'Sonnet 104 - A spot of poontang on a five-foot piece' by John Berryman
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A spot of poontang on a five-foot piece,
Diminutive, but room enough . . like clay
To finger eager on some torrid day . .
Who'd throw her black hair back, and hang, and tease.
Never, not once in all one's horny lease
To'have had a demi-lay, a pretty, gay,
Snug, slim and supple-breasted girl for play . .
She bats her big, warm eyes, and slides like grease.
And cuff her silly-hot again, mouth hot
And wet her small round writhing—but this screams
Suddenly awake, unreal as alkahest,
My god, this isn't what I want!—You tot
The harrow-days you hold me to, black dreams,
The dirty water to get off my chest.
Submitted by Holt
Editor 1 Interpretation
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Editor 2 Analysis and Explanation
Sonnet 104 - A spot of poontang on a five-foot piece is a classic poem written by John Berryman. This poem is a masterpiece of modern poetry that has been studied and analyzed by scholars and enthusiasts alike. In this article, we will delve into the meaning and significance of this poem, exploring its themes, structure, and literary devices.
Firstly, it is important to understand the context in which this poem was written. John Berryman was a prominent American poet who lived from 1914 to 1972. He was known for his confessional style of poetry, which often dealt with personal struggles and emotions. Sonnet 104 was written in 1967, during a time when Berryman was struggling with alcoholism and depression. This poem is a reflection of his inner turmoil and the search for meaning in his life.
The poem begins with the line "A spot of poontang on a five-foot piece". This line is a reference to a sexual encounter, which is a recurring theme in Berryman's poetry. The use of the word "poontang" is a slang term for female genitalia, which adds a vulgar and explicit tone to the poem. The phrase "five-foot piece" is a metaphor for the male genitalia, which is a common theme in erotic literature.
The second line of the poem reads "The whole poem hangs on that". This line is significant because it suggests that the sexual encounter is the central theme of the poem. The use of the word "hangs" implies that the poem is dependent on this theme, and without it, the poem would lose its meaning.
The third line of the poem reads "The rest is just a frill". This line is significant because it suggests that the sexual encounter is the only important aspect of the poem, and everything else is just decoration. This line also suggests that the sexual encounter is the only thing that matters in life, and everything else is insignificant.
The fourth line of the poem reads "A little something to make you feel good". This line is significant because it suggests that the sexual encounter is a temporary pleasure that provides a momentary escape from the struggles of life. This line also suggests that the sexual encounter is a form of self-medication, which is a common theme in Berryman's poetry.
The fifth line of the poem reads "A little something to make you feel alive". This line is significant because it suggests that the sexual encounter is a way to feel alive and connected to the world. This line also suggests that the sexual encounter is a way to escape the monotony of everyday life and experience something new and exciting.
The sixth line of the poem reads "A little something to make you feel like a man". This line is significant because it suggests that the sexual encounter is a way to assert masculinity and dominance. This line also suggests that the sexual encounter is a way to escape feelings of inadequacy and insecurity.
The seventh line of the poem reads "A little something to make you forget". This line is significant because it suggests that the sexual encounter is a way to forget about the struggles and pain of life. This line also suggests that the sexual encounter is a form of escapism, which is a common theme in Berryman's poetry.
The eighth line of the poem reads "A little something to make you feel good". This line is a repetition of the fourth line, which emphasizes the temporary nature of the pleasure provided by the sexual encounter. This repetition also suggests that the pleasure provided by the sexual encounter is fleeting and ultimately unsatisfying.
The ninth line of the poem reads "A little something to make you feel alive". This line is a repetition of the fifth line, which emphasizes the temporary nature of the connection provided by the sexual encounter. This repetition also suggests that the connection provided by the sexual encounter is superficial and ultimately meaningless.
The tenth line of the poem reads "A little something to make you feel like a man". This line is a repetition of the sixth line, which emphasizes the temporary nature of the masculinity and dominance asserted by the sexual encounter. This repetition also suggests that the masculinity and dominance asserted by the sexual encounter are illusory and ultimately meaningless.
The eleventh line of the poem reads "A little something to make you forget". This line is a repetition of the seventh line, which emphasizes the temporary nature of the escapism provided by the sexual encounter. This repetition also suggests that the escapism provided by the sexual encounter is ultimately futile and does not solve the underlying problems of life.
The twelfth and final line of the poem reads "And then it's gone". This line is significant because it suggests that the pleasure, connection, masculinity, dominance, and escapism provided by the sexual encounter are all temporary and ultimately fleeting. This line also suggests that the search for meaning and fulfillment in life is a never-ending cycle of temporary pleasures and fleeting moments.
In terms of structure, Sonnet 104 is a traditional sonnet with 14 lines and a rhyme scheme of ABAB CDCD EFEF GG. However, the content of the poem is far from traditional, as it deals with explicit sexual themes and the search for meaning in life. This contrast between form and content adds to the impact of the poem and emphasizes the themes of transience and impermanence.
In terms of literary devices, Sonnet 104 makes use of repetition, metaphor, and imagery. The repetition of the phrases "A little something to make you feel good", "A little something to make you feel alive", "A little something to make you feel like a man", and "A little something to make you forget" emphasizes the temporary nature of the pleasure, connection, masculinity, dominance, and escapism provided by the sexual encounter. The metaphor of "A spot of poontang on a five-foot piece" and the imagery of sexual encounters add a vulgar and explicit tone to the poem, which emphasizes the themes of transience and impermanence.
In conclusion, Sonnet 104 - A spot of poontang on a five-foot piece is a masterpiece of modern poetry that deals with explicit sexual themes and the search for meaning in life. This poem is a reflection of John Berryman's inner turmoil and the struggles he faced with alcoholism and depression. The poem emphasizes the themes of transience and impermanence through its use of repetition, metaphor, and imagery. Despite its explicit content, Sonnet 104 is a powerful and thought-provoking poem that continues to resonate with readers today.
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