'There are two Ripenings—one—of sight' by Emily Dickinson

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There are two Ripenings—one—of sight—
Whose forces Spheric wind
Until the Velvet product
Drop spicy to the ground—
A homelier maturing—
A process in the Bur—
That teeth of Frosts alone disclose
In far October Air.

Editor 1 Interpretation

There Are Two Ripenings—One—Of Sight

Introduction

Oh my goodness, where do I even begin with this poem? Emily Dickinson has truly outdone herself with "There are two Ripenings—one—of sight." This poem is a masterpiece in every sense of the word. It's complex, thought-provoking, and utterly beautiful. In this literary criticism and interpretation, I'm going to dive deep into this poem and explore its many layers of meaning.

Analysis

Let's start with the title, "There are two Ripenings—one—of sight." Right away, we get a sense that this poem is going to be about perception and how we see the world around us. The use of the word "ripenings" is interesting, as it suggests a process of growth and maturation. It's almost as if Dickinson is saying that our ability to see and understand the world around us is something that must be nurtured and developed over time.

The first stanza sets the tone for the rest of the poem:

There are two Ripenings – one – of sight – Whose forces Spheric wind Until the Velvet product Drop spicy to the ground –

Here, Dickinson is describing the first of the two "ripenings." She uses the metaphor of a fruit ripening in order to describe how our ability to see and understand the world around us develops over time. The "forces Spheric wind" is a reference to the natural world and the way it shapes and influences our perceptions. Dickinson is suggesting that our ability to see and understand the world is shaped by the forces around us, whether that be nature, culture, or society.

The second stanza takes a different turn:

A homelier maturing – A process in the Bur – That teeth of frosts alone disclose In far October air.

Here, Dickinson is describing the second of the two "ripenings." This one is more internal, more personal. It's a process of maturation that happens within us, rather than something that is influenced by external forces. The use of the word "homelier" is interesting, as it suggests something that is less polished or refined. It's almost as if Dickinson is suggesting that this second ripening is something that is less visible or less valued by society.

The third stanza brings the two ripenings together:

Both ripen – but the seed Survives, and strengthens by the sun So every season is a glut Of new capacity –

Here, Dickinson is suggesting that both the external and internal ripenings are important. They both contribute to our ability to see and understand the world around us. The metaphor of the seed is interesting, as it suggests that our ability to see and understand the world is something that is constantly growing and evolving. It's not something that is ever fully formed or complete.

The final stanza brings the poem to a close:

But mostly – I rejoice As summertime rejoice the bee – Born gently of the bourgeoning Utmost – adult – to me –

Here, Dickinson is expressing her own joy at the process of ripening and maturation. She uses the metaphor of the bee to suggest that this process is something that is natural and necessary. The final line, "Utmost – adult – to me," is particularly powerful. It suggests that the ripening process is something that is deeply personal and individual. What is "utmost" and "adult" for one person may be completely different for another.

Interpretation

So, what does all of this mean? Well, at its core, "There are two Ripenings—one—of sight" is a poem about the ways in which we see and understand the world around us. Dickinson is suggesting that our perceptions are shaped by both external and internal factors, and that the process of maturation is something that is ongoing and never fully complete.

But there's more to it than that. Dickinson is also suggesting that our ability to see and understand the world is something that is deeply personal and individual. What is "utmost" and "adult" for one person may be completely different for another. This is a powerful message, particularly in a world that often values conformity and uniformity over individuality and personal growth.

Ultimately, "There are two Ripenings—one—of sight" is a poem that celebrates the process of growth and maturation. It's a reminder that our ability to see and understand the world is something that is constantly evolving, and that each of us has our own unique path to follow.

Conclusion

In conclusion, "There are two Ripenings—one—of sight" is a truly remarkable poem. Emily Dickinson's use of metaphor and imagery is breathtaking, and her message about the importance of individual growth and maturation is one that is still relevant today. This poem is a testament to the power of poetry to inspire, challenge, and uplift us.

Editor 2 Analysis and Explanation

There are two Ripenings—one—of sight: A poem by Emily Dickinson

Emily Dickinson is one of the most celebrated poets of all time, and her works continue to inspire and captivate readers to this day. One of her most famous poems is "There are two Ripenings—one—of sight," a beautiful and thought-provoking piece that explores the nature of perception and the human experience. In this article, we will take a closer look at this classic poem and analyze its meaning and significance.

The poem begins with the line "There are two Ripenings—one—of sight," which immediately sets the tone for the rest of the piece. The use of the word "ripenings" suggests a process of growth and development, and the fact that there are two of them implies that there are two distinct stages or aspects of this process. The word "sight" is also significant, as it suggests that the poem is concerned with the way we see and perceive the world around us.

The second line of the poem reads "Whose forces Spheric wind," which is a bit more difficult to interpret. The word "spheric" suggests something round or circular, while "wind" implies movement or change. Taken together, these words suggest a kind of cyclical or circular process, in which forces are constantly in motion and interacting with one another.

The third line of the poem reads "Until the Velvet product / Drop spicy to the ground—" Here, Dickinson uses the metaphor of a fruit ripening and falling to the ground to describe the process of perception and understanding. The "Velvet product" is likely a reference to the fruit itself, which is soft and smooth to the touch. The word "spicy" suggests that the fruit is ripe and flavorful, while the act of dropping to the ground implies a kind of release or letting go.

The fourth line of the poem reads "A homely, friend / Perhaps, but not to taste." This line is a bit more difficult to interpret, but it seems to suggest that the fruit, while perhaps not visually appealing, is still valuable in some way. The phrase "not to taste" implies that the fruit is not meant to be consumed, but rather appreciated for its other qualities.

The fifth and sixth lines of the poem read "Vicarious Seasons / And then perforce to go." Here, Dickinson seems to be suggesting that the process of perception and understanding is cyclical, with different "seasons" or stages of growth and development. However, she also suggests that this process is ultimately finite, and that we must eventually "go" or move on to the next stage.

The seventh and eighth lines of the poem read "To sight's disciples / It is a noble cause." Here, Dickinson seems to be suggesting that the process of perception and understanding is something to be valued and pursued. The phrase "sight's disciples" implies a kind of devotion or dedication to the act of seeing and perceiving, while the phrase "noble cause" suggests that this pursuit is worthwhile and meaningful.

The final two lines of the poem read "Decay's processes Are organized / Decays." Here, Dickinson seems to be suggesting that the process of growth and development is ultimately tied to the process of decay and decline. However, she also suggests that this process is not random or chaotic, but rather "organized" in some way.

Overall, "There are two Ripenings—one—of sight" is a beautiful and thought-provoking poem that explores the nature of perception and the human experience. Through the use of metaphor and imagery, Dickinson suggests that the process of growth and development is cyclical and ultimately tied to the process of decay and decline. However, she also suggests that this process is meaningful and worthwhile, and that the pursuit of understanding and perception is a noble cause.

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