'Sonnet LXIIII' by Edmund Spenser
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COmming to kisse her lyps, (such grace I found)
Me seemd I smelt a gardin of sweet flowres:
that dainty odours from them threw around
for damzels fit to decke their louers bowres.
Her lips did smell lyke vnto Gillyflowers,
her ruddy cheekes lyke vnto Roses red:
her snowy browes lyke budded Bellamoures,
her louely eyes lyke Pincks but newly spred,
Her goodly bosome lyke a Strawberry bed,
her neck lyke to a bounch of Cullambynes:
her brest lyke lillyes, ere theyr leaues be shed,
her nipples lyke yong blossomd Iessemynes,
Such fragrant flowres doe giue most odorous smell,
but her sweet odour did them all excell.
Editor 1 Interpretation
Sonnet LXIIII by Edmund Spenser: A Literary Criticism and Interpretation
Oh, how wonderful it is to dive deep into the world of poetry and unravel the complexities hidden within the lines of a sonnet! Edmund Spenser’s Sonnet LXIIII is a classic example of the beauty and power of this poetic form. In this literary criticism and interpretation, we will explore the themes, structure, and language of this sonnet in great detail.
Themes
Sonnet LXIIII, also known as “The weary yeare his race now having run,” is a poem that speaks to the passing of time and the inevitability of change. Spenser uses the metaphor of the changing seasons to represent the stages of life, and the poem reflects on the transience of all things in existence.
The first quatrain of the sonnet introduces the theme of death and the inevitable end of all things. The “weary yeare” has completed its race, and the “changing heavens” have brought about a change in the weather. The imagery of the “falling leaves” and “frosty nights” paint a picture of decay and decline, symbolizing the end of life.
The second quatrain speaks to the idea of renewal and rebirth. Spring is the season of new beginnings, and Spenser uses imagery such as “silly birds” and “blossoms brave” to represent the fresh start that comes with the changing of the seasons. However, this new beginning is short-lived, and the poem quickly returns to its focus on the inevitability of change.
The third quatrain speaks to the idea that everything eventually comes to an end. The “summer’s pride” is short-lived, and its warmth and beauty are fleeting. The final couplet speaks to the idea that even though everything eventually comes to an end, the memory of what once was remains. The poet’s verse will continue to live on, even after he is gone.
Structure
Sonnet LXIIII is written in the traditional Shakespearean sonnet form. It consists of three quatrains followed by a final couplet. The rhyme scheme is ABAB CDCD EFEF GG.
The structure of the sonnet reflects the content of the poem. The first quatrain introduces the theme of death and decay, while the second quatrain speaks to the theme of renewal and rebirth. The third quatrain then returns to the theme of decay, and the final couplet provides a resolution to the poem, emphasizing the power of memory.
Language
The language used in Sonnet LXIIII is rich and evocative. Spenser uses imagery throughout the poem to create a powerful sense of the passing of time. The imagery of the “weary yeare” and the “changing heavens” conveys the idea of the passage of time, and the changing of the seasons is used as a metaphor for the stages of life.
The language in the second quatrain is particularly striking. Spenser uses the image of “silly birds” to represent the newness and innocence of spring, and the “blossoms brave” represent the courage and resilience needed to begin anew. The contrast between the “silly birds” and the “blossoms brave” creates a powerful sense of the struggle to start over.
The final couplet is particularly moving. Spenser emphasizes the power of memory, stating that even though everything eventually comes to an end, the poet’s verse will continue to live on. The choice of the word “live” is particularly powerful, as it suggests that the poet’s work will continue to have an impact long after he is gone.
Interpretation
Sonnet LXIIII is a powerful meditation on the passage of time and the inevitability of change. The poem reflects on the transience of all things, and the shifting imagery of the changing seasons creates a powerful sense of the passage of time.
The sonnet is also a meditation on the power of memory. Spenser suggests that even though everything eventually comes to an end, the memory of what once was remains. The poet’s verse will continue to live on, even after he is gone. This suggests that the act of writing poetry is a way of transcending the limitations of mortality and achieving a kind of immortality.
Overall, Sonnet LXIIII is a moving and thought-provoking poem. Its themes of death, renewal, and memory are universal, and the language and imagery used by Spenser make it a powerful meditation on the human experience.
Editor 2 Analysis and Explanation
Edmund Spenser's Sonnet LXIIII, also known as "Most Glorious Lord of Life," is a classic piece of poetry that has stood the test of time. This sonnet is a part of Spenser's larger work, "Amoretti," which is a collection of 89 sonnets that Spenser wrote to woo and win the heart of his beloved Elizabeth Boyle. In this sonnet, Spenser praises the beauty and power of the sun, which he sees as a symbol of God's glory and majesty.
The sonnet is written in the traditional Shakespearean form, which consists of three quatrains and a final couplet. Each quatrain presents a different aspect of the sun's beauty and power, while the couplet serves as a conclusion to the poem. The rhyme scheme of the sonnet is ABAB BCBC CDCD EE, which is typical of the Shakespearean form.
The first quatrain of the sonnet begins with the line, "Most glorious Lord of life, that on this day." Spenser addresses the sun as the "Lord of life," acknowledging its importance as the source of all life on earth. He then goes on to describe the sun's power to "shine," "warm," and "lighten" the world, using vivid imagery to convey the sun's beauty and majesty. Spenser also compares the sun to a "heavenly face," suggesting that it is a reflection of God's own glory and beauty.
In the second quatrain, Spenser continues to praise the sun's beauty and power, describing it as a "golden helmet" that "covers all the world." He also notes that the sun's light is so bright that it "dazzles" the eyes of those who look upon it. Spenser's use of metaphor and imagery in this quatrain is particularly effective, as it helps to convey the sun's power and majesty in a way that is both vivid and memorable.
The third quatrain of the sonnet takes a slightly different turn, as Spenser shifts his focus from the sun's beauty and power to its role as a symbol of God's love and mercy. He notes that the sun's light is a "type of that bright sun" that is God's love, and that it is through the sun's warmth and light that God's love is made manifest in the world. Spenser's use of religious imagery in this quatrain is particularly effective, as it helps to elevate the sonnet from a simple description of the sun's beauty to a more profound meditation on the nature of God's love.
The final couplet of the sonnet serves as a conclusion to the poem, and it is here that Spenser reveals his true purpose in writing this sonnet. He notes that it is through the sun's light that he is able to see and appreciate the beauty of his beloved Elizabeth Boyle, and that it is through her beauty that he is able to glimpse the glory of God. This final couplet is both romantic and religious, and it serves as a fitting conclusion to a sonnet that is both beautiful and profound.
Overall, Edmund Spenser's Sonnet LXIIII is a classic piece of poetry that has stood the test of time. Through his use of vivid imagery, metaphor, and religious symbolism, Spenser is able to convey the beauty and power of the sun in a way that is both memorable and profound. This sonnet is a testament to Spenser's skill as a poet, and it serves as a reminder of the enduring power of great poetry to move and inspire us.
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