'My Own Heart Let Me Have More Have Pity On; Let' by Gerard Manley Hopkins
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My own heart let me have more have pity on; let
Me live to my sad self hereafter kind,
Charitable; not live this tormented mind
With this tormented mind tormenting yet.
I cast for comfort I can no more get
By groping round my comfortless, than blind
Eyes in their dark can day or thirst can find
Thirst 's all-in-all in all a world of wet.
Soul, self; come, poor Jackself, I do advise
You, jaded, let be; call off thoughts awhile
Elsewhere; leave comfort root-room; let joy size
At God knows when to God knows what; whose smile
's not wrung, see you; unforeseen times rather—as skies
Betweenpie mountains—lights a lovely mile.
Editor 1 Interpretation
My Own Heart Let Me Have More Have Pity On; Let: A Deep Dive into Gerard Manley Hopkins' Masterpiece
Are you ready to delve into the depths of Gerard Manley Hopkins' poetic masterpiece, My Own Heart Let Me Have More Have Pity On; Let? Strap in, because we're about to embark on a journey of literary exploration, interpretation, and analysis.
First published in 1918, this poem is a testament to Hopkins' unique writing style, characterized by the use of "sprung rhythm" and "inscape." Sprung rhythm refers to the use of stressed syllables in a line of poetry, while inscape refers to the internal landscape of an object or person.
But what is this poem really about? Let's break it down stanza by stanza.
Stanza 1
My own heart let me have more have pity on; let Me live to my sad self hereafter kind, Charitable; not live this tormented mind With this tormented mind tormenting yet.
In the first stanza, the speaker, presumably Hopkins himself, is addressing his own heart, asking it to have more pity on him. He wishes to be kind and charitable to himself in the future, hoping to alleviate the torment of his own mind.
The use of repetition in "tormented mind" emphasizes the speaker's anguish, and the use of the word "tormenting" as a participial phrase further emphasizes the cyclical nature of his suffering.
Stanza 2
I cast for comfort I can no more get By groping round my comfortless, than blind Thirst’s all-in-all in all a world of wet.
In the second stanza, the speaker acknowledges his own futile search for comfort. He likens it to blind thirst in a world of water, emphasizing the irony of the situation. The alliteration of "world of wet" adds to the sensory imagery of thirst and water.
Stanza 3
Soul, self; come, poor Jackself, I do advise You, jaded, let be; call off thoughts awhile Elsewhere; leave comfort root-room; let joy size
In the third stanza, the speaker addresses his own soul and advises it to take a break from the constant mental torment. He encourages himself to focus on something outside of his own suffering, and to let joy take up space in his life.
The use of the name "Jackself" adds a personal touch to the poem, and the alliteration of "jaded" and "joy" emphasizes the contrast between the speaker's current state and his desired state of mind.
Stanza 4
Not scale-like; shapeless both, myself emprison, Eyreless, bodiless, and blandford-boned, bereft Of bowl and helm, of life, life-manship, quelled.
In the fourth stanza, the speaker describes himself as shapeless and imprisoned, emphasizing the lack of control he feels in his own life. He likens himself to a ship without a rudder or compass, lost at sea. The use of alliteration in "blandford-boned" adds to the sense of emptiness and despair.
Stanza 5
Inmiracled. Atlantic! Mystic end Of self; beyond self. Holy blessed fear, Holy joy, self-caught, self-free, shake-spear’s-speare.
In the final stanza, the speaker describes the transcendence of his own self, moving beyond the confines of his own suffering. The use of "Atlantic" and "mystic" adds to the sense of awe and wonder, while the alliteration of "Holy blessed fear" and "Holy joy" emphasizes the spiritual nature of the experience.
The final line, "shake-spear's-speare," is a reference to the writer William Shakespeare, tying in the theme of artistic creation and expression throughout the poem.
Interpretation
So, what does it all mean? At its core, My Own Heart Let Me Have More Have Pity On; Let is a poem about the struggle of the human condition. The speaker is grappling with his own mental anguish and searching for a way to alleviate his suffering.
Through his use of language and imagery, Hopkins emphasizes the cyclical nature of mental torment and the futility of searching for comfort within oneself. However, he also offers a glimmer of hope, encouraging the speaker to focus on something outside of himself and to let joy into his life.
The final stanza offers a sense of transcendence and spiritual awakening, suggesting that there is a way to move beyond the limitations of the human condition and find peace.
Overall, My Own Heart Let Me Have More Have Pity On; Let is a powerful and deeply personal poem that speaks to the universal human experience of suffering and the search for meaning and purpose in life.
Conclusion
In conclusion, Gerard Manley Hopkins' My Own Heart Let Me Have More Have Pity On; Let is a masterpiece of literary expression and interpretation. Through his unique use of language and imagery, Hopkins captures the essence of the human struggle and offers a glimmer of hope for those grappling with their own mental anguish.
So, the next time you find yourself searching for comfort within yourself, remember Hopkins' words and look for joy elsewhere. And who knows, maybe you too will experience a moment of transcendence and spiritual awakening, moving beyond the limitations of the human condition and finding peace.
Editor 2 Analysis and Explanation
Gerard Manley Hopkins is a poet who is known for his unique style of writing, which is characterized by its use of complex language, vivid imagery, and religious themes. One of his most famous poems is "My Own Heart Let Me Have More Have Pity On; Let," which is a powerful meditation on the human condition and the need for compassion.
The poem begins with the speaker addressing his own heart, imploring it to have more pity on him. He asks his heart to be more compassionate and understanding, to recognize the struggles and hardships that he faces in his life. The repetition of the phrase "have pity on" emphasizes the speaker's desperation and his need for mercy.
The second stanza of the poem shifts the focus to the natural world, as the speaker describes the beauty of the landscape around him. He marvels at the "blue-bleak embers" of the sky and the "crushed" and "crisped" leaves on the ground. This imagery is both vivid and evocative, painting a picture of a world that is both harsh and beautiful.
In the third stanza, the speaker returns to his own struggles, describing himself as a "weary, weeping" soul who is "sick with sin." He acknowledges his own faults and failings, but also asks for forgiveness and understanding. The repetition of the word "weary" emphasizes the speaker's exhaustion and his need for rest.
The fourth stanza of the poem is perhaps the most powerful, as the speaker addresses God directly. He asks for God's mercy and forgiveness, acknowledging his own unworthiness and sinfulness. The phrase "O thou lord of life, send my roots rain" is particularly striking, as it suggests a deep need for sustenance and nourishment.
The final stanza of the poem returns to the theme of compassion, as the speaker implores God to have mercy on all of humanity. He asks for God's love to be "shaken" and "spilled" over the world, recognizing the universal need for compassion and understanding.
Overall, "My Own Heart Let Me Have More Have Pity On; Let" is a powerful meditation on the human condition and the need for compassion. Hopkins' use of vivid imagery and complex language creates a sense of urgency and desperation, emphasizing the speaker's need for mercy and understanding. The poem is a testament to the power of language and the ability of poetry to capture the complexities of the human experience.
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