'The Hunting Of The Snark' by Lewis Carroll
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CONTENTS
Fit the First. The Landing
Fit the Second. The Bellman's Speech
Fit the Third. The Baker's Tale
Fit the Fourth. The Hunting
Fit the Fifth. The Beaver's Lesson
Fit the Sixth. The Barrister's Dream
Fit the Seventh. The Banker's Fate
Fit the Eighth. The Vanishing
Fit the First.
THE LANDING
"Just the place for a Snark!" the Bellman cried,
As he landed his crew with care;
Supporting each man on the top of the tide
By a finger entwined in his hair.
"Just the place for a Snark! I have said it twice:
That alone should encourage the crew.
Just the place for a Snark! I have said it thrice:
What I tell you three times is true."
The crew was complete: it included a Boots--
A maker of Bonnets and Hoods--
A Barrister, brought to arrange their disputes--
And a Broker, to value their goods.
A Billiard-marker, whose skill was immense,
Might perhaps have won more than his share--
But a Banker, engaged at enormous expense,
Had the whole of their cash in his care.
There was also a Beaver, that paced on the deck,
Or would sit making lace in the bow:
And had often (the Bellman said) saved them from wreck,
Though none of the sailors knew how.
There was one who was famed for the number of things
He forgot when he entered the ship:
His umbrella, his watch, all his jewels and rings,
And the clothes he had bought for the trip.
He had forty-two boxes, all carefully packed,
With his name painted clearly on each:
But, since he omitted to mention the fact,
They were all left behind on the beach.
The loss of his clothes hardly mattered, because
He had seven coats on when he came,
With three pair of boots--but the worst of it was,
He had wholly forgotten his name.
He would answer to "Hi!" or to any loud cry,
Such as "Fry me!" or "Fritter my wig!"
To "What-you-may-call-um!" or "What-was-his-name!"
But especially "Thing-um-a-jig!"
While, for those who preferred a more forcible word,
He had different names from these:
His intimate friends called him "Candle-ends,"
And his enemies "Toasted-cheese."
"His form in ungainly--his intellect small--"
(So the Bellman would often remark)
"But his courage is perfect! And that, after all,
Is the thing that one needs with a Snark."
He would joke with hy{ae}nas, returning their stare
With an impudent wag of the head:
And he once went a walk, paw-in-paw, with a bear,
"Just to keep up its spirits," he said.
He came as a Baker: but owned, when too late--
And it drove the poor Bellman half-mad--
He could only bake Bridecake--for which, I may state,
No materials were to be had.
The last of the crew needs especial remark,
Though he looked an incredible dunce:
He had just one idea--but, that one being "Snark,"
The good Bellman engaged him at once.
He came as a Butcher: but gravely declared,
When the ship had been sailing a week,
He could only kill Beavers. The Bellman looked scared,
And was almost too frightened to speak:
But at length he explained, in a tremulous tone,
There was only one Beaver on board;
And that was a tame one he had of his own,
Whose death would be deeply deplored.
The Beaver, who happened to hear the remark,
Protested, with tears in its eyes,
That not even the rapture of hunting the Snark
Could atone for that dismal surprise!
It strongly advised that the Butcher should be
Conveyed in a separate ship:
But the Bellman declared that would never agree
With the plans he had made for the trip:
Navigation was always a difficult art,
Though with only one ship and one bell:
And he feared he must really decline, for his part,
Undertaking another as well.
The Beaver's best course was, no doubt, to procure
A second-hand dagger-proof coat--
So the Baker advised it-- and next, to insure
Its life in some Office of note:
This the Banker suggested, and offered for hire
(On moderate terms), or for sale,
Two excellent Policies, one Against Fire,
And one Against Damage From Hail.
Yet still, ever after that sorrowful day,
Whenever the Butcher was by,
The Beaver kept looking the opposite way,
And appeared unaccountably shy.
II.--THE BELLMAN'S SPEECH.
Fit the Second.
THE BELLMAN'S SPEECH.
The Bellman himself they all praised to the skies--
Such a carriage, such ease and such grace!
Such solemnity, too! One could see he was wise,
The moment one looked in his face!
He had bought a large map representing the sea,
Without the least vestige of land:
And the crew were much pleased when they found it to be
A map they could all understand.
"What's the good of Mercator's North Poles and Equators,
Tropics, Zones, and Meridian Lines?"
So the Bellman would cry: and the crew would reply
"They are merely conventional signs!
"Other maps are such shapes, with their islands and capes!
But we've got our brave Captain to thank
(So the crew would protest) "that he's bought us the best--
A perfect and absolute blank!"
This was charming, no doubt; but they shortly found out
That the Captain they trusted so well
Had only one notion for crossing the ocean,
And that was to tingle his bell.
He was thoughtful and grave--but the orders he gave
Were enough to bewilder a crew.
When he cried "Steer to starboard, but keep her head larboard!"
What on earth was the helmsman to do?
Then the bowsprit got mixed with the rudder sometimes:
A thing, as the Bellman remarked,
That frequently happens in tropical climes,
When a vessel is, so to speak, "snarked."
But the principal failing occurred in the sailing,
And the Bellman, perplexed and distressed,
Said he had hoped, at least, when the wind blew due East,
That the ship would not travel due West!
But the danger was past--they had landed at last,
With their boxes, portmanteaus, and bags:
Yet at first sight the crew were not pleased with the view,
Which consisted to chasms and crags.
The Bellman perceived that their spirits were low,
And repeated in musical tone
Some jokes he had kept for a season of woe--
But the crew would do nothing but groan.
He served out some grog with a liberal hand,
And bade them sit down on the beach:
And they could not but own that their Captain looked grand,
As he stood and delivered his speech.
"Friends, Romans, and countrymen, lend me your ears!"
(They were all of them fond of quotations:
So they drank to his health, and they gave him three cheers,
While he served out additional rations).
"We have sailed many months, we have sailed many weeks,
(Four weeks to the month you may mark),
But never as yet ('tis your Captain who speaks)
Have we caught the least glimpse of a Snark!
"We have sailed many weeks, we have sailed many days,
(Seven days to the week I allow),
But a Snark, on the which we might lovingly gaze,
We have never beheld till now!
"Come, listen, my men, while I tell you again
The five unmistakable marks
By which you may know, wheresoever you go,
The warranted genuine Snarks.
"Let us take them in order. The first is the taste,
Which is meagre and hollow, but crisp:
Like a coat that is rather too tight in the waist,
With a flavour of Will-o-the-wisp.
"Its habit of getting up late you'll agree
That it carries too far, when I say
That it frequently breakfasts at five-o'clock tea,
And dines on the following day.
"The third is its slowness in taking a jest.
Should you happen to venture on one,
It will sigh like a thing that is deeply distressed:
And it always looks grave at a pun.
"The fourth is its fondness for bathing-machines,
Which is constantly carries about,
And believes that they add to the beauty of scenes--
A sentiment open to doubt.
"The fifth is ambition. It next will be right
To describe each particular batch:
Distinguishing those that have feathers, and bite,
From those that have whiskers, and scratch.
"For, although common Snarks do no manner of harm,
Yet, I feel it my duty to say,
Some are Boojums--" The Bellman broke off in alarm,
For the Baker had fainted away.
FIT III.--THE BAKER'S TALE.
Fit the Third.
THE BAKER'S TALE.
They roused him with muffins--they roused him with ice--
They roused him with mustard and cress--
They roused him with jam and judicious advice--
They set him conundrums to guess.
When at length he sat up and was able to speak,
His sad story he offered to tell;
And the Bellman cried "Silence! Not even a shriek!"
And excitedly tingled his bell.
There was silence supreme! Not a shriek, not a scream,
Scarcely even a howl or a groan,
As the man they called "Ho!" told his story of woe
In an antediluvian tone.
"My father and mother were honest, though poor--"
"Skip all that!" cried the Bellman in haste.
"If it once becomes dark, there's no chance of a Snark--
We have hardly a minute to waste!"
"I skip forty years," said the Baker, in tears,
"And proceed without further remark
To the day when you took me aboard of your ship
To help you in hunting the Snark.
"A dear uncle of mine (after whom I was named)
Remarked, when I bade him farewell--"
"Oh, skip your dear uncle!" the Bellman exclaimed,
As he angrily tingled his bell.
"He remarked to me then," said that mildest of men,
" 'If your Snark be a Snark, that is right:
Fetch it home by all means--you may serve it with greens,
And it's handy for striking a light.
" 'You may seek it with thimbles--and seek it with care;
You may hunt it with forks and hope;
You may threaten its life with a railway-share;
You may charm it with smiles and soap--' "
("That's exactly the method," the Bellman bold
In a hasty parenthesis cried,
"That's exactly the way I have always been told
That the capture of Snarks should be tried!")
" 'But oh, beamish nephew, beware of the day,
If your Snark be a Boojum! For then
You will softly and suddenly vanish away,
And never be met with again!'
"It is this, it is this that oppresses my soul,
When I think of my uncle's last words:
And my heart is like nothing so much as a bowl
Brimming over with quivering curds!
"It is this, it is this--" "We have had that before!"
The Bellman indignantly said.
And the Baker replied "Let me say it once more.
It is this, it is this that I dread!
"I engage with the Snark--every night after dark--
In a dreamy delirious fight:
I serve it with greens in those shadowy scenes,
And I use it for striking a light:
"But if ever I meet with a Boojum, that day,
In a moment (of this I am sure),
I shall softly and suddenly vanish away--
And the notion I cannot endure!"
FIT IV.--THE HUNTING.
Fit the fourth.
THE HUNTING.
The Bellman looked uffish, and wrinkled his brow.
"If only you'd spoken before!
It's excessively awkward to mention it now,
With the Snark, so to speak, at the door!
"We should all of us grieve, as you well may believe,
If you never were met with again--
But surely, my man, when the voyage began,
You might have suggested it then?
"It's excessively awkward to mention it now--
As I think I've already remarked."
And the man they called "Hi!" replied, with a sigh,
"I informed you the day we embarked.
"You may charge me with murder--or want of sense--
(We are all of us weak at times):
But the slightest approach to a false pretence
Was never among my crimes!
"I said it in Hebrew--I said it in Dutch--
I said it in German and Greek:
But I wholly forgot (and it vexes me much)
That English is what you speak!"
"'Tis a pitiful tale," said the Bellman, whose face
Had grown longer at every word:
"But, now that you've stated the whole of your case,
More debate would be simply absurd.
"The rest of my speech" (he explained to his men)
"You shall hear when I've leisure to speak it.
But the Snark is at hand, let me tell you again!
'Tis your glorious duty to seek it!
"To seek it with thimbles, to seek it with care;
To pursue it with forks and hope;
To threaten its life with a railway-share;
To charm it with smiles and soap!
"For the Snark's a peculiar creature, that won't
Be caught in a commonplace way.
Do all that you know, and try all that you don't:
Not a chance must be wasted to-day!
"For England expects--I forbear to proceed:
'Tis a maxim tremendous, but trite:
And you'd best be unpacking the things that you need
To rig yourselves out for the fight."
Then the Banker endorsed a blank check (which he crossed),
And changed his loose silver for notes.
The Baker with care combed his whiskers and hair,
And shook the dust out of his coats.
The Boots and the Broker were sharpening a spade--
Each working the grindstone in turn:
But the Beaver went on making lace, and displayed
No interest in the concern:
Though the Barrister tried to appeal to its pride,
And vainly proceeded to cite
A number of cases, in which making laces
Had been proved an infringement of right.
The maker of Bonnets ferociously planned
A novel arrangement of bows:
While the Billiard-marker with quivering hand
Was chalking the tip of his nose.
But the Butcher turned nervous, and dressed himself fine,
With yellow kid gloves and a ruff--
Said he felt it exactly like going to dine,
Which the Bellman declared was all "stuff."
"Introduce me, now there's a good fellow," he said,
"If we happen to meet it together!"
And the Bellman, sagaciously nodding his head,
Said "That must depend on the weather."
The Beaver went simply galumphing about,
At seeing the Butcher so shy:
And even the Baker, though stupid and stout,
Made an effort to wink with one eye.
"Be a man!" said the Bellman in wrath, as he heard
The Butcher beginning to sob.
"Should we meet with a Jubjub, that desperate bird,
We shall need all our strength for the job!"
FIT V.--THE BEAVER'S LESSON.
Fit the Fifth.
THE BEAVER'S LESSON.
They sought it with thimbles, they sought it with care;
They pursued it with forks and hope;
They threatened its life with a railway-share;
They charmed it with smiles and soap.
Then the Butcher contrived an ingenious plan
For making a separate sally;
And had fixed on a spot unfrequented by man,
A dismal and desolate valley.
But the very same plan to the Beaver occurred:
It had chosen the very same place:
Yet neither betrayed, by a sign or a word,
The disgust that appeared in his face.
Each thought he was thinking of nothing but "Snark"
And the glorious work of the day;
And each tried to pretend that he did not remark
That the other was going that way.
But the valley grew narrow and narrower still,
And the evening got darker and colder,
Till (merely from nervousness, not from goodwill)
They marched along shoulder to shoulder.
Then a scream, shrill and high, rent the shuddering sky,
And they knew that some danger was near:
The Beaver turned pale to the tip of its tail,
And even the Butcher felt queer.
He thought of his childhood, left far far behind--
That blissful and innocent state--
The sound so exactly recalled to his mind
A pencil that squeaks on a slate!
"'Tis the voice of the Jubjub!" he suddenly cried.
(This man, that they used to call "Dunce.")
"As the Bellman would tell you," he added with pride,
"I have uttered that sentiment once.
"'Tis the note of the Jubjub! Keep count, I entreat;
You will find I have told it you twice.
Tis the song of the Jubjub! The proof is complete,
If only I've stated it thrice."
The Beaver had counted with scrupulous care,
Attending to every word:
But it fairly lost heart, and outgrabe in despair,
When the third repetition occurred.
It felt that, in spite of all possible pains,
It had somehow contrived to lose count,
And the only thing now was to rack its poor brains
By reckoning up the amount.
"Two added to one--if that could but be done,"
It said, "with one's fingers and thumbs!"
Recollecting with tears how, in earlier years,
It had taken no pains with its sums.
"The thing can be done," said the Butcher, "I think.
The thing must be done, I am sure.
The thing shall be done! Bring me paper and ink,
The best there is time to procure."
The Beaver brought paper, portfolio, pens,
And ink in unfailing supplies:
While strange creepy creatures came out of their dens,
And watched them with wondering eyes.
So engrossed was the Butcher, he heeded them not,
As he wrote with a pen in each hand,
And explained all the while in a popular style
Which the Beaver could well understand.
"Taking Three as the subject to reason about--
A convenient number to state--
We add Seven, and Ten, and then multiply out
By One Thousand diminished by Eight.
"The result we proceed to divide, as you see,
By Nine Hundred and Ninety and Two:
Then subtract Seventeen, and the answer must be
Exactly and perfectly true.
"The method employed I would gladly explain,
While I have it so clear in my head,
If I had but the time and you had but the brain--
But much yet remains to be said.
"In one moment I've seen what has hitherto been
Enveloped in absolute mystery,
And without extra charge I will give you at large
A Lesson in Natural History."
In his genial way he proceeded to say
(Forgetting all laws of propriety,
And that giving instruction, without introduction,
Would have caused quite a thrill in Society),
"As to temper the Jubjub's a desperate bird,
Since it lives in perpetual passion:
Its taste in costume is entirely absurd--
It is ages ahead of the fashion:
"But it knows any friend it has met once before:
It never will look at a bride:
And in charity-meetings it stands at the door,
And collects--though it does not subscribe.
"Its flavour when cooked is more exquisite far
Than mutton, or oysters, or eggs:
(Some think it keeps best in an ivory jar,
And some, in mahogany kegs:)
"You boil it in sawdust: you salt it in glue:
You condense it with locusts and tape:
Still keeping one principal object in view--
To preserve its symmetrical shape."
The Butcher would gladly have talked till next day,
But he felt that the Lesson must end,
And he wept with delight in attempting to say
He considered the Beaver his friend.
While the Beaver confessed, with affectionate looks
More eloquent even than tears,
It had learned in ten minutes far more than all books
Would have taught it in seventy years.
They returned hand-in-hand, and the Bellman, unmanned
(For a moment) with noble emotion,
Said "This amply repays all the wearisome days
We have spent on the billowy ocean!"
Such friends, as the Beaver and Butcher became,
Have seldom if ever been known;
In winter or summer, 'twas always the same--
You could never meet either alone.
And when quarrels arose--as one frequently finds
Quarrels will, spite of every endeavour--
The song of the Jubjub recurred to their minds,
And cemented their friendship for ever!
FIT VI.--THE BARRISTER'S DREAM.
Fit the Sixth.
THE BARRISTER'S DREAM.
They sought it with thimbles, they sought it with care;
They pursued it with forks and hope;
They threatened its life with a railway-share;
They charmed it with smiles and soap.
But the Barrister, weary of proving in vain
That the Beaver's lace-making was wrong,
Fell asleep, and in dreams saw the creature quite plain
That his fancy had dwelt on so long.
He dreamed that he stood in a shadowy Court,
Where the Snark, with a glass in its eye,
Dressed in gown, bands, and wig, was defending a pig
On the charge of deserting its sty.
The Witnesses proved, without error or flaw,
That the sty was deserted when found:
And the Judge kept explaining the state of the law
In a soft under-current of sound.
The indictment had never been clearly expressed,
And it seemed that the Snark had begun,
And had spoken three hours, before any one guessed
What the pig was supposed to have done.
The Jury had each formed a different view
(Long before the indictment was read),
And they all spoke at once, so that none of them knew
One word that the others had said.
"You must know ---" said the Judge: but the Snark exclaimed "Fudge!"
That statute is obsolete quite!
Let me tell you, my friends, the whole question depends
On an ancient manorial right.
"In the matter of Treason the pig would appear
To have aided, but scarcely abetted:
While the charge of Insolvency fails, it is clear,
If you grant the plea 'never indebted.'
"The fact of Desertion I will not dispute;
But its guilt, as I trust, is removed
(So far as relates to the costs of this suit)
By the Alibi which has been proved.
"My poor client's fate now depends on your votes."
Here the speaker sat down in his place,
And directed the Judge to refer to his notes
And briefly to sum up the case.
But the Judge said he never had summed up before;
So the Snark undertook it instead,
And summed it so well that it came to far more
Than the Witnesses ever had said!
When the verdict was called for, the Jury declined,
As the word was so puzzling to spell;
But they ventured to hope that the Snark wouldn't mind
Undertaking that duty as well.
So the Snark found the verdict, although, as it owned,
It was spent with the toils of the day:
When it said the word "GUILTY!" the Jury all groaned,
And some of them fainted away.
Then the Snark pronounced sentence, the Judge being quite
Too nervous to utter a word:
When it rose to its feet, there was silence like night,
And the fall of a pin might be heard.
"Transportation for life" was the sentence it gave,
"And then to be fined forty pound."
The Jury all cheered, though the Judge said he feared
That the phrase was not legally sound.
But their wild exultation was suddenly checked
When the jailer informed them, with tears,
Such a sentence would have not the slightest effect,
As the pig had been dead for some years.
The Judge left the Court, looking deeply disgusted:
But the Snark, though a little aghast,
As the lawyer to whom the defence was intrusted,
Went bellowing on to the last.
Thus the Barrister dreamed, while the bellowing seemed
To grow every moment more clear:
Till he woke to the knell of a furious bell,
Which the Bellman rang close at his ear.
FIT VII.--THE BANKER'S FATE.
Fit the Seventh.
THE BANKER'S FATE.
They sought it with thimbles, they sought it with care;
They pursued it with forks and hope;
They threatened its life with a railway-share;
They charmed it with smiles and soap.
And the Banker, inspired with a courage so new
It was matter for general remark,
Rushed madly ahead and was lost to their view
In his zeal to discover the Snark
But while he was seeking with thimbles and care,
A Bandersnatch swiftly drew nigh
And grabbed at the Banker, who shrieked in despair,
For he knew it was useless to fly.
He offered large discount--he offered a cheque
(Drawn "to bearer") for seven-pounds-ten:
But the Bandersnatch merely extended its neck
And grabbed at the Banker again.
Without rest or pause--while those frumious jaws
Went savagely snapping around--
He skipped and he hopped, and he floundered and flopped,
Till fainting he fell to the ground.
The Bandersnatch fled as the others appeared
Led on by that fear-stricken yell:
And the Bellman remarked "It is just as I feared!"
And solemnly tolled on his bell.
He was black in the face, and they scarcely could trace
The least likeness to what he had been:
While so great was his fright that his waistcoat turned white--
A wonderful thing to be seen!
To the horror of all who were present that day,
He uprose in full evening dress,
And with senseless grimaces endeavoured to say
What his tongue could no longer express.
Down he sank in a chair--ran his hands through his hair--
And chanted in mimsiest tones
Words whose utter inanity proved his insanity,
While he rattled a couple of bones.
"Leave him here to his fate--it is getting so late!"
The Bellman exclaimed in a fright.
"We have lost half the day. Any further delay,
And we sha'nt catch a Snark before night!"
FIT VIII.--THE VANISHING.
Fit the Eighth.
THE VANISHING.
They sought it with thimbles, they sought it with care;
They pursued it with forks and hope;
They threatened its life with a railway-share;
They charmed it with smiles and soap.
They shuddered to think that the chase might fail,
And the Beaver, excited at last,
Went bounding along on the tip of its tail,
For the daylight was nearly past.
"There is Thingumbob shouting!" the Bellman said,
"He is shouting like mad, only hark!
He is waving his hands, he is wagging his head,
He has certainly found a Snark!"
They gazed in delight, while the Butcher exclaimed
"He was always a desperate wag!"
They beheld him--their Baker--their hero unnamed--
On the top of a neighbouring crag,
Erect and sublime, for one moment of time
In the next, that wild figure they saw
(As if stung by a spasm) plunge into a chasm,
While they waited and listened in awe.
"It's a Snark!" was the sound that first came to their ears,
And seemed almost too good to be true.
Then followed a torrent of laughter and cheers:
Then the ominous words "It's a Boo-"
Then, silence. Some fancied they heard in the air
A weary and wandering sigh
Then sounded like "-jum!" but the others declare
It was only a breeze that went by.
They hunted till darkness came on, but they found
Not a button, or feather, or mark,
By which they could tell that they stood on the ground
Where the Baker had met with the Snark.
In the midst of the word he was trying to say,
In the midst of his laughter and glee,
He had softly and suddenly vanished away---
For the Snark was a Boojum, you see.
THE END.
Editor 1 Interpretation
The Hunting Of The Snark: A Masterpiece of Nonsense
When we talk about Lewis Carroll, the first thing that comes to our mind is his iconic creation, Alice’s Adventures in Wonderland. However, there’s another work by Carroll that deserves equal recognition - The Hunting of the Snark. Published in 1876, this poem is a masterpiece of nonsense literature that has enchanted readers for over a century. In this literary criticism and interpretation, we’ll explore the various themes and motifs in The Hunting of the Snark, and examine how Lewis Carroll’s unique style of writing makes this poem an enduring classic.
The Plot
The Hunting of the Snark is a narrative poem that tells the story of a group of adventurers who go on a quest to hunt a mythical creature called the Snark. The poem is divided into eight chapters, each of which describes a different stage of the journey. The adventurers, who are named only by their professions, include a Bellman, a Boots, a Barrister, a Broker, a Billiard-marker, a Banker, a Beaver, and a Butcher. Together, they set out on a ship called the “Bellman’s” to search for the Snark.
As the adventurers journey through strange and wondrous lands, they encounter a variety of bizarre creatures such as the Bandersnatch, the Jubjub bird, and the Boojum. Along the way, they also face numerous challenges and obstacles, including a treacherous sea, a dangerous maze, and a mysterious island. Ultimately, however, the adventurers succeed in finding the Snark - or do they?
Themes and Motifs
One of the most striking features of The Hunting of the Snark is its use of wordplay and nonsense. Carroll was a master of language, and he used his skills to create a poem that is both whimsical and profound. At its core, The Hunting of the Snark is a satire on the human desire for knowledge and understanding. The adventurers’ quest for the Snark can be seen as a metaphor for the search for truth, and the obstacles they face represent the many challenges and illusions that can distract us from our goal.
Another important theme in The Hunting of the Snark is the idea of identity and self-awareness. The adventurers are named only by their professions, suggesting that they are defined by their work rather than their individuality. As they journey through strange and unfamiliar lands, they are forced to confront their own limitations and biases. The Bellman, for example, is a strict disciplinarian who is obsessed with order and rules. However, his rigidity is ultimately his downfall, as he is unable to adapt to the changing circumstances of the journey.
Carroll also employs a number of motifs throughout the poem that add depth and complexity to the story. One of the most prominent motifs is that of mirrors and reflections. In several chapters of the poem, the adventurers encounter mirrors that reflect distorted or incomplete versions of themselves. These mirrors represent the idea that our perception of reality is often shaped by our own biases and assumptions. The motif of mirrors also ties into the theme of identity, as it suggests that our sense of self is constantly shifting and mutable.
Another important motif in The Hunting of the Snark is that of circularity and repetition. Throughout the poem, the adventurers encounter a number of situations and characters that seem to repeat themselves. For example, the Bellman repeatedly issues orders that are ignored or misunderstood by the other adventurers. The motif of circularity suggests that our lives are often defined by patterns and cycles, and that true progress can only be achieved by breaking free from these cycles.
Style and Structure
The Hunting of the Snark is written in Carroll’s distinctive style, which combines humor, wordplay, and a sense of whimsy. Carroll’s use of language is particularly noteworthy, as he employs numerous puns, portmanteaus, and other linguistic devices to create a sense of playfulness and absurdity. For example, in the first chapter of the poem, the Bellman declares that the Snark can be caught “with soap, bubbles, and lather”. This pun on the phrase “soap, opera, and laughter” is typical of Carroll’s style, and serves to establish the whimsical tone of the poem.
The structure of The Hunting of the Snark is also noteworthy. The poem is divided into eight chapters, each of which has a distinct tone and style. Some chapters are written in rhyming verse, while others are written in prose. This variation in style serves to keep the reader engaged and prevent the poem from becoming monotonous. Additionally, Carroll employs a number of literary devices such as repetition, alliteration, and assonance to create a sense of rhythm and musicality.
Conclusion
In conclusion, The Hunting of the Snark is a masterpiece of nonsense literature that has captivated readers for over a century. Through its use of wordplay, imagery, and absurdity, Lewis Carroll creates a world that is both hilarious and profound. The poem’s themes of identity, circularity, and the search for truth are as relevant today as they were when the poem was first published. Overall, The Hunting of the Snark is a testament to Carroll’s genius and a testament to the enduring power of the imagination.
Editor 2 Analysis and Explanation
The Hunting of the Snark: A Masterpiece of Nonsense Poetry
Lewis Carroll, the author of Alice’s Adventures in Wonderland, is known for his whimsical and imaginative writing style. His poem, The Hunting of the Snark, is no exception. This classic piece of nonsense poetry is a masterpiece of wordplay, absurdity, and satire. In this article, we will explore the themes, structure, and literary devices used in The Hunting of the Snark.
The poem tells the story of a group of adventurers who set out to hunt a mysterious creature called the Snark. The crew consists of a Bellman, a Boots, a Bonnet-maker, a Barrister, a Broker, a Billiard-marker, a Banker, and a Butcher. Each character has a specific role to play in the hunt, and they all have their own quirks and personalities.
The poem is divided into eight “fits,” or chapters, each with its own distinct tone and style. The first fit sets the scene and introduces the characters. The second fit describes the journey to the Snark’s supposed location, and the third fit is a dialogue between the Bellman and the crew about the nature of the Snark. The fourth fit is a parody of a Shakespearean play, complete with iambic pentameter and rhyming couplets.
The fifth fit is perhaps the most famous, as it contains the poem’s most memorable lines: “For the Snark was a Boojum, you see.” This line has been interpreted in many different ways, but it is generally agreed that the Boojum represents death or annihilation. The sixth fit is a parody of a Victorian morality tale, and the seventh fit is a surreal dream sequence.
The final fit is the most enigmatic, as it ends with the crew disappearing without a trace. Some critics have suggested that the poem is a commentary on the futility of human endeavors, while others see it as a satire of Victorian society and its obsession with progress and achievement.
One of the most striking features of The Hunting of the Snark is its use of wordplay and nonsense. Carroll was a master of creating new words and phrases, and the poem is full of them. For example, the Snark is described as having “jubjub” eyes and a “bandersnatch” head. These words have no clear meaning, but they add to the poem’s sense of whimsy and playfulness.
Another literary device used in the poem is repetition. The refrain “For the Snark was a Boojum, you see” is repeated several times throughout the poem, creating a sense of foreboding and unease. The repetition of certain phrases and words also adds to the poem’s musicality and rhythm.
The Hunting of the Snark is also notable for its use of parody and satire. The fourth fit, which parodies a Shakespearean play, is a prime example of this. The poem also satirizes Victorian society and its values, particularly its obsession with progress and achievement. The crew’s quest for the Snark can be seen as a metaphor for this obsession, as they are willing to risk everything to achieve their goal.
In conclusion, The Hunting of the Snark is a masterpiece of nonsense poetry that showcases Lewis Carroll’s unique writing style. The poem’s use of wordplay, repetition, parody, and satire creates a surreal and whimsical world that is both entertaining and thought-provoking. Its themes of futility, mortality, and societal values are still relevant today, making it a timeless classic that will continue to be enjoyed by generations to come.
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