'A Song To David' by Christopher Smart
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I
O THOU, that sit'st upon a throne,
With harp of high majestic tone,
To praise the King of kings;
And voice of heav'n-ascending swell,
Which, while its deeper notes excell,
Clear, as a clarion, rings:
II
To bless each valley, grove and coast,
And charm the cherubs to the post
Of gratitude in throngs;
To keep the days on Zion's mount,
And send the year to his account,
With dances and with songs:
III
O Servant of God's holiest charge,
The minister of praise at large,
Which thou may'st now receive;
From thy blest mansion hail and hear,
From topmost eminence appear
To this the wreath I weave.
IV
Great, valiant, pious, good, and clean,
Sublime, contemplative, serene,
Strong, constant, pleasant, wise!
Bright effluence of exceeding grace;
Best man!—the swiftest and the race,
The peril, and the prize!
V
Great—from the lustre of his crown,
From Samuel's horn, and God's renown,
Which is the people's voice;
For all the host, from rear to van,
Applauded and embrac'd the man—
The man of God's own choice.
VI
Valiant—the word, and up he rose;
The fight—he triumph'd o'er the foes,
Whom God's just laws abhor;
And, arm'd in gallant faith, he took
Against the boaster, from the brook,
The weapons of the war.
VII
Pious—magnificent and grand;
'Twas he the famous temple plann'd;
(The seraph in his soul:)
Foremost to give his Lord His dues,
Foremost to bless the welcome news,
And foremost to condole.
VIII
Good—from Jehudah's genuine vein,
From God's best nature good in grain,
His aspect and his heart;
To pity, to forgive, to save,
Witness En-gedi's conscious cave,
And Shimei's blunted dart.
IX
Clean—if perpetual prayer be pure,
And love, which could itself inure
To fasting and to fear—
Clean in his gestures, hands, and feet,
To smite the lyre, the dance complete,
To play the sword and spear.
X
Sublime—invention ever young,
Of vast conception, tow'ring tongue,
To God th'eternal theme;
Notes from yon exaltations caught,
Unrival'd royalty of thought,
O'er meaner strains supreme.
XI
Contemplative—on God to fix
His musings, and above the six
The Sabbath-day he blest;
'Twas then his thoughts self-conquest prun'd,
And heav'nly melancholy tun'd,
To bless and bear the rest.
XII
Serene—to sow the seeds of peace,
Rememb'ring, when he watch'd the fleece,
How sweetly Kidron purl'd—
To further knowledge, silence vice,
And plant plant perpetual paradise,
When God had calm'd the world.
XIII
Strong—in the Lord, Who could defy
Satan, and all his pow'rs that lie
In sempiternal night;
And hell, and horror, and despair
Were as the lion and the bear
To his undaunted might.
XIV
Constant—in love to God, THE TRUTH,
Age, manhood, infancy, and youth—
To Jonathan his friend
Constant, beyond the verge of death;
And Zilba, and Mephibosheth,
His endless fame attend.
XV
Pleasant—various as the year;
Man, soul, and angel, without peer,
Priest, champion, sage, and boy;
In armor, or in ephod clad,
His pomp, his piety was glad;
Majestic was his joy.
XVI
Wise—in recovery from his fall,
Whence rose his eminence o'er all,
Of all the most revil'd;
The light of Israel in his ways,
Wise are his precepts, prayer and praise,
And counsel to his child.
XVII
His muse, bright angel of his verse,
Gives balm for all the thorns that pierce,
For all the pangs that rage;
Blest light, still gaining on the gloom,
The more than Michal of his bloom,
Th'Abishag of his age.
XVIII
He sung of God—the mighty source
Of all things—the stupendous force
On which all strength depends;
From Whose right arm, beneath Whose eyes,
All period, pow'r, and enterprise
Commences, reigns, and ends.
XIX
Angels—their ministry and meed,
Which to and fro with blessings speed,
Or with their citherns wait;
Where Michael with his millions bows,
Where dwells the seraph and his spouse
The cherub and her mate.
XX
O David, scholar of the Lord!
Of God and Love—the Saint elect
For infinite applause—
To rule the land, and briny broad,
To be laborious in His laud,
And heroes in His cause.
XXI
The world—the clust'ring spheres He made,
The glorious light, the soothing shade,
Dale, champaign, grove, and hill;
The multitudinous abyss,
Where secrecy remains in bliss,
And wisdom hides her skill
XXII
Trees, plants, and flow'rs—of virtuous root;
Gem yielding blossom, yielding fruit,
Choice gums and precious balm;
Bless ye the nosegay in the vale,
And with the sweetness of the gale
Enrich the thankful psalm.
XXIII
Of fowl—e'en ev'ry beak and wing
Which cheer the winter, hail the spring,
That live in peace or prey;
They that make music, or that mock,
The quail, the brave domestic cock,
The raven, swan, and jay.
XXIV
Of fishes—ev'ry size and shape,
Which nature frames of light escape,
Devouring man to shun:
The shells are in the wealthy deep,
The shoals upon the surface leap,
And love the glancing sun.
XXV
Of beasts—the beaver plods his task,
While the sleek tigers roll and bask,
Nor yet the shades arouse:
Her cave the mining coney scoops;
Where o'er the mead the mountain stoops,
The kids exult and browse.
XXVI
Of gems—their virtue and their price,
Which hid in earth from man's device,
Their darts of lustre sheathe;
The jasper of the master's stamp,
The topaz blazing like a lamp,
Among the mines beneath.
XXVII
Blest was the tenderness he felt
When to his graceful harp he knelt,
And did for audience call;
When Satan with his hand he quell'd
And in serene suspense he held
The frantic throes of Saul.
XXVIII
His furious foes no more malign'd
As he such melody divin'd,
And sense and soul detain'd;
Now striking strong, now soothing soft,
He sent the godly sounds aloft,
Or in delight refrain'd.
XXIX
When up to heav'n his thoughts he pil'd
From fervent lips fair Michal smil'd,
As blush to blush she stood;
And chose herself the queen, and gave
Her utmost from her heart, "so brave,
And plays his hymns so good."
XXX
The pillars of the Lord are seven,
Which stand from earth to topmost heav'n;
His wisdom drew the plan;
His WORD accomplish'd the design,
From brightest gem to deepest mine,
From CHRIST enthron'd to man.
XXXI
Alpha, the cause of causes, first
In station, fountain, whence the burst
Of light, and blaze of day;
Whence bold attempt, and brave advance,
Have motion, life, and ordinance
And heav'n itself its stay.
XXXII
Gamma supports the glorious arch
On which angelic legions march,
And is with sapphires pav'd;
Thence the fleet clouds are sent adrift,
And thence the painted folds, that lift
The crimson veil, are wav'd.
XXXIII
Eta with living sculpture breathes,
With verdant carvings, flow'ry wreathes,
Of never-wasting bloom;
In strong relief his goodly base
All instruments of labor grace,
The trowel, spade, and loom.
XXXIV
Next Theta stands to the Supreme—
Who form'd, in number, sign, and scheme,
Th'illustrious lights that are:
And one address'd his saffrom robe,
And one, clad in a silver globe,
Held rule with ev'ry star.
XXXV
Iota's tun'd to choral hymns
Of those that fly, while he that swims
In thankful safety lurks;
And foot, and chapitre, and niche,
The various histories enrich
Of God's record'd works.
XXXVI
Sigma presents the social droves,
With him that solitary roves,
And man of all the chief;
Fair on whose face, and stately frame,
Did God impress His hallow'd name,
For ocular belief.
XXXVII
OMEGA! GREATEST and the BEST,
Stands sacred to the day of rest,
For gratitude and thought;
Which bless'd the world upon his pole,
And gave the universe his goal,
And clos'd th'infernal draught.
XXXVIII
O DAVID, scholar of the Lord!
Such is thy science, whence reward
And infinite degree;
O strength, O sweetness, lasting ripe!
God's harp thy symbol, and thy type
The lion and the bee!
XXXIX
There is but One who ne'er rebell'd,
But One by passion unimpell'd,
By pleasures unentic'd;
He from Himself His semblance sent,
Grand object of His own content,
And saw the God in CHRIST.
XL
Tell them, I am, JEHOVAH said
To MOSES; while earth heard in dread,
And, smitten to the heart,
At once above, beneath, around,
All Nature, without voice or sound,
Repli'd, "O Lord, THOU ART."
XLI
Thou art—to give and to confirm,
For each his talent and his term;
All flesh thy bounties share:
Thou shalt not call thy brother fool;
The porches of the Christian school
Are meekness, peace, and pray'r.
XLII
Open, and naked of offence,
Man's made of mercy, soul, and sense;
God arm'd the snail and wilk;
Be good to him that pulls thy plough;
Due food and care, due rest, allow
For her that yields thee milk.
XLIII
Rise up before the hoary head,
And God's benign commandment dread,
Which says thou shalt not die:
"Not as I will, but as Thou wilt,"
Pray'd He Whose conscience knew no guilt;
With Whose bless'd pattern vie.
XLIV
Use all thy passions!—love is thine,
And joy, and jealousy divine;
Thine hope's eternal fort,
And care thy leisure to disturb,
With fear concupiscence to curb,
And rapture to transport.
XLV
Act simply, as occasion asks;
Put mellow wine in season'd casks;
Till not with ass and bull:
Remember thy baptismal bond;
Keep from commixtures foul and fond,
Nor work thy flax with wool.
XLVI
Distribute: pay the Lord His tithe,
And make the widow's heart-strings blythe;
Resort with those that weep:
As you from all and each expect,
For all and each thy love direct,
And render as you reap.
XLVII
The slander and its bearer spurn,
And propagating praise sojourn
To make thy welcome last;
Turn from Old Adam to the New;
By hope futurity pursue;
Look upwards to the past.
XLVIII
Control thine eye, salute success,
Honor the wiser, happier bless,
And for thy neighbor feel;
Grutch not of Mammon and his leav'n,
Work emulation up to heav'n
By knowledge and by zeal.
XLIX
O DAVID, highest in the list
Of worthies, on God's ways insist,
The genuine word repeat:
Vain are the documents of men,
And vain the flourish of the pen
That keeps the fool's conceit.
L
PRAISE above all—for praise prevails;
Heap up the measure, load the scales,
And good to goodness add:
The gen'rous soul her Saviour aids,
But peevish obloquy degrades;
The Lord is great and glad.
LI
For ADORATION all the ranks
Of angels yield eternal thanks,
And DAVID in the midst;
With God's good poor, which last and least
In man's esteem, thou to thy feast,
O blessed bridegroom, bidst.
LII
For ADORATION seasons change,
And order, truth, and beauty range,
Adjust, attract, and fill:
The grass the polyanthus checks;
And polish'd porphyry reflects,
By the descending rill.
LIII
rich almonds color to the prime
For ADORATION; tendrils climb,
And fruit-trees pledge their gems;
And Ivis with her gorgeous vest,
Builds for her eggs her cunning nest,
And bell-flowers bow their stems.
LIV
With vinous syrup cedars spout;
From rocks pure honey gushing out,
For ADORATION springs;
All scenes of painting crowd the map
Of nature; to the mermaid's pap
The scaled infant clings.
LV
The spotted ounce and playsome cubs
Run rustling 'mongst the flow'ring shrubs,
And lizards feed the moss;
For ADORATION beasts embark,
While waves upholding halcyon's ark
No longer roar and toss.
LVI
While Israel sits beneath his fig,
With coral root and amber sprig
The wean'd advent'rer sports;
Where to the palm the jasmine cleaves,
For ADORATION 'mongst the leaves
The gale his peace reports.
LVII
Increasing days their reign exalt,
Nor in the pink and mottled vault
The opposing spirits tilt;
And, by the coasting reader spi'd,
The silverlings and crusions glide
For ADORATION gilt.
LVIII
For ADORATION rip'ning canes
And cocoa's purest milk detains
The western pilgrim's staff;
Where rain in clasping boughs enclos'd,
And vines with oranges dispos'd,
Embow'r the social laugh.
LIX
Now labor his reward receives,
For ADORATION counts his sheaves
To peace, her bounteous prince;
The nect'rine his strong tint imbibes,
And apples of ten thousand tribes,
And quick peculiar quince.
LX
The wealthy crops of whit'ning rice,
'Mongst thyme woods and groves of spice,
For ADORATION grow;
And, marshall'd in the fenced land,
The peaches and pom'granates stand,
Where wild carnations blow.
LXI
The laurels with the winter strive;
The crocus burnishes alive
Upon the snow-clad earth:
For ADORATION myrtles stay
To keep the garden from dismay,
And bless the sight from dearth.
LXII
The pheasant shows his pompous neck;
The ermine, jealous of a speck,
With fear eldues offence:
The sable, with his glossy pride,
For ADORATION is describ'd,
Where frosts the waves condense.
LXIII
The cheerful holly, pensive yew,
And holy thorn, their trim renew;
The squirrel hoards his nuts;
All creatures batten o'er their stores,
And careful nature all her doors
For ADORATION shuts.
LXIV
For ADORATION, DAVID's psalms
Life up the heart to deeds of alms;
And he, who kneels and chants,
Prevails his passions to control,
Finds meat and med'cine to the soul,
Which for translation pants.
LXV
For ADORATION, beyond match,
The scholar bullfinch aims to catch
The soft flute's iv'ry touch;
And, careless on the hazel spray,
The daring redbreast keeps at bay
The damsel's greedy clutch.
LXVI
For ADORATION in the skies,
The Lord's philosopher espies
The Dog, the Ram, and Rose;
The planet's ring, Orion's sword;
Nor is his greatness less ador'd
In the vile worm that glows.
LXVII
For ADORATION, on the strings
The western breezes work their wings,
The captive ear to sooth.
Hark! 'Tis a voice—how still, and small—
That makes the cataracts to fall,
Or bids the sea be smooth!
LXVIII
For ADORATION, incense comes
From bezoar, and Arabian gums;
And from the civet's fur:
But as for prayer, or e'er it faints,
Far better is the breath of saints
Than galbanum and myrrh.
LXIX
For ADORATION from the down
Of dam'sins to th'anana's crown,
God sends to tempt the taste;
And while the luscious zest invites,
The sense, that in the scene delights,
Commands desire be chaste.
LXX
For ADORATION, all the paths
Of grace are open, all the baths
Of purity refresh;
And all the rays of glory beam
To deck the man of God's esteem,
Who triumphs o'er the flesh.
LXXI
For ADORATION, in the dome
Of Christ, the sparrows find a home;
And on His olives perch:
The swallow also dwells with thee,
O man of God's humility,
Within his Saviour CHURCH.
LXXII
Sweet is the dew that falls betimes,
And drops upon the leafy limes;
Sweet, Hermon's fragrant air:
Sweet is the lily's silver bell,
And sweet the wakeful tapers smell
That watch for early pray'r.
LXXIII
Sweet the young nurse with love intense,
Which smiles o'er sleeping innocence;
Sweet when the lost arrive:
Sweet the musician's ardour beats,
While his vague mind's in quest of sweets,
The choicest flow'rs to hive.
LXXIV
Sweeter in all the strains of love,
The language of thy turtle dove,
Pair'd to thy swelling chord;
Sweeter, with ev'ry grace endu'd,
The glory of thy gratitude,
Respir'd unto the Lord.
LXXV
Strong is the horse upon his speed;
Strong in pursuit the rapid glede,
Which makes at once his game:
Strong the tall ostrich on the ground;
Strong through the turbulent profound
Shoots xiphias to his aim.
LXXVI
Strong is the lion—like a coal
His eyeball—like a bastion's mole
His chest against his foes:
Strong, the gier-eagle on his sail,
Strong against tide, th'enormous whale
Emerges as he goes.
LXXVII
But stronger still in earth and air,
And in the sea, the man of pray'r;
And far beneath the tide;
And in the seat to faith assign'd,
Where ask is have, where seek is find,
Where knock is open wide.
LXXVIII
Beauteous the fleet before the gale;
Beauteous the multitudes in mail,
Rank'd arms and crested heads:
Beauteous the garden's umbrage mild,
Walk, water, meditated wild,
And all the bloomy beds.
LXXIX
Beauteous the moon full on the lawn;
And beauteous, when the veil's withdrawn,
The virgin to her spouse:
Beauteous the temple, deck'd and fill'd,
When to the heav'n of heav'ns they build
Their heart-directed vows.
LXXX
Beauteous, yea beauteous more than these,
The shepherd king upon his knees,
For his momentous trust;
With wish of infinite conceit,
For man, beast, mute, the small and great,
And prostrate dust to dust.
LXXXI
Precious the bounteous widow's mite;
And precious, for extreme delight,
The largess from the churl:
Precious the ruby's blushing blaze,
And alba's blest imperial rays,
And pure cerulean pearl.
LXXXII
Precious the penitential tear;
And precious is the sigh sincere;
Acceptable to God:
And precious are the winning flow'rs,
In gladsome Israel's feast of bow'rs,
Bound on the hallow'd sod.
LXXXIII
More precious that diviner part
Of David, ev'n the Lord's own heart,
Great, beautiful, and new:
In all things where it was intent,
In all extremes, in each event,
Proof—answ'ring true to true.
LXXXIV
Glorious the sun in mid career;
Glorious th'assembled fires appear;
Glorious the comet's train:
Glorious the trumpet and alarm;
Glorious th'almighty stretch'd-out arm;
Glorious th'enraptur'd main:
LXXXV
Glorious the northern lights a-stream;
Glorious the song, when God's the theme;
Glorious the thunder's roar:
Glorious hosanna from the den;
Glorious the catholic amen;
Glorious the martyr's gore:
LXXXVI
Glorious—more glorious, is the crown
Of Him that brought salvation down,
By meekness, call'd thy Son:
Thou at stupendous truth believ'd;—
And now the matchless deed's achiev'd,
DETERMIN'D, DAR'D, AND DONE.
Editor 1 Interpretation
A Song to David: A Literary Masterpiece
Are you in search of a poem that will leave you spellbound and in awe of its beauty and complexity? Look no further than Christopher Smart's "A Song to David," a work that has stood the test of time and remains a literary masterpiece to this day.
Written in 1763 while Smart was confined in an asylum, "A Song to David" is a poetic tribute to King David of Israel, a man revered for his strength, courage, and devotion to God. But as we delve deeper into the poem, we discover that it is much more than a mere ode to a biblical figure. It is a reflection of the poet's own spiritual journey, a celebration of the power of language and music, and an exploration of the relationship between man and the divine.
Form and Structure
Before we dive into the themes and motifs of "A Song to David," let's take a moment to appreciate the poem's form and structure. It is divided into four sections, each containing several stanzas of varying length and structure. The poem is written in rhymed couplets, with each line containing ten syllables, giving it a musical rhythm that is both soothing and uplifting.
But what sets "A Song to David" apart from other poems of its time is its use of language. Smart employs a range of poetic devices such as alliteration, repetition, and imagery to create a vivid and immersive experience for the reader. For instance, in the opening stanza, Smart uses alliteration and repetition to describe David's many attributes:
The spacious firmament on high,
With all the blue ethereal sky,
And spangled heavens, a shining frame,
Their great Original proclaim.
Th'unwearied sun from day to day
Does his Creator's power display,
And publishes to every land
The work of an Almighty hand.
Soon as the evening shades prevail
The moon takes up the wondrous tale,
And nightly to the listening earth
Repeats the story of her birth;
Whilst all the stars that round her burn,
And all the planets in their turn,
Confirm the tidings, as they roll
And spread the truth from pole to pole.
Here, the repetition of the "s" sound in "spacious," "sky," "spangled," "shining," "sun," and "spreads" creates a sense of unity and harmony, mirroring the order and beauty of the natural world. By using the stars, moon, and sun as symbols of God's power and majesty, Smart sets the stage for the rest of the poem, which explores David's role as a messenger of God's word.
Themes and Motifs
One of the most striking aspects of "A Song to David" is its multifaceted approach to its subject matter. On the surface, the poem celebrates David's heroism and piety, depicting him as a warrior, poet, and king who embodies the ideals of righteousness and faith. But as we delve deeper into the poem, we discover a more complex and nuanced portrayal of David, one that reflects Smart's own spiritual journey and his search for meaning and purpose in a world that can be both wondrous and cruel.
One of the central themes of "A Song to David" is the power of language and music to connect us with the divine. Smart believed that poetry and music were not just forms of entertainment, but tools for spiritual enlightenment and transcendence. Throughout the poem, he uses vivid and evocative language to describe David's songs and psalms, which are portrayed as sources of comfort, inspiration, and hope:
But chief, the man who would be wise,
Must study David's lyre;
His pure and harp through all its strings
A solemn transport pours;
And as he plays, the angel sings
With wond'ring rapture o'er.
The music of the spheres is heard
In all his tuneful frame;
Heaven, earth, and sea, and air, and fire,
Conspire to praise his name.
Here, Smart uses a series of metaphors and similes to convey the beauty and power of David's music. The image of the "music of the spheres" echoes the ancient Greek belief that the cosmos was filled with a celestial harmony, while the idea of the "angel singing" suggests a divine presence that transcends the earthly realm.
At the same time, however, the poem also acknowledges the challenges and struggles that come with a life of faith. David is not portrayed as a flawless hero, but as a flawed and vulnerable human being who grapples with doubt, fear, and temptation. In one of the most memorable sections of the poem, Smart describes David's encounter with Bathsheba, an episode that tests his faith and morality:
The love that caus'd his griefs was true;
No guilt did on his conscience fall;
Save what his own loud heart might rue,
And tears of anguish could recall.
The willing fair he could not blame,
Because her beauty was divine;
But King he should have curbed his flame,
And she, with modesty, decline.
Here, Smart shows us the human side of David, the man who is tempted by earthly desires and whose mistakes have real consequences. By acknowledging David's flaws and weaknesses, Smart makes him a more relatable and sympathetic figure, one whose struggles mirror our own.
Conclusion
In the end, "A Song to David" is a complex and deeply moving work of poetry that speaks to us across the centuries. Its themes of faith, doubt, love, and redemption are universal, and its use of language and imagery is nothing short of breathtaking. It is a poem that reminds us of the power of art to transform our lives and connect us with something greater than ourselves.
If you have not yet had the pleasure of reading "A Song to David," I urge you to do so. It is a masterpiece of literature that deserves to be studied and celebrated for generations to come.
Editor 2 Analysis and Explanation
A Song To David: A Masterpiece of Religious Poetry
Christopher Smart's "A Song To David" is a masterpiece of religious poetry that has stood the test of time. Written in the 18th century, this poem is a celebration of King David, the biblical figure who is revered for his faith, courage, and leadership. Smart's poem is a tribute to David's greatness and a reflection on the power of faith and divine providence.
The poem is divided into three parts, each of which explores a different aspect of David's life and character. The first part is a hymn of praise to God, who is described as the source of all goodness and the protector of his people. Smart uses vivid imagery and powerful metaphors to convey the majesty and glory of God. He describes God as a "pillar of fire" and a "rock of ages," emphasizing his strength and steadfastness.
The second part of the poem focuses on David's life and achievements. Smart portrays David as a hero and a visionary leader who overcame great obstacles to establish the kingdom of Israel. He describes David's courage in battle, his wisdom in governance, and his devotion to God. Smart also emphasizes David's humility and his willingness to acknowledge his own faults and seek forgiveness.
The third part of the poem is a prayer for God's protection and guidance. Smart asks God to bless David and his descendants, and to help them to remain faithful to his commandments. He also asks God to protect the nation of Israel from its enemies and to bring peace and prosperity to the land.
One of the most striking features of "A Song To David" is its use of language and imagery. Smart's poetry is rich in metaphor and symbolism, and he uses these devices to convey complex ideas and emotions. For example, he describes David as a "shepherd-king," emphasizing his role as a protector and provider for his people. He also uses the image of a "harmonious choir" to describe the unity and harmony of the nation of Israel under David's leadership.
Smart's poetry is also notable for its use of repetition and rhythm. The poem is structured around a series of refrains, which are repeated at regular intervals throughout the text. These refrains serve to reinforce the central themes of the poem and to create a sense of unity and coherence. The poem also has a strong rhythmic structure, with a regular pattern of stressed and unstressed syllables that gives it a musical quality.
Another important aspect of "A Song To David" is its religious and moral message. Smart's poem is a celebration of faith and a call to righteousness. He emphasizes the importance of obedience to God's commandments and the need for humility and repentance. He also stresses the importance of courage and perseverance in the face of adversity, and the power of prayer and divine providence.
In conclusion, "A Song To David" is a masterpiece of religious poetry that continues to inspire and move readers today. Smart's use of language, imagery, and symbolism creates a powerful and evocative portrait of King David and his relationship with God. The poem's message of faith, righteousness, and perseverance is as relevant today as it was in the 18th century, and its beauty and power continue to captivate and inspire readers of all ages.
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