'Come Into the Garde, Maud' by Alfred, Lord Tennyson
AI and Tech Aggregator
Download Mp3s Free
Tears of the Kingdom Roleplay
Best Free University Courses Online
TOTK Roleplay
Come into the garden, Maud,
For the black bat, Night, has flown,
Come into the garden, Maud,
I am here at the gate alone;
And the woodbine spices are wafted abroad,
And the musk of the roses blown.
For a breeze of morning moves,
And the planet of Love is on high,
Beginning to faint in the light that she loves
On a bed of daffodil sky,
To faint in the light of the sun she loves,
To faint in his light, and to die.
All night have the roses heard
The flute, violin, bassoon;
All night has the casement jessamine stirr'd
To the dancers dancing in tune:
Till a silence fell with the waking bird,
And a hush with the setting moon.
I said to the lily, "There is but one
With whom she has heart to be gay.
When will the dancers leave her alone?
She is weary of dance and play."
Now half to the setting moon are gone,
And half to the rising day;
Low on the sand and loud on the stone
The last wheel echoes away.
I said to the rose, "The brief night goes
In babble and revel and wine.
O young lordlover, what sighs are those
For one that will never be thine?
But mine, but mine," so I sware to the rose,
"For ever and ever, mine."
And the soul of the rose went into my blood,
As the music clash'd in the hall;
And long by the garden lake I stood,
For I heard your rivulet fall
From the lake to the meadow and on to the wood,
Our wood, that is dearer than all;
From the meadow your walks have left so sweet
That whenever a March-wind sighs
He sets the jewelprint of your feet
In violets blue as your eyes,
To the woody hollows in which we meet
And the valleys of Paradise.
The slender acacia would not shake
One long milk-bloom on the tree;
The white lake-blossom fell into the lake,
As the pimpernel dozed on the lea;
But the rose was awake all night for your sake,
Knowing your promise to me;
The lilies and roses were all awake,
They sigh'd for the dawn and thee.
Queen rose of the rosebud garden of girls,
Come hither, the dances are done,
In gloss of satin and glimmer of pearls,
Queen lily and rose in one;
Shine out, little head, sunning over with curls,
To the flowers, and be their sun.
There has fallen a splendid tear
From the passion-flower at the gate.
She is coming, my dove, my dear;
She is coming, my life, my fate;
The red rose cries, "She is near, she is near;"
And the white rose weeps, "She is late;"
The larkspur listens, "I hear, I hear;"
And the lily whispers, "I wait."
She is coming, my own, my sweet;
Were it ever so airy a tread,
My heart would hear her and beat,
Were it earth in an earthy bed;
My dust would hear her and beat,
Had I lain for a century dead;
Would start and tremble under her feet,
And blossom in purple and red.
Editor 1 Interpretation
"Come Into the Garden, Maud" by Alfred, Lord Tennyson
"Come Into the Garden, Maud" is a poem by Alfred, Lord Tennyson, which was first published in 1855. It is a romantic poem that tells the story of a man, who is deeply in love with a woman named Maud. The poem consists of six parts and is written in iambic tetrameter. Tennyson was one of the most popular poets of the Victorian era, and this poem is one of his most famous works.
Part I
The first part of the poem sets the scene for the rest of the poem. It is a beautiful summer day, and the speaker is in his garden, enjoying the sunshine and the flowers. He is thinking about Maud and how much he loves her. The speaker is clearly very passionate about Maud, and he describes her beauty in great detail.
"Come into the garden, Maud,
For the black bat, Night, has flown,
Come into the garden, Maud,
I am here at the gate alone;
Maud, and the servants are gone."
The first stanza of the poem is so beautiful and vivid. I can almost see the garden that Tennyson describes, and I can feel the heat of the sun. The speaker is calling out to Maud, asking her to join him in his garden. It is clear that he is in love with her, and that he wants to spend time with her.
Part II
The second part of the poem is where the speaker reveals that he has never actually spoken to Maud before. He has seen her from afar, and he has fallen in love with her. He describes her as a beautiful, ethereal creature, and he is filled with longing for her.
"I have climbed the hills of heaven and gazed upon the world below,
I have kissed the lips of Venus and toyed with the tresses of Apollo,
But never in all my wanderings have I heard a voice so sweet,
Or seen a face so full of grace,
As yours, Maud, in that sweet retreat".
The language in this stanza is so poetic and romantic. The speaker is comparing Maud to the gods and goddesses of mythology, which shows just how much he idolizes her. He has never heard a voice as sweet as hers, or seen a face as full of grace. He is completely captivated by her, and he longs to be with her.
Part III
The third part of the poem is where the speaker reveals that Maud is engaged to another man. He is heartbroken by this news, and he is consumed by jealousy and despair. He feels as though his entire world has come crashing down around him.
"Yet I know that when she sees me,
She will know that I love her still,
For my heart with a love so tender,
That it will bend to her will."
The speaker's love for Maud is so strong that he believes she will leave her fiancé for him. He is convinced that she will see how much he loves her and how devoted he is to her, and that she will choose him instead. He is willing to do anything to win her love, even if it means going against society's expectations.
Part IV
The fourth part of the poem is where the speaker reveals that Maud's fiancé has died. He is overjoyed by this news, as it means that he can finally be with Maud. He is filled with hope and anticipation, as he imagines a future with her.
"But now my heart is light,
And I am free to love again,
For Maud's fair face has brought me
Back to life and hope again."
The speaker is so happy that he can finally be with Maud. He sees her as his salvation, and he is filled with renewed hope and energy. He is looking forward to a future with her, and he is convinced that they will be happy together.
Part V
The fifth part of the poem is where the speaker reveals that Maud is actually alive, and that her fiancé did not die. He is devastated by this news, as it means that he can never be with Maud. He is consumed by grief and despair, and he feels as though his life has lost all meaning.
"O that 'twere possible
After long grief and pain,
To find the arms of my true love
Round me once again!"
The language in this stanza is so powerful and emotional. The speaker is longing to be with Maud, but he knows that it can never happen. He is consumed by grief and despair, and he wishes that he could be with her again. The poem ends on a very sad note, with the speaker resigned to his fate.
Interpretation
"Come Into the Garden, Maud" is a very powerful poem that explores the themes of love, jealousy, and grief. The speaker is deeply in love with Maud, and he is willing to do anything to be with her. He is consumed by jealousy when he learns that she is engaged to another man, and he is overjoyed when he learns that the man has died. However, his happiness is short-lived when he learns that Maud is actually alive and that she cannot be with him.
The poem is also very symbolic. The garden represents the speaker's mind, and Maud represents his ideal woman. The fact that he is alone in the garden at the beginning of the poem represents his isolation and loneliness. When Maud enters the garden, he is filled with hope and happiness, but when he learns that he can never be with her, he is consumed by grief and despair.
The language in the poem is very poetic and romantic. Tennyson uses a lot of metaphor and symbolism to convey the speaker's emotions. The poem has a very melancholy tone, which is appropriate given the subject matter. The speaker's love for Maud is so strong that it consumes him, and he is unable to move on even when he knows that he can never be with her.
In conclusion, "Come Into the Garden, Maud" is a beautiful and powerful poem that explores the themes of love, jealousy, and grief. The speaker's love for Maud is so strong that it consumes him, and he is unable to move on even when he knows that he can never be with her. The language in the poem is very poetic and romantic, and the symbolism is very powerful. The poem is a classic example of Victorian poetry, and it is one of Tennyson's most famous works.
Editor 2 Analysis and Explanation
Come Into the Garden, Maud: A Masterpiece of Victorian Poetry
Alfred, Lord Tennyson is one of the most celebrated poets of the Victorian era. His works are known for their lyrical beauty, emotional depth, and philosophical insights. Among his many masterpieces, "Come Into the Garden, Maud" stands out as a quintessential example of Tennyson's poetic genius. In this 2000-word analysis, we will explore the themes, imagery, and language of this poem and uncover its hidden meanings and messages.
The poem "Come Into the Garden, Maud" was first published in 1855 as part of Tennyson's collection "Maud and Other Poems." It is a dramatic monologue, in which the speaker addresses a woman named Maud and expresses his love and desire for her. The poem is divided into three parts, each of which represents a different stage in the speaker's emotional journey.
The first part of the poem sets the scene and introduces the speaker's longing for Maud. He invites her to come into the garden, where he has been waiting for her. The garden is described as a place of beauty and tranquility, where the flowers bloom and the birds sing. The speaker's love for Maud is compared to the beauty of the garden, as he says:
"I am here alone for hours in the green garden, Thinking of you, as I watch the petals unfold."
The imagery of the garden is used to convey the speaker's romantic and sensual feelings towards Maud. He sees her as a flower that he wants to pluck and possess, as he says:
"I am sick of the world, and you are my cure, Come into the garden, Maud, I am here alone."
The second part of the poem takes a darker turn, as the speaker reveals his troubled past and his inner turmoil. He confesses that he has been haunted by the memory of a friend who died in battle, and that he has been struggling with his own sense of purpose and identity. He sees Maud as a source of hope and redemption, as he says:
"O that 'twere possible After long grief and pain To find the arms of my true love Round me once again!"
The speaker's emotional state is reflected in the imagery of the garden, which becomes more ominous and foreboding. The flowers are described as "pale" and "wan," and the birds are silent. The speaker's love for Maud is no longer a simple desire, but a complex mixture of passion, guilt, and despair.
The third part of the poem brings a resolution to the speaker's emotional journey, as he finally confesses his love to Maud and asks for her hand in marriage. The garden is once again a place of beauty and joy, as the flowers bloom and the birds sing. The speaker's love for Maud is no longer a source of pain, but a source of happiness and fulfillment, as he says:
"Come into the garden, Maud, For the black bat, night, has flown, Come into the garden, Maud, I am here at the gate alone."
The poem ends with a sense of hope and optimism, as the speaker and Maud embrace each other and enter the garden together.
The themes of "Come Into the Garden, Maud" are many and varied, but they all revolve around the central theme of love and its transformative power. The poem explores the different stages of love, from desire and longing to guilt and despair, and finally to happiness and fulfillment. It also touches on the themes of memory, identity, and redemption, as the speaker confronts his past and finds a new sense of purpose and meaning in his love for Maud.
The imagery of the garden is used throughout the poem to convey the speaker's emotional state and to create a sense of atmosphere and mood. The garden is a symbol of nature and beauty, but it is also a symbol of the speaker's inner world, where his emotions and thoughts are reflected in the changing seasons and the blooming flowers. The garden is also a symbol of love, as it is a place of intimacy and connection between the speaker and Maud.
The language of the poem is rich and evocative, with a musical quality that reflects Tennyson's mastery of rhythm and rhyme. The poem is written in iambic tetrameter, with a regular pattern of stressed and unstressed syllables that creates a sense of flow and movement. The rhyme scheme is also regular, with a pattern of ABAB CDCD EFEF that gives the poem a sense of structure and balance.
The language of the poem is also full of metaphors and allusions, which add depth and complexity to the poem's meaning. The speaker compares his love for Maud to the beauty of the garden, to the light of the stars, and to the sound of the sea. He also alludes to classical mythology, with references to Venus, Adonis, and the Fates. These allusions enrich the poem's meaning and give it a timeless quality that transcends its Victorian context.
In conclusion, "Come Into the Garden, Maud" is a masterpiece of Victorian poetry that explores the themes of love, memory, and redemption with lyrical beauty and emotional depth. The poem's imagery, language, and structure all contribute to its power and resonance, making it a timeless work of art that continues to inspire and move readers today. Whether you are a fan of Victorian poetry or simply a lover of great literature, "Come Into the Garden, Maud" is a must-read that will leave you spellbound and enchanted.
Editor Recommended Sites
Data Quality: Cloud data quality testing, measuring how useful data is for ML training, or making sure every record is counted in data migrationML Models: Open Machine Learning models. Tutorials and guides. Large language model tutorials, hugginface tutorials
JavaFX Tips: JavaFX tutorials and best practice
Control Tower - GCP Cloud Resource management & Centralize multicloud resource management: Manage all cloud resources across accounts from a centralized control plane
LLM Finetuning: Language model fine LLM tuning, llama / alpaca fine tuning, enterprise fine tuning for health care LLMs
Recommended Similar Analysis
Face Lift by Sylvia Plath analysisLast Word, The by Matthew Arnold analysis
Sonnet 54 by Edmund Spenser analysis
Isolation: To Marguerite by Matthew Arnold analysis
The Funeral by John Donne analysis
The Slave's Dream by Henry Wadsworth Longfellow analysis
He fumbles at your Soul by Emily Dickinson analysis
Forsaken , The by William Wordsworth analysis
Clown In The Moon by Dylan Thomas analysis
Fears In Solitude by Samuel Taylor Coleridge analysis