'The Starlight Night' by Gerard Manley Hopkins


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Look at the stars! look, look up at the skies!
O look at all the fire-folk sitting in the air!
The bright boroughs, the circle-citadels there!
Down in dim woods the diamond delves! the elves'-eyes!
The grey lawns cold where gold, where quickgold lies!
Wind-beat whitebeam! airy abeles set on a flare!
Flake-doves sent floating forth at a farmyard scare! --
Ah well! it is all a purchase, all is a prize.

Buy then! bid then! -- What? -- Prayer, patience, alms, vows.
Look, look: a May-mess, like on orchard boughs!
Look! March-bloom, like on mealed-with-yellow sallows!
These are indeed the barn; withindoors house
The shocks. This piece-bright paling shuts the spouse
Christ home, Christ and his mother and all his hallows.


Editor 1 Interpretation

"The Starlight Night" by Gerard Manley Hopkins: A Glowing Interpretation

Gerard Manley Hopkins, a pioneer of Victorian poetry, was known for his innovative use of language and structure while expressing religious and mystical themes. In his poem "The Starlight Night," Hopkins captures the beauty and wonder of the natural world while exploring the relationship between humanity and divinity. The poem's vivid imagery and complex themes make it a fascinating subject for literary interpretation and analysis.

The Poem

Before delving into the deeper meaning of "The Starlight Night," it's important to understand the poem's structure and language. The poem is divided into two stanzas, and each stanza has eight lines. The rhyme scheme is ABCBDEFE, which means that the second and fourth lines of each stanza rhyme, and the sixth and eighth lines rhyme as well. The poem is written in Hopkins's signature style, which he called "sprung rhythm." This means that the poem has a distinct musical quality and a unique meter that emphasizes certain syllables and creates a cadence that is both rhythmic and irregular.

The poem begins with a description of a starry night sky. Hopkins writes:

"Look at the stars! look, look up at the skies! O look at all the fire-folk sitting in the air! The bright boroughs, the circle-citadels there!"

These lines convey a sense of awe and wonder at the beauty of the natural world. Hopkins uses vivid imagery to describe the stars as "fire-folk" and "citadels," which creates a sense of mystery and enchantment.

The next few lines of the poem shift the focus from the stars to humanity. Hopkins writes:

"Down in dim woods the diamond delves! the elves'-eyes! The grey lawns cold where gold, where quickgold lies! Wind-beat whitebeam! airy abeles set on a flare! Flake-doves sent floating forth at a farmyard scare!—"

These lines describe the natural world on earth, with "dim woods" and "grey lawns" contrasting with the bright and shining stars above. The use of alliteration in phrases like "wind-beat whitebeam" and "airy abeles" creates a sense of motion and energy, as if the natural world is constantly moving and changing.

The poem's second stanza returns to the theme of divinity. Hopkins writes:

"All things counter, original, spare, strange; Whatever is fickle, freckled (who knows how?) With swift, slow; sweet, sour; adazzle, dim; He fathers-forth whose beauty is past change: Praise him."

These lines are more abstract than the previous stanza, and they require closer examination to fully understand their meaning. The phrase "all things counter, original, spare, strange" suggests that divinity is found not only in the beautiful and harmonious aspects of the natural world, but also in the strange and unpredictable. The use of paradoxical phrases like "swift, slow; sweet, sour" emphasizes this idea.

The final two lines of the poem, "He fathers-forth whose beauty is past change: / Praise him," reinforce the idea that divinity is the source of all beauty and goodness in the world. The use of the phrase "fathers-forth" suggests that divinity is the creator and sustainer of the natural world, and that all beauty and goodness are derived from this source.

Interpretation

"The Starlight Night" is a complex and multilayered poem that can be interpreted in many different ways. One possible interpretation is that the poem celebrates the beauty and wonder of the natural world while also exploring the relationship between humanity and divinity.

The first stanza of the poem focuses on the beauty of the natural world, with vivid descriptions of the stars and the earth. Hopkins's use of imagery and alliteration creates a sense of magic and enchantment, as if the natural world is a place of wonder and mystery. This sense of awe and wonder is reinforced by the poem's musical quality, which creates a sense of rhythm and flow that echoes the motion of the natural world.

The second stanza of the poem shifts the focus to divinity. Hopkins suggests that divinity is found not only in the beautiful and harmonious aspects of the natural world, but also in the strange and unpredictable. This suggests that divinity is not a static or unchanging concept, but rather a dynamic and evolving force that is constantly shaping the natural world.

The final two lines of the poem, "He fathers-forth whose beauty is past change: / Praise him," reinforce the idea that divinity is the source of all beauty and goodness in the world. This suggests that humanity's relationship with divinity is one of gratitude and praise, rather than fear or anxiety.

Overall, "The Starlight Night" is a poem that celebrates the beauty and wonder of the natural world while also exploring the relationship between humanity and divinity. Hopkins's innovative use of language and structure creates a sense of magic and enchantment that reinforces the poem's themes of awe and wonder. The poem's abstract and multilayered themes make it a fascinating subject for literary interpretation and analysis.

Conclusion

Gerard Manley Hopkins's "The Starlight Night" is a poem that celebrates the beauty and wonder of the natural world while also exploring the relationship between humanity and divinity. The poem's vivid imagery, musical quality, and innovative structure make it a masterpiece of Victorian poetry. By examining the poem's themes and language, we can gain a deeper understanding of Hopkins's vision of the natural world and humanity's place within it. Overall, "The Starlight Night" is a glowing testament to the power and beauty of poetry.

Editor 2 Analysis and Explanation

The Starlight Night: A Masterpiece of Gerard Manley Hopkins

Gerard Manley Hopkins, a renowned English poet, is known for his unique style of writing that is characterized by the use of complex language, innovative syntax, and vivid imagery. His poem, The Starlight Night, is a perfect example of his exceptional poetic skills. The poem is a beautiful portrayal of the night sky and the stars that shine in it. In this article, we will analyze and explain the poem in detail, exploring its themes, language, and structure.

The poem begins with the speaker describing the night sky as a "brinded cow" that is "veiled in the wind's loom." The use of the word "brinded" is interesting as it means streaked or striped, which is an apt description of the night sky. The phrase "veiled in the wind's loom" is also significant as it suggests that the wind is weaving a fabric of stars in the sky. The use of personification in this line is also noteworthy as it gives life to the wind and makes it an active participant in the creation of the night sky.

The second stanza of the poem is where the speaker begins to describe the stars in the sky. He says that the stars are "all tall" and "stand straight up." This description gives the stars a sense of dignity and grandeur. The use of the word "tall" also suggests that the stars are reaching for the heavens, trying to touch the divine. The speaker then goes on to describe the stars as "great eyes" that are "fixed" on the earth. This description is significant as it suggests that the stars are watching over us, keeping a watchful eye on our actions.

The third stanza of the poem is where the speaker begins to explore the theme of nature and its relationship with God. He says that the stars are "God's cattle" and that they "graze" in the sky. This description is significant as it suggests that God is the shepherd and the stars are his flock. The use of the word "cattle" is also interesting as it suggests that the stars are not just inanimate objects but living beings that have a purpose and a place in the universe.

The fourth stanza of the poem is where the speaker begins to explore the theme of spirituality and the divine. He says that the stars are "diamonds" that are "set in divine black." This description is significant as it suggests that the stars are not just beautiful objects but are also divine creations. The use of the word "diamonds" is also interesting as it suggests that the stars are precious and valuable, just like diamonds. The speaker then goes on to describe the stars as "bright drops" that are "sprinkled" on the earth. This description is significant as it suggests that the stars are not just distant objects but are also connected to the earth and have an impact on our lives.

The fifth stanza of the poem is where the speaker begins to explore the theme of time and its relationship with the universe. He says that the stars are "time's eunuchs" and that they "wait upon" time. This description is significant as it suggests that the stars are not just objects in the sky but are also connected to the concept of time. The use of the word "eunuchs" is also interesting as it suggests that the stars are not just passive observers but are also active participants in the passage of time.

The sixth and final stanza of the poem is where the speaker concludes his exploration of the night sky and the stars. He says that the stars are "watchers of the skies" and that they "see the seasons." This description is significant as it suggests that the stars are not just objects in the sky but are also connected to the natural world and its cycles. The use of the word "watchers" is also interesting as it suggests that the stars are not just passive observers but are also active participants in the natural world.

In terms of language, The Starlight Night is a masterpiece of poetic language. Hopkins uses complex language, innovative syntax, and vivid imagery to create a beautiful and evocative poem. The use of personification, metaphor, and simile is also noteworthy as it gives life to the night sky and the stars and makes them active participants in the poem.

In terms of structure, The Starlight Night is a six-stanza poem that is written in free verse. The lack of a strict rhyme scheme and meter gives the poem a sense of freedom and spontaneity. The use of enjambment is also significant as it creates a sense of flow and continuity between the stanzas.

In conclusion, The Starlight Night is a beautiful and evocative poem that explores themes of nature, spirituality, time, and the universe. Hopkins' use of complex language, innovative syntax, and vivid imagery creates a masterpiece of poetic language that is both beautiful and profound. The poem is a testament to Hopkins' exceptional poetic skills and his ability to capture the beauty and wonder of the natural world in his writing.

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