'The Mower Against Gardens' by Andrew Marvell
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Luxurious Man, to bring his Vice in use,
Did after him the World seduce:
And from the Fields the Flow'rs and Plants allure,
Where Nature was most plain and pure.
He first enclos'd within the Gardens square
A dead and standing pool of Air:
And a more luscious Earth for them did knead,
Which stupifi'd them while it fed.
The Pink grew then as double as his Mind;
The nutriment did change the kind.
With strange perfumes he did the Roses taint.
And Flow'rs themselves were taught to paint.
The Tulip, white, did for complexion seek;
And learn'd to interline its cheek:
Its Onion root they then so high did hold,
That one was for a Meadow sold.
Another World was search'd, though Oceans new,
To find the Marvel Of Peru.
And yet these Rarities might be allow'd,
To Man, that Sov'raign thing and proud;
Had he not dealt between the Bark and Tree,
Forbidden mixtures there to see.
No Plant now knew the Stock from which it came;
He grafts upon the Wild the Tame:
That the uncertain and adult'rate fruit
Might put the Palate in dispute.
His green Seraglio has its Eunuchs too;
Lest any Tyrant him out-doe.
And in the Cherry he does Nature vex,
To procreate without a Sex.
'Tis all enforc'd; the Fountain and the Grot;
While the sweet Fields do lye forgot:
Where willing Nature does to all dispence
A wild and fragrant Innocence:
And Fauns and Faryes do the Meadows till,
More by their presence then their skill.
Their Statues polish'd by some ancient hand,
May to adorn the Gardens stand:
But howso'ere the Figures do excel,
The Gods themselves with us do dwell.
Editor 1 Interpretation
The Mower Against Gardens by Andrew Marvell: A Literary Criticism and Interpretation
Are you ready to delve into the world of Andrew Marvell's poetry? His works have been studied and admired for centuries, and for good reason. In this literary criticism and interpretation, we will be examining one of Marvell's most famous poems, "The Mower Against Gardens."
Background
Before we get into the actual analysis of the poem, let's take a quick look at the context in which it was written. Marvell was a poet and politician in the 17th century, and his works often reflect both his personal beliefs and the political climate of the time.
"The Mower Against Gardens" was written in 1681, during a period when Marvell was serving as a Member of Parliament for Hull. It was published in his collection of poems, "Miscellaneous Poems," which was released after his death in 1687.
Summary
At its core, "The Mower Against Gardens" is a poem about the natural world and the human desire to control and manipulate it. The speaker of the poem is a mower who is frustrated with the artificiality of gardens and the way they disrupt the natural order of things.
The poem is divided into two parts, with the first focusing on the speaker's frustration with gardens and the second exploring his connection to the natural world. In the first part, the speaker describes the ways in which gardens are unnatural and destructive. He laments the fact that people spend so much time and energy creating these artificial spaces when they could be enjoying the beauty of the natural world.
In the second part of the poem, the tone shifts to one of nostalgia and longing for the natural world. The speaker describes his connection to the fields and meadows, and the way they bring him joy and peace. He celebrates the simplicity and beauty of nature, and contrasts it with the artificiality of gardens.
Analysis
Now that we have a basic understanding of the poem, let's take a closer look at some of the key themes and literary devices at play.
Nature vs. Artifice
One of the most obvious themes in "The Mower Against Gardens" is the tension between nature and artifice. The speaker is clearly frustrated with gardens and the way they disrupt the natural order of things. He sees them as a symbol of human arrogance and the desire to control and manipulate the world around us.
This tension is highlighted through various literary devices, such as imagery and metaphor. For example, the speaker describes gardens as "artificial Paradise[s]," which suggests that they are attempting to mimic or replace the natural world. He also uses metaphors such as "the mower's hopes and fears" to contrast the simplicity and beauty of nature with the complex and artificial world of gardens.
Nostalgia and Longing
Another key theme in the poem is nostalgia and longing for the past. The speaker clearly has a deep connection to the natural world, and laments the fact that people have become so disconnected from it. He longs for a simpler time when people were content to enjoy the beauty of nature without feeling the need to control and manipulate it.
This theme is highlighted through the use of imagery and language that evoke a sense of nostalgia and longing. For example, the speaker describes the "flowery meads" and "pastoral delight" of his youth, which creates a sense of longing for a simpler time. He also uses language that is both romantic and wistful, such as "sweet air" and "pleasing sound," which adds to the nostalgic tone of the poem.
The Mower as a Symbol
Finally, it is worth examining the role of the mower himself in the poem. On one level, he is simply a speaker who is expressing his frustration with gardens and his love of nature. However, on a deeper level, he can also be seen as a symbol of the natural world itself.
The mower is someone who is intimately connected to the land and the cycles of nature. He understands the beauty and simplicity of the natural world, and is frustrated by the artificiality and complexity of gardens. In this way, he can be seen as a symbol of the natural world that is constantly being disrupted and manipulated by human beings.
Conclusion
In conclusion, "The Mower Against Gardens" is a complex and multifaceted poem that explores themes of nature, artifice, nostalgia, and longing. Through the use of imagery, language, and metaphor, Marvell creates a vivid and evocative portrait of a speaker who is frustrated with the artificiality of gardens and deeply connected to the natural world.
This poem remains relevant today, as we continue to grapple with questions of our relationship to the natural world and the ways in which we can coexist with it. Marvell's passion for the beauty and simplicity of nature serves as a reminder of the importance of preserving and protecting the natural world, and his critique of the artificiality of gardens encourages us to question our assumptions about what constitutes beauty and order in the world around us.
Editor 2 Analysis and Explanation
The Mower Against Gardens: A Masterpiece of Andrew Marvell
Andrew Marvell, the 17th-century English poet, is known for his satirical and metaphysical poetry. One of his most famous works, The Mower Against Gardens, is a poem that has been analyzed and interpreted by scholars for centuries. This poem is a masterpiece of Marvell's poetic genius, and it is a reflection of his views on the relationship between nature and man.
The poem is a dramatic monologue in which the speaker, a mower, expresses his frustration with the artificiality of gardens and the destruction of natural landscapes. The mower is a symbol of nature, and he is portrayed as a victim of man's desire to control and manipulate nature. The poem is divided into three stanzas, each with a different tone and theme.
The first stanza sets the scene and introduces the mower's frustration with gardens. The mower is described as a man who loves nature and enjoys the simplicity of the countryside. He is a man who is content with his life and his work, but he is disturbed by the gardens that he sees around him. The gardens are described as artificial and unnatural, and the mower sees them as a threat to the natural beauty of the countryside.
The second stanza is the heart of the poem, and it is where the mower expresses his anger and frustration with gardens. He sees the gardens as a symbol of man's arrogance and his desire to control nature. The mower believes that gardens are a waste of time and resources, and he sees them as a threat to the natural order of things. He believes that gardens are a form of oppression, and he wants to destroy them.
The third stanza is the conclusion of the poem, and it is where the mower reflects on his own actions. He realizes that his desire to destroy gardens is not the solution to the problem. He understands that gardens are a part of human culture, and they have their own beauty and value. He accepts that gardens are a part of the natural order of things, and he decides to let them be.
The Mower Against Gardens is a poem that has many layers of meaning. On the surface, it is a poem about a man who hates gardens and wants to destroy them. However, on a deeper level, it is a poem about the relationship between man and nature. The mower is a symbol of nature, and he represents the natural order of things. The gardens are a symbol of man's desire to control and manipulate nature, and they represent the artificiality of human culture.
The poem is also a reflection of Marvell's views on the relationship between man and nature. Marvell was a poet who was deeply influenced by the scientific and philosophical ideas of his time. He believed that nature was a complex and interconnected system, and he saw the destruction of nature as a threat to the stability of the world.
Marvell's poem is also a critique of the cultural values of his time. The gardens that the mower hates are a symbol of the artificiality and superficiality of human culture. Marvell believed that human culture had become too focused on materialism and superficiality, and he saw this as a threat to the natural order of things.
In conclusion, The Mower Against Gardens is a masterpiece of Andrew Marvell's poetic genius. It is a poem that has many layers of meaning, and it is a reflection of Marvell's views on the relationship between man and nature. The poem is a critique of the cultural values of his time, and it is a call to return to the natural order of things. The Mower Against Gardens is a timeless poem that continues to inspire and challenge readers today.
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