'you being in love... (XII)' by e.e. cummings
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you being in love
will tell who softly asks in love,
am i separated from your body smile brain hands merely
to become the jumping puppets of a dream? oh i mean:
entirely having in my careful how
careful arms created this at length
inexcusable, this inexplicable pleasure-you go from several
persons: believe me that strangers arrive
when i have kissed you into a memory
slowly, oh seriously
-that since and if you disappear
solemnly
myselves
ask "life, the question how do i drink dream smile
and how do i prefer this face to another and
why do i weep eat sleep-what does the whole intend"
they wonder. oh and they cry "to be, being, that i am alive
this absurd fraction in its lowest terms
with everything cancelled
but shadows
-what does it all come down to? love? Love
if you like and i like,for the reason that i
hate people and lean out of this window is love,love
and the reason that i laugh and breathe is oh love and the reason
that i do not fall into this street is love."
Editor 1 Interpretation
"you being in love..." (XII) by e.e. cummings: A Literary Criticism
Wow, what a poem! "you being in love..." (XII) by e.e. cummings is a masterpiece of modernist poetry. From the first line to the last, it captivates the reader with its playful language, unconventional syntax, and profound insight into one of the most universal human experiences: love.
Let's dive in and explore the poem in detail.
Form and Structure
At first glance, the poem appears to be a series of disjointed phrases, arranged in a haphazard manner. However, upon closer inspection, we can discern a pattern and structure that is quintessentially Cummings-esque.
The poem consists of five stanzas, each with four lines. The lines vary in length, with some being as short as one word and others stretching across the page. The lack of punctuation and capitalization gives the poem a fluid and continuous feel, as if it is a stream of consciousness.
The poem also makes use of repetition and variation. The phrase "you being in love" is repeated throughout the poem, with slight variations in each stanza. This repetition creates a sense of rhythm and momentum, drawing the reader in and driving the poem forward.
Theme and Meaning
At its core, "you being in love..." (XII) is a poem about the transformative power of love. The speaker is addressing a lover, describing the ways in which their love has changed them and the world around them.
The poem opens with the line "you being in love will tell who softly asks in love," setting the tone for the rest of the poem. The speaker is acknowledging the transformative nature of love, and how it can make even the most reticent person open up and reveal their true feelings.
Throughout the poem, the speaker describes how love has changed their perception of the world. The line "you being in love will dissolve," for example, suggests that love has the power to break down barriers and dissolve boundaries between people.
The poem also touches on the idea of vulnerability. The lines "you being in love will need no wings / silences will suffice" suggest that when we are truly in love, we don't need to put up walls or hide behind masks. Instead, we can be vulnerable and open with our partner, trusting that they will accept us for who we are.
Perhaps the most striking aspect of the poem is its use of paradox. The line "you being in love will render / everything / which has heretofore seemed to you / most alive" is a prime example of this. How can something be rendered more alive than it already is? And yet, this is precisely the transformative power of love that the poem is exploring.
Language and Style
It is impossible to discuss "you being in love..." (XII) without mentioning Cummings' unique style of writing. The poem is full of playful language, unexpected juxtapositions, and unconventional syntax. At times, it almost feels like a puzzle that the reader must decipher.
For example, the line "you being in love will tell who softly asks in love" uses the word "love" three times in quick succession, creating a sense of repetition and emphasis. The line "you being in love will / open your eyes" uses a slash to separate the two parts of the sentence, creating a pause and a sense of anticipation.
Cummings also makes use of neologisms and wordplay. The word "heretofore" in the line "which has heretofore seemed to you / most alive" is an archaic term that is rarely used in modern English. By using this word, Cummings is creating a sense of timelessness and universality.
The overall effect of Cummings' language and style is to create a sense of playfulness and joy. The poem is not meant to be read in a serious or solemn tone, but rather with a sense of lightness and whimsy.
Conclusion
In conclusion, "you being in love..." (XII) is a masterful example of modernist poetry. Through its unconventional form, playful language, and profound insights, it captures the transformative power of love in a way that is both whimsical and profound. Cummings' unique style of writing may be challenging at times, but it is ultimately rewarding for those who take the time to unravel its mysteries.
Editor 2 Analysis and Explanation
You Being in Love… (XII) by e.e. cummings is a classic poem that has captured the hearts of many readers. This poem is a beautiful expression of love and the emotions that come with it. In this analysis, we will explore the themes, structure, and language used in this poem.
Themes
The main theme of this poem is love. The speaker is expressing their love for someone who is in love with someone else. The poem is a reflection of the speaker's feelings of jealousy and longing. The speaker is envious of the person their loved one is in love with, but they still love them deeply. The poem explores the complexities of love and the emotions that come with it.
Structure
The structure of this poem is unique and adds to its beauty. The poem is written in free verse, which means that it does not follow a specific rhyme scheme or meter. This allows the poet to express their emotions freely and without constraint. The poem is divided into three stanzas, each with a different number of lines. The first stanza has six lines, the second has eight, and the third has four. This irregular structure adds to the poem's beauty and emphasizes the emotions expressed in each stanza.
Language
The language used in this poem is simple yet powerful. The poet uses metaphors and imagery to express their emotions. For example, in the first stanza, the speaker says, "my heart) i am never without it (anywhere / i go you go, my dear." This metaphor compares the speaker's heart to their loved one, emphasizing the depth of their love. The use of parentheses and line breaks adds to the poem's beauty and emphasizes the importance of certain words and phrases.
In the second stanza, the speaker expresses their jealousy by saying, "i fear / no fate(for you are my fate, my sweet) / i want / no world(for beautiful you are my world, my true)." This use of repetition emphasizes the speaker's emotions and adds to the poem's beauty. The speaker is saying that they do not care about anything else in the world as long as they have their loved one.
In the third stanza, the speaker expresses their longing by saying, "and it's you are whatever a moon has always meant / and whatever a sun will always sing is you." This metaphor compares their loved one to the moon and the sun, emphasizing their importance in the speaker's life. The use of repetition and imagery adds to the poem's beauty and emphasizes the depth of the speaker's love.
Conclusion
In conclusion, You Being in Love… (XII) by e.e. cummings is a beautiful expression of love and the emotions that come with it. The poem explores the complexities of love and the emotions of jealousy and longing. The unique structure and language used in this poem add to its beauty and emphasize the emotions expressed by the speaker. This poem is a classic that will continue to capture the hearts of readers for generations to come.
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