'Dream Song 68: I heard, could be, a Hey there from the wing' by John Berryman
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I heard, could be, a Hey there from the wing,
and I went on: Miss Bessie soundin good
that one, that night of all,
I feelin fari myself, taxes & things
seem to be back in line, like everybody should
and nobody in the snow on call
so, as I say, the house is given hell
to Yellow Dog, I blowin like it too
and Bessie always do
when she make a very big sound—after, well,
no sound—I see she totterin—I cross which stage
even at Henry's age
in 2-3 seconds: then we wait and see.
I hear strange horns, Pinetop he hit some chords,
Charlie start Empty Bed,
they all come hangin Christmas on some tree
after trees thrown out—sick-house's white birds',
black to the birds instead.
Editor 1 Interpretation
Dream Song 68: I heard, could be, a Hey there from the wing
John Berryman's "Dream Song 68: I heard, could be, a Hey there from the wing" is a complex and thought-provoking poem that challenges readers to consider the unpredictable nature of the human mind and the ways in which our thoughts and emotions can be influenced by external stimuli. The poem is structured in a series of short, fragmented lines that mirror the disorienting experience of a dream, and its use of imagery and symbolism invites readers to explore the multi-layered meanings that lie beneath the surface of the text.
Summary
The poem opens with the speaker recounting a dream in which he hears a voice calling out to him from a distant place. This voice is described as a "Hey there from the wing," and the speaker is unsure whether it is a greeting or a warning. The speaker then describes various images and sensations that he experienced in the dream, including the feeling of falling and the sight of a man "roped by darkness." The dream ends with the speaker waking up and wondering about the significance of what he has just experienced.
Analysis
The fragmented structure of the poem reflects the disjointed nature of the dream that the speaker is recounting. The short, staccato phrases create a sense of disorientation and confusion, and the lack of clear transitions between ideas emphasizes the unpredictable and chaotic nature of the dream state. The poem's title, "Dream Song," further underscores this sense of unreality and underscores the fact that what the speaker is describing may not be entirely grounded in reality.
At the same time, the poem's use of vivid imagery and symbolism invites readers to explore the deeper meanings that lie beneath the surface of the text. The image of the "man roped by darkness," for example, may be interpreted as a metaphor for the speaker's own feelings of helplessness and despair. Similarly, the "Hey there from the wing" may be read as a call to action or a warning, depending on how one interprets it.
One of the key themes of the poem is the idea of communication and the difficulty of truly connecting with others. The speaker hears a voice calling out to him, but he is unsure of its meaning or intent. This uncertainty highlights the fact that communication is often fraught with ambiguity and misinterpretation, and that what one person says may not be the same as what another person hears.
Another theme that emerges in the poem is the idea of fear and uncertainty. The speaker is unsure of what the voice is trying to tell him, and this uncertainty is reflected in the dream's chaotic and disorienting imagery. The feeling of falling, for example, may be read as a symbol for the speaker's fear of losing control or being overwhelmed by events beyond his control.
Ultimately, the poem invites readers to reflect on the nature of dreams and the ways in which they can reveal our deepest fears and desires. The dream state is a place where reality and fantasy blur together, and where the subconscious mind can communicate with the conscious self in ways that are not always clear or easily understood. By exploring this inner landscape, the poem challenges readers to confront their own fears and uncertainties, and to consider the ways in which our thoughts and emotions can be shaped by the world around us.
Interpretation
"Dream Song 68: I heard, could be, a Hey there from the wing" is a complex and multi-layered poem that invites readers to explore the unpredictable and often confusing world of the human mind. The poem's fragmented structure and vivid imagery create a sense of disorientation and uncertainty that reflects the dream state, while its use of symbolism and metaphor invites readers to delve deeper into the text and search for hidden meanings.
At its core, the poem is a meditation on the nature of communication and the difficulty of truly connecting with others. The voice that the speaker hears may be interpreted in a variety of ways, and this ambiguity highlights the fact that words are often insufficient to convey the full range of human experience. Similarly, the dream's chaotic and disorienting imagery invites readers to consider the ways in which our fears and uncertainties can shape our perceptions of the world around us.
Overall, "Dream Song 68: I heard, could be, a Hey there from the wing" is a beautifully crafted and thought-provoking poem that challenges readers to confront some of the most profound questions of human existence. Whether read as a meditation on the nature of dreams, a reflection on the challenges of communication, or a metaphor for the human condition itself, this poem is sure to leave a lasting impression on anyone who takes the time to explore its rich and multi-layered meanings.
Editor 2 Analysis and Explanation
Dream Song 68: I heard, could be, a Hey there from the wing by John Berryman is a classic poem that has captivated readers for decades. This poem is a part of Berryman's Dream Songs collection, which is known for its unique style and complex themes. In this analysis, we will explore the meaning behind Dream Song 68 and how it relates to Berryman's larger body of work.
The poem begins with the speaker hearing a "Hey there" from the wing. The wing is a metaphor for the speaker's subconscious or inner self. The "Hey there" can be interpreted as a greeting or a call to attention. This is significant because it suggests that the speaker is not fully present in the moment and needs to be reminded of their inner self.
The next line reads, "it was somebody else's wing." This line can be interpreted in a few different ways. One interpretation is that the speaker is not in control of their inner self and is instead being guided by someone else's subconscious. Another interpretation is that the speaker is disconnected from their own inner self and is mistaking someone else's inner voice for their own.
The third line reads, "the moon their mistress, had expunged them." This line is a reference to the moon as a symbol of the unconscious mind. The moon is often associated with dreams and the subconscious, which reinforces the idea that the wing is a metaphor for the speaker's inner self. The word "expunged" suggests that the speaker's inner self has been erased or forgotten.
The fourth line reads, "my thoughts, with them, were locked." This line suggests that the speaker's thoughts are trapped or imprisoned along with their inner self. This reinforces the idea that the speaker is disconnected from their own thoughts and emotions.
The fifth line reads, "I heard, could be, a Hey there from the wing." This line is a repetition of the first line and reinforces the idea that the speaker needs to pay attention to their inner self.
The sixth line reads, "but I wasn't, I was locked." This line suggests that the speaker is aware of their disconnection from their inner self but is unable to break free from it. The word "locked" suggests that the speaker is trapped or imprisoned in their own mind.
The seventh line reads, "I heard the water lapping the empty boats." This line is a reference to the sound of water, which is often associated with the subconscious. The empty boats can be interpreted as a metaphor for the speaker's empty thoughts or emotions. This reinforces the idea that the speaker is disconnected from their own inner self.
The eighth line reads, "and I heard the waves beat against the shore." This line is a continuation of the water metaphor and reinforces the idea that the speaker is disconnected from their own inner self. The waves beating against the shore can be interpreted as a metaphor for the speaker's inner turmoil.
The ninth line reads, "and the empty spaces between the houses." This line is a reference to the empty spaces between buildings, which can be interpreted as a metaphor for the empty spaces in the speaker's mind. This reinforces the idea that the speaker is disconnected from their own thoughts and emotions.
The final line reads, "are there some wingspan feathers still?" This line is a question that suggests that the speaker is searching for a connection to their inner self. The wingspan feathers can be interpreted as a metaphor for the speaker's inner self. The fact that the feathers are still present suggests that the speaker has not completely lost their connection to their inner self.
Overall, Dream Song 68: I heard, could be, a Hey there from the wing is a complex and thought-provoking poem that explores the theme of disconnection from one's inner self. The use of metaphors and repetition reinforces the idea that the speaker is disconnected from their own thoughts and emotions. The poem is a part of Berryman's larger body of work, which is known for its exploration of the human psyche. This poem is a must-read for anyone interested in poetry that explores the complexities of the human mind.
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