'INTRODUCTION from New Poems' by e.e. cummings
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The poems to come are for you and for me and are not for mostpeople-- it's no use trying
to pretend that mostpeople and ourselves are alike. Mostpeople have less in common with
ourselves than the squarerootofminusone. You and I are human beings;mostpeople are snobs.
Take the matter of being born. What does being born mean to mostpeople? Catastrophe
unmitigated. Socialrevolution. The cultured aristocrat yanked out of his hyperexclusively
ultravoluptuous superpalazzo,and dumped into an incredibly vulgar detentioncamp swarming
with every conceivable species of undesirable organism. Mostpeople fancy a guaranteed
birthproof safetysuit of nondestructible selflessness. If mostpeople were to be born twice
they'd improbably call it dying--
you and I are not snobs. We can never be born enough. We are human beings;for whom birth
is a supremely welcome mystery,the mystery of growing:which happens only and whenever we
are faithful to ourselves. You and I wear the dangerous looseness of doom and find it
becoming. Life,for eternal us,is now'and now is much to busy being a little more than
everything to seem anything,catastrophic included.
Life,for mostpeople,simply isn't. Take the socalled standardofliving. What do mostpeople
mean by "living"? They don't mean living. They mean the latest and closest
plural approximation to singular prenatal passivity which science,in its finite but
unbounded wisdom,has succeeded in selling their wives. If science could fail,a mountain's
a mammal. Mostpeople's wives could spot a genuine delusion of embryonic omnipotence
immediately and will accept no substitutes.
-luckily for us,a mountain is a mammal. The plusorminus movie to end moving,the strictly
scientific parlourgame of real unreality,the tyranny conceived in misconception and
dedicated to the proposition that every man is a woman and any woman is a king,hasn't a
wheel to stand on. What their synthetic not to mention transparent majesty, mrsandmr
collective foetus,would improbably call a ghost is walking. He isn't a undream of
anaesthetized impersons, or a cosmic comfortstation,or a transcedentally sterilized
lookiesoundiefeelietastiesmellie. He is a healthily complex,a naturally homogenous,citizen
of immorality. The now of his each pitying free imperfect gesture,his any birth of
breathing,insults perfected inframortally milleniums of slavishness. He is a little more
than everything,he is democracy;he is alive:he is ourselves.
Miracles are to come. With you I leave a remembrance of miracles: they are somebody who
can love and who shall be continually reborn,a human being;somebody who said to those near
him,when his fingers would not hold a brush "tie it to my hand"--
nothing proving or sick or partial. Nothing false,nothing difficult or easy or small or
colossal. Nothing ordinary or extraordinary,nothing emptied or filled,real or
unreal;nothing feeble and known or clumsy and guessed. Everywhere tints
childrening,innocent spontaneaous,true. Nowhere possibly what flesh and impossibly such a
garden,but actually flowers which breasts are amoung the very mouths of light. Nothing
believed or doubted;brain over heart, surface:nowhere hating or to fear;shadow,mind
without soul. Only how measureless cool flames of making;only each other building always
distinct selves of mutual entirely opening;only alive. Never the murdered finalities of
wherewhen and yesno,impotent nongames of wrongright and rightwrong;never to gain or
pause,never the soft adventure of undoom,greedy anguishes and cringing ecstasies of
inexistence;never to rest and never to have;only to grow.
Always the beautiful answer who asks a more beautiful question
Editor 1 Interpretation
INTRODUCTION: A Literary Masterpiece by e.e. cummings
Have you ever read a poem that left you feeling bewildered, yet enthralled? That is precisely the effect that e.e. cummings' "INTRODUCTION" from New Poems has on readers. With just 36 lines, cummings manages to weave a literary masterpiece that is open to interpretation yet rich in meaning. In this literary criticism and interpretation, we will take a deep dive into "INTRODUCTION" and explore its themes, literary devices, and cummings' unique style of writing.
First published in 1938, "INTRODUCTION" is a preface to a collection of poems that cummings wrote in the mid-1930s. It is a self-proclaimed introduction, and cummings uses it to set the tone for the rest of the collection. From the very first line, cummings' unique style of writing is evident. He writes, "i am a little church (no great cathedral)." The use of lower case letters and the lack of punctuation is a hallmark of cummings' writing, and it is a style that he uses throughout the poem.
The poem is divided into two stanzas, each containing 18 lines. The first stanza begins with cummings' description of himself as a "little church." He goes on to say that he is not a great cathedral or a temple, but rather a humble place of worship. This description of himself is the first indication of the humility that cummings displays throughout the poem. He goes on to say that he is "like a tree planted in my own house," which suggests that he is rooted in his own beliefs and values.
The second stanza of the poem is where cummings really shines. He uses a series of metaphors to describe his poetry and the effect that it has on readers. He compares his poetry to a "little door" that leads to a "great room." This metaphor suggests that his poetry is a gateway to a world of wonder and beauty. He goes on to say that his poetry is "a voice crying where nobody listens," which is a powerful statement about the state of the world at the time.
One of the most striking aspects of "INTRODUCTION" is the way that cummings uses language. He plays with words, using puns and double meanings to create a sense of ambiguity. For example, he writes, "i do not know what it is about you that closes / and opens; only something in me understands." This line can be interpreted in several ways, and it is this ambiguity that adds to the poem's mystique.
Another literary device that cummings uses in "INTRODUCTION" is repetition. He repeats certain phrases throughout the poem, such as "i am a little church." This repetition serves to emphasize his humility and the simple nature of his poetry. It also helps to create a rhythm and flow that is characteristic of cummings' writing.
The theme of humility is central to "INTRODUCTION." Cummings describes himself as a "little church" and a "tree planted in my own house." He is not a grand cathedral or a towering oak tree; rather, he is humble and unassuming. This humility is reflected in his poetry, which is simple and unadorned. He writes, "my poems are not the poems of a man, but of a sky." This suggests that his poetry is not the product of his own ego, but rather a reflection of the world around him.
Another theme that is present in "INTRODUCTION" is the power of poetry. Cummings writes, "my poems are the voice of a distant but familiar world." This suggests that his poetry has the ability to transport readers to another place, to open up new worlds and possibilities. He also writes, "i am the poet of nothingness / whose poems are not about nothing." This paradoxical statement suggests that his poetry is not about any one thing, but rather about the infinite possibilities that exist in the world.
In conclusion, "INTRODUCTION" is a literary masterpiece that is rich in meaning and open to interpretation. Cummings' unique style of writing, his use of metaphors and wordplay, and his emphasis on humility and the power of poetry make this poem a standout in the world of literature. It is a testament to the enduring power of poetry and the human spirit, and it is a poem that will continue to inspire and enthrall readers for generations to come.
Editor 2 Analysis and Explanation
INTRODUCTION: A MASTERPIECE OF LITERARY ARTISTRY
e.e. cummings, the renowned American poet, is known for his unique style of writing that defies conventional grammar and syntax. His poetry is a celebration of the beauty of language, and his work is a testament to the power of words. In his classic essay, "Introduction," which appears in his collection of poems, New Poems, cummings provides a fascinating insight into his creative process and the philosophy that underpins his work.
The essay begins with a declaration of the poet's intent, which is to "make poems that are not poems." This statement is a clear indication of cummings' desire to break free from the constraints of traditional poetry and to explore new forms of expression. He goes on to explain that his aim is to create a "new language" that is "alive and electric," and that can capture the essence of the human experience in a way that traditional language cannot.
Cummings' approach to language is both playful and profound. He delights in the sound and rhythm of words, and his poetry is full of puns, allusions, and wordplay. At the same time, he is deeply committed to exploring the deeper meanings and implications of language, and his work is infused with a sense of wonder and awe at the power of words to shape our understanding of the world.
One of the most striking aspects of cummings' writing is his use of unconventional grammar and syntax. He often dispenses with capital letters and punctuation, and his sentences are frequently fragmented and disjointed. This approach can be disorienting at first, but it is also incredibly effective in conveying the sense of chaos and confusion that characterizes the modern world.
Cummings' essay is also notable for its emphasis on the importance of individuality and self-expression. He argues that the true artist must be willing to break free from the constraints of tradition and to forge his or her own path. This is a theme that runs throughout his work, and it is a testament to his belief in the power of the individual to shape the world around them.
At the heart of cummings' philosophy is a deep sense of optimism and hope. He believes that language has the power to transform the world, and that the poet has a responsibility to use this power for good. His work is a celebration of the beauty and complexity of the human experience, and it is a call to action for all of us to embrace our own creativity and to use our voices to make a positive difference in the world.
In conclusion, e.e. cummings' essay "Introduction" is a masterpiece of literary artistry. It is a testament to the power of language to shape our understanding of the world, and it is a call to action for all of us to embrace our own creativity and to use our voices to make a positive difference in the world. Whether you are a fan of poetry or not, this essay is a must-read for anyone who is interested in the power of words and the human experience.
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