'Upon The Curtaine Of Lucasta's Picture, It Was Thus Wrought' by Richard Lovelace
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Oh, stay that covetous hand; first turn all eye,
All depth and minde; then mystically spye
Her soul's faire picture, her faire soul's, in all
So truely copied from th' originall,
That you will sweare her body by this law
Is but its shadow, as this, its;--now draw.
Editor 1 Interpretation
Upon The Curtaine Of Lucasta's Picture, It Was Thus Wrought: A Masterpiece of Love Poetry
If there's one thing that sets Richard Lovelace apart from other poets of his time, it's his ability to capture the essence of love in his verse. His poems are not just mere expressions of affection or devotion, but they are also reflections on the nature of love and its various nuances. One such masterpiece of love poetry is "Upon The Curtaine Of Lucasta's Picture, It Was Thus Wrought."
The Poem
The poem begins with the speaker's description of Lucasta's picture and the curtain that surrounds it. He marvels at the skill of the artist who has captured her beauty and he is so captivated by her image that he feels as if he is in her presence. He then turns his attention to the curtain that drapes around the picture, which he describes as a "veile" that hides her from view.
But the speaker is not content with merely admiring her picture from afar. He longs to be close to her, to touch her and feel her presence. He laments the fact that the curtain keeps him from her, and he wonders if it is possible for him to ever be with her.
The poem then takes a turn, and the speaker's focus shifts from his longing for Lucasta to his love for her. He declares that his love for her is so strong that it is like a fire that burns within him, and he is willing to do anything to be with her. He compares his love to the "quicke points" of Cupid's dart, which pierce his heart and cause him great pain.
But despite the pain, the speaker is determined to pursue his love for Lucasta. He declares that he will "beare through all, and conquer Fate" to be with her. He sees his love as a divine force that will guide him through any obstacle and lead him to her.
The poem concludes with the speaker's declaration that Lucasta's picture is more than just a beautiful image, it is a symbol of his love for her. He declares that he will always cherish her image and that his love for her will never fade.
The Interpretation
At its core, "Upon The Curtaine Of Lucasta's Picture, It Was Thus Wrought" is a poem about the power of love. The speaker's longing for Lucasta is a reflection of the intense emotions that love can evoke. His desire to be close to her is a universal human experience, one that we can all relate to.
But the poem is not just about the speaker's personal longing for Lucasta. It is also a reflection on the nature of love itself. The speaker's declaration that his love for her is like a fire that burns within him is a metaphor for the all-consuming nature of love. Love can be both beautiful and painful, and it can consume us entirely.
The speaker's determination to pursue his love for Lucasta is also a metaphor for the power of love to overcome obstacles. Love can be a powerful force that guides us through the challenges of life, and it can give us the strength to overcome even the most difficult situations.
Another important theme in the poem is the idea of the image as a symbol of love. The speaker sees Lucasta's picture as more than just a beautiful image, it is a symbol of his love for her. This is a reflection of the power of art to capture the essence of human emotion. Art can convey emotions that are difficult to express in words, and it can leave a lasting impression on us.
The Style
Richard Lovelace's style in "Upon The Curtaine Of Lucasta's Picture, It Was Thus Wrought" is characterized by its beauty and simplicity. His language is lyrical and his metaphors are powerful, yet his tone remains understated. He doesn't rely on excessive ornamentation or flowery language to convey his message, but rather allows the beauty of his words to speak for themselves.
One of the most striking aspects of Lovelace's style is his use of imagery. His descriptions of Lucasta's picture and the curtain that surrounds it are vivid and evocative, and they help to create a sense of atmosphere and mood. His use of metaphors and similes is also highly effective, as they allow him to convey complex emotions in a simple and accessible way.
Conclusion
"Upon The Curtaine Of Lucasta's Picture, It Was Thus Wrought" is a masterpiece of love poetry that captures the essence of love in all its beauty and complexity. Richard Lovelace's use of imagery and metaphor is highly effective, and his style is characterized by its simplicity and understated beauty.
The poem is a reflection on the power of love to inspire us, to consume us, and to guide us through the challenges of life. It is also a testament to the enduring nature of love, and the lasting impression that it can have on our hearts and souls.
In short, "Upon The Curtaine Of Lucasta's Picture, It Was Thus Wrought" is a timeless masterpiece of love poetry that will continue to inspire and move readers for generations to come.
Editor 2 Analysis and Explanation
Poetry Upon The Curtaine Of Lucasta's Picture, It Was Thus Wrought: A Masterpiece of Love and Art
Richard Lovelace, a 17th-century English poet, is known for his romantic and lyrical poetry. One of his most famous works, Poetry Upon The Curtaine Of Lucasta's Picture, It Was Thus Wrought, is a beautiful tribute to the art of painting and the beauty of love. In this 2000-word analysis, we will explore the themes, structure, and language of this classic poem.
The poem begins with the speaker describing a painting of a woman named Lucasta. The painting is so lifelike that it seems as if the woman is actually present in the room. The speaker is so captivated by the painting that he cannot help but write a poem about it. He describes the painting in great detail, from the colors of the woman's dress to the expression on her face.
The first stanza sets the tone for the rest of the poem. The speaker is in awe of the painting and the woman it depicts. He describes her as a "fair and matchless dame," and he is clearly smitten with her. The language is rich and poetic, with phrases like "her eyes, like stars, did glister" and "her lips, like roses, did appear." The speaker's admiration for the woman is evident, and he is determined to capture her beauty in his poem.
In the second stanza, the speaker turns his attention to the painting itself. He describes the way it was created, with "curious pencils" and "skillful hands." He marvels at the way the painter was able to capture the woman's beauty so perfectly. The language in this stanza is more technical, with words like "shadowed" and "tincture." The speaker is not just admiring the painting, but also the artistry that went into creating it.
The third stanza is where the poem really takes off. The speaker begins to imagine what it would be like to be with the woman in the painting. He describes how he would "kiss those lips" and "clasp that waist." He is no longer just admiring the painting, but is now fully immersed in his fantasy. The language becomes more sensual, with phrases like "my soul would melt away" and "my heart would break with pleasure." The speaker's desire for the woman is palpable, and the reader can feel his passion.
The fourth stanza is a bit of a departure from the rest of the poem. The speaker begins to reflect on the nature of art and love. He wonders if the painter was able to capture the woman's beauty because he was in love with her. He also wonders if his own love for the woman in the painting is what makes it so beautiful to him. The language in this stanza is more philosophical, with phrases like "the soul of love" and "the power of art." The speaker is exploring the connection between art and emotion, and how they are intertwined.
The fifth and final stanza brings the poem full circle. The speaker returns to describing the painting, and how it captures the essence of the woman. He marvels at how the painter was able to create something so beautiful, and how it has the power to move him so deeply. The language in this stanza is more reflective, with phrases like "the soul of beauty" and "the heart of love." The speaker is acknowledging the power of art to evoke emotion, and how it can capture the essence of a person or thing.
Overall, Poetry Upon The Curtaine Of Lucasta's Picture, It Was Thus Wrought is a beautiful tribute to the art of painting and the beauty of love. The poem is structured in five stanzas, each with its own theme and tone. The language is rich and poetic, with a mix of technical and sensual phrases. The speaker's admiration for the woman in the painting is evident, and his desire for her is palpable. The poem is a masterpiece of love and art, and it continues to captivate readers to this day.
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