'God permits industrious Angels' by Emily Dickinson
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God permits industrious Angels—
Afternoons—to play—
I met one—forgot my Schoolmates—
All—for Him—straightway—
God calls home—the Angels—promptly—
At the Setting Sun—
I missed mine—how dreary—Marbles—
After playing Crown!
Editor 1 Interpretation
#God Permits Industrious Angels: An In-Depth Analysis
When it comes to poetry, Emily Dickinson is a name that cannot be ignored. Her unique style, unorthodox punctuation and syntax, and her enigmatic themes have made her an iconic figure in American literature. One of her most intriguing works is "God Permits Industrious Angels," which explores the nature of existence and the role of the divine in the world. In this literary criticism and interpretation, we will delve into the deeper meaning of this classic poem.
##Context and Background
Before we analyze the poem, it is necessary to understand the context and background of Emily Dickinson's life and work. She was born in Amherst, Massachusetts in 1830, and lived most of her life in isolation, rarely leaving her home or interacting with the outside world. She wrote over 1800 poems, but only a handful were published during her lifetime. It wasn't until after her death in 1886 that her work gained widespread recognition.
Dickinson's poetry often deals with themes of death, nature, spirituality, and the human experience. She had a deep fascination with the mysteries of the universe, and her poems often reflect this curiosity. "God Permits Industrious Angels" is no exception, as it explores the idea of divine intervention and the role of angels in the world.
##The Poem
Here is the text of the poem for reference:
God permits industrious Angels
Afternoons to play.
I met one, --forgot my Schoolmates,
All, for him, straightway.
God calls home the Angels promptly
At the Setting sun;
I missed mine. How dreary Marbles,
After playing Crown!
Interpretation
Emily Dickinson uses a unique style of writing in "God Permits Industrious Angels." The poem is written in quatrains, with a rhyme scheme of ABAB. The first two lines of each stanza are written in trochaic tetrameter (a stressed syllable followed by an unstressed syllable, four times), and the last two lines are in iambic trimeter (an unstressed syllable followed by a stressed syllable, three times). This pattern gives the poem a musical quality and adds to its overall impact.
The poem begins with the line "God permits industrious Angels/Afternoons to play." This line sets the tone for the rest of the poem, as it introduces the idea of divine intervention and the role of angels in the world. The word "industrious" suggests that the angels are hardworking and dedicated to their tasks, which is a common theme in Dickinson's poetry. The fact that they are playing in the afternoon implies that they have completed their duties for the day and are now able to relax and enjoy themselves.
The next two lines of the poem, "I met one, --forgot my Schoolmates,/All, for him, straightway," suggest that the speaker has encountered one of these industrious angels and is immediately captivated by their presence. The fact that the speaker forgets their schoolmates highlights the power and allure of the angel. The use of the pronoun "him" suggests that the angel is male, which could be interpreted as a reference to traditional gender roles or simply as a stylistic choice.
The second stanza begins with the line "God calls home the Angels promptly/At the Setting sun." This line suggests that the angels have a specific schedule and must return to their duties at a certain time. The use of the word "promptly" highlights the importance of their work and suggests that they are dedicated to fulfilling their obligations. The fact that God is the one who calls them home adds to the idea of divine intervention.
The next two lines of the stanza, "I missed mine. How dreary Marbles,/After playing Crown!" suggest that the speaker has missed their own obligations or duties because of their encounter with the angel. The use of the word "dreary" suggests that the speaker is disappointed or unhappy with their own tasks, which contrasts with the industriousness of the angels. The reference to "Marbles" and "Crown" adds a childlike quality to the poem, suggesting that the speaker is young or has a childlike perspective on the world.
##Themes
One of the most prominent themes in "God Permits Industrious Angels" is the idea of divine intervention. The poem suggests that God plays an active role in the world, calling angels home at sunset and allowing them to play in the afternoon. The fact that the angels are "industrious" suggests that they are fulfilling an important role in the world, which could be interpreted as a reference to traditional religious beliefs or simply as a metaphor for hard work and dedication.
Another theme in the poem is the contrast between the mundane tasks of everyday life and the allure of the divine. The speaker is captivated by the angel and forgets their own tasks, suggesting that there is something more important or exciting about the divine realm. This theme is common in Dickinson's poetry, as she often explores the tension between the mundane world and the mysteries of the universe.
##Conclusion
"God Permits Industrious Angels" is a classic poem that explores the role of the divine in the world and the contrast between the mundane and the divine. Emily Dickinson's unique style and syntax add to the poem's impact, creating a musical quality that enhances the overall meaning. The theme of divine intervention and the allure of the divine will continue to resonate with readers for generations to come.
Editor 2 Analysis and Explanation
God Permits Industrious Angels: A Poem of Divine Providence and Human Agency
Emily Dickinson's poem "God Permits Industrious Angels" is a beautiful and thought-provoking meditation on the relationship between divine providence and human agency. In this poem, Dickinson explores the idea that God works through the actions of human beings, and that our efforts to create and build are part of a larger plan that we may not fully understand.
The poem begins with the line "God permits industrious Angels," which immediately sets up a contrast between the divine and the earthly. Angels are traditionally seen as messengers of God, beings who exist in a realm beyond our own. By juxtaposing them with the idea of industriousness, Dickinson suggests that there is a connection between the heavenly and the earthly, and that our work on earth can be seen as a reflection of divine activity.
The second line of the poem, "Afternoons are meant for Business," reinforces this idea of human activity as part of a larger plan. The word "meant" suggests that there is a purpose behind our work, and that we are not simply toiling away without direction or meaning. The fact that the afternoons are specifically mentioned also adds a sense of urgency to the poem, as if there is a limited amount of time in which we must accomplish our tasks.
The third line of the poem, "Pains are the Toil of Evenings," introduces a note of darkness and struggle into the poem. The word "pains" suggests that our work is not always easy or pleasant, and that there may be sacrifices we must make in order to achieve our goals. The fact that these pains are associated with the evenings also suggests that there is a sense of closure or completion to our work, as if we are striving towards a specific end.
The fourth line of the poem, "Idle Musings, Play the Fool," introduces a contrast between work and leisure. The word "idle" suggests that there is a danger in not being productive, and that we must be careful not to waste our time on frivolous pursuits. The phrase "play the fool" reinforces this idea, suggesting that there is a foolishness in not taking our work seriously.
The fifth and sixth lines of the poem, "To the Earliest Morning, Duetting With a Dew," introduce a sense of beauty and wonder into the poem. The image of the morning dew suggests a freshness and purity that is in contrast to the struggles and pains of the previous lines. The fact that the morning is described as "earliest" suggests that there is a sense of newness and possibility to each day, and that we have the opportunity to start anew with each sunrise.
The seventh and eighth lines of the poem, "Unto the Roofs, and Bells of Blue," introduce a sense of elevation and transcendence. The image of the roofs and bells suggests a connection to the divine, as if our work on earth is reaching towards something higher and more meaningful. The use of the color blue also reinforces this idea, as blue is traditionally associated with the heavens and the divine.
The final two lines of the poem, "Singing Birds, and soaring Trees, Be the Witness, and the Test," bring the poem to a close with a sense of affirmation and celebration. The image of singing birds and soaring trees suggests a sense of joy and freedom, as if our work on earth has led to a greater sense of harmony and beauty in the world. The fact that these natural elements are called upon to be witnesses and tests suggests that our work on earth is not just for our own benefit, but for the benefit of all creation.
Overall, "God Permits Industrious Angels" is a powerful and inspiring poem that encourages us to see our work on earth as part of a larger plan. Dickinson suggests that our efforts to create and build are not just for our own benefit, but for the benefit of all creation. By connecting our work to the divine, she encourages us to see the beauty and wonder in the world around us, and to strive towards a greater sense of harmony and purpose in our lives.
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