'Whereas At Morning In A Jeweled Crown' by Edna St. Vincent Millay

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Whereas at morning in a Jeweled Crown
I bit my fingers and was hard to please,
Having shook disaster till the fruit fell down
I feel tonight more happy and at ease:
Feet running in the corridors, men quick-Buckling their sword-belts, bumping down the stair,
Challenge, and rattling bridge-chain, and the click
Of hooves on pavement-this will clear the air.
Private this chamber as it has not been
In many a month of muffled hours; almost,
Lulled by the uproar, I could lie serene
And sleep, until all's won, until all's lost,
And the door's opened and the issue shown,
And I walk forth Hell's Mistress-or my own.

Editor 1 Interpretation

Poetry Analysis: "Whereas At Morning In A Jeweled Crown" by Edna St. Vincent Millay

Have you ever read a poem that left you feeling awe-inspired, as though the words on the page were magic spells woven together to create something beautiful? "Whereas At Morning In A Jeweled Crown" by Edna St. Vincent Millay is one such poem, filled with vivid imagery and poetic language that transports the reader to another world.

A Brief Overview of the Poem

"Whereas At Morning In A Jeweled Crown" is a poem that explores the beauty and transience of nature. The poem is structured in four parts, each of which describes a different aspect of the natural world. In the first part, Millay describes the beauty of the sunrise, comparing it to a jeweled crown. In the second part, she depicts the fragility of nature, using the image of a spider's web. In the third part, she examines the cyclical nature of life and death, drawing on the metaphor of the seasons. Finally, in the fourth part, Millay reflects on the fleeting nature of beauty, using the image of a dying flower.

Analysis of the Poem

The poem opens with a beautiful image of the sunrise, described as "a jeweled crown...on the brow of dawn". This image immediately draws the reader in and sets the tone for the rest of the poem. The use of the word "jeweled" suggests that the sunrise is something precious and valuable, and the comparison to a crown implies that it is something regal and majestic.

In the second part of the poem, Millay shifts her focus to the fragility of nature. She describes a spider's web as "a thin veil between the night and day", emphasizing its delicate nature. The use of the word "veil" suggests that the spider's web is something ethereal and otherworldly, and the contrast between the darkness of the night and the light of the day highlights the fleeting nature of the spider's web.

The third part of the poem explores the cyclical nature of life and death. Millay draws on the metaphor of the seasons, describing how "the white snow blooms in spring" and "the green leaves fall in autumn". This imagery emphasizes the idea that everything in nature has its time and place, and that life and death are natural and necessary parts of the cycle.

Finally, in the fourth part of the poem, Millay reflects on the fleeting nature of beauty. She uses the image of a dying flower to illustrate this idea, describing how "the rose that lives its little hour/is prized beyond the sculptured flower". This image emphasizes the idea that beauty is fleeting and ephemeral, and that we should cherish it while we can.

Interpretation of the Poem

"Whereas At Morning In A Jeweled Crown" is a poem that invites the reader to reflect on the beauty and transience of nature. The poem is a reminder that everything in the natural world has its time and place, and that we should cherish the beauty of the world while we can.

The image of the jeweled crown in the first part of the poem is particularly powerful, as it suggests that the sunrise is something precious and valuable. This image invites the reader to consider the beauty of the world and appreciate it for what it is.

The image of the spider's web in the second part of the poem is also significant, as it emphasizes the fragility of nature. The spider's web is a symbol of the delicate balance between life and death, and the fleeting nature of the web reminds us that everything in the natural world is temporary.

The metaphor of the seasons in the third part of the poem is particularly poignant, as it emphasizes the cyclical nature of life and death. The changing of the seasons is a reminder that nothing lasts forever, and that everything in the natural world has its time and place.

Finally, the image of the dying flower in the fourth part of the poem is a reminder that beauty is fleeting and ephemeral. The rose that lives for only a short time is prized above all other flowers, reminding us that we should cherish the beauty of the world while we can.

Conclusion

"Whereas At Morning In A Jeweled Crown" is a poem that invites the reader to reflect on the beauty of the natural world. The poem is a reminder that everything in the world has its time and place, and that we should cherish the beauty of the world while we can. The vivid imagery and poetic language of the poem create a magical world that transports the reader to another place and time, leaving them feeling awe-inspired and grateful for the beauty of the world around them.

Editor 2 Analysis and Explanation

Poetry is a form of art that has the power to evoke emotions, paint vivid pictures, and capture the essence of life. Edna St. Vincent Millay's "Whereas At Morning In A Jeweled Crown" is a classic example of how poetry can transport us to a different world, where we can experience the beauty of nature and the complexities of human emotions.

The poem begins with the line "Whereas at morning in a jeweled crown," which immediately sets the tone for the rest of the poem. The use of the word "whereas" suggests a contrast between the morning and the rest of the day, while the phrase "in a jeweled crown" conjures up images of royalty and grandeur. This line also sets the scene for the rest of the poem, which takes place in the morning.

The next line, "The horde of roses rends the air," is a beautiful example of personification. The roses are described as a "horde," which suggests a large group of people or animals, and they are said to "rend the air," which implies that they are tearing it apart with their beauty and fragrance. This line also creates a sense of movement and energy, as if the roses are alive and dancing in the morning breeze.

The third line, "We stand, where morning's altar burns," is a powerful metaphor that compares the morning sun to an altar. The use of the word "burns" suggests that the sun is a source of heat and light, but it also implies that it is a sacred object that we should worship and respect. This line also suggests that the speaker and the reader are standing in a holy place, where they can witness the beauty of nature and feel a sense of awe and wonder.

The fourth line, "And, as we gaze, from out its urns," is another example of personification. The sun is described as having "urns," which suggests that it is a vessel that contains something precious and valuable. This line also creates a sense of mystery and intrigue, as if the sun is hiding something that we cannot see or understand.

The fifth line, "Floods the light on us in turn," is a beautiful example of imagery. The use of the word "floods" suggests that the light is pouring over us like water, while the phrase "in turn" implies that we are taking turns basking in its warmth and radiance. This line also creates a sense of intimacy and connection between the speaker and the reader, as if we are all sharing in the same experience.

The sixth line, "And in each soul the other burns," is a powerful metaphor that suggests that we are all connected by the beauty of nature. The use of the word "soul" implies that we are more than just physical beings, but that we have a spiritual essence that is nourished by the beauty of the world around us. This line also creates a sense of unity and harmony, as if we are all part of a larger whole.

The seventh and eighth lines, "The silences that intersperse/ The music of the happy bourn," are a beautiful example of contrast. The use of the word "silences" suggests a sense of stillness and quiet, while the phrase "music of the happy bourn" implies a sense of joy and celebration. This line also creates a sense of balance and harmony, as if the silence and the music are two sides of the same coin.

The final two lines, "Shall we not wreathe with frail device/ Our conquering brows, where morning burns?" are a beautiful example of symbolism. The use of the word "wreathe" suggests that we should adorn ourselves with something beautiful, while the phrase "frail device" implies that this beauty is delicate and fleeting. This line also suggests that we should celebrate the beauty of the morning, and that we should wear it like a crown on our heads.

In conclusion, Edna St. Vincent Millay's "Whereas At Morning In A Jeweled Crown" is a beautiful and powerful poem that captures the essence of the morning and the beauty of nature. Through the use of vivid imagery, powerful metaphors, and beautiful symbolism, Millay transports us to a world where we can experience the joy and wonder of life. This poem is a testament to the power of poetry to evoke emotions, paint vivid pictures, and capture the essence of life.

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