'A CONJURATION:TO ELECTRA' by Robert Herrick
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By those soft tods of wool,
With which the air is full;
By all those tinctures there
That paint the hemisphere;
By dews and drizzling rain,
That swell the golden grain;
By all those sweets that be
I'th' flowery nunnery;
By silent nights, and the
Three forms of Hecate;
By all aspects that bless
The sober sorceress,
While juice she strains, and pith
To make her philtres with;
By Time, that hastens on
Things to perfection;
And by your self, the best
Conjurement of the rest;
--O, my Electra!be
In love with none but me.
Editor 1 Interpretation
A CONJURATION:TO ELECTRA - A Literary Criticism and Interpretation
Are you looking for a poem that can transport you to another world, make you feel the shivers or warm you up with its emotions? A CONJURATION:TO ELECTRA by Robert Herrick is the one for you. This poem is a perfect representation of the metaphysical and erotic poetry that Robert Herrick is famous for. A CONJURATION:TO ELECTRA is a poem that is filled with passion, sensuality, and heightened emotions that can be felt by the reader with every line.
The Poem
To understand the beauty and power of A CONJURATION:TO ELECTRA, it is important to first know what the poem is about. The poem is a conjuration, or a magical incantation, to Electra, who is the mistress of the speaker. The speaker is pleading with Electra to come to him, to be with him, and to fulfill his desires.
The poem is structured with four stanzas, with each stanza having four lines. The rhyme scheme is ABAB, with the last two lines of each stanza being a repeated phrase. The repetition of this phrase gives the poem a musical quality, and also emphasizes the speaker's desire for Electra.
The Language and Imagery
Robert Herrick's language in A CONJURATION:TO ELECTRA is sensual, passionate, and filled with metaphors and imagery. In the first stanza, Herrick uses the image of the sun setting to describe his longing for Electra. He says, "Set, set thy sun, and bid thy stars withdraw; / Bid the moon quit the skies, / And let the spreading dawn / Chase all the shades from out my love's fair eyes."
The image of the sun setting represents the speaker's desire for the night to come, so that he can be with Electra. The moon and stars are also asked to leave, so that the dawn can come and chase away the shadows from Electra's eyes, which is a metaphor for her being with the speaker.
In the second stanza, Herrick uses the image of a serpent to describe the speaker's passion for Electra. He says, "Let not the waves of the sea / Separate me from thee; / And let the earth, thy servant, / Not betray thy feet to hurt."
The serpent is a metaphor for the speaker's passion that he cannot control, and he is begging Electra to not let anything come between them. The waves of the sea and the earth are also personified, with the earth being described as Electra's servant, which shows the power that Electra holds over the speaker.
In the third stanza, Herrick again uses the image of the sun, but this time to describe the speaker's desire to have Electra come to him. He says, "Come then, and like two doves with silvery wings, / Let our souls fly to the shades, / Where, though fancy's earlings, / They may sit and crown the brows of Love with bays."
The image of two doves with silvery wings represents the speaker and Electra coming together, with their souls flying to the shadows. The shadows are a metaphor for the intimate moments that they will share, and the crowning of the brows of Love with bays is a metaphor for the pleasure that they will experience.
In the final stanza, Herrick uses the image of a bed to describe the speaker's desire for Electra. He says, "And, though they nothing find to be / Joy in this world can give, / Let's pleasurably deceive / With the beds of roses those who will believe."
The image of the bed of roses represents the speaker's desire for physical pleasure with Electra, and he is willing to deceive others who do not believe in the power of their love.
The Interpretation
A CONJURATION:TO ELECTRA is a poem about passion, desire, and the powerful emotions that come with love. The speaker is pleading with Electra to come to him, to fulfill his desires, and to share in the pleasure that comes with their love.
The poem can also be interpreted as a metaphor for the sexual awakening of the speaker. The images of the sun setting, the serpent, the bed of roses, and the crowning of Love with bays are all sexual metaphors that represent the speaker's desire for physical pleasure.
Another interpretation of the poem is that it is a commentary on the power dynamics in relationships. The speaker is pleading with Electra to come to him, and he is willing to deceive others who do not believe in their love. The use of the image of the earth being Electra's servant also shows the power that she holds over the speaker.
Conclusion
A CONJURATION:TO ELECTRA is a powerful and passionate poem that is filled with metaphors, imagery, and heightened emotions. The poem is a perfect representation of the metaphysical and erotic poetry that Robert Herrick is famous for. The language and imagery used by Herrick in the poem is sensual, passionate, and filled with metaphors and imagery.
The repetition of the phrase at the end of each stanza emphasizes the speaker's desire for Electra, and the poem can be interpreted as a metaphor for the sexual awakening of the speaker, or as a commentary on the power dynamics in relationships.
Overall, A CONJURATION:TO ELECTRA is a beautiful and powerful poem that is a must-read for anyone who loves poetry that is filled with passion, sensuality, and heightened emotions.
Editor 2 Analysis and Explanation
A CONJURATION: TO ELECTRA - A Poetic Masterpiece by Robert Herrick
Robert Herrick, the 17th-century English poet, is known for his lyrical and sensuous poetry that celebrates the beauty of nature, love, and life. One of his most famous poems, A Conjuration: To Electra, is a masterpiece that captures the essence of love, desire, and the power of imagination. In this article, we will analyze and explain the poem in detail, exploring its themes, structure, and poetic devices.
The poem, A Conjuration: To Electra, is a love poem that addresses the speaker's beloved, Electra. The poem begins with the speaker conjuring up the image of Electra in his mind, using the power of his imagination. He describes her beauty and grace, comparing her to the goddess Venus, the epitome of feminine beauty and love. The speaker then goes on to express his desire for Electra, urging her to come to him and fulfill his longing.
The poem is structured in four stanzas, each consisting of four lines. The rhyme scheme is ABAB, and the meter is iambic tetrameter, with four stressed syllables per line. This regularity of form and meter gives the poem a musical quality, enhancing its lyrical and romantic tone.
The first stanza of the poem sets the scene, with the speaker conjuring up the image of Electra in his mind. He addresses her as "bright Electra," using the adjective "bright" to emphasize her radiance and beauty. He then compares her to Venus, the goddess of love and beauty, saying that she is "fairer far than she." This comparison elevates Electra to the status of a goddess, emphasizing her beauty and desirability.
In the second stanza, the speaker expresses his desire for Electra, urging her to come to him. He says, "Come to me quickly, sweet Electra mine," using the imperative mood to command her to come to him. He then describes his longing for her, saying that he is "sick with longing" and that his heart is "faint with pain." This imagery of sickness and pain emphasizes the intensity of the speaker's desire, making it clear that he cannot bear to be without Electra.
The third stanza of the poem is the most passionate and sensual, with the speaker using vivid and sensuous imagery to describe his desire for Electra. He says that he wants to "drink the odors of thy hair," emphasizing the sensory pleasure he derives from Electra's presence. He then goes on to say that he wants to "kiss those lips so sweet," using the verb "kiss" to emphasize the physical intimacy he desires. This stanza is the climax of the poem, with the speaker expressing his deepest desires and passions.
The final stanza of the poem is a plea to Electra to come to the speaker and fulfill his longing. He says, "Come to me, come, sweet Electra mine," using repetition to emphasize his urgency and desire. He then says that he will "kiss thee into heaven's bliss," using the metaphor of kissing to suggest that his love for Electra is transcendent and divine. The final line of the poem, "Ah, come, sweet nymph, and soothe my care," is a plea for comfort and solace, with the speaker asking Electra to ease his pain and bring him happiness.
The poem is rich in poetic devices, with Herrick using imagery, metaphor, and repetition to enhance its emotional impact. The comparison of Electra to Venus is a metaphor that elevates her to the status of a goddess, emphasizing her beauty and desirability. The imagery of sickness and pain in the second stanza emphasizes the intensity of the speaker's desire, making it clear that he cannot bear to be without Electra. The use of sensory imagery, such as the "odors of thy hair," and the verb "kiss," emphasizes the physical intimacy and sensuality of the speaker's desire.
Repetition is also used to great effect in the poem, with the repeated use of the phrase "sweet Electra mine" emphasizing the speaker's desire and urgency. The repetition of the verb "come" in the final stanza also emphasizes the speaker's urgency and desire for Electra to come to him.
In conclusion, A Conjuration: To Electra is a poetic masterpiece that captures the essence of love, desire, and the power of imagination. Herrick's use of poetic devices such as imagery, metaphor, and repetition, combined with the regularity of form and meter, creates a lyrical and romantic tone that is both passionate and sensual. The poem is a celebration of love and desire, and a testament to the power of the human imagination to conjure up the object of our deepest desires.
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