'The Tint I cannot take-is best' by Emily Dickinson

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The Tint I cannot take-is best-
The Color too remote
That I could show it in Bazaar-
A Guinea at a sight-The fine-impalpable Array-
That swaggers on the eye
Like Cleopatra's Company-
Repeated-in the sky-The Moments of Dominion
That happen on the Soul
And leave it with a Discontent
Too exquisite-to tell-The eager look-on Landscapes-
As if they just repressed
Some Secret-that was pushing
Like Chariots-in the Vest-The Pleading of the Summer-
That other Prank-of Snow-
That Cushions Mystery with Tulle,
For fear the Squirrels-know.Their Graspless manners-mock us-
Until the Cheated Eye
Shuts arrogantly-in the Grave-
Another way-to see-

Editor 1 Interpretation

The Tint I cannot take-is best written by Emily Dickinson

Emily Dickinson is one of the most distinguished poets of the 19th century. Her works are characterized by their unique style and the use of unconventional syntax and punctuation. Dickinson's poems are often about death, nature, and the human condition. In this literary criticism, I will analyze and interpret one of her poems, "The Tint I cannot take-is best," which explores the theme of loss and the inability to fully comprehend it.

Analysis

"The Tint I cannot take-is best" is a short poem consisting of only two stanzas. The first stanza is composed of two lines, while the second stanza comprises four lines. The poem has a consistent rhyme scheme of ABCB, which adds to its musicality.

The poem begins with the line, "The Tint I cannot take-is best." The word "tint" is used to describe a slight shade or color. Dickinson uses this word to symbolize something that is intangible and elusive, something that cannot be grasped or fully understood. This "tint" is contrasted with the word "best," which suggests that this intangibility is not necessarily a bad thing. In fact, it may be the best thing.

The second line of the first stanza, "The Color too remote that I could show it," further emphasizes the idea that the "tint" is something that cannot be expressed or communicated. The use of the word "remote" suggests that this "color" is far away, distant, and not easily accessible. The speaker is acknowledging that there is something beyond her reach, something she cannot fully grasp.

The second stanza of the poem begins with the line, "It's miles of stately circumstance." The word "stately" suggests something grand, majestic, and formal. The use of this word in conjunction with "circumstance" suggests that the speaker is referring to a situation or event that is beyond her control. The "miles" suggest that this event is vast and far-reaching, and that it has a significant impact on the speaker.

The second line of the second stanza, "An atom-breadth of bliss," contrasts with the grandiosity of the first line. The word "atom-breadth" suggests something small and insignificant, but the use of the word "bliss" suggests that even the smallest amount of joy or happiness can be significant in the face of loss and grief.

The third line of the second stanza, "It might be easier to die," is a powerful statement. The speaker is suggesting that the pain of loss is so overwhelming that death may seem like an easier option. The use of the word "easier" suggests that death is not necessarily desirable, but that it may be a preferable alternative to the pain of loss.

The final line of the poem, "Than tell it but to thee," suggests that the speaker is addressing someone specific. The use of the word "thee" suggests that this person is close to the speaker and that they have a close relationship. However, the fact that the speaker is unable to express the "tint" suggests that even this close relationship is not enough to fully comprehend the pain of loss.

Interpretation

"The Tint I cannot take-is best" is a poem about loss and grief. The "tint" that the speaker is referring to is something intangible and elusive, something that cannot be fully grasped or understood. This "tint" represents the pain and grief of loss, which is something that cannot be fully expressed or communicated.

The second stanza of the poem suggests that the loss that the speaker is experiencing is something beyond her control, something that is vast and far-reaching. The use of the word "circumstance" suggests that the loss is not the result of any specific action or decision, but rather something that is part of the natural order of things.

The use of the word "bliss" in the second stanza suggests that even in the face of loss and grief, there is still the possibility of joy and happiness. However, the fact that the speaker suggests that death may be easier than expressing the "tint" suggests that the pain of loss is overwhelming and that even the possibility of joy may not be enough to alleviate it.

The final line of the poem suggests that the speaker is addressing someone specific, someone who is close to her. However, the fact that the speaker is unable to express the "tint" suggests that even this close relationship is not enough to fully comprehend the pain of loss. The poem suggests that loss is something that is ultimately experienced alone, and that even the closest relationships cannot fully alleviate the pain of grief.

Conclusion

"The Tint I cannot take-is best" is a powerful poem that explores the theme of loss and grief. The use of the word "tint" as a symbol for the intangible and elusive nature of loss is particularly effective, and the consistent rhyme scheme adds to the musicality of the poem. The final line of the poem suggests that even the closest relationships cannot fully comprehend the pain of loss, and that ultimately grief is something that is experienced alone. Overall, "The Tint I cannot take-is best" is a poignant and thought-provoking exploration of the human experience of loss and grief.

Editor 2 Analysis and Explanation

The Tint I cannot take-is best written by Emily Dickinson is a poem that has captivated readers for generations. It is a poem that explores the theme of loss and the inability to cope with it. The poem is a masterpiece of poetic expression and is a testament to the genius of Emily Dickinson.

The poem begins with the line "The Tint I cannot take-is best", which immediately sets the tone for the rest of the poem. The speaker is acknowledging that there is something that they cannot handle, and that it is better to accept this fact than to try and fight it. The use of the word "tint" is interesting, as it suggests that the thing that the speaker cannot handle is something that is subtle and nuanced. It is not a bright and obvious thing, but rather something that is more difficult to define.

The second line of the poem, "The Color too remote", reinforces this idea. The speaker is suggesting that the thing that they cannot handle is something that is distant and hard to reach. It is something that is beyond their grasp, and they are unable to fully understand it. The use of the word "color" is also significant, as it suggests that the thing that the speaker cannot handle is something that is visual in nature. It is something that they can see, but cannot fully comprehend.

The third line of the poem, "That I could show it in Bazaar", is interesting because it suggests that the speaker is aware that there are others who are able to handle the thing that they cannot. The use of the word "Bazaar" is significant, as it suggests that the thing that the speaker cannot handle is something that is valuable and sought after. It is something that people are willing to pay for, and the speaker is aware of this.

The fourth line of the poem, "A Hemisphere away", reinforces the idea that the thing that the speaker cannot handle is something that is distant and hard to reach. The use of the word "hemisphere" is significant, as it suggests that the thing that the speaker cannot handle is something that is on the other side of the world. It is something that is completely out of reach, and the speaker is unable to access it.

The fifth and sixth lines of the poem, "Not weather-fair", and "Not from a Counterfeit", suggest that the thing that the speaker cannot handle is something that is genuine and authentic. It is not something that can be faked or replicated. The use of the word "weather-fair" is interesting, as it suggests that the thing that the speaker cannot handle is something that is natural and unspoiled. It is not something that has been artificially created or manipulated.

The seventh and eighth lines of the poem, "Neither a "Bosom" in the Dark", and "Nor any "Nook" for it", suggest that the thing that the speaker cannot handle is something that is intimate and personal. It is not something that can be shared with others, and it is not something that can be hidden away. The use of the words "Bosom" and "Nook" are interesting, as they suggest that the thing that the speaker cannot handle is something that is close to their heart, and that they are unable to find a place for it.

The final two lines of the poem, "This Be the Verse you grave for me:/ "Here he lies where he longed to be"", are powerful and poignant. The speaker is acknowledging that they are unable to handle the thing that they cannot take, and that they are resigned to their fate. The use of the word "grave" is significant, as it suggests that the speaker is aware that they will eventually die, and that they will be remembered for their inability to handle the thing that they cannot take. The final line of the poem, "Here he lies where he longed to be", is particularly powerful, as it suggests that the speaker is at peace with their fate, and that they are content to be remembered for who they are.

In conclusion, The Tint I cannot take-is best written by Emily Dickinson is a masterpiece of poetic expression. It is a poem that explores the theme of loss and the inability to cope with it. The use of language and imagery is powerful and evocative, and the poem is a testament to the genius of Emily Dickinson. It is a poem that has stood the test of time, and will continue to captivate readers for generations to come.

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