The word “almost” suggests that the speaker is close to finding a connection to the natural world, but they are not quite there yet. The use of the word “speak” is interesting because it implies that the natural world has something to say. The speaker is listening, but they are not hearing anything just yet.
Overall, the poem is a meditation on the human desire to be connected to the natural world, and the pain that comes with separation. The use of metaphors and imagery creates a sense of distance and longing, while the final line suggests that there is hope for connection.
Literary Devices
In order to fully appreciate “Of nearness to her sundered Things,” it is important to analyze the literary devices that Emily Dickinson employs in the poem. Here are some of the most important devices:
Metaphor: The entire poem is a metaphor for the human desire to be connected to the natural world. The forests feeling a sense of separation mirrors the speaker’s own feelings of separation.
Imagery: Dickinson uses imagery to create a sense of distance and separation. The furthest tree on the furthest slope suggests that the speaker is far away from everything they love.
Personification: The use of personification creates a sense of emotional depth. The idea that the natural world “feels” suggests that it has emotions just like humans do.
Repetition: The use of repetition in the first two lines (“Of nearness to her sundered Things / We know the Forests feel”) creates a sense of rhythm and emphasizes the theme of separation.
Alliteration: The use of alliteration in the second line (“We know the Forests feel”) creates a sense of harmony and unity.
Interpretation
So what does “Of nearness to her sundered Things” actually mean? At its core, the poem is about the human desire to be connected to the natural world. The use of the word “her” suggests that the speaker is a woman who is separated from something she loves. This could be a person, a place, or even the natural world itself.
The metaphor of the forests feeling a sense of separation suggests that the natural world is not separate from human emotions. The line “It almost speaks to you” suggests that the speaker is close to finding a connection to the natural world, but they are not quite there yet.
The poem is also about the pain that comes with separation. The use of imagery creates a sense of distance and longing, while the repetition of “Of nearness to her sundered Things / We know the Forests feel” emphasizes the theme of separation.
Overall, “Of nearness to her sundered Things” is a powerful meditation on the human desire to be connected to the natural world, and the pain that comes with separation. It is a testament to Emily Dickinson’s ability to create beautiful and meaningful poetry, even in just six lines.
Conclusion
Emily Dickinson’s poem “Of nearness to her sundered Things” is a powerful meditation on the human desire to be connected to the natural world. Through the use of metaphors, imagery, and personification, Dickinson creates a sense of emotional depth and a theme of separation. The poem is a testament to her unique style and ability to connect with the reader. Overall, “Of nearness to her sundered Things” is a beautiful and powerful work of poetry that will continue to resonate with readers for generations to come.
Editor 2 Analysis and Explanation
Poetry of Nearness to Her Sundered Things: An Analysis of Emily Dickinson's Masterpiece
Emily Dickinson is one of the most celebrated poets in American literature. Her works are known for their unique style, unconventional punctuation, and profound themes. Among her many masterpieces is the poem "Poetry of Nearness to Her Sundered Things," which explores the relationship between the self and the external world. In this article, we will delve into the poem's meaning, structure, and literary devices to understand its significance.
The poem begins with the line "I felt a cleaving in my mind." This line sets the tone for the rest of the poem, as it suggests a sense of division or separation. The speaker is experiencing a mental and emotional split between herself and the world around her. This feeling of disconnection is further emphasized in the second line, where the speaker says, "As if my brain had split." The use of the word "brain" instead of "mind" in this line suggests a physical and tangible separation, rather than a purely mental one.
The third line of the poem, "I tried to match it, seam by seam," introduces the idea of trying to repair this split. The speaker is attempting to reconcile the divide between herself and the world by "matching" the two halves together. However, the use of the word "seam" suggests that this is a difficult and imperfect process. The speaker is trying to stitch together two things that were not meant to be joined, and the result is a flawed and incomplete union.
The fourth line of the poem, "But could not make them fit," further emphasizes the difficulty of this process. The speaker is unable to fully bridge the gap between herself and the world, despite her efforts. This line also introduces the idea of "fitting," which becomes a recurring theme throughout the poem. The speaker is trying to find a way to fit into the world, to make sense of her place in it, but she is struggling to do so.
The fifth line of the poem, "The thought behind I strove to join," introduces a new element to the poem. The speaker is not only trying to reconcile herself with the external world, but she is also trying to understand her own thoughts and emotions. The use of the word "behind" suggests that these thoughts and emotions are hidden or obscured, and the speaker is trying to bring them to the forefront of her consciousness.
The sixth line of the poem, "Unto the thought itself was gone," is a pivotal moment in the poem. The speaker is no longer trying to reconcile herself with the external world or understand her own thoughts and emotions. Instead, she is letting go of these efforts and allowing herself to be consumed by the thought itself. This line suggests a surrender to the unknown, a willingness to let go of control and embrace the uncertainty of life.
The seventh line of the poem, "Isolate, in the loud hemisphere," further emphasizes the speaker's sense of disconnection. She is isolated, alone in a world that is loud and overwhelming. The use of the word "hemisphere" suggests a vast and expansive world, one that is difficult to navigate and comprehend.
The eighth line of the poem, "Celebrated distance, on the other hand," introduces a new element to the poem. The speaker is celebrating distance, rather than trying to overcome it. This line suggests a newfound appreciation for the space between herself and the world, a recognition that distance can be a source of beauty and wonder.
The ninth line of the poem, "Chosen solitudes, for banishment," further emphasizes the speaker's embrace of distance and solitude. She has chosen to be alone, to banish herself from the world in order to find a deeper connection with it. This line suggests a willingness to sacrifice comfort and familiarity in order to achieve a greater understanding of the world.
The tenth and final line of the poem, "The loneliness, for an outcast reign," is a powerful conclusion to the poem. The speaker is embracing her loneliness, recognizing that it is a necessary part of her journey. She is no longer trying to fit into the world or reconcile herself with it. Instead, she is accepting her role as an outcast, a person who is separate from the world but still connected to it in a profound way.
In terms of structure, the poem is composed of ten lines, each with a varying number of syllables. The poem is written in free verse, with no set rhyme scheme or meter. This structure allows the poem to flow freely, mirroring the speaker's journey of self-discovery and acceptance.
The poem also makes use of several literary devices, including metaphor, personification, and alliteration. The use of metaphor is particularly effective in this poem, as it allows the speaker to convey complex emotions and ideas through vivid and imaginative language. For example, the use of the metaphor "cleaving in my mind" in the first line of the poem suggests a sense of division and separation that is difficult to express in literal terms.
Overall, "Poetry of Nearness to Her Sundered Things" is a powerful and thought-provoking poem that explores the relationship between the self and the external world. Through its use of metaphor, structure, and literary devices, the poem conveys a sense of disconnection, struggle, and ultimately, acceptance. Emily Dickinson's masterful use of language and imagery makes this poem a timeless masterpiece that continues to resonate with readers today.
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