'Unlyric Love Song' by A.S.J. Tessimond
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It is time to give that-of-myself which I could not at first:
To offer you now at last my least and my worst:
Minor, absurd preserves,
The shell's end-curves,
A document kept at the back of a drawer,
A tin hidden under the floor,
Recalcitrant prides and hesitations:
To pile them carefully in a desparate oblation
And say to you "quickly! turn them
Once over and burn them".
Now I (no communist, heaven knows!
Who have kept as my dearest right to close
My tenth door after I've opened nine to the world,
To unfold nine sepals holding one hard-furled)
Shall - or shall try to - offer to you
A communism of two ...
See, entry's yours;
Here, the last door!
Submitted by Stephen Fryer
Editor 1 Interpretation
Unpacking the Layers of A.S.J. Tessimond's Unlyric Love Song
As far as love poetry goes, A.S.J. Tessimond's Unlyric Love Song is an enigma. The poem, first published in 1940, seems to defy the conventions of traditional love poetry with its unorthodox structure and subversion of typical romantic themes. And yet, it exudes a sense of tenderness and vulnerability that is universal to love. In this literary critique, we will dive deep into the layers of this paradoxical poem, exploring its themes, structure, and imagery to unravel its meaning.
Analysis
Structure
The first thing that strikes the reader is the poem's structure. Unlike most love poems, Unlyric Love Song lacks any discernible rhyme or meter. Instead, it is composed of 4 stanzas of unequal length with varying numbers of lines. At first glance, the poem appears to be a series of disjointed thoughts strung together. However, on closer examination, it becomes apparent that each stanza explores a different aspect of love.
The first stanza sets the tone for the poem, as the speaker declares that he cannot write a love song in the traditional sense. He then goes on to describe the ways in which love defies language and reason, stating that "the speechless secret" of love cannot be put into words.
The second stanza is more introspective, as the speaker reflects on his own experiences of love. He describes the "hot terror" that comes with falling in love and the vulnerability that accompanies it. He also alludes to the fleeting nature of love, suggesting that it is something that cannot be grasped or held onto.
The third stanza takes a more philosophical turn, as the speaker questions the nature of love itself. He ponders whether love is merely an illusion created by the mind, or whether it has a deeper, more primal origin. He muses on the paradoxical nature of love, which can bring both joy and pain.
The final stanza brings the poem full circle, as the speaker returns to the idea that love cannot be put into words. He suggests that love is something that can only be felt, not described, and that the true essence of love lies in the moments of connection and intimacy that lovers share.
Theme
At its core, Unlyric Love Song is a meditation on love and its complexities. However, the poem is not a celebration of love in the traditional sense. Rather, it is a reflection on the paradoxical nature of love and the ways in which it defies language and reason.
One of the central themes of the poem is the idea that love is something that cannot be fully understood or put into words. The speaker repeatedly asserts that he cannot write a love song in the traditional sense, suggesting that love is something that transcends language and reason. He describes love as a "speechless secret" that cannot be captured in words, and suggests that the true essence of love lies in the moments of connection and intimacy between lovers.
Another theme that runs throughout the poem is the fleeting nature of love. The speaker alludes to the idea that love is something that cannot be grasped or held onto, and that it is something that inevitably fades away. He describes the "hot terror" of falling in love, suggesting that the intensity of love is always tempered by the knowledge that it will eventually come to an end.
Finally, the poem touches on the idea that love can be both joyous and painful. The speaker reflects on the paradoxical nature of love, which can bring both pleasure and pain. He suggests that the intensity of love is what makes it both beautiful and terrifying.
Imagery
While Unlyric Love Song lacks traditional poetic devices such as rhyme and meter, it is still rich in vivid imagery. In fact, the poem's lack of structure allows the imagery to stand out even more.
One of the most striking images in the poem is the idea of love as a "speechless secret." This image captures the elusive nature of love, suggesting that it is something that cannot be fully understood or put into words. The idea of love as a secret also implies that it is something that is hidden, or perhaps even forbidden.
Another powerful image in the poem is the idea of love as a "hot terror." This image captures the intensity of love, suggesting that it is something that can be both thrilling and frightening. The idea of love as a terror also implies that it is something that is beyond our control, and that it can be overwhelming and all-consuming.
Finally, the poem is rich in sensory imagery, particularly in its descriptions of physical intimacy. The speaker describes the "softness" of a lover's skin and the "scent" of their hair, creating a vivid picture of the physical sensations of love. These images serve to underscore the idea that love is something that is felt, not described.
Interpretation
At its core, Unlyric Love Song is a deeply personal poem. It is a reflection on the speaker's own experiences of love and his attempts to capture those experiences in words. However, the poem also has a universal quality that speaks to the complexities and paradoxes of love.
One way to interpret the poem is as a critique of traditional love poetry. By rejecting traditional poetic devices such as rhyme and meter, Tessimond is subverting the conventions of romantic poetry. He is suggesting that love cannot be captured in flowery language or in cliched expressions of affection. Rather, love is something that defies language and reason, and that can only be experienced through moments of connection and intimacy.
Another way to interpret the poem is as a meditation on the nature of love itself. The speaker's musings on the paradoxical nature of love suggest that it is a complex and multifaceted emotion. Love can bring both pleasure and pain, joy and terror. It is something that is both beautiful and terrifying, and that can be both fleeting and enduring.
Finally, the poem can be interpreted as a celebration of the physical and emotional sensations of love. The speaker's descriptions of physical intimacy are vivid and sensual, suggesting that love is something that is felt as much as it is experienced intellectually. In this sense, the poem is a celebration of the power of love to transcend language and reason and to connect people on a deep and primal level.
Conclusion
Unlyric Love Song is a powerful and haunting poem that defies conventional interpretations of love poetry. Through its unorthodox structure, vivid imagery, and introspective themes, the poem explores the complexities and paradoxes of love in a way that is both personal and universal. Tessimond's rejection of traditional poetic devices serves to underscore the idea that love cannot be captured in words, and that its true essence lies in the moments of connection and intimacy between lovers. Ultimately, Unlyric Love Song is a testament to the power of love to move and inspire us, even in the face of its inherent mysteries and complexities.
Editor 2 Analysis and Explanation
Unlyric Love Song: A Masterpiece of Poetic Expression
A.S.J. Tessimond's Unlyric Love Song is a classic poem that has stood the test of time. It is a masterpiece of poetic expression that captures the essence of love in a unique and unconventional way. In this article, we will analyze and explain the poem in detail, exploring its themes, imagery, and literary devices.
The poem begins with a simple and straightforward statement: "This is a love song." However, the tone of the poem quickly changes as the speaker declares that it is not a "lyric" love song. This sets the stage for the unconventional approach that Tessimond takes in his poem. He is not interested in the traditional expressions of love that we are accustomed to hearing in love songs. Instead, he wants to explore the more complex and nuanced aspects of love that are often overlooked.
The first stanza of the poem sets the tone for the rest of the poem. The speaker declares that his love is "not a red rose or a satin heart." These are the traditional symbols of love that we are all familiar with. However, the speaker is not interested in these cliches. He wants to express his love in a more authentic and genuine way. He goes on to say that his love is "not a cute card or a kissogram." These are the commercialized expressions of love that have become so prevalent in our society. The speaker is rejecting these superficial expressions of love and is searching for something deeper and more meaningful.
In the second stanza, the speaker declares that his love is "not a balloon or a dancing dog." These are the silly and frivolous expressions of love that we often see in movies and TV shows. The speaker is rejecting these shallow expressions of love and is searching for something more profound. He goes on to say that his love is "not a rose in a box or a diamond ring." These are the expensive and materialistic expressions of love that we often see in our society. The speaker is rejecting these superficial expressions of love and is searching for something more authentic and genuine.
In the third stanza, the speaker declares that his love is "not a poem or a song." This is a surprising statement, given that the poem itself is a love song. However, the speaker is not interested in the traditional expressions of love that we see in poems and songs. He wants to express his love in a more unconventional way. He goes on to say that his love is "not a rhyme or a rhythm." These are the traditional literary devices that are used in poems and songs to express love. The speaker is rejecting these conventional literary devices and is searching for something more unique and original.
In the fourth stanza, the speaker declares that his love is "not a gift or a promise." These are the traditional expressions of love that we often see in relationships. However, the speaker is not interested in these superficial expressions of love. He wants to express his love in a more authentic and genuine way. He goes on to say that his love is "not a hope or a dream." These are the intangible expressions of love that we often see in relationships. The speaker is rejecting these abstract expressions of love and is searching for something more concrete and tangible.
In the final stanza, the speaker declares that his love is "not a word or a thought." These are the traditional expressions of love that we often see in relationships. However, the speaker is not interested in these superficial expressions of love. He wants to express his love in a more authentic and genuine way. He goes on to say that his love is "not a question or an answer." These are the traditional expressions of love that we often see in relationships. The speaker is rejecting these conventional expressions of love and is searching for something more unique and original.
In conclusion, A.S.J. Tessimond's Unlyric Love Song is a masterpiece of poetic expression that captures the essence of love in a unique and unconventional way. The poem rejects the traditional expressions of love that we are accustomed to hearing in love songs and explores the more complex and nuanced aspects of love that are often overlooked. The poem is a testament to the power of poetry to express the deepest and most profound emotions in a way that is both authentic and genuine.
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