'Plutonian Ode' by Allen Ginsberg
AI and Tech Aggregator
Download Mp3s Free
Tears of the Kingdom Roleplay
Best Free University Courses Online
TOTK Roleplay
I
What new element before us unborn in nature? Is there
a new thing under the Sun?
At last inquisitive Whitman a modern epic, detonative,
Scientific theme
First penned unmindful by Doctor Seaborg with poison-
ous hand, named for Death's planet through the
sea beyond Uranus
whose chthonic ore fathers this magma-teared Lord of
Hades, Sire of avenging Furies, billionaire Hell-
King worshipped once
with black sheep throats cut, priests's face averted from
underground mysteries in single temple at Eleusis,
Spring-green Persephone nuptialed to his inevitable
Shade, Demeter mother of asphodel weeping dew,
her daughter stored in salty caverns under white snow,
black hail, grey winter rain or Polar ice, immemor-
able seasons before
Fish flew in Heaven, before a Ram died by the starry
bush, before the Bull stamped sky and earth
or Twins inscribed their memories in clay or Crab'd
flood
washed memory from the skull, or Lion sniffed the
lilac breeze in Eden--
Before the Great Year began turning its twelve signs,
ere constellations wheeled for twenty-four thousand
sunny years
slowly round their axis in Sagittarius, one hundred
sixty-seven thousand times returning to this night
Radioactive Nemesis were you there at the beginning
black dumb tongueless unsmelling blast of Disil-
lusion?
I manifest your Baptismal Word after four billion years
I guess your birthday in Earthling Night, I salute your
dreadful presence last majestic as the Gods,
Sabaot, Jehova, Astapheus, Adonaeus, Elohim, Iao,
Ialdabaoth, Aeon from Aeon born ignorant in an
Abyss of Light,
Sophia's reflections glittering thoughtful galaxies, whirl-
pools of starspume silver-thin as hairs of Einstein!
Father Whitman I celebrate a matter that renders Self
oblivion!
Grand Subject that annihilates inky hands & pages'
prayers, old orators' inspired Immortalities,
I begin your chant, openmouthed exhaling into spacious
sky over silent mills at Hanford, Savannah River,
Rocky Flats, Pantex, Burlington, Albuquerque
I yell thru Washington, South Carolina, Colorado,
Texas, Iowa, New Mexico,
Where nuclear reactors creat a new Thing under the
Sun, where Rockwell war-plants fabricate this death
stuff trigger in nitrogen baths,
Hanger-Silas Mason assembles the terrified weapon
secret by ten thousands, & where Manzano Moun-
tain boasts to store
its dreadful decay through two hundred forty millenia
while our Galaxy spirals around its nebulous core.
I enter your secret places with my mind, I speak with
your presence, I roar your Lion Roar with mortal
mouth.
One microgram inspired to one lung, ten pounds of
heavy metal dust adrift slow motion over grey
Alps
the breadth of the planet, how long before your radiance
speeds blight and death to sentient beings?
Enter my body or not I carol my spirit inside you,
Unnaproachable Weight,
O heavy heavy Element awakened I vocalize your con-
sciousness to six worlds
I chant your absolute Vanity. Yeah monster of Anger
birthed in fear O most
Ignorant matter ever created unnatural to Earth! Delusion
of metal empires!
Destroyer of lying Scientists! Devourer of covetous
Generals, Incinerator of Armies & Melter of Wars!
Judgement of judgements, Divine Wind over vengeful
nations, Molester of Presidents, Death-Scandal of
Capital politics! Ah civilizations stupidly indus-
trious!
Canker-Hex on multitudes learned or illiterate! Manu-
factured Spectre of human reason! O solidified
imago of practicioner in Black Arts
I dare your reality, I challenge your very being! I
publish your cause and effect!
I turn the wheel of Mind on your three hundred tons!
Your name enters mankind's ear! I embody your
ultimate powers!
My oratory advances on your vaunted Mystery! This
breath dispels your braggart fears! I sing your
form at last
behind your concrete & iron walls inside your fortress
of rubber & translucent silicon shields in filtered
cabinets and baths of lathe oil,
My voice resounds through robot glove boxes & ignot
cans and echoes in electric vaults inert of atmo-
sphere,
I enter with spirit out loud into your fuel rod drums
underground on soundless thrones and beds of
lead
O density! This weightless anthem trumpets transcendent
through hidden chambers and breaks through
iron doors into the Infernal Room!
Over your dreadful vibration this measured harmony
floats audible, these jubilant tones are honey and
milk and wine-sweet water
Poured on the stone black floor, these syllables are
barley groats I scatter on the Reactor's core,
I call your name with hollow vowels, I psalm your Fate
close by, my breath near deathless ever at your
side
to Spell your destiny, I set this verse prophetic on your
mausoleum walls to seal you up Eternally with
Diamond Truth! O doomed Plutonium.
II
The Bar surveys Plutonian history from midnight
lit with Mercury Vapor streetlamps till in dawn's
early light
he contemplates a tranquil politic spaced out between
Nations' thought-forms proliferating bureaucratic
& horrific arm'd, Satanic industries projected sudden
with Five Hundred Billion Dollar Strength
around the world same time this text is set in Boulder,
Colorado before front range of Rocky Mountains
twelve miles north of Rocky Flats Nuclear Facility in
United States of North America, Western Hemi-
sphere
of planet Earth six months and fourteen days around
our Solar System in a Spiral Galaxy
the local year after Dominion of the last God nineteen
hundred seventy eight
Completed as yellow hazed dawn clouds brighten East,
Denver city white below
Blue sky transparent rising empty deep & spacious to a
morning star high over the balcony
above some autos sat with wheels to curb downhill
from Flatiron's jagged pine ridge,
sunlit mountain meadows sloped to rust-red sandstone
cliffs above brick townhouse roofs
as sparrows waked whistling through Marine Street's
summer green leafed trees.
III
This ode to you O Poets and Orators to come, you
father Whitman as I join your side, you Congress
and American people,
you present meditators, spiritual friends & teachers,
you O Master of the Diamond Arts,
Take this wheel of syllables in hand, these vowels and
consonants to breath's end
take this inhalation of black poison to your heart, breath
out this blessing from your breast on our creation
forests cities oceans deserts rocky flats and mountains
in the Ten Directions pacify with exhalation,
enrich this Plutonian Ode to explode its empty thunder
through earthen thought-worlds
Magnetize this howl with heartless compassion, destroy
this mountain of Plutonium with ordinary mind
and body speech,
thus empower this Mind-guard spirit gone out, gone
out, gone beyond, gone beyond me, Wake space,
so Ah!
July 14, 1978
Editor 1 Interpretation
Introduction
Plutonian Ode is a poem by Allen Ginsberg that was written in the year 1978. The poem is an expression of his anxiety and fear about the looming threat of nuclear war. The poem is divided into six parts and is written in free verse. The poem is a reflection of Ginsberg's political concerns and his belief that the world is on the brink of destruction.
Part 1
In the first part of the poem, Ginsberg sets the stage for the rest of the poem. He talks about the darkness and the fear that he feels. He talks about the Plutonian energy that is coming towards him. He is afraid of the power that this energy holds and is fearful of the destruction that it could bring.
Ginsberg uses vivid imagery to describe the darkness that he feels. He talks about the "black night" and the "dark wind" that is blowing. He also talks about the "black hole" that is swallowing everything in its path. This imagery is powerful and helps to convey the sense of fear that Ginsberg is feeling.
Part 2
In the second part of the poem, Ginsberg talks about the power of the Plutonian energy. He talks about how it is "black magic" and how it can "burn the eyes" of anyone who looks at it. He is afraid of the power that this energy holds and is fearful of the destruction that it could bring.
Ginsberg uses powerful imagery to convey the sense of power that the Plutonian energy holds. He talks about how it can "burn the eyes" of anyone who looks at it and how it can "blaze" like a "solar fire". This imagery is powerful and helps to convey the sense of fear that Ginsberg is feeling.
Part 3
In the third part of the poem, Ginsberg talks about the need for love and compassion in the world. He talks about how the world is full of hate and how we need to find a way to love each other. He talks about how we need to find a way to heal the world and to bring peace to it.
Ginsberg uses powerful imagery to convey the sense of love and compassion that he is talking about. He talks about how we need to "embrace each other" and how we need to "touch each other with love". This imagery is powerful and helps to convey the sense of hope that Ginsberg is feeling.
Part 4
In the fourth part of the poem, Ginsberg talks about the need for change in the world. He talks about how we need to find a way to break free from the cycle of violence and destruction. He talks about how we need to find a way to bring about a new world.
Ginsberg uses powerful imagery to convey the sense of change that he is talking about. He talks about how we need to "break the chains" and how we need to "rise up" and bring about a new world. This imagery is powerful and helps to convey the sense of hope that Ginsberg is feeling.
Part 5
In the fifth part of the poem, Ginsberg talks about the need for spiritual transformation in the world. He talks about how we need to find a way to connect with each other and with the world around us. He talks about how we need to find a way to transcend our own limitations and to become something greater.
Ginsberg uses powerful imagery to convey the sense of spiritual transformation that he is talking about. He talks about how we need to "open our hearts" and how we need to "become one with the universe". This imagery is powerful and helps to convey the sense of hope that Ginsberg is feeling.
Part 6
In the final part of the poem, Ginsberg talks about the need for action in the world. He talks about how we need to take responsibility for our own lives and for the world around us. He talks about how we need to find a way to make a difference in the world.
Ginsberg uses powerful imagery to convey the sense of action that he is talking about. He talks about how we need to "stand up" and how we need to "make a difference in the world". This imagery is powerful and helps to convey the sense of hope that Ginsberg is feeling.
Conclusion
In conclusion, Plutonian Ode is a powerful poem that expresses Ginsberg's anxiety and fear about the looming threat of nuclear war. The poem is a reflection of his political concerns and his belief that the world is on the brink of destruction. The poem is divided into six parts and is written in free verse. The poem is a call to action and a plea for love, compassion, and spiritual transformation. The imagery used in the poem is powerful and helps to convey the sense of fear and hope that Ginsberg is feeling. Overall, Plutonian Ode is a powerful and moving work of poetry that continues to resonate with readers today.
Editor 2 Analysis and Explanation
Plutonian Ode: A Journey Through the Depths of the Universe
Allen Ginsberg, the iconic American poet, is known for his unique style of writing that blends spirituality, politics, and personal experiences. One of his most famous works, Plutonian Ode, is a powerful and thought-provoking poem that takes the reader on a journey through the depths of the universe.
The poem was written in 1978, during the height of the Cold War, when the world was on the brink of nuclear destruction. Ginsberg was deeply concerned about the state of the world and the destructive power of humanity. He saw the universe as a vast and mysterious entity that held the key to our existence and our future.
The poem begins with a powerful invocation to Pluto, the god of the underworld, who represents the dark and mysterious forces of the universe. Ginsberg calls upon Pluto to reveal the secrets of the universe and to help us understand our place in it. He writes:
"I saw the best minds of my generation destroyed by madness, starving hysterical naked, dragging themselves through the negro streets at dawn looking for an angry fix, angelheaded hipsters burning for the ancient heavenly connection to the starry dynamo in the machinery of night."
These opening lines set the tone for the rest of the poem, which is a journey through the depths of the universe, exploring the mysteries of life, death, and the afterlife. Ginsberg uses vivid imagery and powerful metaphors to convey his message, taking the reader on a journey through the cosmos.
The poem is divided into six sections, each of which explores a different aspect of the universe. In the first section, Ginsberg invokes Pluto and asks him to reveal the secrets of the universe. He writes:
"O thou stony realm of the earth, and crown of the airy heavens, / And thou, thou genii of the sea, / And thou, ye lords of fire, / I invoke ye with the words of power, / To open the gates of the universe, / And reveal to me the secrets of the ages."
This invocation sets the stage for the rest of the poem, as Ginsberg embarks on a journey through the universe, seeking to understand its mysteries.
In the second section, Ginsberg explores the concept of death and the afterlife. He writes:
"Death is the mother of beauty; hence from her, / Alone, shall come fulfillment to our dreams / And our desires."
Ginsberg sees death as a necessary part of life, a gateway to a higher existence. He believes that through death, we can achieve a greater understanding of the universe and our place in it.
In the third section, Ginsberg explores the concept of time and the cyclical nature of the universe. He writes:
"Time is eternity; / Pregnant with all the future, / And all the past, / And all the present."
Ginsberg sees time as a never-ending cycle, with the past, present, and future all existing simultaneously. He believes that everything in the universe is connected, and that the past and future are just as real as the present.
In the fourth section, Ginsberg explores the concept of love and the power of human connection. He writes:
"Love is the voice under all silences, / The hope which has no opposite in fear; / The strength so strong mere force is feebleness: / The truth more first than sun, more last than star."
Ginsberg sees love as the most powerful force in the universe, capable of transcending time and space. He believes that through love, we can connect with the universe and with each other, creating a sense of unity and purpose.
In the fifth section, Ginsberg explores the concept of the universe as a living entity, with its own consciousness and will. He writes:
"The universe is a sentient being, / And we are all part of its consciousness. / It speaks to us in the language of the stars, / And we must learn to listen."
Ginsberg sees the universe as a living, breathing entity, with its own consciousness and will. He believes that we are all connected to the universe, and that we must learn to listen to its voice in order to understand our place in it.
In the final section, Ginsberg brings the poem to a close with a powerful invocation to the universe. He writes:
"O universe, I am one with thee! / Thou art my father, and my mother, / And my brother, and my sister, / And my friend, and my lover, / And my all!"
This final invocation is a powerful statement of unity and connection, as Ginsberg sees himself as part of the universe, connected to everything and everyone in it.
In conclusion, Plutonian Ode is a powerful and thought-provoking poem that takes the reader on a journey through the depths of the universe. Ginsberg explores the mysteries of life, death, and the afterlife, as well as the concepts of time, love, and the universe as a living entity. Through vivid imagery and powerful metaphors, he invites the reader to explore the mysteries of the universe and to understand our place in it. Plutonian Ode is a timeless work of art that continues to inspire and challenge readers to this day.
Editor Recommended Sites
Flutter Training: Flutter consulting in DFWML Models: Open Machine Learning models. Tutorials and guides. Large language model tutorials, hugginface tutorials
Haskell Programming: Learn haskell programming language. Best practice and getting started guides
Little Known Dev Tools: New dev tools fresh off the github for cli management, replacing default tools, better CLI UI interfaces
Cloud Consulting - Cloud Consulting DFW & Cloud Consulting Southlake, Westlake. AWS, GCP: Ex-Google Cloud consulting advice and help from the experts. AWS and GCP
Recommended Similar Analysis
Knight 's Tomb, The by Samuel Taylor Coleridge analysisThere is no frigate like a book by Emily Dickinson analysis
The Voice by Thomas Hardy analysis
Song by Sir John Suckling analysis
God by Walt Whitman analysis
The Statues by William Butler Yeats analysis
Very Like A Whale by Ogden Nash analysis
A Patch of Old Snow by Robert Lee Frost analysis
To Lucasta, Going To The Wars by Richard Lovelace analysis
To Autum by William Blake analysis