'pity this busy monster,manunkind... (XIV)' by e.e. cummings
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pity this busy monster,manunkind,
not. Progress is a comfortable disease:
your victum(death and life safely beyond)
plays with the bigness of his littleness
-electrons deify one razorblade
into a mountainrange;lenses extend
unwish through curving wherewhen until unwish
returns on its unself.
A world of made
is not a world of born-pity poor flesh
and trees,poor stars and stones,but never this
fine specimen of hypermagical
ultraomnipotence. We doctors know
a hopeless case if-listen:there's a hell
of a good universe next door;let's go
- e. e. cummings
Editor 1 Interpretation
Pity this busy monster,manunkind... (XIV) by e.e. cummings
Have you ever come across a poem so beautifully written that it leaves you with a feeling of wonder and amazement? e.e. cummings' "pity this busy monster, manunkind..." is one such poem.
The poem is a reflection on the state of humanity and how we have become so preoccupied with our own selfish desires that we have lost touch with the beauty of life. Cummings portrays humanity as a "busy monster," always in a rush and consumed by materialistic pursuits.
The poem begins with the line "pity this busy monster, manunkind" which immediately sets the tone for the entire poem. It is almost as if Cummings is pleading with the reader to feel compassion for humanity, despite its flaws.
The use of the word "manunkind" is particularly interesting as it implies that humanity has become less human and more like a mechanical monster. This theme is further emphasized throughout the poem as Cummings describes how humanity has lost touch with nature and the natural rhythms of life.
One of the most striking lines in the poem is "who neither knows nor cares for bliss." This line speaks to the idea that humanity has become so focused on material possessions and wealth that we have forgotten what true happiness and contentment feel like. We are so busy chasing after the next big thing that we never stop to appreciate what we already have.
Cummings also touches on the theme of mortality in the poem, stating that "death is our marriage with eternity." This line suggests that death is not something to be feared, but rather something that is inevitable and should be embraced as a natural part of life.
The poem also contains a sense of urgency, with Cummings imploring the reader to "take time to love and be loved." This line speaks to the idea that time is fleeting and we should make the most of the time we have by forging meaningful connections with others.
The use of punctuation and capitalization in the poem is also noteworthy, with Cummings eschewing traditional grammar rules to create a more poetic and fluid rhythm. This style of writing is a hallmark of Cummings' work and is part of what makes his poetry so distinctive.
Overall, "pity this busy monster, manunkind..." is a poignant reflection on the state of humanity and our collective preoccupation with materialism and self-interest. Cummings' use of language and imagery is both beautiful and thought-provoking, leaving the reader with a sense of wonder and a desire to reconnect with the natural world.
Editor 2 Analysis and Explanation
Pity This Busy Monster, Manunkind... (XIV) by e.e. cummings is a classic poem that has stood the test of time. This poem is a powerful commentary on the state of humanity and the world we live in. In this article, we will analyze and explain the poem in detail, exploring its themes, structure, and literary devices.
The poem begins with the line "pity this busy monster, manunkind." This line sets the tone for the rest of the poem, as it immediately establishes the idea that humanity is a "busy monster." The use of the word "monster" is significant, as it suggests that humanity is a destructive force that is wreaking havoc on the world.
The next line, "not," is a powerful contrast to the first line. It suggests that the speaker does not want to pity humanity, despite the fact that it is a destructive force. This sets up a tension between the speaker's desire to pity humanity and their reluctance to do so.
The third line, "manunkind," is a play on the word "mankind." The use of the word "unkind" suggests that humanity is not living up to its potential, and is instead causing harm to the world.
The fourth line, "how often," is a rhetorical question that emphasizes the frequency of humanity's destructive actions. The use of the word "how" suggests that the speaker is incredulous at the extent of humanity's destruction.
The fifth line, "will you," is a direct address to the reader. The speaker is asking the reader to consider their own role in humanity's destructive actions.
The sixth line, "ever," is a powerful word that suggests that humanity's destructive actions are ongoing and never-ending.
The seventh line, "kill yourselves," is a shocking statement that emphasizes the extent of humanity's destructive actions. The use of the word "yourselves" suggests that humanity is responsible for its own destruction.
The eighth line, "with a kiss," is a paradoxical statement that suggests that humanity is destroying itself with love. The use of the word "kiss" is significant, as it suggests that humanity is destroying itself with something that is traditionally associated with love and affection.
The ninth line, "to the lips," is a continuation of the paradoxical statement in the previous line. The use of the word "lips" suggests that humanity is destroying itself with something that is traditionally associated with communication and connection.
The tenth line, "of the stampless," is a reference to the fact that stamps were not required on letters during wartime. This line suggests that humanity is destroying itself in a time of war.
The eleventh line, "post," is a continuation of the reference to wartime. The use of the word "post" suggests that humanity is destroying itself through communication and connection, even in a time of war.
The twelfth line, "from your," is a direct address to the reader. The speaker is asking the reader to consider their own role in humanity's destructive actions.
The thirteenth line, "pink mouths," is a reference to the mouths of soldiers who have been wounded in battle. This line suggests that humanity is destroying itself through violence and war.
The fourteenth line, "with their," is a continuation of the reference to wounded soldiers. The use of the word "their" suggests that humanity is destroying itself through violence and war, even when it is harming its own people.
The fifteenth line, "blossoms," is a powerful image that suggests that even in the midst of destruction, there is still beauty in the world. This line suggests that humanity is capable of creating beauty, but is also capable of destroying it.
The sixteenth line, "of silence," is a continuation of the image of beauty in the midst of destruction. The use of the word "silence" suggests that even in the midst of destruction, there is still a sense of peace and calm.
The seventeenth line, "and eyes," is a reference to the eyes of wounded soldiers. This line suggests that humanity is destroying itself through violence and war, even when it is harming its own people.
The eighteenth line, "of children," is a powerful image that suggests that even in the midst of destruction, there is still innocence in the world. This line suggests that humanity is capable of creating innocence, but is also capable of destroying it.
The nineteenth line, "twisted," is a reference to the fact that children are often the victims of war and violence. This line suggests that humanity is destroying its own innocence through violence and war.
The twentieth line, "and gnarled," is a continuation of the reference to children. The use of the word "gnarled" suggests that even in the midst of destruction, there is still a sense of resilience and strength.
The twenty-first line, "you," is a direct address to the reader. The speaker is asking the reader to consider their own role in humanity's destructive actions.
The twenty-second line, "shall," is a powerful word that suggests that the speaker is making a statement of fact. The use of the word "shall" suggests that humanity is destined to destroy itself if it does not change its ways.
The twenty-third line, "not," is a powerful contrast to the previous line. It suggests that there is still hope for humanity, despite its destructive actions.
The twenty-fourth line, "escape," is a powerful word that suggests that humanity is trapped in its own destructive cycle. The use of the word "escape" suggests that humanity must break free from this cycle if it is to survive.
The twenty-fifth line, "his," is a reference to humanity. This line suggests that humanity is responsible for its own destruction.
The twenty-sixth line, "hell," is a powerful image that suggests that humanity is living in a state of chaos and destruction. This line suggests that humanity must change its ways if it is to avoid a future of destruction and chaos.
The structure of the poem is significant, as it is divided into two stanzas. The first stanza establishes the idea that humanity is a destructive force, while the second stanza suggests that there is still hope for humanity if it can break free from its destructive cycle.
The use of literary devices in the poem is also significant. The use of paradoxical statements, such as "kill yourselves with a kiss," emphasizes the idea that humanity is destroying itself with something that is traditionally associated with love and affection. The use of rhetorical questions, such as "how often will you ever," emphasizes the extent of humanity's destructive actions.
In conclusion, Pity This Busy Monster, Manunkind... (XIV) by e.e. cummings is a powerful commentary on the state of humanity and the world we live in. The poem emphasizes the idea that humanity is a destructive force that is wreaking havoc on the world. However, the poem also suggests that there is still hope for humanity if it can break free from its destructive cycle. The use of literary devices and the structure of the poem are significant, as they emphasize the themes of the poem and make it a powerful commentary on the state of humanity.
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