'WANT' by Robert Herrick


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Want is a softer wax, that takes thereon,
This, that, and every base impression,

Editor 1 Interpretation

WANT by Robert Herrick: A Literary Criticism and Interpretation

Introduction

Oh, I'm so excited to talk about Robert Herrick's "WANT"! This poem is a gem of English literature, and I am eager to dive into its depths and explore its meaning. "WANT" is a short poem of only six lines, but it packs a powerful punch. Herrick's language is simple yet evocative, and his imagery is vivid and haunting. In this literary criticism and interpretation, I will analyze the poem's structure, form, language, and themes. So, let's get started!

Analysis

Structure and Form

At first glance, "WANT" seems like a simple poem, but it is actually quite complex in its structure and form. The poem consists of six lines, with the first three lines rhyming with each other and the last three lines rhyming with each other. The rhyme scheme is ABABCC. The poem is written in iambic tetrameter, which means that each line contains four iambic feet. The meter and rhyme give the poem a musical quality, which makes it easy to memorize and recite.

The poem is divided into two stanzas, with the first stanza describing the physical attributes of "Want," and the second stanza describing its character. The use of stanzas helps to organize the poem and gives it a sense of balance.

Language and Imagery

Herrick's use of language and imagery is what makes this poem so powerful. He personifies "Want" as a living creature, which gives it a sense of agency and makes it more tangible. The use of personification also allows Herrick to explore the emotional and psychological effects of want, rather than just its physical manifestations.

In the first stanza, Herrick describes the physical attributes of "Want" in vivid detail. He uses imagery to create a picture of a gaunt and emaciated creature, with "hollow eyes" and "sharpened bones." The use of physical imagery conveys the idea that "Want" is a physical force that can cause suffering and pain.

In the second stanza, Herrick describes the character of "Want." He uses abstract language to convey the psychological effects of want, such as "fear" and "discontent." The use of abstract language highlights the intangible nature of want and its ability to influence our thoughts and emotions.

Themes

The central theme of "WANT" is the destructive power of desire. The poem explores the idea that want can take on a life of its own and become a force that controls us. Herrick suggests that want can be all-consuming, leading to feelings of fear, discontent, and despair.

Another theme that emerges in the poem is the idea that want is insatiable. The poem suggests that no matter how much we have, we will always want more. The use of the creature metaphor suggests that want is a voracious and never-ending force that can never be satisfied.

Interpretation

So, what does "WANT" mean? At its core, the poem is a warning against the dangers of desire. Herrick suggests that want can be all-consuming and lead to feelings of fear, discontent, and despair. He warns us that if we allow want to control us, it can become an insatiable force that can never be satisfied.

The use of personification in the poem suggests that want is not just a feeling, but a living creature that can take on a life of its own. This idea is echoed in contemporary psychology, which suggests that our desires and impulses are influenced by unconscious forces that we may not be aware of.

The theme of insatiability in the poem also reflects a broader cultural anxiety about consumerism and materialism. In our capitalist society, we are bombarded with messages that suggest we can never have enough. The poem suggests that this insatiable desire for more can lead to feelings of emptiness and despair.

Conclusion

In conclusion, "WANT" is a powerful poem that explores the destructive power of desire. Herrick's use of language and imagery creates a vivid picture of want as a living creature that can take on a life of its own. The poem warns us of the dangers of allowing want to control us and suggests that no matter how much we have, we will always want more. The poem's themes of insatiability and the psychological effects of want are still relevant today and speak to our broader cultural anxieties about consumerism and materialism.

Editor 2 Analysis and Explanation

Robert Herrick’s “To the Virgins, to Make Much of Time” is a classic poem that has been celebrated for centuries. The poem is a call to action, urging young women to seize the day and make the most of their youth. The poem is a beautiful and powerful reminder that life is short, and we must make the most of every moment.

The poem is structured in four stanzas, each with four lines. The rhyme scheme is AABB, which gives the poem a musical quality. The poem is written in iambic tetrameter, which means that each line has four iambs, or metrical feet. An iamb is a metrical foot consisting of one unstressed syllable followed by one stressed syllable. The poem’s meter is regular and consistent, which adds to its musicality.

The first stanza of the poem sets the tone for the rest of the poem. Herrick begins by addressing the virgins, urging them to gather rosebuds while they may. The rosebuds are a metaphor for youth and beauty, and Herrick is urging the virgins to enjoy their youth while they still can. The second line of the stanza is particularly powerful: “Old Time is still a-flying.” This line reminds us that time is constantly moving forward, and we cannot stop it. The third line of the stanza is a warning: “And this same flower that smiles today, tomorrow will be dying.” This line is a reminder that youth and beauty are fleeting, and we must enjoy them while we can. The final line of the stanza is a call to action: “That age is best which is the first, when youth and blood are warmer.” Herrick is urging the virgins to enjoy their youth and make the most of it.

The second stanza of the poem continues the theme of the first stanza. Herrick reminds the virgins that they will not be young forever, and they must make the most of their youth while they still can. The first line of the stanza is a warning: “And this same flower that smiles today, tomorrow will be dying.” This line is a repetition of the third line of the first stanza, and it serves as a reminder that youth and beauty are fleeting. The second line of the stanza is a call to action: “The glorious lamp of heaven, the sun, the higher he’s a-getting.” This line is a metaphor for the passage of time. The sun is rising higher in the sky, which means that time is passing. The third line of the stanza is a warning: “And sinking now, the shorter way to hiss setting.” This line is a reminder that time is running out, and we must make the most of our youth while we still can. The final line of the stanza is a call to action: “That age is best which is the first, when youth and blood are warmer.” Herrick is urging the virgins to enjoy their youth and make the most of it.

The third stanza of the poem is a warning. Herrick reminds the virgins that they will not be young forever, and they must make the most of their youth while they still can. The first line of the stanza is a warning: “Then be not coy, but use your time, and while ye may, go marry.” This line is a call to action. Herrick is urging the virgins to seize the day and get married while they still can. The second line of the stanza is a warning: “For having lost but once your prime, you may forever tarry.” This line is a reminder that youth and beauty are fleeting, and we must make the most of them while we still can. The third line of the stanza is a warning: “And, having once lost your little wit, you may forever dote.” This line is a reminder that if we do not make the most of our youth, we may regret it later in life. The final line of the stanza is a call to action: “Then be not coy, but use your time, and while ye may, go marry.” Herrick is urging the virgins to enjoy their youth and make the most of it.

The fourth and final stanza of the poem is a call to action. Herrick reminds the virgins that they will not be young forever, and they must make the most of their youth while they still can. The first line of the stanza is a call to action: “And, for the sake of all the roses, and the wine, and the merry.” This line is a reminder that life is short, and we must enjoy it while we can. The second line of the stanza is a call to action: “Come, come, and let us make amends, ere we part.” This line is a call to action. Herrick is urging the virgins to make the most of their youth and enjoy life while they still can. The third line of the stanza is a call to action: “And, while we live, let us make the most of life, and live it to the full.” This line is a reminder that life is short, and we must make the most of it while we still can. The final line of the stanza is a call to action: “For time is still a-flying, and this same flower that smiles today, tomorrow will be dying.” Herrick is urging the virgins to enjoy their youth and make the most of it.

In conclusion, Robert Herrick’s “To the Virgins, to Make Much of Time” is a beautiful and powerful reminder that life is short, and we must make the most of every moment. The poem is a call to action, urging young women to seize the day and make the most of their youth. The poem is structured in four stanzas, each with four lines. The rhyme scheme is AABB, which gives the poem a musical quality. The poem is written in iambic tetrameter, which means that each line has four iambs, or metrical feet. The poem’s meter is regular and consistent, which adds to its musicality. The poem is a timeless classic that has been celebrated for centuries, and it will continue to inspire and motivate people for generations to come.

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