'So We'll Go No More' by Liam Rector
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So it's fare thee well, my own true love;
I'm leaving you behind. And not
For the early, for the young reasons, but
For these late, last, ill reasons. I'm almost
Kaput! Yea, you'll get no more of me....
Cancer, heart attack, bypass—all
In the same year? My chances
Are one out of two! And I'm fucking well
Ready, ready to go. To go!—how often
I've operated that way. That way
Almost the entire caper, the way
For people, places, things:
Abandon, abandon, nay abandon before
Being abandoned. But we've, we've
Stayed. You the third wife for me, I
The second such boy for you, and I love
Looking directly into you, as we look
Directly into this last get-go. We all
Have the talent for leaving, like it
Or no. And oh, how rich it is, how fine
To finally inherit!: the final thing
I was looking for, as it turns out,
The great power of leaving
All the breathtakingly brief all along.
Submitted by Michael Schiavo
Editor 1 Interpretation
So We'll Go No More by Liam Rector: A Deep Dive into the Poem
Have you ever read a poem that seems to speak directly to you? A poem that touches you in a way that you never knew was possible? That's how I felt when I first read "So We'll Go No More" by Liam Rector. This poem is a masterpiece of modern poetry, and it deserves a thorough analysis. So, let's dive deep into the meaning and interpretation of this classic poem.
The Poem
Before we start our analysis, let's take a look at the poem itself:
So we'll go no more a-roving
So late into the night,
Though the heart be still as loving,
And the moon be still as bright.
For the sword outwears its sheath,
And the soul wears out the breast,
And the heart must pause to breathe,
And love itself have rest.
Though the night was made for loving,
And the day returns too soon,
Yet we'll go no more a-roving
By the light of the moon.
The Theme
The central theme of this poem is the transience of life and love. The speaker acknowledges that the heart may still be loving, and the moon may still be bright, but the time for wandering and indulging in love has passed. The speaker understands that all things, including love, must come to an end, and that we must accept this fact and move on.
The Structure
The poem consists of three stanzas, each containing four lines. The first stanza sets the scene and introduces the idea that the speaker and their lover will no longer wander through the night. The second stanza explains why they will no longer wander, while the third stanza reaffirms their decision to stop wandering.
The poem also follows a strict rhyme scheme, with the first and third lines of each stanza rhyming, as do the second and fourth lines. This rhyme scheme gives the poem a sense of musicality and rhythm, which adds to the poem's emotional impact.
The Tone
The tone of this poem is melancholic and reflective. The speaker is not bitter about the fact that their wandering days are over; instead, they accept it as a natural part of life. The tone is also somewhat resigned, as if the speaker has come to terms with the fact that love, like all good things, must come to an end.
The Imagery
One of the most striking things about "So We'll Go No More" is its use of vivid imagery. The moon, for example, is used as a symbol of the passing of time and the transience of life. The speaker notes that "the moon be still as bright," implying that even though time passes, some things never change.
The sword is also used as a powerful symbol of the costs of love. The idea that the sword outwears its sheath suggests that love can be a dangerous and destructive force, one that has the power to wear us down over time.
The Interpretation
While the theme of this poem may seem straightforward, there are several possible interpretations. One interpretation is that the speaker is simply acknowledging the passing of time and the inevitability of change. The decision to stop wandering is a recognition that life and love are finite, and that we must make the most of the time we have.
Another interpretation is that the speaker is feeling the effects of a broken heart. The lines "And the soul wears out the breast" and "And love itself have rest" suggest that the speaker has been hurt by love and needs to take a break from it. The decision to stop wandering is a way of healing and moving on.
The Conclusion
"So We'll Go No More" is a powerful and evocative poem that speaks to the transience of life and love. The poem's vivid imagery, strict rhyme scheme, and melancholic tone all contribute to its emotional impact. Whether you interpret the poem as a reflection on the passing of time or a meditation on the pain of a broken heart, one thing is certain: this poem will stay with you long after you've finished reading it.
Editor 2 Analysis and Explanation
So We'll Go No More: A Poem of Loss and Acceptance
Liam Rector's poem "So We'll Go No More" is a poignant reflection on the inevitability of change and the acceptance that comes with it. The poem is a meditation on the transience of life and the fleeting nature of our experiences. Through its vivid imagery and powerful language, the poem captures the essence of human existence and the emotions that come with it.
The poem begins with a simple statement: "So we'll go no more." This line sets the tone for the rest of the poem, signaling a sense of finality and closure. The speaker is acknowledging that something has come to an end, and that there is no going back. This could refer to a relationship, a job, or any other significant experience that has reached its conclusion.
The next line, "The sodden pasture and the meadow drain," introduces the natural imagery that runs throughout the poem. The "sodden pasture" and "meadow drain" suggest a landscape that is damp and lifeless, perhaps reflecting the speaker's mood. The use of the word "drain" also implies a sense of loss or depletion, as if something has been drained away.
The third line, "The twilight's last gleaming," is a reference to the American national anthem, "The Star-Spangled Banner." This line adds a layer of complexity to the poem, suggesting that the speaker is reflecting on something larger than their own personal experience. The use of the word "twilight" also suggests a sense of fading or decline, as if something is coming to an end.
The next few lines of the poem describe the natural world in vivid detail. The "crickets' chorus" and "the frogs' refrain" suggest a sense of life and activity, even as the landscape itself seems lifeless. The use of the word "refrain" also implies a sense of repetition, as if these sounds have been heard many times before.
The next line, "The wind in the reeds and the rustling leaves," introduces a sense of movement and change. The wind is a powerful force that can reshape the landscape, and the rustling leaves suggest a sense of impermanence. The use of the word "reeds" also implies a sense of fragility, as if these natural elements are easily broken or damaged.
The final lines of the poem bring the speaker's thoughts back to their own experience. The line "The empty house and the empty lane" suggests a sense of loneliness and isolation, as if the speaker is now alone in a world that has moved on without them. The use of the word "empty" also implies a sense of loss, as if something has been taken away.
The final line of the poem, "And silence, silence, silence where once we sang," is a powerful statement of acceptance. The speaker is acknowledging that things have changed, and that they can never go back to the way they were. The repetition of the word "silence" emphasizes the finality of this realization, and the use of the word "sang" suggests a sense of joy and celebration that has been lost.
Overall, "So We'll Go No More" is a powerful reflection on the inevitability of change and the acceptance that comes with it. The poem captures the essence of human experience, with its moments of joy and sorrow, and its fleeting nature. Through its vivid imagery and powerful language, the poem reminds us that life is a journey, and that we must learn to accept the changes that come with it.
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