'Mazeppa' by George Gordon, Lord Byron
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'Twas after dread Pultowa's day,
When fortune left the royal Swede -
Around a slaughtered army lay,
No more to combat and to bleed.
The power and glory of the war,
Faithless as their vain votaries, men,
Had passed to the triumphant Czar,
And Moscow’s walls were safe again -
Until a day more dark and drear,
And a more memorable year,
Should give to slaughter and to shame
A mightier host and haughtier name;
A greater wreck, a deeper fall,
A shock to one - a thunderbolt to all.
Such was the hazard Of the die;
The wounded Charles was taught to fly
By day and night through field and flood,
Stained with his own and subjects' blood;
For thousands fell that flight to aid:
And not a voice was heard to upbraid
Ambition in his humbled hour,
When truth had nought to dread from power,
His horse was slain, and Gieta gave
His own - and died the Russians’ slave.
This too sinks after many a league
Of well sustained, but vain fatigue;
And in the depth of forests darkling,
The watch-fires in the distance sparkling -
The beacons of surrounding foes -
A king must lay his limbs at length.
Are these the laurels and repose
For which the nations strain their strength?
They laid him by a savage tree,
In outworn nature’s agony;
His wounds were stiff, his limbs were stark,
The heavy hour was chill and dark;
The fever in his blood forbade
A transient slumber's fitful aid:
And thus it was; but yet through all,
Kinglike the monarch bore his fall,
And made, in this extreme of ill,
His pangs the vassals of his will:
All silent and subdued were they,
As owe the nations round him lay.
A band of chiefs! - alas! how few,
Since but the fleeting of a day
Had thinned it; but this wreck was true
And chivalrous: upon the clay
Each sate him down, all sad and mute,
Beside his monarch and his steed;
For danger levels man and brute,
And all are fellows in their need.
Among the rest, Mazeppa made
His pillow in an old oak's shade -
Himself as rough, and scarce less old,
The Ukraine's hetman, calm and bold:
But first, outspent with this long course,
The Cossack prince rubbed down his horse,
And made for him a leafy bed,
And smoothed his fetlocks and his mane,
And slacked his girth, and stripped his rein,
And joyed to see how well he fed;
For until now he had the dread
His wearied courser might refuse
To browse beneath the midnight dews:
But he was hardy as his lord,
And little cared for bed and board;
But spirited and docile too,
Whate'er was to be done, would do.
Shaggy and swift, and strong of limb,
All Tartar-like he carried him;
Obeyed his voice, and came to call,
And knew him in the midst of all.
Though thousands were around, - and night,
Without a star, pursued her flight, -
That steed from sunset until dawn
His chief would follow like a fawn.
This done, Mazeppa spread his cloak,
And laid his lance beneath his oak,
Felt if his arms in order good
The long day's march had well withstood -
If still the powder filled the pan,
And flints unloosened kept their lock -
His sabre's hilt and scabbard felt,
And whether they had chafed his belt;
And next the venerable man,
From out his haversack and can,
Prepared and spread his slender stock
And to the monarch and his men
The whole or portion offered then
With far less of inquietude
Than courtiers at a banquet would.
And Charles of this his slender share
With smiles partook a moment there,
To force of cheer a greater show,
And seem above both wounds and woe;-
And then he said -'Of all our band,
Though firm of heart and strong of hand,
In skirmish, march, or forage, none
Can less have said or more have done
Than thee, Mazeppa! On the earth
So fit a pair had never birth,
Since Alexander's days till now,
As thy Bucephalus and thou:
All Scythia's fame to thine should yield
For pricking on o'er flood and field.'
Mazeppa answered - " Ill betide
The school wherein I learned to ride!
Quoth Charles -'Old Hetman, wherefore so,
Since thou hast learned the art so well?
Mazeppa said - "Twere long to tell;
And we have many a league to go,
With every now and then a blow,
And ten to one at least the foe,
Before our steeds may graze at ease,
Beyond the swift Borysthenes:
And, sire, your limbs have need of rest,
And I will be the sentinel
Of this your troop.' -'But I request,'
Said Sweden's monarch, 'thou wilt tell
This tale of thine, and I may reap,
Perchance, from this the boon of sleep;
For at this moment from my eyes
The hope of present slumber flies.'
'Well, sire, with such a hope, I'll track
My seventy years of memory back:
I think 'twas in my twentieth spring, -
Ay, 'twas, - when Casimir was king -
John Casimir, - I was his page
Six summers, in my earlier age:
A learned monarch, faith! was he,
And most unlike your majesty:
He made no wars, and did not gain
New realms to lose them back again;
And (save debates in Warsaw's diet)
He reigned in most unseemly quiet;
Not that he had no cares to vex,
He loved the muses and the sex;
And sometimes these so froward are,
They made him wish himself at war;
But soon his wrath being o'er, he took
Another mistress - or new book;
And then he gave prodigious fetes -
All Warsaw gathered round his gates
To gaze upon his splendid court,
And dames, and chiefs, of princely port.
He was the Polish Solomon,
So sung his poets, all but one,
Who, being unpensioned, made a satire,
And boasted that he could not flatterI
It was a court of jousts and mimes,
Where every courtier tried at rhymes;
Even I for once produced some verses,
And signed my odes "Despairing Thyrsis."
There was a certain Palatine,
A Count of far and high descent,
Rich as a salt or silver mine;
And he was proud, ye may divine,
As if from heaven he had been sent:
He had such wealth in blood and ore
As few could match beneath the throne;
And he would gaze upon his store,
And o'er his pedigree would pore,
Until by some confusion led,
Which almost looked like want of head,
He thought their merits were his own.
His wife was not of his opinion;
His junior she by thirty years;
Grew daily tired of his dominion;
And, after wishes, hopes, and fears,
To virtue a few farewell tears,
A restless dream or two, some glances
At Warsaw's youth, some songs, and dances,
Awaited but the usual chances,
Those happy accidents which render
The coldest dames so very tender,
To deck her Count with titles given,
'Tis said, as passports into heaven;
But, strange to say, they rarely boast
Of these, who have deserved them most.
'I was a goodly stripling then;
At seventy years I so may say,
That there were few, or boys or men,
Who, in my dawning time of day,
Of vassal or of knight's degree,
Could vie in vanities with me;
For I had strength, youth, gaiety,
A port, not like to this ye see,
But smooth, as all is rugged now;
For time, and care, and war, have ploughed
My very soul from out my brow;
And thus I should be disavowed
By all my kind and kin, could they
Compare my day and yesterday;
This change was wrought, too, long ere age
Had ta'en my features for his page:
With years, ye know, have not declined
My strength, my courage, or my mind,
Or at this hour I should not be
Telling old tales beneath a tree,
With starless skies my canopy.
But let me on: Theresa's form -
Methinks it glides before me now,
Between me and yon chestnut's bough,
The memory is so quick and warm;
And yet I find no words to tell
The shape of her I loved so well:
She had the Asiatic eye,
Such as our, Turkish neighbourhood,
Hath mingled with our Polish blood,
Dark as above us is the sky;
But through it stole a tender light,
Like the first moonrise of midnight;
Large, dark, and swimming in the stream,
Which seemed to melt to its own beam;
All love, half langour, and half fire,
Like saints that at the stake expire,
And lift their raptured looks on high,
As though it were a joy to die.
A brow like a midsummer lake,
Transparent with the sun therein,
When waves no murmur dare to make,
And heaven beholds her face within.
A cheek and lip - but why proceed?
I loved her then - I love her still;
And such as I am, love indeed
In fierce extremes - in good and ill.
But still we love even in our rage,
And haunted to our very age
With the vain shadow of the past,
As is Mazeppa to the last
'We met - we gazed - I saw, and sighed,
She did not speak, and yet replied;
There are ten thousand tones and signs
We hear and see, but none defines -
Involuntary sparks of thought,
Which strike from out the heart o’erwrought,
And form a strange intelligence,
Alike mysterious and intense,
Which link the burning chain that binds,
Without their will, young hearts and minds
Conveying, as the electric wire,
We know not how, the absorbing fire.
I saw, and sighed - in silence wept,
And still reluctant distance kept,
Until I was made known to her,
And we might then and there confer
Without suspicion - then, even then,
I longed, and was resolved to speak;
But on my lips they died again,
The accents tremulous and weak,
Until one hour. - There is a game,
A frivolous and foolish play,
Wherewith we while away the day;
It is - I have forgot the name -
And we to this, it seems, were set,
By some strange chance, which I forget:
I reck'd not if I won or lost,
It was enough for me to be
So near to hear, and oh! to see
The being whom I loved the most. -
I watched her as a sentinel,
(May ours this dark night watch as well!)
Until I saw, and thus it was,
That she was pensive, nor perceived
Her occupation, nor was grieved
Nor glad to lose or gain; but still
Played on for hours, as if her win
Yet bound her to the place, though not
That hers might be the winning lot.
Then through my brain the thought did pass
Even as a flash of lightning there,
That there was something in her air
Which would not doom me to despair;
And on the thought my words broke forth,
All incoherent as they were -
Their eloquence was little worth,
But yet she listened - 'tis enough -
Who listens once will listen twice;
Her heart, be sure, is not of ice,
And one refusal no rebuff.
I loved, and was beloved again -
They tell me, Sire, you never knew
Those gentle frailties; if 'tis true,
I shorten all my joy or pain;
To you 'twould seem absurd as vain
But all men are not born to reign,
Or o'er their passions, or as you
Thus o'er themselves and nations too.
I am - or rather was - a prince,
A chief of thousands, and could lead
Them on where each would foremost bleed;
But could not o'er myself evince
The like control - but to resume:
I loved, and was beloved again;
In sooth, it is a happy doom,
But yet where happiest ends in pain. -
We met in secret, and the hour
Which led me to that lady's bower
Was fiery expectation's dower.
My days and nights were nothing - all
Except that hour which doth recall
In the long lapse from youth to age
No other like itself - I'd give
The Ukraine back again to live
It o'er once more - and be a page,
The happy page, who was the lord
Of one soft heart, and his own sword,
And had no other gem nor wealth
Save nature's gift of youth and health.
We met in secret - doubly sweet,
Some say, they find it so to meet;
I know not that - I would have given
My life but to have called her mine
In the full view of earth and heaven;
For I did oft and long repine
That we could only meet by stealth.
'For lovers there are many eyes,
And such there were on us; the devil
On such occasions should be civil -
The devil! - I'm loth to do him wrong,
It might be some untoward saint,
Who would not be at rest too long,
But to his pious bile gave vent -
But one fair night, some lurking spies
Surprised and seized us both.
The Count was something more than wroth -
I was unarmed; but if in steel,
All cap from head to heel,
What 'gainst their numbers could I do?
'Twas near his castle, far away
From city or from succour near,
And almost on the break of day;
I did not think to see another,
My moments seemed reduced to few;
And with one prayer to Mary Mother,
And, it may be, a saint or two,
As I resigned me to my fate,
They led me to the castle gate:
Tleresa's doom I never knew,
Our lot was henceforth separate.
An angry man, ye may opine,
Was he, the proud Count Palatine;
And he had reason good to be,
But he was most enraged lest such
An accident should chance to touch
Upon his future pedigree;
Nor less amazed, that such a blot
His noble 'scutcheon should have got,
While he was highest of his line
Because unto himself he seemed
The first of men, nor less he deemed
In others' eyes, and most in mine.
'Sdeath! with a page - perchance a king
Had reconciled him to the thing;
But with a stripling of a page -
I felt - but cannot paint his rage.
"'Bring forth the horse!" - the horse was brought;
In truth, he was a noble steed,
A Tartar of the Ukraine breed,
Who looked as though the speed of thought
Were in his limbs; but he was wild,
Wild as the wild deer, and untaught,
With spur and bridle undefiled -
'Twas but a day he had been caught;
And snorting, with erected mane,
And struggling fiercely, but in vain,
In the full foam of wrath and dread
To me the desert-born was led:
They bound me on, that menial throng,
Upon his back with many a thong;
They loosed him with a sudden lash -
Away! - away! - and on we dash! -
Torrents less rapid and less rash.
'Away! - away! - my breath was gone -
I saw not where he hurried on:
'Twas scarcely yet the break of day,
And on he foamed - away! - away! -
The last of human sounds which rose,
As I was darted from my foes,
Was the wild shout of savage laughter,
Which on the wind came roaring after
A moment from that rabble rout:
With sudden wrath I wrenched my head,
And snapped the cord, which to the mane
Had bound my neck in lieu of rein,
And, writhing half my form about,
Howled back my curse; but 'midst the tread,
The thunder of my courser's speed,
Perchance they did not hear nor heed:
It vexes me - for I would fain
Have paid their insult back again.
I paid it well in after days:
There is not of that castle gate.
Its drawbridge and portcullis' weight,
Stone, bar, moat, bridge, or barrier left;
Nor of its fields a blade of grass,
Save what grows on a ridge of wall,
Where stood the hearth-stone of the hall;
And many a time ye there might pass,
Nor dream that e'er the fortress was.
I saw its turrets in a blaze,
Their crackling battlements all cleft,
And the hot lead pour down like rain
From off the scorched and blackening roof,
Whose thickness was not vengeance-proof.
They little thought that day of pain,
When launched, as on the lightning's flash,
They bade me to destruction dash,
That one day I should come again,
With twice five thousand horse, to thank
The Count for his uncourteous ride.
They played me then a bitter prank,
'When, with the wild horse for my guide,
The bound me to his foaming flank:
At length I played them one as frank -
For time at last sets all things even -
And if we do but watch the hour,
There never yet was human power
Which could evade, if unforgiven,
The patient search and vigil long
Of him who treasures up a wrong.
'Away, away, my steed and I,
Upon the pinions of the wind.
All human dwellings left behind,
We sped like meteors through the sky,
When with its crackling sound the night
Is chequered with the northern light:
Town - village - none were on our track,
But a wild plain of far extent,
And bounded by a forest black;
And, save the scarce seen battlement
On distant heights of some strong hold,
Against the Tartars built of old,
No trace of man. The year before
A Turkish army had marched o'er;
And where the Spahi's hoof hath trod,
The verdure flies the bloody sod: -
The sky was dull, and dim, and grey,
And a low breeze crept moaning by -
I could have answered with a sigh -
But fast we fled, away, away -
And I could neither sigh nor pray -
And my cold sweat-drops fell like rain
Upon the courser's bristling mane;
But, snorting still with rage and fear,
He flew upon his far career:
At times I almost thought, indeed,
He must have slackened in his speed;
But no - my bound and slender frame
Was nothing to his angry might,
And merely like a spur became:
Each motion which I made to free
My swoln limbs from their agony
Increased his fury and affright:
I tried my voice, - 'twas faint and low,
But yet he swerved as from a blow;
And, starting to each accent, sprang
As from a sudden trumpet's clang:
Meantime my cords were wet with gore,
Which, oozing through my limbs, ran o'er;
And in my tongue the thirst became
A something fierier far than flame.
'We neared the wild wood - 'twas so wide,
I saw no bounds on either side;
'Twas studded with old sturdy trees,
That bent not to the roughest breeze
Which howls down from Siberia's waste,
And strips the forest in its haste, -
But these were few and far between,
Set thick with shrubs more young and green,
Luxuriant with their annual leaves,
Ere strown by those autumnal eves
That nip the forest's foliage dead,
Discoloured with a lifeless red,
Which stands thereon like stiffened gore
Upon the slain when battle's o'er,
And some long winter's night hath shed
Its frost o'er every tombless head,
So cold and stark, the raven's beak
May peck unpierced each frozen cheek:
'Twas a wild waste of underwood,
And here and there a chestnut stood,
The strong oak, and the hardy pine;
But far apart - and well it were,
Or else a different lot were mine -
The boughs gave way, and did not tear
My limbs; and I found strength to bear
My wounds, already scarred with cold -
My bonds forbade to loose my hold.
We rustled through the leaves like wind,
Left shrubs, and trees, and wolves behind;
By night I heard them on the track,
Their troop came hard upon our back,
With their long gallop, which can tire
The hound's deep hate, and hunter's fire:
Where'er we flew they followed on,
Nor left us with the morning sun;
Behind I saw them, scarce a rood,
At day-break winding through the wood,
And through the night had heard their feet
Their stealing, rustling step repeat.
Oh! how I wished for spear or sword,
At least to die amidst the horde,
And perish - if it must be so -
At bay, destroying many a foe
When first my courser's race begun,
I wished the goal already won;
But now I doubted strength and speed:
Vain doubt! his swift and savage breed
Had nerved him like the mountain-roe -
Nor faster falls the blinding snow
Which whelms the peasant near the door
Whose threshold he shall cross no more,
Bewildered with the dazzling blast,
Than through the forest-paths he passed -
Untired, untamed, and worse than wild;
All furious as a favoured child
Balked of its wish; or fiercer still
A woman piqued - who has her will.
'The wood was passed; 'twas more than noon,
But chill the air, although in June;
Or it might be my veins ran cold -
Prolonged endurance tames the bold;
And I was then not what I seem,
But headlong as a wintry stream,
And wore my feelings out before
I well could count their causes o'er:
And what with fury, fear, and wrath,
The tortures which beset my path,
Cold, hunger, sorrow, shame, distress,
Thus bound in nature's nakedness;
Sprung from a race whose rising blood
When stirred beyond its calmer mood,
And trodden hard upon, is like
The rattle-snake's, in act to strike -
What marvel if this worn-out trunk
Beneath its woes a moment sunk?
The earth gave way, the skies rolled round,
I seemed to sink upon the ground;
But erred, for I was fastly bound.
My heart turned sick, my brain grew sore,
And throbbed awhile, then beat no more:
The skies spun like a mighty wheel;
I saw the trees like drunkards reel,
And a slight flash sprang o'er my eyes,
Which saw no farther. He who dies
Can die no more than then I died;
O’ertortured by that ghastly ride.
I felt the blackness come and go,
And strove to wake; but could not make
My senses climb up from below:
I felt as on a plank at sea,
When all the waves that dash o'er thee,
At the same time upheave and whelm,
And hurl thee towards a desert realm.
My undulating life was as
The fancied lights that flitting pass
Our shut eyes in deep midnight, when
Fever begins upon the brain;
But soon it passed, with little pain,
But a confusion worse than such:
I own that I should deem it much,
Dying, to feel the same again;
And yet I do suppose we must
Feel far more ere we turn to dust:
No matter; I have bared my brow
Full in Death's face - before - and now.
'My thoughts came back; where was I? Cold,
And numb, and giddy: pulse by pulse
Life reassumed its lingering hold,
And throb by throb - till grown a pang;
Which for a moment would convulse,
My blood reflowed, though thick and chill;
My ear with uncouth noises rang,
My heart began once more to thrill;
My sight returned, though dim; alas!
And thickened, as it were, with glass.
Methought the dash of waves was nigh.,
There was a gleam too of the sky
Studded with stars; - it is no dream;
The wild horse swims the wilder stream!
The bright broad river's gushing tide
Sweeps, winding onward, far and wide,
And we are half-way, struggling o'er
To yon unknown and silent shore.
The waters broke my hollow trance,
And with a temporary strength
My stiffened limbs were rebaptized.
My courser's broad breast proudly braves,
And dashes off the ascending waves,
And onward we advance
We reach the slippery shore at length,
A haven I but little prized,
For all behind was dark and drear
And all before was night and fear.
How many hours of night or day
In those suspended pangs I lay,
I could not tell; I scarcely knew
If this were human breath I drew.
'With glossy skin, and dripping mane,
And reeling limbs, and reeking flank,
The wild steed's sinewy nerves still strain
Up the repelling bank.
We gain the top. a boundless plain
Spreads through the shadow of the night,
And onward, onward, onward, seems,
Like precipices in our dreams,
To stretch beyond the sight;
And here and there a speck of white,
Or scattered spot of dusky green,
In masses broke into the light,
As rose the moon upon my right:
But nought distinctly seen
In the dim waste would indicate
The omen of a cottage gate;
No twinkling taper from afar
Stood like a hospitable star;'
Not even an ignis-fatuus rose
To make him merry with my woes:
That very cheat had cheered me then!
Although detected, welcome still,
Reminding me, through every ill,
Of the abodes of men.
'Onward we went - but slack and slow
His savage force at length o'erspent,
The drooping courser, faint and low,
All feebly foaming went.
A sickly infant had had power
To guide him forward in that hour!
But, useless all to me,
His new-born tameness nought availed -
My limbs were bound; my force had failed,
Perchance, had they been free.
With feeble effort still I tried
To rend the bonds so starkly tied,
But still it was in vain;
My limbs were only wrung the more,
And soon the idle strife gave o'er,
Which but prolonged their pain:
The dizzy race seemed almost done,
Although no goal was nearly won.
Some streaks announced the coming sun -
How slow, alas! he came!
Methought that mist of dawning grey
Would never dapple into day;
How heavily it rolled away -
Before the eastern flame
Rose crimson, and deposed the stars,
And called the radiance from their cars,
And filled the earth, from his deep throne,
With lonely lustre, all his own.
'Up rose the sun; the mists were curled
Back from the solitary world
Which lay around - behind - before;
What booted it to traverse o'er
Plain, forest, river? Man nor brute,
Nor dint of hoof, nor print of foot,
Lay in the wild luxuriant soil;
No sign of travel - none of toll;
The very air was mute:
And not an insect's shrill small horn,
Nor matin bird's new voice was borne
From herb nor thicket. Many a werst,
Panting as if his heart would burst,
The weary brute still staggered on;
And still we were - or seemed - alone:
At length, while reeling on our way,
Methought I heard a courser neigh,
From out yon tuft of blackening firs.
Is it the wind those branches stirs?
No, no! from out the forest prance
A trampling troop; I see them come I
In one vast squadron they advance!
I strove to cry - my lips were dumb.
The steeds rush on in plunging pride;
But where are they the reins to guide?
A thousand horse - and none to ride!
With flowing tail, and flying mane,
Wide nostrils never stretched by pain,
Mouths bloodless to the bit or rein,
And feet that iron never shod,
And flanks unscarred by spur or rod,
A thousand horse, the wild, the free,
Like waves that follow o'er the sea,
Came thickly thundering on,
As if our faint approach to meet;
The sight re-nerved my courser's feet,
A moment staggering, feebly fleet,
A moment, with a faint low neigh,
He answered, and then fell!
With gasps and glazing eyes he lay,
And reeking limbs immoveable,
His first and last career is done!
On came the troop - they saw him stoop,
They saw me strangely bound along
His back with many a bloody thong.
They stop - they start - they snuff the air,
Gallop a moment here and there,
Approach, retire, wheel round and round,
Then plunging back with sudden bound,
Headed by one black mighty steed,
Who seemed the patriarch of his breed,
Without a single speck or hair
Of white upon his shaggy hide;
They snort - they foam - neigh - swerve aside,
And backward to the forest fly,
By instinct, from a human eye.
They left me there to my despair,
Linked to the dead and stiffening wretch,
Whose lifeless limbs beneath me stretch,
Relieved from that unwonted weight,
From whence I could not extricate
Nor him nor me - and there we lay
The dying on the dead!
I little deemed another day
Would see my houseless, helpless head.
And there from morn till twilight bound,
I felt the heavy hours toll round,
With just enough of life to see
My last of suns go down on me,
In hopeless certainty of mind,
That makes us feel at length resigned
To that which our foreboding years
Presents the worst and last of fears
Inevitable - even a boon,
Nor more unkind for coming soon,
Yet shunned and dreaded with such care,
As if it only were a snare
That prudence might escape:
At times both wished for and implored,
At times sought with self-pointed sword,
Yet still a dark and hideous close
To even intolerable woes,
And welcome in no shape.
And, strange to say, the sons of pleasure,
They who have revelled beyond measure
In beauty, wassail, wine, and treasure,
Die calm, or calmer, oft than he
Whose heritage was misery.
For he who hath in turn run through
All that was beautiful and new,
Hath nought to hope, and nought to leave;
And, save the future, (which is viewed
Not quite as men are base or good,
But as their nerves may be endued,)
With nought perhaps to grieve:
The wretch still hopes his woes must end,
And death, whom he should deem his friend,
Appears, to his distempered eyes,
Arrived to rob him of his prize,
The tree of his new Paradise.
Tomorrow would have given him all,
Repaid his pangs, repaired his fall;
Tomorrow would have been the first
Of days no more deplored or curst,
But bright, and long, and beckoning years,
Seen dazzling through the mist of tears,
Guerdon of many a painful hour;
Tomorrow would have given him power
To rule, to shine, to smite, to save -
And must it dawn upon his grave?
'The sun was sinking - still I lay
Chained to the chill and stiffening steed,
I thought to mingle there our clay;
And my dim eyes of death had need,
No hope arose of being freed.
I cast my last looks up the sky,
And there between me and the sun
I saw the expecting raven fly,
Who scarce would wait till both should die,
Ere his repast begun;
He flew, and perched, then flew once more,
And each time nearer than before;
I saw his wing through twilight flit,
And once so near me he alit
I could have smote, but lacked the strength;
But the slight motion of my hand,
And feeble scratching of the sand,
The exerted throat's faint struggling noise,
Which scarcely could be called a voice,
Together scared him off at length.
I know no more - my latest dream
Is something of a lovely star
Which fixed my dull eyes from afar,
And went and came with wandering beam,
And of the cold, dull, swimming, dense,
Sensation of recurring sense,
And then subsiding back to death,
And then again a little breath,
A little thrill, a short suspense,
An icy sickness curdling o'er
My heart, and sparks that crossed my brain
A gasp, a throb, a start of pain,
A sigh, and nothing more.
'I woke - where was I? - Do I see
A human face look down on me?
And doth a roof above me close?
Do these limbs on a couch repose?
Is this a chamber where I lie
And is it mortal yon bright eye,
That watches me with gentle glance?
I closed my own again once more,
As doubtful that the former trance
Could not as yet be o'er.
A slender girl, long-haired, and tall,
Sate watching by the cottage wall.
The sparkle of her eye I caught
Even with my first return of thought;
For ever and anon she threw
A prying, pitying glance on me
With her black eyes so wild and free:
I gazed, and gazed, until I knew
No vision it could be, -
But that I lived, and was released
From adding to the vulture's feast:
And when the Cossack maid beheld
My heavy eyes at length unsealed,
She smiled - and I essayed to speak,
But failed - and she approached, and made
With lip and finger signs that said,
I must not strive as yet to break
The silence, till my strength should be
Enough to leave my accents free;
And then her hand on mine she laid,
And smoothed the pillow for my head,
And stole along on tiptoe tread,
And gently oped the door, and spake
In whispers - ne'er was voice so sweet!
Even music followed her light feet.
But those she called were not awake,
And she went forth; but, ere she passed,
Another look on me she cast,
Another sign she made, to say,
That I had nought to fear, that all
Were near, at my command or call,
And she would not delay
Her due return:- while she was gone,
Methought I felt too much alone.
"She came with mother and with sire -
What need of more? - I will not tire
With long recital of the rest,
Since I became the Cossack's guest.
They found me senseless on the plain.
They bore me to the nearest hut,
They brought me into life again
Me - one day o'er their realm to reign!
Thus the vain fool who strove to glut
His rage, refining on my pain,
Sent me forth to the wilderness,
Bound, naked, bleeding, and alone,
To pass the desert to a throne, -
What mortal his own doom may guess?
Let none despond, let none despair!
Tomorrow the Borysthenes
May see our coursers graze at ease
Upon his Turkish bank, - and never
Had I such welcome for a river
As I shall yield when safely there.
Comrades good night!' - The Hetman threw
His length beneath the oak-tree shade,
With leafy couch already made,
A bed nor comfortless nor new
To him, who took his rest whene'er
The hour arrived, no matter where:
His eyes the hastening slumbers steep.
And if ye marvel Charles forgot
To thank his tale, he wondered not, -
The king had been an hour asleep.
Editor 1 Interpretation
Mazeppa: A Masterpiece of Romantic Poetry
George Gordon, Lord Byron, is one of the greatest poets of the Romantic era, and his poem "Mazeppa" is a stunning example of his genius. This epic narrative poem tells the story of Ivan Mazeppa, a Ukrainian nobleman who is punished for his affair with a married woman by being tied naked to a wild horse and sent into the wilderness. The poem is a masterpiece of Romantic literature, exploring themes of love, passion, freedom, and redemption.
The Structure of the Poem
"Mazeppa" is divided into seven cantos, each with its own distinct tone and focus. The first three cantos are focused on Mazeppa's journey on horseback, as he struggles to survive in the wilderness while being pursued by wolves and other dangers. The fourth and fifth cantos are more reflective, as Mazeppa contemplates his past and his future, and the sixth canto introduces the character of Theresa, the woman who Mazeppa loves. The final canto brings all the threads of the narrative together, as Mazeppa is rescued by a group of Cossacks and finds redemption in the love of Theresa.
Throughout the poem, Byron employs a variety of poetic techniques, including vivid imagery, powerful metaphors, and dramatic shifts in tone and perspective. The poem is full of rich, evocative language, and the rhythm and cadence of the verse are perfectly suited to the story being told.
Themes and Interpretations
One of the most striking themes of "Mazeppa" is the idea of freedom. Mazeppa is a man who is driven by his desire for freedom, both in his personal life and in his political aspirations. He is a Ukrainian nationalist who dreams of an independent Ukraine, free from the rule of Russia. This theme of freedom is echoed throughout the poem, as Mazeppa struggles to break free from the horse that has been his captor, and as he reflects on the choices that have led him to this point in his life.
Another important theme in "Mazeppa" is the idea of passion and desire. Mazeppa is a man who is consumed by his love for Theresa, and this love becomes the driving force behind his actions throughout the poem. This theme is explored in a variety of ways, from the vivid descriptions of Mazeppa's physical pain and suffering as he rides the wild horse, to the emotional intensity of his interactions with Theresa.
The theme of redemption is also central to "Mazeppa". After his ordeal in the wilderness, Mazeppa is rescued by the Cossacks and taken to safety. He is then reunited with Theresa, and the two of them find a kind of redemption in their love for each other. This theme is particularly poignant, as it suggests that even in the darkest moments of our lives, there is always the possibility of finding hope and redemption.
Criticisms and Controversies
Despite its many strengths, "Mazeppa" has not been without its critics. Some have argued that the poem is overly melodramatic and sentimental, and that its portrayal of Mazeppa as a heroic figure is simplistic and one-dimensional. Others have criticized the poem's treatment of women, particularly Theresa, who is portrayed as a passive and submissive figure.
These criticisms are certainly valid, but they do not detract from the overall power and beauty of "Mazeppa". Byron was a master of his craft, and his skillful use of language and imagery make "Mazeppa" a work of enduring beauty and significance.
In conclusion, "Mazeppa" is a masterful work of Romantic poetry, exploring themes of freedom, passion, and redemption in a vivid and evocative way. While it is not without its flaws, its strengths far outweigh its weaknesses, and it remains a powerful and moving work of literature to this day. If you are a fan of Romantic poetry, I would highly recommend giving "Mazeppa" a read - you won't be disappointed!
Editor 2 Analysis and Explanation
Poetry Mazeppa: A Masterpiece of Romanticism
George Gordon, Lord Byron, was one of the most prominent figures of the Romantic era, and his poem "Mazeppa" is a masterpiece of the genre. The poem tells the story of Ivan Mazeppa, a Ukrainian nobleman who was tied naked to a wild horse and left to die in the wilderness. The poem is a powerful exploration of themes such as freedom, passion, and the human spirit's resilience in the face of adversity.
The poem begins with a vivid description of the Ukrainian landscape, with its vast plains and wild forests. Byron's use of imagery is masterful, and he creates a sense of awe and wonder in the reader. The opening lines set the tone for the rest of the poem, and we are immediately drawn into the world of Mazeppa.
The poem then introduces us to the character of Mazeppa, a proud and passionate man who is willing to risk everything for his beliefs. Mazeppa's story is a tragic one, and Byron portrays him as a hero who is willing to suffer for his ideals. The image of Mazeppa tied to the wild horse is a powerful one, and it symbolizes the struggle between man and nature.
As the poem progresses, we see Mazeppa's struggle to survive in the wilderness. He is battered by the elements, and he is constantly in danger from the wild animals that roam the forest. However, despite his suffering, Mazeppa remains defiant, and he refuses to give up. His determination and resilience are inspiring, and they serve as a reminder of the human spirit's strength.
The poem's central theme is freedom, and Byron explores this theme in depth. Mazeppa is a man who values his freedom above all else, and he is willing to risk everything to maintain it. The image of him tied to the wild horse is a powerful metaphor for the struggle for freedom, and it serves as a reminder of the importance of individual liberty.
Byron's use of language is also noteworthy. His poetry is rich and evocative, and he creates a sense of atmosphere that is both haunting and beautiful. The poem's imagery is vivid and powerful, and it serves to transport the reader to another world. The use of sound is also important, and Byron's use of rhythm and rhyme creates a sense of musicality that is both enchanting and hypnotic.
The poem's ending is both tragic and uplifting. Mazeppa is rescued by a group of Cossacks, and he is taken to safety. However, he is forever scarred by his experience, and he is haunted by the memory of his ordeal. The poem's final lines are poignant and moving, and they serve as a reminder of the fragility of the human spirit.
In conclusion, "Mazeppa" is a masterpiece of Romantic poetry. Byron's use of language and imagery is masterful, and he creates a sense of atmosphere that is both haunting and beautiful. The poem's exploration of themes such as freedom, passion, and the human spirit's resilience in the face of adversity is both powerful and inspiring. "Mazeppa" is a testament to the power of poetry, and it serves as a reminder of the enduring nature of the human spirit.
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