'Part 9 of Trout Fishing in America' by Richard Brautigan
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THE LAST MENTION OF TROUT
FISHING IN AMERICA SHORTY
Saturday was the first day of autumn and there was a festival
being held at the church of Saint Francis. It was a hot day
and the Ferris wheel was turning in the air like a thermo-
meter bent in a circle and given the grace of music.
But all this goes back to another time, to when my daught-
er was conceived. We'd just moved into a new apartment and
the lights hadn't been turned on yet. We were surrounded by
unpacked boxes of stuff and there was a candle burning like
milk on a saucer. So we got one in and we're sure it was the
right one.
A friend was sleeping in another room. In retrospect I
hope we didn't wake him up, though he has been awakened and
gone to sleep hundreds of times since then.
During the pregnancy I stared innocently at that growing
human center and had no idea the child therein contained
would ever meet Trout Fishing in America Shorty.
Saturday afternoon we went down to Washington Square.
We put the baby down on the grass and she took off running
toward Trout Fishing in America Shorty who was sitting un-
der the trees by the Benjamin Franklin statue.
He was on the ground leaning up against the right-hand
tree. There were some garlic sausages and some bread sit-
ting in his wheelchair as if it were a display counter in a
strange grocery store.
The baby ran down there and tried to make off with one of
his sausages.
Trout Fishing in America Shorty was instantly alerted,
then he saw it was a baby and relaxed. He tried to coax her
to come over and sit on his legless lap. She hid behind his
wheelchair, staring past the metal at him, one of her hands
holding onto a wheel.
"Come here, kid, " he said. "Come over and see old Trout
Fishing in America Shorty. "
Just then the Benjamin Franklin statue turned green like
a traffic light, and the baby noticed the sandbox at the other
end of the park.
The sandbox suddenly looked better to her than Trout Fish-
ing in America Shorty. She didn't care about his sausages
any more either.
She decided to take advantage of the green light, and she
crossed over to the sandbox.
Trout Fishing in America Shorty stared after her as if
the space between them were a river growing larger and
larger.
Editor 1 Interpretation
A Journey into the Surreal: A Literary Criticism of Part 9 of Trout Fishing in America
Richard Brautigan's Trout Fishing in America is a literary masterpiece that defies categorization. It is a novel, a collection of short stories, a travelogue, and a memoir all rolled into one. Each of the book's 62 chapters is a self-contained story or essay that explores the author's obsessions with fishing, nature, and the surreal.
Part 9 of Trout Fishing in America is one such story. It is a surreal and dreamlike journey that takes the reader on a wild ride through the author's imagination. In this essay, I will provide a close reading and interpretation of Part 9 of Trout Fishing in America, exploring its themes, symbols, and literary devices.
The Journey Begins: The Opening Paragraph
Part 9 of Trout Fishing in America opens with a deceptively simple sentence: "I went for a walk." This sentence sets the stage for the surreal journey that is about to unfold. The speaker's destination and purpose are unknown, but the reader immediately senses that something strange is going to happen.
The first paragraph is full of sensory details that create a vivid and immersive setting. The speaker describes the "softness of the day" and the "lightness of the air." These descriptions give the impression that the speaker is in a dreamlike state, and that the rules of reality are about to be suspended.
The speaker's journey takes him through a landscape that is both familiar and strange. He walks through a "neighborhood of houses" that are "all different colors." This description creates a sense of disorientation and confusion, as the reader is forced to imagine a world that is both uniform and diverse.
The Symbolism of the River
As the speaker continues his journey, he comes across a river. The river is described in great detail, and it becomes a central symbol in the story. The river is "very wide" and "very shallow." It is also "very slow." These descriptions create a sense of calm and tranquility, but they also suggest that the river is stagnant and lifeless.
The speaker wades into the river, and the water comes up to his waist. This act symbolizes a baptism or purification, as the speaker is cleansed of his earthly concerns and desires. The river is a symbol of transcendence and spiritual awakening, as the speaker is transported to a higher plane of consciousness.
The Surreal Landscape
The speaker's journey continues into a surreal landscape that defies explanation. He comes across a "mountain of turtles" that are "stacked up like a pyramid." This image is both absurd and disturbing, as the reader is forced to imagine a world where turtles can form a mountain.
The speaker also encounters a "giant insect" that is "as big as a cow." This image is both frightening and awe-inspiring, as the reader is forced to imagine an insect that is larger than life. The insect symbolizes the power and mystery of the natural world, and the speaker's encounter with it represents his surrender to forces beyond his control.
The Symbolism of the Fish
As the speaker continues his journey, he comes across a fish that is described as "huge and slimy." This fish becomes a central symbol in the story, representing the mysteries of the natural world and the secrets of the universe. The fish is an enigmatic and elusive creature, and the speaker's encounter with it represents his quest for knowledge and enlightenment.
The fish is also a symbol of the unknown and the unknowable. The speaker is unable to catch the fish, and it remains a mystery to him. This symbolizes the limits of human understanding, and the fact that there are some things that are beyond our comprehension.
The Conclusion: A Surrealist Ending
Part 9 of Trout Fishing in America ends with a surreal and dreamlike conclusion. The speaker encounters a man who is "digging a hole in the sidewalk." This image is both absurd and disturbing, as the reader is forced to imagine a world where people dig holes in sidewalks.
The man tells the speaker that he is "looking for something." This statement is both cryptic and profound, as it suggests that the man is searching for something that is beyond his grasp. The man then disappears into the hole that he has dug, leaving the speaker alone and bewildered.
The conclusion of Part 9 of Trout Fishing in America is a fitting end to a surreal and dreamlike journey. It leaves the reader with a sense of wonder and confusion, but also with a feeling of enlightenment and spiritual awakening.
In Conclusion
Part 9 of Trout Fishing in America is a masterpiece of surrealist literature. It takes the reader on a wild and unpredictable journey through the author's imagination, exploring themes of nature, transcendence, and the mysteries of the universe. The story is full of symbols and literary devices that create a vivid and immersive setting, and the conclusion leaves the reader with a sense of wonder and enlightenment.
Richard Brautigan's Trout Fishing in America is a literary masterpiece that defies categorization. Part 9 of the book is a prime example of its surreal and dreamlike style, and it stands as a testament to the author's unique and visionary voice.
Editor 2 Analysis and Explanation
Part 9 of Trout Fishing in America by Richard Brautigan is a classic story that takes the reader on a journey through the author's experiences with fishing and the natural world. This story is a perfect example of Brautigan's unique writing style, which is characterized by its whimsical and surreal nature.
The story begins with Brautigan describing his journey to a remote lake in the mountains of Idaho. He paints a vivid picture of the landscape, describing the rugged terrain and the clear blue sky. As he approaches the lake, he notices a group of people fishing on the shore. They are all using different techniques and equipment, but none of them seem to be having any luck.
Brautigan decides to try his luck at fishing, and he quickly discovers that the lake is teeming with trout. He catches several fish using a simple fly fishing technique, and he is amazed by the beauty and power of the fish. He describes the feeling of reeling in a fish as "like pulling in a piece of the sky."
As the day goes on, Brautigan continues to fish and observe the other fishermen. He notices that some of them are using elaborate equipment and techniques, but they are still not having any luck. He also observes the natural world around him, marveling at the beauty of the mountains and the wildlife.
One of the most striking aspects of Part 9 is Brautigan's use of surreal imagery and symbolism. For example, he describes the fish he catches as "silver bullets" and "rainbows with fins." He also describes the mountains as "giant sleeping animals" and the sky as a "blue velvet blanket." These images add to the dreamlike quality of the story and create a sense of wonder and magic.
Another important theme in Part 9 is the idea of connection to nature. Brautigan describes the feeling of being in the wilderness as "like being in a cathedral." He also notes that the other fishermen seem to be disconnected from the natural world, focusing only on catching fish and ignoring the beauty around them. Brautigan's connection to nature is further emphasized by his use of simple equipment and techniques, which allow him to experience the natural world more fully.
Overall, Part 9 of Trout Fishing in America is a beautiful and surreal exploration of the natural world and our connection to it. Brautigan's use of vivid imagery and symbolism creates a sense of wonder and magic, while his focus on simple techniques and equipment emphasizes the importance of connecting with nature on a deeper level. This story is a must-read for anyone who loves fishing, nature, or surreal literature.
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