'Starting From Paumanok' by Walt Whitman

AI and Tech Aggregator
Download Mp3s Free
Tears of the Kingdom Roleplay
Best Free University Courses Online
TOTK Roleplay




STARTING from fish-shape Paumanok, where I was born,
Well-begotten, and rais'd by a perfect mother;
After roaming many lands--lover of populous pavements;
Dweller in Mannahatta, my city--or on
southern savannas;
Or a soldier camp'd, or carrying my knapsack and gun--or a miner in
California;
Or rude in my home in Dakota's woods, my diet meat, my drink from the
spring;
Or withdrawn to muse and meditate in some deep recess,
Far from the clank of crowds, intervals passing, rapt and happy;
Aware of the fresh free giver, the flowing Missouri--aware of mighty
Niagara;
Aware of the buffalo herds, grazing the plains--the hirsute and
strong-breasted bull;10
Of earth, rocks, Fifth-month flowers, experienced--stars, rain, snow,
my amaze;
Having studied the mocking-bird's tones, and the mountainhawk's,
And heard at dusk the unrival'd one, the hermit thrush from the
swamp-cedars,
Solitary, singing in the West, I strike up for a New World.


Victory, union, faith, identity, time,
The indissoluble compacts, riches, mystery,
Eternal progress, the kosmos, and the modern reports.

This, then, is life;
Here is what has come to the surface after so many throes and
convulsions.

How curious! how real!20
Underfoot the divine soil--overhead the sun.

See, revolving, the globe;
The ancestor-continents, away, group'd together;
The present and future continents, north and south, with the isthmus
between.

See, vast, trackless spaces;
As in a dream, they change, they swiftly fill;
Countless masses debouch upon them;
They are now cover'd with the foremost people, arts, institutions,
known.

See, projected, through time,
For me, an audience interminable.30

With firm and regular step they wend--they never stop,
Successions of men, Americanos, a hundred millions;
One generation playing its part, and passing on;
Another generation playing its part, and passing on in its turn,
With faces turn'd sideways or backward towards me, to listen,
With eyes retrospective towards me,


Americanos! conquerors! marches humanitarian;
Foremost! century marches! Libertad! masses!
For you a programme of chants.

Chants of the prairies;40
Chants of the long-running Mississippi, and down to the Mexican sea;
Chants of Ohio, Indiana, Illinois, Iowa, Wisconsin and Minnesota;
Chants going forth from the centre, from Kansas, and thence, equi-
distant,
Shooting in pulses of fire, ceaseless, to vivify all.


In the Year 80 of The States,
My tongue, every atom of my blood, form'd from this soil, this air,
Born here of parents born here, from parents the same, and their
parents the same,
I, now thirty-six years old, in perfect health, begin,
Hoping to cease not till death.

Creeds and schools in abeyance,50
(Retiring back a while, sufficed at what they are, but never
forgotten,)
I harbor, for good or bad--I permit to speak, at every hazard,
Nature now without check, with original energy.


Take my leaves, America! take them, South, and take them, North!
Make welcome for them everywhere, for they are your own offspring;
Surround them, East and West! for they would surround you;
And you precedents! connect lovingly with them, for they connect
lovingly with you.

I conn'd old times;
I sat studying at the feet of the great masters:
Now, if eligible, O that the great masters might return and study
me!60

In the name of These States, shall I scorn the antique?
Why These are the children of the antique, to justify it.


Dead poets, philosophs, priests,
Martyrs, artists, inventors, governments long since,
Language-shapers, on other shores,
Nations once powerful, now reduced, withdrawn, or desolate,
I dare not proceed till I respectfully credit what you have left,
wafted hither:
I have perused it--own it is admirable,
(moving awhile among it;)
Think nothing can ever be greater--nothing can ever deserve more than
it deserves;
Regarding it all intently a long while--then dismissing it,70
I stand in my place, with my own day, here.

Here lands female and male;
Here the heir-ship and heiress-ship of the world--here the flame of
materials;
Here Spirituality, the translatress, the openly-avow'd,
The ever-tending, the finale of visible forms;
The satisfier, after due long-waiting, now advancing,
Yes, here comes my mistress, the Soul.


The SOUL:
Forever and forever--longer than soil is brown and solid--longer than
water ebbs and flows.

I will make the poems of materials, for I think they are to be the
most spiritual poems;80
And I will make the poems of my body and of mortality,
For I think I shall then supply myself with the poems of my Soul, and
of immortality.

I will make a song for These States, that no-one State may under any
circumstances be subjected to another State;
And I will make a song that there shall be comity by day and by night
between all The States, and between any two of them:
And I will make a song for the ears of the President, full of weapons
with menacing points,
And behind the weapons countless dissatisfied faces:
--And a song make I, of the One form'd out of all;
The fang'd and glittering One whose head is over all;
Resolute, warlike One, including and over all;
(However high the head of any else, that head is over all.)90

I will acknowledge contemporary lands;
I will trail the whole geography of the globe, and salute courteously
every city large and small;
And employments! I will put in my poems, that with you is heroism,
upon land and sea;
And I will report all heroism from an American point of view.

I will sing the song of companionship;
I will show what alone must finally compact These;
I believe These are to found their own ideal of manly love,
indicating it in me;
I will therefore let flame from me the burning fires that were
threatening to consume me;
I will lift what has too long kept down those smouldering fires;
I will give them complete abandonment;100
I will write the evangel-poem of comrades, and of love;
(For who but I should understand love, with all its sorrow and joy?
And who but I should be the poet of comrades?)


I am the credulous man of qualities, ages, races;
I advance from the people in their own spirit;
Here is what sings unrestricted faith.

Omnes! Omnes! let others ignore what they may;
I make the poem of evil also--I commemorate that part also;
I am myself just as much evil as good, and my nation is--And I say
there is in fact no evil;
(Or if there is, I say it is just as important to you, to the land,
or to me, as anything else.)110

I too, following many, and follow'd by many, inaugurate a Religion--I
descend into the arena;
(It may be I am destin'd to utter the loudest cries there, the
winner's pealing shouts;
Who knows? they may rise from me yet, and soar above every thing.)

Each is not for its own sake;
I say the whole earth, and all the stars in the sky, are for
Religion's sake.

I say no man has ever yet been half devout enough;
None has ever yet adored or worship'd half enough;
None has begun to think how divine he himself is, and how certain the
future is.

I say that the real and permanent grandeur of These States must be
their Religion;
Otherwise there is no real and permanent grandeur:120
(Nor character, nor life worthy the name, without Religion;
Nor land, nor man or woman, without Religion.)


What are you doing, young man?
Are you so earnest--so given up to literature, science, art, amours?
These ostensible realities, politics, points?
Your ambition or business, whatever it may be?

It is well--Against such I say not a word--I am their poet also;
But behold! such swiftly subside--burnt up for Religion's sake;
For not all matter is fuel to heat, impalpable flame, the essential
life of the earth,
Any more than such are to Religion.130


What do you seek, so pensive and silent?
What do you need, Camerado?
Dear son! do you think it is love?

Listen, dear son--listen, America, daughter or son!
It is a painful thing to love a man or woman to excess--and yet it
satisfies--it is great;
But there is something else very great--it makes the whole coincide;
It, magnificent, beyond materials, with continuous hands, sweeps and
provides for all.


Know you! solely to drop in the earth the germs of a greater
Religion,
The following chants, each for its kind, I sing.

My comrade!140
For you, to share with me, two greatnesses--and a third one, rising
inclusive and more resplendent,
The greatness of Love and Democracy--and the greatness of Religion.

Melange mine own! the unseen and the seen;
Mysterious ocean where the streams empty;
Prophetic spirit of materials shifting and flickering around me;
Living beings, identities, now doubtless near us, in the air, that we
know not of;
Contact daily and hourly that will not release me;
These selecting--these, in hints, demanded of me.

Not he, with a daily kiss, onward from childhood kissing me,
Has winded and twisted around me that which holds me to him,150
Any more than I am held to the heavens, to the spiritual world,
And to the identities of the Gods, my lovers, faithful and true,
After what they have done to me, suggesting themes.

O such themes! Equalities!
O amazement of things! O divine average!
O warblings under the sun--usher'd, as now, or at noon, or setting!
O strain, musical, flowing through ages--now reaching hither!
I take to your reckless and composite chords--I add to them, and
cheerfully pass them forward.


As I have walk'd in Alabama my morning walk,
I have seen where the she-bird, the mocking-bird, sat on her nest in
the briers, hatching her brood.160

I have seen the he-bird also;
I have paused to hear him, near at hand, inflating his throat, and
joyfully singing.

And while I paused, it came to me that what he really sang for was
not there only,
Nor for his mate, nor himself only, nor all sent back by the echoes;
But subtle, clandestine, away beyond,
A charge transmitted, and gift occult, for those being born.


Democracy!
Near at hand to you a throat is now inflating itself and joyfully
singing.

Ma femme!
For the brood beyond us and of us,170
For those who belong here, and those to come,
I, exultant, to be ready for them, will now shake out carols stronger
and haughtier than have ever yet been heard upon earth.

I will make the songs of passion, to give them their way,
And your songs, outlaw'd offenders--for I scan you with kindred eyes,
and carry you with me the same as any.

I will make the true poem of riches,
To earn for the body and the mind whatever adheres, and goes forward,
and is not dropt by death.

I will effuse egotism, and show it underlying all--and I will be the
bard of personality;
And I will show of male and female that either is but the equal of
the other;
And sexual organs and acts! do you concentrate in me--for I am
determin'd to tell you with courageous clear voice, to prove
you illustrious;
And I will show that there is no imperfection in the present--and can
be none in the future;180
And I will show that whatever happens to anybody, it may be turn'd to
beautiful results--and I will show that nothing can happen more
beautiful than death;
And I will thread a thread through my poems that time and events are
compact,
And that all the things of the universe are perfect miracles, each as
profound as any.

I will not make poems with reference to parts;
But I will make leaves, poems, poemets, songs, says, thoughts with
reference to ensemble:
And I will not sing with reference to a day, but with reference to
all days;
And I will not make a poem, nor the least part of a poem, but has
reference to the Soul;
(Because, having look'd at the objects of the universe, I find there
is no one, nor any particle of one, but has reference to the
Soul.)


Was somebody asking to see the Soul?190
See! your own shape and countenance--persons, substances, beasts, the
trees, the running rivers, the rocks and sands.

All hold spiritual joys, and afterwards loosen them:
How can the real body ever die, and be buried?

Of your real body, and any man's or woman's real body,
Item for item, it will elude the hands of the corpse-cleaners, and
pass to fitting spheres,
Carrying what has accrued to it from the moment of birth to the
moment of death.

Not the types set up by the printer return their impression, the
meaning, the main concern,
Any more than a man's substance and life, or a woman's substance and
life, return in the body and the Soul,
Indifferently before death and after death.

Behold! the body includes and is the meaning, the main concern--and
includes and is the Soul;200
Whoever you are! how superb and how divine is your body, or any part
of it.


Whoever you are! to you endless announcements.

Daughter of the lands, did you wait for your poet?
Did you wait for one with a flowing mouth and indicative hand?

Toward the male of The States, and toward the female of The States,
Live words--words to the lands.

O the lands! interlink'd, food-yielding lands!
Land of coal and iron! Land of gold! Lands of cotton, sugar, rice!
Land of wheat, beef, pork! Land of wool and hemp! Land of the apple
and grape!
Land of the pastoral plains, the grass-fields of the world! Land of
those sweet-air'd interminable plateaus!210
Land of the herd, the garden, the healthy house of adobie!
Lands where the northwest Columbia winds, and where the southwest
Colorado winds!
Land of the eastern Chesapeake! Land of the Delaware!
Land of Ontario, Erie, Huron, Michigan!
Land of the Old Thirteen! Massachusetts land! Land of Vermont and
Connecticut!
Land of the ocean shores! Land of sierras and peaks!
Land of boatmen and sailors! Fishermen's land!
Inextricable lands! the clutch'd together! the passionate ones!
The side by side! the elder and younger brothers! the bony-limb'd!
The great women's land! the feminine! the experienced sisters and the
inexperienced sisters!220
Far breath'd land! Arctic braced! Mexican breez'd! the diverse! the
compact!
The Pennsylvanian! the Virginian! the double Carolinian!
O all and each well-loved by me! my intrepid nations! O I at any rate
include you all with perfect love!
I cannot be discharged from you! not from one, any sooner than
another!
O Death! O for all that, I am yet of you, unseen, this hour, with
irrepressible love,
Walking New England, a friend, a traveler,
Splashing my bare feet in the edge of the summer ripples, on
Paumanok's sands,
Crossing the prairies--dwelling again in Chicago--dwelling in every
town,
Observing shows, births, improvements, structures, arts,
Listening to the orators and the oratresses in public halls,230
Of and through The States, as during life--each man and woman my
neighbor,
The Louisianian, the Georgian, as near to me, and I as near to him
and her,
The Mississippian and Arkansian yet with me--and I yet with any of
them;
Yet upon the plains west of the spinal river--yet in my house of
adobie,
Yet returning eastward--yet in the Sea-Side State, or in Maryland,
Yet Kanadian, cheerily braving the winter--the snow and ice welcome
to me,
Yet a true son either of Maine, or of the Granite State, or of the
Narragansett Bay State, or of the Empire State;
Yet sailing to other shores to annex the same--yet welcoming every
new brother;
Hereby applying these leaves to the new ones, from the hour they
unite with the old ones;
Coming among the new ones myself, to be their companion and equal--
coming personally to you now;240
Enjoining you to acts, characters, spectacles, with me.


With me, with firm holding--yet haste, haste on.

For your life, adhere to me!
Of all the men of the earth, I only can unloose you and toughen you;
I may have to be persuaded many times before I consent to give myself
really to you--but what of that?
Must not Nature be persuaded many times?

No dainty dolce affettuoso I;
Bearded, sun-burnt, gray-neck'd, forbidding, I have arrived,
To be wrestled with as I pass, for the solid prizes of the universe;
For such I afford whoever can persevere to win them.250


On my way a moment I pause;
Here for you! and here for America!
Still the Present I raise aloft--Still the Future of The States I
harbinge, glad and sublime;
And for the Past, I pronounce what the air holds of the red
aborigines.

The red aborigines!
Leaving natural breaths, sounds of rain and winds, calls as of birds
and animals in the woods, syllabled to us for names;
Okonee, Koosa, Ottawa, Monongahela, Sauk, Natchez, Chattahoochee,
Kaqueta, Oronoco,
Wabash, Miami, Saginaw, Chippewa, Oshkosh, Walla-Walla;
Leaving such to The States, they melt, they depart, charging the
water and the land with names.


O expanding and swift! O henceforth,260
Elements, breeds, adjustments, turbulent, quick, and audacious;
A world primal again--Vistas of glory, incessant and branching;
A new race, dominating previous ones, and grander far--with new
contests,
New politics, new literatures and religions, new inventions and arts.

These! my voice announcing--I will sleep no more, but arise;
You oceans that have been calm within me! how I feel you, fathomless,
stirring, preparing unprecedented waves and storms.


See! steamers steaming through my poems!
See, in my poems immigrants continually coming and landing;
See, in arriere, the wigwam, the trail, the hunter's hut, the
flatboat, the maize-leaf, the claim, the rude fence, and the
backwoods village;
See, on the one side the Western Sea, and on the other the Eastern
Sea, how they advance and retreat upon my poems, as upon their
own shores.270

See, pastures and forests in my poems--See, animals, wild and tame--
See, beyond the Kanzas, countless herds of buffalo, feeding on
short curly grass;
See, in my poems, cities, solid, vast, inland, with paved streets,
with iron and stone edifices, ceaseless vehicles, and commerce;
See, the many-cylinder'd steam printing-press--See, the electric
telegraph, stretching across the Continent, from the Western
Sea to Manhattan;
See, through Atlantica's depths, pulses American, Europe reaching--
pulses of Europe, duly return'd;
See, the strong and quick locomotive, as it departs, panting, blowing
the steam-whistle;
See, ploughmen, ploughing farms--See, miners, digging mines--See, the
numberless factories;
See, mechanics, busy at their benches, with tools--See from among
them, superior judges, philosophs, Presidents, emerge, drest in
working dresses;
See, lounging through the shops and fields of The States, me, well-
belov'd, close-held by day and night;
Hear the loud echoes of my songs there! Read the hints come at last.


O Camerado close!280
O you and me at last--and us two only.

O a word to clear one's path ahead endlessly!
O something extatic and undemonstrable! O music wild!

O now I triumph--and you shall also;
O hand in hand--O wholesome pleasure--O one more desirer and lover!
O to haste, firm holding--to haste, haste on with me.

Editor 1 Interpretation

Poetry, Starting From Paumanok: A Celebration of America

Walt Whitman's "Starting From Paumanok" is a celebration of America's diversity and the beauty of nature. The poem exemplifies Whitman's democratic style, which is characterized by his use of free verse, unconventional line breaks, and expansive subject matter. Through his poem, Whitman seeks to capture the essence of America and its people, and in doing so, he creates a portrait of a nation that is optimistic, inclusive, and full of potential.

The Poem

"Starting From Paumanok" is a long-form poem consisting of eight sections that together form a sweeping narrative of America's history and its people. The poem begins with a description of Paumanok, an island that is part of Long Island, New York. From there, Whitman takes the reader on a journey across America, describing the people, landscapes, and cultures he encounters along the way.

The poem is written in free verse, which means that it does not follow a specific rhyme scheme or meter. Instead, the lines are broken in a way that reflects the natural rhythms of speech. This gives the poem a conversational tone and makes it feel like a series of stories being told by a wise and experienced traveler.

The Celebration of Diversity

At its core, "Starting From Paumanok" is a celebration of America's diversity. Throughout the poem, Whitman describes the many different cultures, races, and religions that make up America. He celebrates the beauty of this diversity and the way in which it enriches the country:

"Here is not merely a nation but a teeming nation of nations"

This line captures Whitman's belief that America is not just one nation, but a collection of many different nations, each with its own unique culture and identity. He sees this diversity as a source of strength and vitality, and he celebrates the way in which it creates a vibrant and dynamic society.

Nature as a Unifying Force

In addition to celebrating diversity, "Starting From Paumanok" also emphasizes the importance of nature as a unifying force in America. Throughout the poem, Whitman describes the beauty of America's landscapes and the way in which they connect people to one another and to the natural world:

"The brown hills and the shadily creeping waters of the Delaware"

Whitman sees nature as a source of inspiration and renewal, and he believes that it has the power to bring people together and create a sense of community. This is particularly evident in his descriptions of the rivers and mountains that run throughout America, which he sees as symbols of the country's strength and resilience.

A Portrait of America

Taken as a whole, "Starting From Paumanok" can be seen as a portrait of America and its people. Through his descriptions of the many different cultures, landscapes, and experiences that make up the country, Whitman creates a rich and vivid picture of America's diversity and potential. He emphasizes the importance of community and the way in which people are connected to one another through their shared experiences and identities.

At the same time, however, the poem also acknowledges the challenges and difficulties that America faces. Whitman describes the poverty and inequality that exist in many parts of the country, as well as the divisions that separate people along racial and cultural lines. Despite these challenges, however, he remains optimistic about the future of America and its people, and he believes that the country has the potential to overcome these obstacles and become an even stronger and more unified nation.

Conclusion

In summary, "Starting From Paumanok" is a celebration of America and its people. Through his free verse poetry, Whitman captures the essence of America's diversity and the beauty of its natural landscapes. He emphasizes the importance of community and the way in which people are connected to one another through their shared experiences and identities. Although the poem acknowledges the challenges and difficulties that America faces, it remains optimistic about the country's potential and its ability to overcome these obstacles. Ultimately, "Starting From Paumanok" is a testament to the power of poetry to capture the beauty and complexity of the world around us.

Editor 2 Analysis and Explanation

Poetry Starting From Paumanok: A Celebration of Life and Nature

Walt Whitman, the father of free verse and one of the most influential poets in American literature, wrote the epic poem "Starting from Paumanok" as a celebration of life and nature. The poem, which is part of his masterpiece "Leaves of Grass," is a lyrical journey that takes the reader on a voyage of self-discovery, exploring the beauty and wonder of the natural world and the human experience.

At its core, "Starting from Paumanok" is a celebration of the interconnectedness of all things, a recognition of the unity of the universe and the oneness of all life. Whitman begins the poem by invoking the spirit of Paumanok, the Native American name for Long Island, where he was born and raised. He describes the island as a place of "salt sea-margin" and "beachy slush" where "the wild gulls" cry and the "waves whistling" sing.

Through his vivid descriptions of the island's natural beauty, Whitman invites the reader to join him on a journey of discovery, to explore the world around us and to find meaning and purpose in our lives. He writes:

"I will go to the bank by the wood and become undisguised and naked, I am mad for it to be in contact with me. The smoke of my own breath, Echoes, ripples, buzz'd whispers, love-root, silk-thread, crotch and vine, My respiration and inspiration, the beating of my heart, the passing of blood and air through my lungs, The sniff of green leaves and dry leaves, and of the shore and dark-color'd sea-rocks, and of hay in the barn, The sound of the belch'd words of my voice loos'd to the eddies of the wind, A few light kisses, a few embraces, a reaching around of arms, The play of shine and shade on the trees as the supple boughs wag, The delight alone or in the rush of the streets, or along the fields and hill-sides, The feeling of health, the full-noon trill, the song of me rising from bed and meeting the sun."

In these lines, Whitman celebrates the sensual pleasures of life, the joy of being alive and experiencing the world around us. He revels in the simple pleasures of nature, the smell of green leaves and dry leaves, the sound of the belch'd words of his voice, the play of shine and shade on the trees. He also celebrates the human experience, the delight of walking along the streets or the fields and hill-sides, the feeling of health and vitality, the full-noon trill of life.

Throughout the poem, Whitman uses a variety of poetic techniques to convey his message, including repetition, alliteration, and imagery. He repeats the phrase "I am he that walks with the tender and growing night" several times throughout the poem, emphasizing the idea of unity and oneness. He also uses alliteration to create a musical quality to the poem, such as in the line "The smoke of my own breath, Echoes, ripples, buzz'd whispers, love-root, silk-thread, crotch and vine."

Whitman's use of imagery is particularly powerful, as he paints vivid pictures of the natural world and the human experience. He describes the "redwood-tree, the walnut, the oak, and the pine" as "ever alive" and "evergreen," and he compares the human body to a "great city" with "the heart its engine, which propels the blood." He also uses imagery to explore the theme of death and rebirth, describing how "the dead sleep in their graves, with the earth above them" and how "the living sleep for their time, and the dead sleep for their time."

At its heart, "Starting from Paumanok" is a celebration of life and nature, a recognition of the beauty and wonder of the world around us. Whitman invites us to join him on a journey of discovery, to explore the world with open eyes and an open heart, and to find meaning and purpose in our lives. He reminds us that we are all connected, that we are all part of the same universe, and that we all have a role to play in the grand scheme of things.

In conclusion, "Starting from Paumanok" is a powerful and inspiring poem that celebrates the beauty and wonder of life and nature. Whitman's use of vivid imagery, repetition, and alliteration creates a musical quality to the poem, while his message of unity and oneness resonates with readers of all ages and backgrounds. Whether you are a lover of poetry or simply someone who appreciates the beauty of the natural world, "Starting from Paumanok" is a must-read for anyone who wants to be inspired and uplifted by the power of words.

Editor Recommended Sites

Dart Book - Learn Dart 3 and Flutter: Best practice resources around dart 3 and Flutter. How to connect flutter to GPT-4, GPT-3.5, Palm / Bard
Coin Alerts - App alerts on price action moves & RSI / MACD and rate of change alerts: Get alerts on when your coins move so you can sell them when they pump
Roleplaying Games - Highest Rated Roleplaying Games & Top Ranking Roleplaying Games: Find the best Roleplaying Games of All time
Flutter Guide: Learn to program in flutter to make mobile applications quickly
Babysitting App - Local babysitting app & Best baby sitting online app: Find local babysitters at affordable prices.

Recommended Similar Analysis

Publication-is the Auction by Emily Dickinson analysis
Elegy Written In A Country Church-Yard by Thomas Gray analysis
Wild Dreams Of A New Beginning by Lawrence Ferlinghetti analysis
After Long Silence by William Butler Yeats analysis
The Mist by Carl Sandburg analysis
Macavity: The Mystery Cat by T.S. Eliot analysis
Adolescence by P.K. Page analysis
Justice by Langston Hughes analysis
Euthanasia by George Gordon, Lord Byron analysis
Pied Beauty by Gerard Manley Hopkins analysis