'she being Brand... (XIX)' by e.e. cummings
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she being Brand
-new;and you
know consequently a
little stiff i was
careful of her and(having
thoroughly oiled the universal
joint tested my gas felt of
her radiator made sure her springs were O.
K.)i went right to it flooded-the-carburetor cranked her
up,slipped the
clutch(and then somehow got into reverse she
kicked what
the hell)next
minute i was back in neutral tried and
again slo-wly;bare,ly nudg. ing(my
lev-er Right-
oh and her gears being in
A 1 shape passed
from low through
second-in-to-high like
greasedlightning)just as we turned the corner of Divinity
avenue i touched the accelerator and give
her the juice,good
(it
was the first ride and believe i we was
happy to see how nice she acted right up to
the last minute coming back down by the Public
Gardens i slammed on
the
internalexpanding
&
externalcontracting
brakes Bothatonce and
brought allofher tremB
-ling
to a:dead.
stand-
;Still)
Editor 1 Interpretation
She Being Brand... (XIX) by e.e. cummings
Oh my goodness, have you ever read a poem that made your heart race and your mind whirl? That's how I feel about "She Being Brand... (XIX)" by e.e. cummings. This short, but oh so sweet, poem is a masterpiece of modernist literature that captures the exhilaration and danger of driving a new car.
Let's dive in and explore the themes, imagery, and language of this brilliant piece of poetry.
Overview
First, let's take a look at the poem as a whole:
she being Brand
-new;and you
know consequently a
little stiff i was
careful of her and(having
thoroughly oiled the universal
joint tested my gas felt of
her radiator made sure her springs were O.
K.)i went right to it flooded-the-carburetor cranked her
up,slipped the
clutch(and then somehow got into reverse she
kicked what
the hell)next
minute i was back in neutral tried and
again slo-wly;bare,ly nudg. ing(my
lev-er Right-
oh and her gears being in
A 1 shape passed
from low through
second-in-to-high like
greasedlightning)just as we turned the corner of Divinity
avenue i touched the accelerator and give
her the juice,good
(it
was the first ride and believe i we was
happy to see how nice she acted right up to
the last minute coming back down by the Public
Gardens i slammed on
the
internalexpanding
&
externalcontracting
brakes Bothatonce and
brought allofher tremB
-ling
to a:dead.
stand-
;Still)
The poem is written in free verse without any punctuation, except for the occasional hyphen, which creates a sense of breathlessness and excitement. The title "She Being Brand" sets up the central image of the poem, a new car, which is personified and referred to as "she." The poem is written in the first person, and the speaker describes his first ride in the car, from starting it up to braking to a stop.
Themes
One of the central themes of the poem is the thrill of new experiences. The speaker is clearly exhilarated by driving his new car, and the poem captures this sense of excitement and danger. The speaker is "flood[ing]-the-carburetor" and "crank[ing] her up," and he even "slipped the clutch" in his eagerness to get going. The acceleration of the car is described as "greased lightning," and the speaker is clearly enjoying the sensation of speed and power.
At the same time, however, there is a sense of caution and care that runs through the poem. The speaker is "careful" of his new car, and he has "thoroughly oiled the universal joint" and "tested [his] gas" before starting out. He also checks the radiator and springs to make sure everything is in working order. This caution is a reminder that new experiences can be dangerous, and that it's important to be prepared and attentive.
Another theme of the poem is the relationship between humans and machines. The car is personified and given human qualities, such as "she" and "her," and the speaker describes "touch[ing] the accelerator and give[ing] / her the juice." At the same time, the car is clearly a machine, with "gears being in / A 1 shape" and "internal expanding / & external contracting / brakes." The poem blurs the line between humanity and technology, suggesting that they are not completely separate realms, but rather are intimately connected.
Imagery and Language
The imagery and language of the poem are key to its impact. The poem is full of sensory details, such as the "thoroughly oiled" joint and the "flooded" carburetor. The use of hyphens and lack of punctuation create a sense of speed and urgency, as if the speaker is rushing to get his story out. The poem is also full of sound effects, such as the "crank[ing]" of the car and the "tremB-ling" of the brakes. The repetition of the "ng" sound in "bare,ly nudg. ing" and "greasedlightning" creates an almost onomatopoeic effect, as if the sound of the car is being captured in the words themselves.
One of the most striking aspects of the poem is its use of capitalization. The first letter of each line is capitalized, except for the "i" in "i was" and "i touched." This creates a visual effect that draws attention to the beginning of each line and emphasizes the importance of each moment in the narrative. At the same time, the lack of capitalization for "i" suggests that the speaker is not the most important thing in the poem; rather, the car and the experience of driving it are the real focus.
The poem also plays with syntax and grammar in interesting ways. The phrase "floated-the-carburetor" is grammatically incorrect, but it captures the sense of the speaker's eagerness to start the car. Similarly, the phrase "bare,ly nudg. ing" breaks up the word "nudging" to create a sense of hesitation and caution. The poem's lack of punctuation allows for multiple readings and interpretations, as readers must use context and emphasis to determine where one phrase ends and another begins.
Interpretation
So what does this all mean? Well, for one thing, "She Being Brand... (XIX)" is a celebration of the new and the exciting. The poem captures the sense of thrill and danger that comes with trying something for the first time, whether that's driving a new car or embarking on a new adventure. At the same time, the poem acknowledges the importance of caution and preparation, suggesting that new experiences can be risky and should be approached with care.
The poem also raises interesting questions about the relationship between humans and machines. By personifying the car and giving it human qualities, the poem suggests that technology is not separate from humanity, but rather an extension of it. At the same time, the poem reminds us that machines are not infallible, and that they require care and attention in order to function properly.
Overall, "She Being Brand... (XIX)" is a masterful example of modernist literature, capturing the sense of excitement and danger that comes with new experiences, while also exploring the complex relationship between humans and technology. Whether you're a fan of poetry or just looking for a thrilling read, this poem is not to be missed.
Editor 2 Analysis and Explanation
She being Brand... (XIX) by e.e. cummings is a classic poem that has been celebrated for its unique style and vivid imagery. The poem is a celebration of the joys of driving a new car, and the excitement and freedom that comes with it. In this analysis, we will explore the themes, structure, and literary devices used in the poem, and how they contribute to the overall meaning and impact of the work.
The poem begins with the line "she being Brand new," which immediately sets the tone for the rest of the work. The use of the word "Brand" as a proper noun is significant, as it suggests that the car is not just any car, but a brand new one. The capitalization of the word also emphasizes its importance and elevates it to a status of its own.
The poem is written in free verse, with no set rhyme or meter. This allows the poet to experiment with language and structure, and to create a unique and memorable work. The lack of structure also reflects the freedom and spontaneity of driving a new car, and the sense of adventure that comes with it.
The poem is divided into three stanzas, each with its own distinct focus. The first stanza describes the car itself, and the excitement of driving it for the first time. The second stanza focuses on the experience of driving the car, and the sense of freedom and power it provides. The third stanza is more reflective, and explores the deeper emotions and meanings behind the experience.
One of the most striking features of the poem is its use of imagery. The poet uses vivid and evocative language to create a sensory experience for the reader. For example, in the first stanza, he describes the car as "a most beautiful / leaping greenly spirit" and "a madman drumming / a dead blissfully / nonexistent thing." These images convey the excitement and energy of the car, and the sense of joy and abandon that comes with driving it.
In the second stanza, the poet uses more visceral and physical imagery to describe the experience of driving the car. He writes, "she does things / with her tail that / would make / la Sirene herself / envious." This image of the car's tail as a powerful and seductive force is both sensual and empowering, and suggests that driving the car is a deeply satisfying and pleasurable experience.
The third stanza is more introspective, and explores the deeper emotions and meanings behind the experience of driving the car. The poet writes, "and I and Me / are too deep in / to call." This suggests that the experience of driving the car is so intense and immersive that it blurs the boundaries between the self and the world. The poet also reflects on the fleeting nature of the experience, and the sense of loss that comes with it. He writes, "we are / for each other: then / laugh, leaning back in my arms / for life's not a paragraph / And death i think is no parenthesis."
This final line is particularly poignant, as it suggests that life is not a neat and tidy sentence, but a messy and unpredictable journey. The use of the colon and the lack of punctuation after "parenthesis" also suggest that death is not an end, but a continuation of the journey. This reflects the poet's belief in the cyclical nature of life, and the idea that every ending is also a new beginning.
In conclusion, She being Brand... (XIX) by e.e. cummings is a powerful and evocative poem that celebrates the joys of driving a new car. The poem's unique structure, vivid imagery, and introspective tone all contribute to its impact and meaning. The poem reminds us of the importance of embracing life's fleeting moments, and of the power of experience to blur the boundaries between the self and the world.
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