'Limits' by Jorge Luis Borges


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Of all the streets that blur in to the sunset,
There must be one (which, I am not sure)
That I by now have walked for the last time
Without guessing it, the pawn of that Someone

Who fixes in advance omnipotent laws,
Sets up a secret and unwavering scale
for all the shadows, dreams, and forms
Woven into the texture of this life.

If there is a limit to all things and a measure
And a last time and nothing more and forgetfulness,
Who will tell us to whom in this house
We without knowing it have said farewell?

Through the dawning window night withdraws
And among the stacked books which throw
Irregular shadows on the dim table,
There must be one which I will never read.

There is in the South more than one worn gate,
With its cement urns and planted cactus,
Which is already forbidden to my entry,
Inaccessible, as in a lithograph.

There is a door you have closed forever
And some mirror is expecting you in vain;
To you the crossroads seem wide open,
Yet watching you, four-faced, is a Janus.

There is among all your memories one
Which has now been lost beyond recall.
You will not be seen going down to that fountain
Neither by white sun nor by yellow moon.

You will never recapture what the Persian
Said in his language woven with birds and roses,
When, in the sunset, before the light disperses,
You wish to give words to unforgettable things.

And the steadily flowing Rhone and the lake,
All that vast yesterday over which today I bend?
They will be as lost as Carthage,
Scourged by the Romans with fire and salt.

At dawn I seem to hear the turbulent
Murmur of crowds milling and fading away;
They are all I have been loved by, forgotten by;
Space, time, and Borges now are leaving me.


Translation by Alastair Reid

Editor 1 Interpretation

The Beauty of Limits: A Literary Criticism of "Limits" by Jorge Luis Borges

As a literary enthusiast, I've always been fascinated by the works of Jorge Luis Borges. And one of the most intriguing poems he ever wrote is "Limits." This poem is not only a perfect example of his unique style but also a masterpiece that leaves readers with so much to think about.

In this literary criticism, I aim to provide a detailed interpretation of "Limits", highlighting the themes, imagery, and literary devices employed by Borges in the poem.

A Summary of "Limits"

"Limits" is a poem that explores the idea of infinity and its relationship with human nature. It is a philosophical poem that challenges the reader to rethink their perception of time, space, and reality. The poem is divided into three stanzas, each of which presents a unique perspective on infinity.

In the first stanza, Borges presents the concept of "the blue sky," an endless expanse that stretches beyond our comprehension. He notes that the sky is infinite, but our perception of it is limited by our physical and mental capabilities. He compares the sky to the concept of God, which also transcends human understanding.

In the second stanza, Borges introduces the idea of a map that is also infinite. He notes that a map can be drawn to represent any part of the world, but it can never capture the totality of the Earth. The map is a representation of reality, but it is not reality itself. Borges suggests that the search for knowledge is infinite, and we can never truly know everything.

In the third and final stanza, Borges explores the relationship between time and infinity. He notes that time is infinite, and it is constantly moving forward, leading to the inevitable end of all things. He suggests that our existence is limited by time, and we must accept this limitation to appreciate the beauty of life.

Themes and Imagery in "Limits"

One of the central themes in "Limits" is the idea of infinity and its relationship with human nature. Borges explores how our perception of infinity is limited by our physical and mental capabilities. He notes that we can never truly comprehend the vastness of the universe or the complexity of reality. This theme is highlighted in the first stanza, where Borges uses the imagery of the "blue sky" to convey the idea of an infinite expanse. He compares this to our perception of God, suggesting that both are beyond human understanding.

Another theme in "Limits" is the idea of knowledge and its limitations. Borges suggests that the search for knowledge is infinite, and we can never truly know everything. This theme is highlighted in the second stanza, where Borges uses the imagery of a map to convey the idea that our understanding of reality is limited. He notes that a map can only represent a portion of the world, and it can never capture the totality of the Earth. This theme is also related to the idea of perception, as Borges suggests that our understanding of reality is shaped by our limited perception.

Finally, Borges explores the theme of time and its relationship with infinity. He notes that time is infinite and constantly moving forward, leading to the inevitable end of all things. This theme is highlighted in the third stanza, where Borges uses the imagery of the "sea" to convey the idea of time as a vast and relentless force. He notes that our existence is limited by time, and we must accept this limitation to appreciate the beauty of life.

Literary Devices in "Limits"

Borges employs several literary devices in "Limits" to convey his themes and ideas. One of the most prominent devices is imagery, which he uses to create vivid and powerful descriptions that evoke the reader's imagination. For example, in the first stanza, Borges uses the imagery of the "blue sky" to convey the idea of an infinite expanse. In the second stanza, he uses the imagery of a map to convey the limitations of our understanding of reality. And in the third stanza, he uses the imagery of the "sea" to convey the vastness and relentlessness of time.

Another literary device that Borges employs is repetition, which he uses to create a sense of rhythm and emphasis. For example, in the first stanza, he repeats the phrase "sky of blue" to create a sense of continuity and infinity. In the second stanza, he repeats the phrase "endless nations" to convey the idea of infinite diversity. And in the third stanza, he repeats the phrase "always" to convey the idea of time as a constant and infinite force.

Borges also employs symbolism in "Limits," using objects and concepts to represent larger themes and ideas. For example, in the first stanza, he uses the concept of God to represent the idea of infinity, and in the second stanza, he uses the map to represent our understanding of reality. Finally, in the third stanza, he uses the sea to represent the vastness and relentlessness of time.

Interpretation of "Limits"

"Limits" is a complex and philosophical poem that challenges the reader to rethink their perception of time, space, and reality. At its core, the poem suggests that our understanding of reality is limited by our physical and mental capabilities, and that we can never truly comprehend the vastness of the universe or the complexity of existence.

Borges suggests that the search for knowledge is infinite, and we can never truly know everything. This idea is highlighted in the second stanza, where he uses the imagery of a map to convey the limitations of our understanding of reality. He notes that a map can only represent a portion of the world, and it can never capture the totality of the Earth. This theme is also related to the idea of perception, as Borges suggests that our understanding of reality is shaped by our limited perception.

Finally, Borges explores the idea of time as a vast and relentless force that limits our existence. He notes that our perception of time is limited by our physical and mental capabilities, and that we must accept this limitation to appreciate the beauty of life. This theme is highlighted in the third stanza, where he uses the imagery of the "sea" to convey the idea of time as a vast and relentless force.

Overall, "Limits" is a powerful and thought-provoking poem that challenges the reader to rethink their perception of reality. Borges employs vivid imagery, repetition, and symbolism to convey his themes and ideas, creating a poem that is both beautiful and profound.

Editor 2 Analysis and Explanation

Limits: A Poem of Infinite Possibilities

Jorge Luis Borges, the Argentine writer, poet, and philosopher, is known for his profound and imaginative works that explore the nature of reality, time, and identity. His poem "Limits" is a masterpiece of poetic expression that captures the essence of human existence and the limits of our knowledge and imagination.

The poem begins with a simple statement: "Of all the things that man can do, the most important is to imagine." This line sets the tone for the rest of the poem, which is a meditation on the power and limitations of human imagination. Borges suggests that imagination is the key to unlocking the mysteries of the universe, but at the same time, it is limited by our own perceptions and experiences.

The poem is divided into three stanzas, each of which explores a different aspect of human imagination. In the first stanza, Borges describes the vastness of the universe and the infinite possibilities that exist beyond our limited understanding. He writes:

"To think of the infinite Is to tremble in fear and awe, To imagine the unimaginable, To see what cannot be seen."

Borges suggests that the infinite is beyond our comprehension, and that our attempts to understand it are limited by our own finite minds. He uses the metaphor of a "sea without shores" to describe the vastness of the universe, and suggests that our imagination is like a ship that can only sail so far before it reaches its limits.

In the second stanza, Borges explores the limitations of human perception and experience. He writes:

"To think of limits Is to see the invisible, To hear the inaudible, To touch the intangible."

Borges suggests that our perception of reality is limited by our own senses, and that there are things that exist beyond our ability to perceive them. He uses the metaphor of a "wall of darkness" to describe the limits of our perception, and suggests that our imagination can only take us so far before we reach this wall.

In the final stanza, Borges suggests that the true power of imagination lies in its ability to transcend these limits and explore the unknown. He writes:

"To think of the impossible Is to open the door to the possible, To see what cannot be seen, To hear the inaudible, To touch the intangible."

Borges suggests that imagination is the key to unlocking the mysteries of the universe, and that by imagining the impossible, we can open the door to new possibilities and discoveries. He uses the metaphor of a "door of dreams" to describe the power of imagination, and suggests that it is through this door that we can transcend our own limitations and explore the unknown.

In conclusion, "Limits" is a profound and thought-provoking poem that explores the power and limitations of human imagination. Borges suggests that imagination is the key to unlocking the mysteries of the universe, but at the same time, it is limited by our own perceptions and experiences. He uses powerful metaphors and imagery to convey his message, and the result is a poem that is both beautiful and profound. As we contemplate the limits of our own imagination, we are reminded of the infinite possibilities that exist beyond our understanding, and the importance of continuing to explore the unknown.

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