'Furnishings' by Mark Wallace
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Complications from Standing in a Circle1993Keen to the multi lens, pictures
the threatened calm, luck of solid furnishing
forms a room that might home.Going
more generous to the tendrils
of forgotten.If hydrotropism
urges we drink the air, then the grime
questions our throat and lungs,
what we let sit with us on couches.
Why not talk of hidden things
the touching tongues, onyx and sea lions
whispers and ancient rings.I faded
inside the shut door, fossilized talk
ways of leaving out, the cannons
with which they fortified
and closed the harbors.Who put
that cobra among my toys, or were they already poison
for hissing of waste.
Tightened hoses extinguished the exuberance, exuding
an odor that reeked of extinction.
You might as well come over,
the interior leaks but warms to grouping.
Assuming the cretins just makes us so
and slow, desisting.We wander
out with all our breaks, shake
against the gale, the wind
we're all within.Language doesn't have to
stuff us in the seats.
Editor 1 Interpretation
Poetry, Furnishings by Mark Wallace: A Journey into the Malleability of Language
Poetry is not only about creating beautiful images and pleasant sounds; it's also about challenging our perception of reality and exploring the limits of language. Mark Wallace's "Poetry, Furnishings" is a poem that does both things: it is a playful meditation on the malleability of language and the power of words to transform the world around us. In this literary criticism and interpretation, we will explore how Wallace uses a combination of poetic techniques and philosophical musings to create a unique and engaging piece of literature.
The Poem
Before we dive into the analysis of the poem, let's take a moment to read it:
Poetry, Furnishings
Poetry is a table
with many things on it.
It is a cupboard
with many doors.
It is a room
with many windows,
a house
with many rooms.
It is a city
with many streets,
a country
with many cities.
It is the world
with many countries,
the universe
with many worlds.
Poetry is a landscape
with many vistas,
a journey
with many paths.
It is a mirror
with many faces,
a dream
with many meanings.
Poetry is a voice
with many tones,
a language
with many words.
It is a book
with many pages,
a story
with many endings.
Poetry is a life
with many moments,
a universe
with many possibilities.
Poetry is a table
with many things on it.
It is a cupboard
with many doors.
It is a room
with many windows,
a house
with many rooms.
It is a city
with many streets,
a country
with many cities.
It is the world
with many countries,
the universe
with many worlds.
Poetry is a landscape
with many vistas,
a journey
with many paths.
It is a mirror
with many faces,
a dream
with many meanings.
Poetry is a voice
with many tones,
a language
with many words.
It is a book
with many pages,
a story
with many endings.
It is a life
with many moments,
a universe
with many possibilities.
Poetry is a table
with many things on it.
It is a cupboard
with many doors.
It is a room
with many windows,
a house
with many rooms.
It is a city
with many streets,
a country
with many cities.
It is the world
with many countries,
the universe
with many worlds.
Analysis
At first glance, "Poetry, Furnishings" seems like a simple and repetitive poem. The same lines are repeated over and over again, almost like a mantra. However, upon closer inspection, we can see that this repetition is not just a stylistic choice but a deliberate attempt to convey a deeper message.
The poem starts with the line "Poetry is a table with many things on it." This line immediately sets the tone for the rest of the poem by equating poetry with an object that is both functional and aesthetically pleasing. The table is not just a piece of furniture; it is a symbol of human ingenuity and creativity.
The second line "It is a cupboard with many doors" expands on the metaphor by introducing the idea of multiplicity. A cupboard is a container that can hold many things, and by describing poetry as a cupboard with many doors, Wallace suggests that poetry is not a fixed entity but an open-ended one that can contain many different things.
The poem then goes on to describe poetry as a room, a house, a city, a country, the world, the universe, a landscape, a journey, a mirror, a dream, a voice, a language, a book, a story, a life, and a universe. Each of these descriptions adds a new layer of meaning to the poem and underscores the idea of multiplicity and endless possibilities.
By using these diverse metaphors, Wallace is able to create a sense of expansiveness and dimensionality that goes beyond the limits of the physical world. Poetry is not just a thing; it is a way of seeing the world and experiencing it to its fullest.
The repetition of the lines "Poetry is a table with many things on it. It is a cupboard with many doors. It is a room with many windows, a house with many rooms. It is a city with many streets, a country with many cities. It is the world with many countries, the universe with many worlds. Poetry is a landscape with many vistas, a journey with many paths. It is a mirror with many faces, a dream with many meanings. Poetry is a voice with many tones, a language with many words. It is a book with many pages, a story with many endings. It is a life with many moments, a universe with many possibilities" creates a hypnotic effect that reinforces the idea of poetry as a never-ending journey.
The last three lines of the poem "Poetry is a table with many things on it. It is a cupboard with many doors. It is a room with many windows, a house with many rooms. It is a city with many streets, a country with many cities. It is the world with many countries, the universe with many worlds" repeat the opening lines of the poem, creating a sense of circularity and completion. The poem ends where it began, suggesting that the journey of poetry is a never-ending one that is always expanding and evolving.
Interpretation
"Poetry, Furnishings" is a poem that celebrates the power of language to create new worlds and challenge our perception of reality. By describing poetry as a table, a cupboard, a room, a house, a city, a country, the world, the universe, a landscape, a journey, a mirror, a dream, a voice, a language, a book, a story, a life, and a universe, Wallace suggests that poetry is not just a form of artistic expression but a way of seeing and experiencing the world in all its complexity and richness.
The repetition of the lines "Poetry is a table with many things on it. It is a cupboard with many doors. It is a room with many windows, a house with many rooms. It is a city with many streets, a country with many cities. It is the world with many countries, the universe with many worlds. Poetry is a landscape with many vistas, a journey with many paths. It is a mirror with many faces, a dream with many meanings. Poetry is a voice with many tones, a language with many words. It is a book with many pages, a story with many endings. It is a life with many moments, a universe with many possibilities" reinforces the idea of poetry as a never-ending journey that is always expanding and evolving.
At the same time, the poem also suggests that the meaning of poetry is not fixed or absolute. Like a mirror with many faces or a dream with many meanings, poetry can be interpreted in many different ways, depending on the perspective of the reader. This openness to interpretation is what makes poetry such a powerful and transformative force in our lives.
By describing poetry as a universe with many possibilities, Wallace suggests that poetry is not just a form of artistic expression but a way of exploring the mysteries of the cosmos and the inner workings of the human mind. Poetry is a tool for self-discovery and self-expression, a way of transcending the limitations of the physical world and connecting with something greater than ourselves.
Conclusion
"Poetry, Furnishings" is a poem that celebrates the power of language and the limitless possibilities of human imagination. By using a combination of metaphors and repetitive phrases, Wallace creates a sense of expansiveness and dimensionality that goes beyond the limits of the physical world. The poem suggests that poetry is not just a form of artistic expression but a way of seeing and experiencing the world in all its complexity and richness. At the same time, the poem also acknowledges the open-ended and subjective nature of poetry, suggesting that its meaning is not fixed or absolute but depends on the perspective of the reader. Ultimately, "Poetry, Furnishings" is a beautiful and thought-provoking meditation on the power of words to transform the world around us.
Editor 2 Analysis and Explanation
Poetry Furnishings: A Masterpiece of Modern Poetry
Mark Wallace's Poetry Furnishings is a masterpiece of modern poetry that captures the essence of contemporary life in a unique and captivating way. This collection of poems is a celebration of the mundane, the everyday objects that we often take for granted, and the emotions that they evoke. In this analysis, we will explore the themes, style, and structure of Poetry Furnishings, and why it is a must-read for anyone who loves poetry.
Themes
The themes of Poetry Furnishings are diverse and complex, yet they are all interconnected. The collection explores the relationship between objects and emotions, the beauty of the mundane, and the power of memory. Wallace uses everyday objects such as chairs, tables, and lamps to evoke emotions and memories that are both personal and universal. For example, in the poem "Chair," Wallace describes a chair as "a place of rest, a place of contemplation, a place of solitude." The chair becomes a symbol of the human experience, a place where we can reflect on our lives and our place in the world.
Another theme that runs throughout Poetry Furnishings is the idea of transformation. Wallace uses objects to explore the ways in which we change and grow over time. In the poem "Table," he writes, "The table is a witness to our lives, / A place where we gather, / A place where we share our stories." The table becomes a symbol of the passage of time, a witness to the joys and sorrows of life.
Style
Wallace's style is unique and captivating. He uses simple language and everyday objects to create a sense of intimacy and familiarity. His poems are accessible yet profound, and they resonate with readers on a deep emotional level. Wallace's use of repetition and imagery creates a sense of rhythm and flow that draws the reader in and keeps them engaged.
One of the most striking aspects of Wallace's style is his use of enjambment. He often breaks lines in unexpected places, creating a sense of tension and anticipation. In the poem "Lamp," he writes, "The lamp / casts a warm glow / on the pages of my book." The break between "lamp" and "casts" creates a pause that emphasizes the importance of the lamp in the speaker's life.
Structure
The structure of Poetry Furnishings is both simple and complex. The collection is divided into three sections: "Chairs," "Tables," and "Lamps." Each section explores a different aspect of the human experience, and the poems within each section are interconnected thematically. The structure of the collection creates a sense of unity and coherence, while also allowing each poem to stand on its own.
Within each section, the poems are structured in a variety of ways. Some are free verse, while others have a more traditional structure. Wallace's use of form and structure is deliberate and purposeful, and it adds to the overall impact of the collection.
Conclusion
In conclusion, Poetry Furnishings is a masterpiece of modern poetry that explores the beauty of the mundane and the power of memory. Wallace's use of everyday objects to evoke emotions and memories is both unique and captivating. His style is accessible yet profound, and his use of structure creates a sense of unity and coherence. Poetry Furnishings is a must-read for anyone who loves poetry, and it is a testament to the power of language to capture the essence of the human experience.
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