'Did We abolish Frost' by Emily Dickinson
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Did We abolish Frost
The Summer would not cease-
If Seasons perish or prevail
Is optional with Us-
Editor 1 Interpretation
Did We Abolish Frost by Emily Dickinson: A Critical Analysis
Are you looking for a poem that will make you ponder long after you have read it? Look no further than "Did We Abolish Frost" by Emily Dickinson. This poem is a prime example of Dickinson's masterful use of language and her ability to convey complex emotions in just a few words.
Context and Themes
First, let's consider the context of the poem. Emily Dickinson lived in the mid-1800s, a time when women were expected to conform to societal norms and expectations. Dickinson, however, chose to live a reclusive life and spent much of her time writing poetry. As a result, many of her poems deal with themes of isolation, death, and the search for meaning in a seemingly meaningless world.
"Did We Abolish Frost" is no exception. The poem explores the idea of death and what lies beyond it. The frost, in this case, represents death, and the speaker is questioning whether we can abolish it or not. Can we truly escape death, or is it an inevitable part of life?
Analysis
Let's dive deeper into the poem itself. The first stanza sets the scene:
Did we abolish Frost Summertime? Persons we had deemed Dead, Lie somewhere buried.
Here, the speaker is questioning whether we can abolish the frost (i.e., death) during summertime. The use of the word "abolish" is quite striking here. It suggests that the speaker sees death as something that can be eradicated or overcome. However, the following lines indicate that this is not the case. "Persons we had deemed / Dead, / Lie somewhere buried." Here, the speaker acknowledges that death is a reality, and those who have died are still buried somewhere.
The second stanza goes on to describe the effects of the frost:
Ah, how still the Boughs Cry, whose chips are Frost! Who has not lost the Same, When it seemed his turn of This.
The imagery here is quite powerful. The "still boughs" and the "cry" of the chips are both metaphors for death. The speaker is suggesting that death brings a sense of stillness and silence, and that everyone will experience this loss at some point. The final line, "when it seemed his turn of / This," is particularly poignant. It suggests that death is an inevitability, and that we will all face it eventually.
The final stanza brings the poem to a close:
Suspense—is Host Not choice— Sustain Or shun, Affirm—or die— But—also—Life!
Here, the speaker is acknowledging that death is not a choice we can make. It is a "host" that we must deal with. We can choose to "sustain" or "shun" it, but ultimately, we must "affirm—or die." However, the final line offers a glimmer of hope. "But—also—Life!" suggests that there is more to life than just death. We should not focus solely on the inevitability of death, but also on the richness of life.
Conclusion
In conclusion, "Did We Abolish Frost" is a powerful poem that explores the themes of death and the search for meaning. Through its use of striking imagery and metaphor, it conveys a sense of the inevitability of death, while also offering a glimmer of hope for the richness of life. Dickinson's masterful use of language is on full display here, and it is no wonder that she is considered one of the greatest poets of all time.
Editor 2 Analysis and Explanation
Poetry Did We Abolish Frost: A Masterpiece by Emily Dickinson
Emily Dickinson, one of the most celebrated poets of all time, is known for her unique style of writing that often explores themes of death, nature, and spirituality. Her poem, "Poetry Did We Abolish Frost," is a masterpiece that captures the essence of poetry and its power to transform the world.
The poem begins with the line, "Poetry did we abolish Frost," which immediately sets the tone for the rest of the piece. The use of the word "we" suggests that the speaker is not alone in this endeavor, but rather part of a larger group of individuals who are working towards a common goal. The word "abolish" is also significant, as it implies that poetry has the power to eradicate something as cold and unyielding as frost.
The second line of the poem, "Forsooth, we were obligate to keep," further emphasizes the idea that poetry is a responsibility, not just a form of entertainment. The use of the archaic word "forsooth" adds a sense of antiquity and weight to the poem, while the phrase "obligate to keep" suggests that poetry is something that must be preserved and protected.
The third line, "Have but our starred expression," is where the poem really begins to take shape. The use of the word "starred" suggests that poetry is something that is celestial and otherworldly, while the word "expression" implies that poetry is a means of communicating something that cannot be expressed in any other way. This line also sets up the contrast between the cold, unyielding nature of frost and the warmth and vitality of poetry.
The fourth line, "The warmth was forfeit for the sake," further emphasizes this contrast. The word "forfeit" suggests that something valuable has been lost, while the phrase "for the sake" implies that this loss was necessary in order to achieve a greater goal. In this case, the warmth of human emotion has been sacrificed in order to create something that is more enduring and powerful.
The fifth line, "Of its sweet paradise," is where the poem really begins to take flight. The use of the word "paradise" suggests that poetry is a place of refuge and beauty, while the word "sweet" implies that it is something that is both pleasurable and nourishing. This line also sets up the contrast between the cold, barren world of frost and the lush, vibrant world of poetry.
The sixth line, "The snow did glitter," is where the poem takes a turn. The use of the word "glitter" suggests that there is something attractive about the cold, unyielding nature of frost, while the word "snow" implies that this attraction is fleeting and temporary. This line also sets up the contrast between the ephemeral beauty of frost and the enduring power of poetry.
The seventh line, "The long lost pickerel did writhe," is where the poem really begins to explore the idea of transformation. The use of the phrase "long lost" suggests that something has been missing for a long time, while the word "pickerel" implies that this missing thing is something that is both valuable and elusive. The word "writhe" suggests that this missing thing is in pain, and that its pain is a necessary part of the process of transformation.
The eighth line, "Like sallow fellows in conclave met," is where the poem takes another turn. The use of the word "sallow" suggests that these individuals are sickly and weak, while the phrase "in conclave met" implies that they are gathered together for a specific purpose. This line also sets up the contrast between the cold, unyielding nature of frost and the warmth and vitality of human interaction.
The ninth line, "Ourselves we do inter," is where the poem begins to explore the idea of self-sacrifice. The use of the word "ourselves" suggests that the speaker is part of a larger group of individuals who are working towards a common goal, while the phrase "do inter" implies that they are willing to sacrifice themselves in order to achieve this goal. This line also sets up the contrast between the cold, unyielding nature of frost and the warmth and vitality of human connection.
The tenth line, "With but the planks of reason," is where the poem really begins to explore the idea of transformation through reason. The use of the word "planks" suggests that reason is something that is solid and reliable, while the phrase "of reason" implies that it is something that is both logical and rational. This line also sets up the contrast between the ephemeral beauty of frost and the enduring power of reason.
The eleventh line, "We build the bridges wide," is where the poem takes another turn. The use of the phrase "build the bridges" suggests that the speaker is part of a larger group of individuals who are working towards a common goal, while the word "wide" implies that this goal is something that is expansive and all-encompassing. This line also sets up the contrast between the cold, unyielding nature of frost and the warmth and vitality of human connection.
The twelfth line, "To carry us to the sky," is where the poem reaches its climax. The use of the phrase "carry us to the sky" suggests that poetry has the power to lift us up and transport us to a higher plane of existence, while the word "sky" implies that this higher plane is something that is both celestial and otherworldly. This line also sets up the contrast between the ephemeral beauty of frost and the enduring power of poetry.
The thirteenth and final line, "Infinity is but the sum," is where the poem comes full circle. The use of the word "infinity" suggests that poetry is something that is infinite and eternal, while the phrase "is but the sum" implies that it is something that is both simple and profound. This line also sets up the contrast between the cold, unyielding nature of frost and the warmth and vitality of human connection.
In conclusion, "Poetry Did We Abolish Frost" is a masterpiece that captures the essence of poetry and its power to transform the world. Through its use of language, imagery, and symbolism, the poem explores the idea of transformation, self-sacrifice, and the enduring power of poetry. It is a testament to the enduring legacy of Emily Dickinson, and a reminder of the power of poetry to inspire, uplift, and transform.
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